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18th Century Art

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Period: 18th Century
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

Old Masters 18th Century Art

Materials

Laid Paper, Engraving

Saint Raphael the Archangel – Antique Spanish Religious Oil Painting
Saint Raphael the Archangel – Antique Spanish Religious Oil Painting

Saint Raphael the Archangel – Antique Spanish Religious Oil Painting

Located in Sant Celoni, ES

Spanish School – Saint Raphael the Archangel – Oil on Canvas – An impressive late 18th-century religious oil painting depicting Saint Raphael the Archangel, traditionally associate...

Category

Old Masters 18th Century Art

Materials

Canvas, Oil

Italian School – Nativity of Christ – Large Religious Oil Painting
Italian School – Nativity of Christ – Large Religious Oil Painting

Italian School – Nativity of Christ – Large Religious Oil Painting

Located in Sant Celoni, ES

Italian School – Nativity of Christ – 18th Century – Oil on Canvas – 94 × 130 cm Oil on canvas. Unsigned. Artwork: 94 × 130 cm (37 × 51.2 in.). Framed: 114 × 149 cm (44.9 × 58.7 in.)...

Category

Old Masters 18th Century Art

Materials

Canvas, Oil

Architectural Model in Polychrome Marble of a 18th-Century Baroque-Style Shrine
Architectural Model in Polychrome Marble of a 18th-Century Baroque-Style Shrine

Architectural Model in Polychrome Marble of a 18th-Century Baroque-Style Shrine

By Andrea Fantoni

Located in Roma, Lazio

An exceptional model of a small, ornamental semicircular temple from the 18th century, carved from polychrome marbles—Broccatello from Spain, Siena Yellow, Statuary White, and Langue...

Category

Baroque 18th Century Art

Materials

Marble

Antique 18th Century portrait painting of The Marquis des Reaulx by Largilliere
Antique 18th Century portrait painting of The Marquis des Reaulx by Largilliere

Antique 18th Century portrait painting of The Marquis des Reaulx by Largilliere

By Nicolas de Largillière

Located in St. Albans, GB

The Marquis des Reaulx attributed to Nicolas de Largilliere. Circa 1730 Oil on canvas. Unsigned but carrying the Marquis des Reaulx coat of arms. Nicolas de Largilliere rarely signed...

Category

Rococo 18th Century Art

Materials

Canvas, Oil

18th Century Italian Oil Madonna & Child with St. John the Baptist after Raphael
18th Century Italian Oil Madonna & Child with St. John the Baptist after Raphael

18th Century Italian Oil Madonna & Child with St. John the Baptist after Raphael

Located in Cirencester, Gloucestershire

Madonna and Child with St. John the Baptist Italian artist, 18th century, after the earlier painting by Raphael, unsigned oil on wood panel, framed in an Empire, gilt moulded frame F...

Category

Renaissance 18th Century Art

Materials

Oil

Early 18th-Century Italian Venetian Portrait Painting Tempera on Glass
Early 18th-Century Italian Venetian Portrait Painting Tempera on Glass

Early 18th-Century Italian Venetian Portrait Painting Tempera on Glass

Located in Roma, IT

Early 18th-Century Italian Venetian Portrait Painting on Glass This wonderful early 18th-century portrait of a lady holding a small dog is a classic example of reverse glass painting...

Category

Old Masters 18th Century Art

Materials

Glass, Tempera

18th Century German Old Master Portrait of an Elderly Bearded Man
18th Century German Old Master Portrait of an Elderly Bearded Man

18th Century German Old Master Portrait of an Elderly Bearded Man

By Christian Wilhelm Ernst Dietrich

Located in Stockholm, SE

Circle of Christian Wilhelm Ernst Dietrich (1712–1774) Germany Head of an Elderly Bearded Man oil on panel unframed 28 × 22.5 cm (11 × 8.9 in) framed 44.5 × 38.5 cm (17.5 × 15.2 in...

Category

Old Masters 18th Century Art

Materials

Oil, Wood Panel

A Dutch Whaling Fleet off the Greenland Coast
A Dutch Whaling Fleet off the Greenland Coast

A Dutch Whaling Fleet off the Greenland Coast

Located in Stoke, Hampshire

Adam Silo (1674-1764) A Dutch Whaling Fleet off the Greenland Coast Oil on canvas No visible signature Canvas Size 16 7/8 x 24 3/8 in Framed Size 24 x 31 1/2 in Provenance With Fran...

Category

Old Masters 18th Century Art

Materials

Oil

Fine Pair 1700's Portraits of Moorish Prince and Princess in Carved Wood Frames
Fine Pair 1700's Portraits of Moorish Prince and Princess in Carved Wood Frames

Fine Pair 1700's Portraits of Moorish Prince and Princess in Carved Wood Frames

Located in Cirencester, Gloucestershire

Circle of Jean Baptiste Vanmour (French, 1671–1737) Portraits of a Moorish Prince and Princess c. 1700 Pair of oil paintings on canvas, unsigned framed in carved gilt wood frames D...

Category

Old Masters 18th Century Art

Materials

Canvas, Oil

A classical view of a Mediterranean port
A classical view of a Mediterranean port

A classical view of a Mediterranean port

Located in Stoke, Hampshire

Circle of Charles-François Lacroix de Marseilles (c. 1700-1782) A mediterranean port Oil on canvas Canvas size - 26 3/4 x 34 1/4 in Framed size - 34 x 40 in Provenance With Norman A...

Category

Old Masters 18th Century Art

Materials

Oil

The Fossane (Malagasy Civet) /// Peter Brown African Big Cat Tiger Hand-Colored
The Fossane (Malagasy Civet) /// Peter Brown African Big Cat Tiger Hand-Colored

The Fossane (Malagasy Civet) /// Peter Brown African Big Cat Tiger Hand-Colored

Located in Saint Augustine, FL

Artist: Peter Brown (English, Active: c.1758-1799) Title: "The Fossane (Malagasy Civet)" (Plate XLIII - 43) Portfolio: New Illustrations of Zoology, Containing Fifty Coloured Plates ...

Category

Old Masters 18th Century Art

Materials

Watercolor, Laid Paper, Intaglio, Engraving

Rough Seas
Rough Seas

Rough Seas

By Peter Monamy

Located in Stoke, Hampshire

Peter Monamy (London 1681-1749) Rough Seas Oil on canvas Signed lower right Canvas Size 18 x 24 in Framed Size 23 x 30 in Peter Monamy was an acclaimed British marine painter of the...

Category

Old Masters 18th Century Art

Materials

Oil

Fine 18th Century Italian Classical Huge Oil Painting Figures Animals Landscape
Fine 18th Century Italian Classical Huge Oil Painting Figures Animals Landscape

Fine 18th Century Italian Classical Huge Oil Painting Figures Animals Landscape

By Jan Frans van Bloemen (Orizzonte)

Located in Cirencester, Gloucestershire

Figures & Animals in Classical Landscape circle of Jans Frans Van Bloemen (Orizzonte 1662 - 1749), unsigned oil on canvas, framed framed: 28.5 x 42.5 inches canvas: 19 x 34 inch...

Category

Old Masters 18th Century Art

Materials

Oil

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT
AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

Located in Santa Monica, CA

AMERICAN REVOLUTION THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT, 1774 (LC Cresswell 664). Engraving and etching. Originally from "The London Magazine", April 1774. Pl...

Category

Old Masters 18th Century Art

Materials

Engraving

Marble sculpture St. Sebastian Italy 18th century
Marble sculpture St. Sebastian Italy 18th century

Marble sculpture St. Sebastian Italy 18th century

Located in Pistoia, IT

Marble sculpture in the round depicting St. Sebastian, Tuscan workshop, 18th century. The sculpture is taken from the fifteenth-century prototype by Benedetto da Maiano (Florence, 1...

Category

Italian School 18th Century Art

Materials

Marble

Fine 18th Century Italian Classical Huge Oil Painting Figures Animals Landscape
Fine 18th Century Italian Classical Huge Oil Painting Figures Animals Landscape

Fine 18th Century Italian Classical Huge Oil Painting Figures Animals Landscape

By Jan Frans van Bloemen (Orizzonte)

Located in Cirencester, Gloucestershire

Figures & Animals in Classical Landscape circle of Jans Frans Van Bloemen (Orizzonte 1662 - 1749), unsigned oil on canvas, framed framed: 28.5 x 42.5 inches canvas: 19 x 34 inches P...

Category

Old Masters 18th Century Art

Materials

Oil

Fine Italian Old Master Oil Painting c. 1700's The Madonna Christ Child St. John
Fine Italian Old Master Oil Painting c. 1700's The Madonna Christ Child St. John

Fine Italian Old Master Oil Painting c. 1700's The Madonna Christ Child St. John

Located in Cirencester, Gloucestershire

The Madonna, Christ Child and St. John Italian Old Master, circa 1700's period oil painting on canvas, unframed Canvas: 28.5 x 24 inches conditon: overall very good for its age, a fe...

Category

Old Masters 18th Century Art

Materials

Canvas, Oil

Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto
Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto

Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto

Located in Middletown, NY

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

Category

Rajput 18th Century Art

Materials

Gold

Mughal School, 18th century – Emperor Jahangir dancing with his harem attendees
Mughal School, 18th century – Emperor Jahangir dancing with his harem attendees

Mughal School, 18th century – Emperor Jahangir dancing with his harem attendees

Located in Middletown, NY

A joyful scene of lighthearted merriment in the palace of Jangahir Mahal Agra Circa 1750. Gouache and ink with gold heightening on light weight cream laid paper, 8 1/4 x 6 inches (2...

Category

Rajput 18th Century Art

Materials

Gold

Painting Landscape with Figures Oil on canvas. Dutch school of the 18th century.
Painting Landscape with Figures Oil on canvas. Dutch school of the 18th century.

Painting Landscape with Figures Oil on canvas. Dutch school of the 18th century.

Located in Milan, IT

Oil on Canvas. Dutch school of the 18th century. The painting was previously attributed to the painter and engraver Pieter de Molijn (1595–1661), whom contemporary art historians con...

Category

18th Century Art

Materials

Oil

Huge 18th Century Italian Old Master Oil Painting Still Life Fruit in Basket
Huge 18th Century Italian Old Master Oil Painting Still Life Fruit in Basket

Huge 18th Century Italian Old Master Oil Painting Still Life Fruit in Basket

Located in Cirencester, Gloucestershire

Classical Still Life of Fruit in Basket with other objects Italian artist, 18th century oil on canvas, unframed canvas: 24.5 x 33 inches provenance: private collection, UK condition:...

Category

Old Masters 18th Century Art

Materials

Oil

Huge 18th Century Italian Old Master Oil Painting Figures & Animals Arcadian
Huge 18th Century Italian Old Master Oil Painting Figures & Animals Arcadian

Huge 18th Century Italian Old Master Oil Painting Figures & Animals Arcadian

Located in Cirencester, Gloucestershire

The Arcadian Landscape Italian School, 18th century oil painting on canvas, unframed canvas size: 32 x 40 inches condition: excellent condition for its age, fully restored. provenance: from a private collection in Paris, France. Large scale classical 18th century Italian Old Master...

Category

Old Masters 18th Century Art

Materials

Canvas, Oil

The Famous racehorse 'Flying Childers' held by a groom
The Famous racehorse 'Flying Childers' held by a groom

The Famous racehorse 'Flying Childers' held by a groom

By Thomas Spencer

Located in Stoke, Hampshire

Thomas Spencer (c.1740-1756) The Famous racehorse 'Flying Childers' held by a groom Oil on canvas Not Signed Canvas size 25 x 30 in Framed size 33 x 38 in Flying Childers was one of...

Category

Old Masters 18th Century Art

Materials

Oil

A British Man O’War in distress on a rocky coast in a storm
A British Man O’War in distress on a rocky coast in a storm

A British Man O’War in distress on a rocky coast in a storm

Located in Stoke, Hampshire

Johann c. van der Hagen (1676-c.1745) A British Man O’War in distress on a rocky coast in a storm Signed 'J. vanderhagen' lower right Oil on canvas Canvas size - 38 1/2 x 51 in Framed size - 46 x 59 in Provenance The Collection the Most Hon. Marquis of Headfort at Headfort, Kells, Co. Meath; His sale, Christie's, Important Old Master Paintings, 29 November 1968, Lot 28; Private Collection, Oxfordshire Johann C. van der Hagen was a Dutch-born marine and landscape painter whose atmospheric depictions of ships, storms, and coastal scenes earned him recognition in Britain and Ireland during the first half of the eighteenth century. Although relatively obscure today, he was among the group of continental artists who helped shape the development of maritime painting outside the Netherlands during the late Baroque period. Born in The Hague in May 1676, van der Hagen trained within the strong Dutch tradition of marine painting that had flourished during the seventeenth century. Dutch artists of this era were internationally admired for their technical understanding of ships, changing weather conditions, and the dramatic effects of light upon water. Van der Hagen absorbed these influences early in his career, producing works characterised by animated seas, carefully observed rigging, and a keen sense of atmosphere. At some point in the late seventeenth or early eighteenth century, he moved to London, then one of Europe’s most important centres for maritime commerce and naval power. There he entered an artistic environment already shaped by celebrated Dutch émigré painters such as Willem van de Velde the Younger and his circle. Van der Hagen’s paintings reveal the influence of this Anglo-Dutch marine tradition, especially in his treatment of naval vessels and storm-driven seas. Contemporary records also suggest that his family became connected with artistic circles in London; one source notes that his daughter Bernada married the marine painter Cornelis van de Velde in 1699. Van der Hagen later settled in Ireland, where he appears to have been active from the 1720s onward. Dublin became his principal base, though he travelled widely and worked in several parts of the country, particularly in the south. During this period he established a reputation as a painter of landscapes and especially sea-pieces, which were admired by patrons for their lively handling and dramatic composition. Irish sources describe him as talented but somewhat eccentric and indolent, producing work irregularly and often only when financial necessity compelled him to paint. Among his documented activities was his employment in 1728 by the tapestry manufacturer Robert Baillie...

Category

Old Masters 18th Century Art

Materials

Oil

Madonna and Child in the Spanish Colonial Taste, Oil on Copper
Madonna and Child in the Spanish Colonial Taste, Oil on Copper

Madonna and Child in the Spanish Colonial Taste, Oil on Copper

Located in Genève, GE

Dimension with frame: 35 x 29,7 x 3,3 cm. A finely executed miniature devotional painting depicting the Madonna tenderly embracing the Christ Child. Executed in oil on copper and dating from the late 18th to early 19th century, the composition displays the intimate scale and luminous surface characteristic of copper paintings. The Virgin is shown wearing a deep blue mantle highlighted with delicate gilded details and crowned by a circle of stars, while the Christ Child rests affectionately in her arms. The work reflects the enduring influence of Baroque religious imagery and evokes the devotional paintings produced throughout the Spanish world during the colonial period, while remaining firmly rooted in the broader Continental European tradition. Its small scale, refined execution, and warm devotional character make it an appealing collector's piece. The painting is presented in an impressive carved and ebonized wooden frame that beautifully complements the richness of the composition. A charming example of late 18th-century religious art, combining devotional intimacy, Baroque sensibility, and the luminous qualities unique to oil on copper. madonna and child, virgin mary, christ child, oil on copper, copper painting, religious painting, devotional painting, catholic art, christian art, sacred art, baroque religious art, baroque devotional painting, continental european school, spanish colonial taste, spanish colonial influence, antique religious artwork, ecclesiastical art, crowned madonna, star crown madonna, virgin and child, christian iconography, late 18th century painting, circa 1800, antique oil on copper, miniature painting, devotional icon, old master style, european religious art, framed religious painting...

Category

Baroque 18th Century Art

Materials

Copper

The Dethroning / Italian School, 18th Century

The Dethroning / Italian School, 18th Century

Located in Middletown, NY

Graphite and grayish ink wash on bluish wove paper, 7 x 10 1/2 inches (177 x 265 mm) (matrix). Scattered surface soiling, adhesive residue, dog-eared corners, and scattered edge tears along left margin, outside of image area. Paper is braced on the verso with two pages from a mid 19th century book with illustrations by C.Perrin. One image depicts a scene of a group of soldiers representing the Holy Roman Empire...

Category

Italian School 18th Century Art

Materials

Ink, Handmade Paper, Graphite

Shipping off Jersey
Shipping off Jersey

Shipping off Jersey

By Francis Swaine

Located in Stoke, Hampshire

Francis Swaine (1725-1782) Shipping of Jersey Oil on canvas Painting size 8 1/4 x 20 1/2 in Framed size Provenance with The Parker Gallery. Francis Swaine (1725–1782) was one of t...

Category

Old Masters 18th Century Art

Materials

Oil

VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma....
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma....

VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma....

By Giovanni Battista Piranesi

Located in Santa Monica, CA

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugan...

Category

Old Masters 18th Century Art

Materials

Etching

Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century
Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century

Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century

Located in Beachwood, OH

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers, 18th/19th Century Bronze 14 x 7 x 5 inches 22 x 8 x 7 inches, with base Diane de Poitiers was a French noblewoman and prominent courtier. She wielded much power and influence as King Henry II's royal mistress and adviser until his death. Her position increased her wealth and family's status. She was a major patron of French Renaissance architecture...

Category

18th Century Art

Materials

Bronze

Madonna and Child
Madonna and Child

Madonna and Child, Unknown

$1,732Sale Price|20% Off

Madonna and Child

Located in Genève, GE

No signed This 18th-century oil on copper painting, by an anonymous artist, exemplifies the refinement and technical sophistication associated with this highly prized medium in Euro...

Category

Old Masters 18th Century Art

Materials

Copper

18th Century French Oil Painting on Copper Portrait of Noble Lady
18th Century French Oil Painting on Copper Portrait of Noble Lady

18th Century French Oil Painting on Copper Portrait of Noble Lady

Located in Cirencester, Gloucestershire

Portrait of a Noble Lady French School, early 1700's period oil painting on copper, unframed copper: 5 x 3 inches condition: very good, minor paint fading and deteriation. provenanc...

Category

Renaissance 18th Century Art

Materials

Copper

Nacimiento del Niño Jesús, Oil on Canvas, Italian, 18th Century
Nacimiento del Niño Jesús, Oil on Canvas, Italian, 18th Century

Nacimiento del Niño Jesús, Oil on Canvas, Italian, 18th Century

Located in Sant Celoni, ES

Nacimiento del Niño Jesús. Escuela Italiana del Siglo XVIII. Importante pintura cargada de detallismo, excelente calidad. El óleo esta re-entelado y va con un marco macizo de cerezo ...

Category

18th Century Art

Materials

Oil

Large 18th Century European Oil Painting Portrait of Noble Lady Lace Collars
Large 18th Century European Oil Painting Portrait of Noble Lady Lace Collars

Large 18th Century European Oil Painting Portrait of Noble Lady Lace Collars

Located in Cirencester, Gloucestershire

Portrait of a Noble Lady European School, 18th century oil on canvas, framed framed: 37.5 inches canvas: 30 x 24.5 inches provenance: private collection, France condition: very good ...

Category

Old Masters 18th Century Art

Materials

Oil, Canvas

Escuela española (XVIII) - Óleo sobre cobre - Virgen orando
Escuela española (XVIII) - Óleo sobre cobre - Virgen orando

Escuela española (XVIII) - Óleo sobre cobre - Virgen orando

Located in Sant Celoni, ES

La pintura representa a la Virgen María por su iconografía tradicional. Viste un manto azul verdoso que cubre su cabeza y hombros, y una túnica rosada con detalles en tonos claros. S...

Category

Old Masters 18th Century Art

Materials

Oil

Our Lady of Solitude, Spanish Colonial School, 18th Century
Our Lady of Solitude, Spanish Colonial School, 18th Century

Our Lady of Solitude, Spanish Colonial School, 18th Century

Located in DEVENTER, NL

Spanish Colonial School, 18th Century Our Lady of Solitude Oil on canvas In antique gilt frame Dimensions excl. frame: 92 x 72 cm. Dimensions incl. frame: 124 x 103.5 cm. Overall i...

Category

18th Century Art

Materials

Canvas, Oil

Framed 18th Century Oil - The Face of Christ
Framed 18th Century Oil - The Face of Christ

Framed 18th Century Oil - The Face of Christ

Located in Corsham, GB

An accomplished 18th century devotional portrait of Jesus Christ, gazing upwards, with a crown of thorns. The religious portrait has been beautifully presented in a giltwood frame wi...

Category

18th Century Art

Materials

Oil

Copy of "Portrait of Beatrice dʼEste" by Leonardo da Vinci created 15th Century
Copy of "Portrait of Beatrice dʼEste" by Leonardo da Vinci created 15th Century

Copy of "Portrait of Beatrice dʼEste" by Leonardo da Vinci created 15th Century

Located in New York, NY

A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso. Art measures 28 x 18 inches Frame measures 34.5 x 24.5 inches There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”). It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts. The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...

Category

Northern Renaissance 18th Century Art

Materials

Canvas, Oil

Saint George and the Dragon, 18th Century British School
Saint George and the Dragon, 18th Century British School

Saint George and the Dragon, 18th Century British School

Located in Liphook, GB

Saint George and the Dragon, 18th Century British School (18th Century) Large 18th Century English school depiction of St George slaying th dragon, oil on canvas. Excellent quality...

Category

18th Century Art

Materials

Canvas, Oil

Late 18th-Century French School, Portrait Of An Elegant Woman In A Yellow Dress
Late 18th-Century French School, Portrait Of An Elegant Woman In A Yellow Dress

Late 18th-Century French School, Portrait Of An Elegant Woman In A Yellow Dress

Located in Cheltenham, GB

This charming French oil painting depicts an elegantly dressed young woman wearing a black gown enlivened by magnificent golden-yellow silk sleeves and oversized bows. Her powdered h...

Category

French School 18th Century Art

Materials

Canvas, Oil

A Peacock and Other Fowl in a Landscape
A Peacock and Other Fowl in a Landscape

A Peacock and Other Fowl in a Landscape

Located in Stoke, Hampshire

Philips van Kouwenbergh (1671-1729) A Peacock and Other Fowl in a Landscape Oil on canvas Canvas Size 37 3/8 x 45 7/8 in Framed Size 44 1/2 x 53 in Provenance With John Bennett Fine...

Category

Old Masters 18th Century Art

Materials

Oil