18th Century Art
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Period: 18th Century
18th Century Oil on Canvas French Battle Painting Alexander the Great and Porus
Located in Vicoforte, IT
Monumental 18th-century French battle. Oil painting on canvas depicting the Battle of Hydaspes, in which Alexander the Great defeated the Indian king Porus. A painting of considerabl...
Category
18th Century Art
Materials
Canvas, Oil
Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category
Naturalistic 18th Century Art
Materials
Engraving, Etching, Aquatint
Fine 18th Century Italianate Landscape Garden Classical Ornaments and Figures
Located in Cirencester, Gloucestershire
Italianate landscape garden with classical ornament, including Giambologna's Sabine women and a classical urn, view to a bay beyond
Coplestone War...
Category
Old Masters 18th Century Art
Materials
Oil
"Turnip"
By Giacomo Ceruti
Located in Edinburgh, GB
Giacomo Ceruti, known as Il Pitocchetto (1698-1767) – “Turnip”
Medium: Oil on canvas
Dimensions: 204 x 124 cm (unframed)
Provenance: Private collection
This remarkable painting, “T...
Category
Realist 18th Century Art
Materials
Canvas, Oil
$50,000
Robert van Audenaerde after Carlo Maratti - Engraving, Rebecca at the Well
Located in Corsham, GB
A charming 18th-century engraving depicting the religious scene of Rebecca at The Well. Inscribed in plate. Presented in a gilt frame. On paper.
Category
18th Century Art
Materials
Engraving
Antique Spanish Old Master Oil on Wood Panel, Head Portrait of Christ
Located in Cirencester, Gloucestershire
Artist/ School: 18/19th Century Spanish School
Title :Head study of Christ
Medium: oil painting on wood panel, period gilt framed
panel : 6 x 5 inches
Provenance: private collect...
Category
Old Masters 18th Century Art
Materials
Oil
Venice: 18th Century View of the Basilica of S. Pietro di Castello by Lovisa
Located in Alamo, CA
This is an 18th century etching of the Patriarchal Church or Basilica of S. Pietro di Castello in Venice entitled "Chiesa Patriarcale di S. Pietro di Castello" by Domenico Lovisa, fi...
Category
18th Century Art
Materials
Etching
Fine Italian Old Master Oil Painting Angel & Saints Appearing to Figures
Located in Cirencester, Gloucestershire
Artist/ School: Italian Old Master, 18th century
Title: Angel and Saints appearing to figures, one dressed in a white ruff collar.
Medium: oil on canvas...
Category
Old Masters 18th Century Art
Materials
Canvas, Oil
A Huntsman with Dogs and Pony
Located in Stoke, Hampshire
John Nost Sartorius (London 1759-1828)
A Huntsman with Dogs and Pony
Signed 'JN Sartorius pin.' lower right
Oil on canvas
Canvas Size 26 3/4 x 37 in
Framed Size - 31 x 41 in
John No...
Category
Old Masters 18th Century Art
Materials
Oil
Animated Farm and Windmill Scenery
Located in Genève, GE
Work on canvas
Black wooden frame
51 x 73 x 5 cm
Category
18th Century Art
Materials
Oil
Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn).
Christ and the Woman of Samaria Among Ruins.
London: c 1775.
Etching on light cream laid paper, 4 3/4...
Category
Old Masters 18th Century Art
Materials
Handmade Paper, Etching, Laid Paper
Antique 18th Century Neoclassical Oil Portrait Young Lady Turban Unknown Master
Located in Stockholm, SE
This captivating oil portrait from the late 18th to early 19th century depicts a mysterious charming young woman, painted by an unknown but clearly professional master, presumably Fr...
Category
Realist 18th Century Art
Materials
Gold Leaf
George II, King of England, royalty portrait engraving, circa 1780
Located in Melbourne, Victoria
'George II'
Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan.
Basan (1723-1797) was a French engraver and publisher.
George II (1683-1760) was King of Great Britain and Ireland, Duke of Brunswick-Leneburg (Hanover) and Archtreasurer and Prince-Elector of the Holy Roman Empire from 11 June 1727 until his death. He was the last British monarch to have been born outside Great Britain, and was famous for his numerous conflicts with his father and, subsequently, with his son. As king, he exercised little control over policy in his early reign, the government instead being controlled by Great Britain's de facto first Prime Minister, Sir Robert Walpole...
Category
Renaissance 18th Century Art
Materials
Engraving
1707 Antique 18 cent. original oil painting on canvas, Portrait Maria Adelaida
Located in Palm Coast, FL
Up for sale is a beautiful Antique 18-century original oil painting on canvas depicting a portrait of a beautiful woman In a dress of dark gold brocade trimmed with lace. A bright bl...
Category
Impressionist 18th Century Art
Materials
Oil
$4,850 Sale Price
50% Off
Portrait of old woman
Located in Genève, GE
Work on canvas
Category
18th Century Art
Materials
Oil
$2,131
An elegant lady and gentleman hare coursing in an extensive landscape
Located in Stoke, Hampshire
James Seymour (1702-1752) & Thomas Spencer (1700-1753)
An elegant lady and gentleman hare coursing in an extensive landscape
Oil on canvas
Canvas Size - 33 x 50 in
Framed Size - 41 x...
Category
Old Masters 18th Century Art
Materials
Oil
$67,663 Sale Price
20% Off
Huge 18th Century Italian Old Master Oil Painting Still Life Fruit Flowers & Jug
Located in Cirencester, Gloucestershire
Classical Still Life of Fruit in Basket with other objects
Italian artist, 18th century
oil on canvas, unframed
canvas: 24.5 x 33 inches
provenance: private collection, UK
condition:...
Category
Old Masters 18th Century Art
Materials
Oil
Continental School 18th Century Watercolour - Architectural Drawing
Located in Corsham, GB
A charming watercolor Baroque architectural study. Unsigned. Presented in a gilt frame and wash line mount. On Laid paper.
Category
18th Century Art
Materials
Watercolor
$328 Sale Price
20% Off
Grand Tour 18th Century Veduta Capriccio Painting, After Gennaro Greco
Located in Cotignac, FR
A fine, large 18th century veduta capriccio scene with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The painting is presented in a more modern carved gilt woo...
Category
Baroque 18th Century Art
Materials
Oil, Canvas
$8,997 Sale Price
20% Off
Antonio Bellucci (Venetian master) - Early 18th century figure painting - Diana
Located in Varmo, IT
Antonio Bellucci (Venice 1654 - Soligo 1726) - Diana and Endymion.
122 x 152 cm unframed, 142 x 172 cm framed.
Oil on canvas, in a carved and lacque...
Category
Baroque 18th Century Art
Materials
Canvas, Oil
The Madonna with Christ Child & St. John Fine 18th Century Italian Old Master
Located in Cirencester, Gloucestershire
The Madonna, Christ Child and St. John
Italian School, 18th century
oil on wood, framed in period gilt antique frame
framed: 16 x 14.5 inches
wood: 9 x 6.5 inches
provenance: private...
Category
Old Masters 18th Century Art
Materials
Oil
A Magnificent Gilt Wood Mirrored Frame
Located in New York, NY
Provenance: Private Collection, Argentina; there acquired by
Mr. and Mrs. Ernest T. Harper, New York, by 1960; by descent to:
Mr. and Mrs. Alan Harper, New York, until 2024.
This extraordinary mirrored frame is an exuberant and nearly perfectly preserved example of Andean 18th-century decorative art. Pierced mirrored rosettes surrounding floral motifs are set against mirrored surrounds along a broad frieze bordered within and without by elaborate raised moldings, inlaid by small, shaped mirrors. Repeating ornamental motifs reflecting both Spanish and indigenous designs surround both the inside panel and the exterior perimeter, the four corners of which are punctuated by mirrored rosettes.
Glass mirrors were unknown to the indigenous population of the Americas prior to the arrival of Europeans (obsidian mirrors...
Category
Old Masters 18th Century Art
Materials
Canvas, Mirror, Wood, Oil
Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament".
These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition.
The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum.
Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class.
Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category
Old Masters 18th Century Art
Materials
Engraving, Etching
Christ Falls on the Way to Calvary, Dutch-Italianate School, c.18th-19th Cent.
Located in Soquel, CA
Expressive depiction of Christ being aided by Simon of Cyrene by an unknown artist, Italiante School style of 17th-century Northern European painters principally Dutch, c.1700s-1800s. This piece is composed of oil on linen, laid down on fiberboard. Presented in a giltwood frame. Image size: 42"H x 33"W.
Italianate painters, group of 17th-century northern European painters, principally Dutch, who traveled in Italy and, consciously adopting the style of landscape painting that they found there, incorporated Italian models and motifs into their own works. Chief among the Italianates were Bartholomeus Breenbergh, Andries and Jan Both, Nicolaes Berchem, and Jan Asselijn...
Category
Romantic 18th Century Art
Materials
Linen, Oil, Fiberboard
Fine 18th Century British Marine Oil Painting Naval Shipping in Stormy Seas
By Charles Brooking
Located in Cirencester, Gloucestershire
Naval Shipping in Stormy Seas
English School, 18th century
circle of Charles Brooking, (1723-1759)
oil painting on canvas: 16.5 x 21.5 inches
Morland ...
Category
Old Masters 18th Century Art
Materials
Canvas, Oil
H. Cromwell - 1797 Watercolour, The Ruins of Wolvesey Castle, Winchester
Located in Corsham, GB
Two figures stand amidst the ruins of Wolvesey Castle, framed by a crumbling arch. The artist employs careful, fine brushwork in this late eighteenth-century watercolour. Inscribed w...
Category
18th Century Art
Materials
Watercolor
Landscape River Zuccarelli 18th Century Paint Oil on canvas Old master Italy Art
By Francesco Zuccarelli (Pitigliano 1702 - Florence 1788)
Located in Riva del Garda, IT
Francesco Zuccarelli (Pitigliano 1702 - Florence 1788), circle of
Landscape with river and resting shepherds
First half of the 18th century
oil painting on canvas
cm. 60 x 93, wit...
Category
Old Masters 18th Century Art
Materials
Oil
$6,033 Sale Price
20% Off
Alexander the Great in the Darius house
Located in BELEYMAS, FR
French School, Late 18th Century
Alexander the Great in the House of Darius
Oil on canvas
H. 42 cm; W. 53.5 cm without frame
Apocryphal signature lower right "Verhag..."
This painti...
Category
French School 18th Century Art
Materials
Canvas, Oil
Escuela Valenciana (XVIII), tras Juan de Juanes - Inmaculada Concepción
Located in Sant Celoni, ES
La obra no va firmada
El estado de conservación de puede ver, es bastante bueno, solo aconsejaría una limpieza ya que está un poco sucia, pero por lo demas, muy aceptable
Se presen...
Category
Old Masters 18th Century Art
Materials
Oil
The Tax Collectors Italian 1700's Oil Painting on Copper in Gilt Frame
Located in Cirencester, Gloucestershire
The Tax Collectors
Italian School, early 18th century
oil on copper panel, framed
framed: 14 x 11.5 inches
copper panel : 11.5 x 9 inches
provenance: private collection, UK
conditio...
Category
Old Masters 18th Century Art
Materials
Oil
Military Camp Scene and Battle. Pietro Graziani (XVII/XVIII century), entourage
Located in Firenze, IT
Military Camp Scene and Battle.
Pietro Graziani (XVII/XVIII century), entourage.
A pair ( two) of small paintings.
Antique XIX century frames in gilt wood.
In good condition.
Oi...
Category
Old Masters 18th Century Art
Materials
Canvas, Oil
$2,500 Sale Price
39% Off
Huge 18th Century Italian Old Master Oil Painting Still Life Fruit in Basket
Located in Cirencester, Gloucestershire
Classical Still Life of Fruit in Basket with other objects
Italian artist, 18th century
oil on canvas, unframed
canvas: 24.5 x 33 inches
provenance: private collection, UK
condition:...
Category
Old Masters 18th Century Art
Materials
Oil
'The Death of Hercules' from 'The Temple of the Muses' — 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...
Category
Baroque 18th Century Art
Materials
Engraving
Portrait of Madonna at Prayer - Italian Old Master art religious oil painting
By Giovanni Battista Salvi da Sassoferrato
Located in Hagley, England
This rather special Italian Old Master religious portrait oil painting is attributed to a follower of Giovanni Battista Salvi, or Sassoferrato as he is better known. Painted circa 17...
Category
Old Masters 18th Century Art
Materials
Oil
$8,294 Sale Price
20% Off
Antique Indian Mughal portrait of a Prince
Located in Greenwich, CT
Antique Indian Mughal portrait of a Prince, late 18th cent. , by repute possibly depicting Maharaja Vijay Singh of Marwar (1729 - 1793)
Rajasthan, circa 1800’s
The Maharaja is ...
Category
Other Art Style 18th Century Art
Materials
Gouache
Netherlandish School XVIII Century Monogrammed Old Master Oil Painting
Located in Holywell, GB
Netherlandish School XVIII Century Monogrammed Old Master Oil Painting
An intriguing oil painting of early extraction depicting the crucifixion at Calvary outside Jerusalem. I am s...
Category
18th Century Art
Materials
Oil
Fine Quality 1790's English Oil Painting The Pig Farmer Rural Cottage Landscape
Located in Cirencester, Gloucestershire
The Pig Farmer
Circle of George Morland (1763 - 1804)
circa 1795
bears signature
oil on canvas, framed in highly ornate elaborate frame.
framed: 30 x 36 inches
canvas : 25 x 31 inc...
Category
English School 18th Century Art
Materials
Oil
Le Margay - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Margay is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulièr...
Category
Modern 18th Century Art
Materials
Etching
Ancient Persian Miniature: Men with Scimitar - Probably 18/19th Century
Located in Roma, IT
Image dimensions: 15 X 10 cm.
This Persian Miniature scene of men with scimitar is a unique precious original painting on the front with handwriting...
Category
18th Century Art
Materials
Ink, Tempera
Shunga - Woodcut by Katsukawa Schuncho - Mid-18th Century
Located in Roma, IT
Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century.
Oban yokoe.
Erotic scene from the series "Koshuko zue juni ko" (Erotic pictures...
Category
Modern 18th Century Art
Materials
Paper, Woodcut
Circle of John Downman (1750-1824) Portrait Miniature of a Lady c1780 Oil
By John Downman
Located in Holywell, GB
Circle of John Downman (1750-1824) Portrait Miniature of a Lady c1780 Oil on Copper
A delicate English School portrait, dating to c. 1780, of a young lady identified as the Right Ho...
Category
English School 18th Century Art
Materials
Oil
Shipping in Stormy Waters, Attributed to Italian Artist Francesco Guardi
By Francesco Guardi
Located in Stockholm, SE
The splendour of the tragic sea
Francesco Guardi and maritime painting in Venetian art
No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention.
Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person.
Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters.
Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice.
During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto.
The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture.
This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean.
It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world.
In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...
Category
Old Masters 18th Century Art
Materials
Oil, Canvas
Baroque Italian painter - 18th century landscape painter - Sheperds
Located in Varmo, IT
Italian painter (18th century) - Arcadian landscape with flock and shepherds.
56 x 70 cm without frame, 63.5 x 79 cm with frame.
Antique oil painting on canvas, in a wooden frame (...
Category
Rococo 18th Century Art
Materials
Canvas, Oil
$1,183 Sale Price
64% Off
French Rococo 18th-Century Portrait of Young Girl with Grapes Oval Oil Painting
Located in Cirencester, Gloucestershire
Portrait of a Young Girl
French Rococo School, 18th century, unsigned
oil on canvas, framed
Framed: 24 x 20 inches
Canvas : 20 x 16 inches
Provenance: private collection, France
Con...
Category
Rococo 18th Century Art
Materials
Oil
Rococò Neapolitan painter - 18th century figure painting - Allegory of America
Located in Varmo, IT
Francesco Solimena (Canale di Serino 1657 - Barra 1747) workshop - Allegory of America.
76.5 x 64.5 cm unframed, 83 x 69.5 cm with frame.
Antique oil painting on canvas, in a lacqu...
Category
Baroque 18th Century Art
Materials
Canvas, Oil
$3,551 Sale Price
33% Off
Religious Italian painter - 18th century figure painting - Saint Monica prayer
Located in Varmo, IT
Italian painter (18th century) - Saint Monica in prayer.
56 x 32 cm.
Antique oil painting on canvas, without frame (not signed).
Condition report: Good state of conservation of th...
Category
Old Masters 18th Century Art
Materials
Oil, Canvas
$947 Sale Price
55% Off
Landscape With Hunters By A Lake. 18th Century.
Located in Firenze, IT
Landscape with hunters by a lake.
18th century.
Oil painting on canvas, from the French or Northern Italian school, Louis XV period.
Probably part of the door decoration in an interi...
Category
Baroque 18th Century Art
Materials
Canvas, Oil
$805 Sale Price
20% Off
Le Chat Sauvage - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Chat Sauvage is an etching realized in 1771 by Louis Legrand (1723-1807).
The Artwork is depicted through confident strokes in aa well balanced composition.
Good conditions.
Category
Modern 18th Century Art
Materials
Etching
Francesco Zuccarelli Venetian master - 18th century landscape painting - Knights
By Francesco Zuccarelli
Located in Varmo, IT
Francesco Zuccarelli (Pitigliano 1702 - Florence 1788) - River landscape with knights and medieval village.
53 x 70 cm without frame, 64.5 x 80.5 cm with frame.
Antique oil paintin...
Category
Rococo 18th Century Art
Materials
Canvas, Oil
$17,758 Sale Price
31% Off
Fine 18th Century British Portrait of an Aristocratic Lady, Large oil painting
Located in Cirencester, Gloucestershire
Circle of Thomas Hudson (1701-1779) British.
18th Century Bust Portrait of a Lady,
Oil on Canvas, Inscribed on a label verso,
canvas: 30" x 25" (76.2 x 63.5cm).
frame: 30 x 25 in...
Category
Old Masters 18th Century Art
Materials
Canvas, Oil
Francesco Battaglioli (Venetian master) - 18th century painting - Landscape
By Francesco Battaglioli
Located in Varmo, IT
Francesco Battaglioli (Modena c. 1710 - Venice post-1796) - Architectural Capriccio with Figures.
83.5 x 114.5 cm unframed, 98 x 130 cm with fra...
Category
Rococo 18th Century Art
Materials
Canvas, Oil
Portrait of Mrs James Hoste - British 18th century art portrait oil painting
By John Vanderbank
Located in Hagley, England
This superb large three quarter length British Old Master portrait in a landscape oil painting is attributed to circle of John Vanderbank the Younger. Painted circa 1738 the sitter is Mrs James Hoste of South Wootton and Sandringham, nee Hammond. She was the daughter of Anthony Hamond and Susan Walpole, daughter of Robert Walpole, and was sister to Robert, 1st Earl of Oxford. She married Major James Hoste of Sandringham, Norfolk, and they had two daughters. The sheen of her blue satin dress against her gold cloak is stunning. A really lovely 18th century portrait with excellent provenance.
Inscribed with sitter details lower left.
Provenance. By descent within the family of the sitter at West Acre High House, Norfolk;
Cheffins, Cambridge, 'West Acre High House' sale, 24 November 2010, Lot 519; Wood Hall, Arkesden, Essex.
Literature: 'Portraits in Norfolk Houses', Prince Duleep Singh, 1927, No. 36.
Sitter's details on two labels verso.
Condition. Oil on canvas, image size is 50 inches by 40 inches and in good condition.
Frame. Housed in an ornate gilt frame, 58 inches by 48 inches framed and in good condition.
John Vanderbank (1694-1739) was an English portraitist and book illustrator, who enjoyed a high reputation for a short while during the reign of King George...
Category
Old Masters 18th Century Art
Materials
Oil
$13,114 Sale Price
20% Off
A Dog with Dead Game
By Jan Weenix
Located in St. Albans, GB
Jan Weenix
Canvas Size: 32 x 26" (82 x 66cm)
Outside Frame Size: 40 x 34" (102 x 86cm)
This beautiful painting is unsigned but this is not unusual with Jan ...
Category
Dutch School 18th Century Art
Materials
Oil
$12,891 Sale Price
30% Off
Portrait Gentleman Rigaud 18th Century Paint Oil on canvas Old master French Art
Located in Riva del Garda, IT
Hyacinthe Rigaud (Perpignan 1659 - Paris 1743) School of
Portrait of a gentleman in armour: Joseph Jean Raymond de Lasbordes, Officer of the “Régiment des Landes” (infantry regime...
Category
Old Masters 18th Century Art
Materials
Oil
$9,727 Sale Price
20% Off
Le Leopard - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Leopard is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...
Category
Modern 18th Century Art
Materials
Etching
Rococò French painter - 18th century figure painting - Gallant scene Lancret
Located in Varmo, IT
French Rococo painter (18th century) - Gallant scene in a landscape.
63.5 x 76 cm without frame, 91 x 102.5 cm with frame.
Antique oil painting on canvas, in a carved and gilded wo...
Category
Rococo 18th Century Art
Materials
Canvas, Oil
$2,367 Sale Price
50% Off
A saddled officer's Arabian horse with a hound and gun, in a landscape
Located in Stoke, Hampshire
Johann Georg de Hamilton (1672-1737)
A saddled officer's Arabian horse with a hound and gun, in a landscape
Oil on canvas
Canvas size - 21 x 23 in
Framed size - 27 x 29 in
Provenanc...
Category
Old Masters 18th Century Art
Materials
Oil
Hand Coloured 18th Century Copper engraving from "Small Riding School" No 32
Located in Cotignac, FR
Mid 18th century hand coloured copper plate engraving of an equestrian subject by Johann Elias Ridinger. Initial signed 'in the plate' bottom right. Presented in a fine gilt wood fra...
Category
Rococo 18th Century Art
Materials
Watercolor, Ink
Portrait of Madam van Robais - French Old Master oil painting 18th century art
Located in Hagley, England
This fine French Old Master portrait oil painting on canvas dates to circa 1770 and is attributed to the circle of Elizabeth Vigee Le Brun. The sitter is Madam van Robais.
The van R...
Category
Old Masters 18th Century Art
Materials
Oil
$20,189 Sale Price
20% Off
Morning Gun - British Old Master naval marine seascape ships art oil painting
By Peter Monamy
Located in Hagley, England
This superb British Old Master marine oil painting is attributed to Peter Monamy. Painted circa 1730 it depicts Morning Gun - A morning gun is a gun fired at the first note of revei...
Category
Old Masters 18th Century Art
Materials
Oil
$24,009 Sale Price
20% Off