18th Century Sculptures

Carved and painted wooden sculpture - Pietà - Italy, 18th century. 13 x 7 x h 22.5 cm. Entirely made of carved and polychrome painted wood. Condition report: Good state of conserv...

Pair of sculptures in glazed scagliola - Dancers (from Canova). Italy, 19th-20th century. h 81 x 30 x 30 cm. Entirely in glazed terracotta. The sculptures take inspiration from th...

A hand-carved marble head of Mercury mounted on a stained wooden plinth.

Silver was the material of choice for both ecclesiastical and domestic vessels in the New World, not only for its status as a precious metal, but also because of its abundance and du...

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers, 18th/19th Century Bronze 14 x 7 x 5 inches 22 x 8 x 7 inches, with base Diane de Poitiers was a French noblewoman a...

Bronze table sculpture - Spinario (copy from the antique) - Italy, late 19th century. 11 x 14 x h 19 cm. Entirely in chiseled bronze. - The work is a late nineteenth-century copy ...

Statuary white marble oval plaque surrounded by an ebonized wooden frame depicting the Immaculate Virgin Mary. The scene is the classic one in Christian iconography that places the ...

An 18th century, hand carved porphyry head of “Marcus Aurelius” mounted on a Carrara marble base.

Rara scultura neoclassica in marmo bianco raffigurante Arpocrate, Roma, seconda metà del XVIII secolo. Arpocrate è un dio bambino nella mitologia greca, un adattamento della divinit...

Early Chinese Cloisonne Pumpkin Cloisonne enamel 4 in. h. x 6 in. d. Late 18th Century Peking Pumpkin - lidded pumpkin bowl with cloisonne enamel work ha...

Four carved and painted wooden table sculptures - Musicians' concert - Venice, 18th century. 9 x 7 x h 20 cm each. Entirely in carved and painted wood. - This item is sold with a...

Carved wooden table sculpture - Saint Martin - Italy, 18th century. 22 x 13 x h 40 cm. Entirely made of finely carved pear wood. Condition Report: In good condition, with signs of...

THREE GRACES Rome, 18th Century rosso antico 21 x 15 cm 8 1/4 x 6 in

ALEXANDER THE GREAT Rome, 18th Century Carrara marble on giallo antico base 42 x 27 cm 16 1/2 x 10 3/4 in height without base 32.5 cm, 12 3/4 in

Impressive white Candoglia marble bust depicting the Greek philosopher Diogenes of Sinope. Northern Italy, first half of the 18th century. Diogenes of Sinope, called the Cynic, was ...

Carved and painted wooden sculpture - Pietà - Italy, 18th century. 20 x 10 x h 19 cm. Entirely made of carved and polychrome painted wood. Condition report: Good state of conserva...

Four carved wooden sculptures - Four Seasons - Venice, 18th century 10 x 8 x h 20 cm. Entirely in carved wood. Condition report: Good state of conservation of the sculptural work,...

Oak with marble top Height: 55 inches (86.25 cm) Width: 55 inches (140 cm) Provenance Château de Mareil Le Guyon This commode is available to view at our gallery on Cecil Court. Jean-Pierre Latz Jean-Pierre Latz was one of the handful of truly outstanding cabinetmakers working in Paris in the mid 18th-century. Like several of his peers in the French capital, he was of German origin. His furniture is in a fully developed rococo style, employing boldly sculptural gilt-bronze mounts complementing marquetry motifs of flowers and leafy sprays, in figured tropical veneers like tulipwood, amarante, purpleheart and rosewood, often featuring the distinctive end-grain cuts. He also produced lacquered pieces, most famously the slant-front desk in the collection of Stavros Niarchos...

A fine and rare early barbers pole in original polychrome paint finish. Turned in one piece. A decorative and original piece of folk art. The white was for bandages, red for blood an...

Antique Venetian Blackmoor sculpture Venice, early 18th century Carved, lacquered and gilded wood Height 155 cm. Good overall condition, old repainting Original wooden sculpture d...

Antique Neapolitan shepherd depicting rustic. The sculpture features wooden hands and feet with a terracotta head and crystal eyes according to the Neapolitan nativity tradition. T...

Late 18th Century Bronze Sculpture after the Farnese Hercules Grand Tour bronze with a fine encrusted patination on a later wooden base 16 in. h., overall 12.5 in. h., bronze 3.5 in...

English Delftware blue and white plate, painted with a flower and bird design Diameter: 8 3/4 inches (22.25 cm) Delftware is also known as Delft Blue, was originally a general term ...

18th Century Continental School Bronze Sculpture of Aphrodite, c. 18th Century 25-3/4 in. h. x 11 in. w. x 9 in. d., without Base 1-1/4...

Laocoön and his Sons Italian Bronze Group after Agesander, Polydorus and Anthenodorus Late 18th Century “The greatest piece of art in the world.” - Michelangelo, Italian sculptor, p...

Melanie Sherman Vintage Peacock III (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 20...

Terracotta sculpture - Prometheus - Italy, 18th century. 48 x 50 cm x h 94 cm. Entirely in terracotta. - All shipments are free and professionally packed. - This item is sold wit...

ITALIAN MARBLE HEAD OF A PHILOSOPHER Italy, Late 17th/early 18th Century Marble height 36 cm (14 1/4 in) height 51 cm (20 in) with base

MARBLE PORTRAIT HEAD OF VENETIAN DOGE, Italy, 18th Century Carrare marble 60 x 46 x 34 cm 23 1/2 x 18 x 13 1/2 in

18th Century Italian breccia circular vase probably carved in Rome ROUND BRECCIA TAZZA, 18th Century Breccia H 29 cm D 39 cm

PAIR OF PIETRA DURA MOUNTED URNS France, 18th and 19th Century Amethyst and breccia pavonazzetto height 24.5 cm height 9 3/4 in

A Roman, Carrara marble sculpture of the mythological Greek god Pan as a fountain. Italy.

FRONTON double face en bois doré et sculpté finement ajouré d’animaux fantastiques ailés au milieu de feuillages et d’éléments fleuris. Au centre, un portrait de moine. Travail grec ...

This exceptional bronze group (unpublished), executed in Rome in the second half of the 18th century, bears witness to the fascination with the Laocoön since its discovery on January...

Antichità Castelbarco SRLS is proud to present: Pair of mirrors (Italy, Venice) 18th century Carved and gilded wood Antique mercury silvered glass mirror Maximum dimensions: Height...

Antique carved and polychromed wax portrait of Marc Antony and Cleopatra. Attributed to Isaac Gosset (British 1713-1799). In the original frame. Inscribed ...

A beautifully hand carved Roman marble bust of an Emperor or Senator. The richly draped robe features a relief of a face.

Wonderfully carved, circa 1750, marble bust representing North and South America. Initially part of a series of busts that depicted "The Four Continents". The smiling figure is draped in a toga pinned...

An 18th c. hand-carved, solid Carrara marble bust, likely of a holy Roman Emperor on a specimen marble base of the period. Inscribed "OTTONI".

A classic terra cotta sculpture of Mercury signed Jean-Baptiste Pigalle (1714-1785).

An iconic, hand carved, gessoed, painted, and parcel-gilt, Italian polychrome sculpture of tousle curled angel in windswept drapery. Beautiful expression and patina. Now mounted on a...

Hand-carved and painted, polychrome, Roman Santos figure in mid-stride. The figure wears stylized, flowing robes and stands atop a period base.

A pair of rare, early 1700’s, Roman, beautifully hand–carved, solid Carrara marble cherubim singing in adoration. Each with feather embellished robe fragments. Both mounted on custo...

Hand carved, marble bust in three quarters, of a young man in a sensitively rendered, open-neck robe, with flowing hair held in a delicate circlet.

Hand-carved, oak statue of a putto holding a flowing tapestry and a shield mounted on a custom, Lucite base.

After Alessandro Algardi (Bologna, 1585 - Roma,1654) YOUNG HERCULES, Italy, 18th Century terracotta 44 x 25 x 25 cm 17 1/4 x 9 3/4 x 9 3/4 in This lovely sculpture represents the young Hercules, seated with his legs crossed, gently holding a bird with his right hand, raised in the air, while supporting his own weight with his left hand. The artwork refers to the notorious Roman sculpture of the young Hercules killing the snakes sent by Hera, exhibited at the Capitoline Museums in Rome. Academics have identified the young emperor Caracalla or, more recently, Annio Vero, son of the emperor Marcus Aurelius, in the portrait of the sculpture. During the 16th Century there has been an increasing interest of patrons towards the theme of mythology and several acclaimed Italian sculptors worked on the creation of sculptures and depictions of Roman Gods. Among them, the distinguished baroque artist Alessandro Algardi worked on the restoration of several ancient sculptures...

Wood sculpture. Italian 18 century

Wooden sculptures depicting a pair of full-length Roman soldiers Rome, 18th century Carved and gilded wood (walnut?) Dimensions: Maximum height (at lance) 62 cm./ Maximum width: 28 ...

Pair of carved and gilded mirror cabinets 'in the manner of Sansovino' Venetian (or Tuscan) carver active in the 18th century Carved and gilded wood Total frame measurements: 86 x 6...

Provenance: Private Collection, Spain. Known as Peruvian alabaster for its translucency and workability, Piedra de Huamanga is a highly prized material from the province of Ayacucho in Peru. In the 17th and 18th centuries, local craftsman in the town of Huamanga began to specialize in the production of small-scale, polychrome religious sculptures made from this distinctive stone. Huamanga sculptures are among the most accomplished examples of carving from the Spanish Americas, where polychrome wood sculpture was a far more common sculptural medium. These works, which were created as independent sculptures or as sculptural groups—such as our three Magi—were intended for ecclesiastical as well as domestics settings. Our three figures likely formed part of a larger Nativity group—a New World variant of the tradition of the Neapolitan Crèche...

STATUE REPRESENTANT UN MAURE Trois dauphins supportant un matelot des iles portant une corne d'abondance et petits animaux marins dont crabe et coquillage. Sculpture en bois polychro...

This is a hand-carved wood polychromed sculpture of the Infant Jesus. A baroque figure probably from the 18th century, this religious figure was obtained in Mexico. It appears to hav...

Boxwood figure of Christ

BRECCIA FRAGMENT PLINTH Italy, 18th Century Breccia medicea 55 x d 25 cm 21 3/4 x d 9 3/4 in

After François Girardon 1628-1715 French Pluto Abducting Proserpine Bronze This High Baroque period composition captures the famed narrative of Pluto and Proserpine from Roman mythology. The late 17th-century patinated bronze, created after François Girardon's marble composition, captures the very moment that Pluto seizes Proserpine. The anguished goddess reaches skyward, attempting to escape the god’s grasp while Pluto’s stoic face betrays his knowledge that his ploy will succeed. This pivotal moment in the mythological tale has captured the imagination of many art historical greats, from Bernini to Rubens. François Girardon’s version of the climax demonstrates incredible finesse and artistry, modeled expertly in bronze in the present work by a later sculptor. The statue brings a twist of intertwined bodies into a dynamic frenzy, paralleling the tension of the legendary story. In ancient Roman mythology, Proserpine, the beautiful daughter of Ceres — known as Persephone in Greek mythology — was picking flowers in the fields when she was suddenly abducted by Pluto, the god of the underworld, and taken to his kingdom. Consumed with grief, her mother Ceres, the goddess of agriculture, scorches the earth, stopping the growth of grain and fruit. Jupiter attempts to intervene and secure Proserpine’s return to earth, negotiating a compromise with Pluto and the Fates that allows Proserpine to be released for part of the year before returning to Pluto’s underworld. Proserpine’s journey back and forth is an allegory for the changing seasons; when Prosperine is with her mother, the earth warms and provides bountiful harvests. Upon her annual return to the underworld, however, the earth once again becomes cold and barren. After returning to France after years of training in Rome, François Girardon quickly rose to become one of the greatest artists in France. He was elected a member of the Académie Royale de Peinture et de Sculpture in 1657 and would become Chancellor of the Royal Academy in 1695. The artist was approached frequently for royal commissions and Girardon’s Pluto was originally commissioned by Louis XIV for the gardens at his Palace of Versailles. It was one of four monumental marble groups intended to decorate the corners of Charles Le Brun’s never completed garden at the chateau, the Parterre d’Eau. Each group of three figures symbolized one of the four elements: earth, air, fire and water. Pluto’s association with hell made him the apt...

18th Century Italian Carved Neoclassical Semi Nude Female Busts Wood affixed to wood plinths "Leone Della Torra / Italy Country of Origin" labels on b...

BUST In Marble Probably From Carrara Representing King Henry IV Late 18th Century" Marble BUST probably from Carrara representing King Henry IV with a laurel wreath. late 18th centur...

This beautiful polychrome and highly expressive statue 18th C statue represents Mary Magdalene in prayer, hands joined, eyes raised to the sky.It's of German origin