18th Century Art

Pietro Paltronieri, known as il Mirandolese (Mirandola, 1673 - Bologna, 1741) - Architectural Capriccio with Arcades and a Waterfall. 98 x 134 cm (without frame) - 124 x 160 cm (wit...

This stunning 18th century Dutch Old Master Golden Age floral oil painting is attributed to Simon Pietersz Verelst. Painted circa 1700 it is a still life floral of a mixed flower arr...

Figures and Cattle in a Classical Italian River Landscape Scene Italian School, 18th century, oil on canvas, framed framed: 19 x 25 inches canvas: 14 x 21 inches labelled verso The ...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions...

François Octavien (1682–1740) Venus and Mars: The Triumph of Love over War An enchanting early 18th-century French Rococo painting attributed to François Octavien (1682–1740), depi...

A fine 18th-century devotional piece depicting the Virgin Mary, or Mater Dolorosa, in intense grief and suffering during the passion and death of her son, Jesus Christ. Unsigned. Wel...

Portrait of Marc de Beauvau-Craon, Prince of Craon (1679–1754), 18th Century After Hyacinthe Rigaud (1659-1743) Few early eighteenth-century portraits unite such imposing decorative...

Fine Art Print Hahnemuehle, editioned, Giovanni Battista Piranesi print in Verlag von AD Lehmann in Wien, end of the 19. century, SalamonArt certificate will be included.

Artist/ School: 18/19th Century Spanish School Title :Head study of Christ Medium: oil painting on wood panel, period gilt framed panel : 6 x 5 inches Provenance: private collect...

Libra is an original etching on paper realized by Charles De la Haye after Andrea Stech, in the 18th century. Signed in the plate on the lower. Good conditio...

Francesco Fontebasso (Venice 1709 – Venice 1769) Alexander the Great Shows Mercy to the Persians Oil on canvas 108 x 153 cm. - Framed 120 x 164 cm. Highly captivating due to ...

A late 18th Century oil on canvas laid on board of a young beauty in period costume carrying a basket of flowers on her head. Presented in a very fine gilt, period 'Directoire' frame...

La Mangouste is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

There is something wonderfully immediate about this French portrait of a collector from around 1770. More than 250 years after it was painted, its unknown sitter meets our eye with e...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Hundred Guilder Print, Year: Of original btw 1643-1649, Medium: Etching, Image Size: 11 x 15.5 inches, Size: 20 ...

18th-century Flemish painter Still life with flowers and fruit, a cake, a precious goblet and cheese oil on canvas 73 x 98 cm. – with frame 98 x 129 cm. Provenance: Cambi, Ge...

Francesco Lavagna (Naples, 1684–1724) Pair of floral still lifes oil on canvas 44 x 34 cm. with frame, 52 x 43 cm. An elegant pair of floral compositions, consisting of sump...

Salla Alla Muhammad An-Nabi - Arabic Calligraphy is a beautiful and precious manuscript with Islamic Sacred Verses in an ancient calligraphy style. One page, one-sided, in Arabic, ...

The Blacksmiths Forge British artist, late 18th century Circle of Julius Caesar Ibbetson (1759-1817) oil on board, unframed board: 11 x 14.5 inches provenance: private collection, En...

Christian Ludwig Freiherr von Löwenstern (Darmstadt 1701 - Darmstadt 1754) - Battle between infantry troops with an explosion. 37,5 x 63,5 cm. Oil on canvas, unframed (not signed)....

Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722) Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31) Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne Year: 1715-1724 (Third edition) Medium: Original Engraving and Etching on cream laid paper Limited edition: Unknown Printer: Joseph Smith, London, UK Publisher: Joseph Smith, London, UK Sheet size: 19.25" x 24.19" Image size: 16.75" x 22.5" Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264 Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black. Biography: Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses. Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip". His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists. The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...

One of the foremost French flower painters of the early 19th century, Antoine Berjon began his career designing fabrics for Lyon’s celebrated silk industry before becoming a leading ...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Escuela colonial mejicana; siglo XVIII. “San Antonio con el Niño”. Óleo sobre tabla. Medidas: 28 x 21 cm. Gran pieza para coleccionistas de arte religioso de calidad San Antonio de P...

Escuela española; siglo XVIII. San Joaquín, Santa Ana y la Virgen Niña. Óleo sobre cobre anónimo y buena calidad pictórica. Medidas de la obra: 69 x 87 cm. Medidas del marco: 92 ...

Portrait of a Gentleman wearing a Ruff Collar Dutch/ French artist, 18th century oil painting on copper, unframed copper board : 6.75 x 5 inches provenance: private collection, UK co...

Title: Virgin and Child - 18th Century Italian School (Circle of Jacopo Amigoni) Description: An important 18th-century Italian School oil on canvas depicting the classic iconograph...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous in the 18th Century. Signed ...

Very close to Giambattista Pittoni. Excellent condition. No signature present.

Convento di S.Pietro in Montorio is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vas...

Francis Swaine (1725-1782) Shipping of Jersey Oil on canvas Painting size 8 1/4 x 20 1/2 in Framed size Provenance with The Parker Gallery. Francis Swaine (1725–1782) was one of t...

This genre scene in oil on canvas, painted by an unknown artist in the 18th century, transports the viewer to a garden terrace before a majestic palace. The composition is constructe...

Italian painter (18th century) - Cronus. 90.5 x 106 cm. Oil on canvas, unframed (not signed). The painting depicts Cronus, Greek deity of time and the harvest, in a composition of...

Signed and dated to the lower left. Presented in a swept gilt frame with acanthus ornamentation. On canvas. Image size: 42 x 52cm.

Italian painter (18th century) - The Fruit Seller. 70.5 x 58.5 cm (without frame) - 88.5 x 75.5 cm (with frame). Oil on canvas, in a carved wood frame (not signed). The painting d...

Attributed to François Boucher (1703–1770) – "Da Tour Boileau (Beauvais)" Artist: Attributed to François Boucher (attributed) Title: "Da Tour Boileau (Beauvais)" Medium: Oil on can...

Etching on paper from "Antiquities of Herculaneum", realized by Filippo Morghen in the late 18th Century. Signed in the plate. Good conditions with some folding. The etching belon...

This impressive Old Master oil painting, created in the early 18th century, is attributed to Jan Pieter van Bredael the Younger, a renowned Flemish artist who lived at the turn of th...

Jean Baptiste Caudot (Nancy 1682 – Nancy 1757) – Arcadian Landscape with Resting Figures. 54.5 x 73.5 cm (without frame) - 73.5 x 92.5 cm (with frame). Oil on canvas, in carved and...

A romantic oil study depicting a couple resting on a woodland floor feeding each other fruit. The scene appears to be a play on the Four Seasons series by François Boucher where the...

A charming 18th-century European oil depicting a lively family gathering, with every generation represented. The scene exudes warmth and animation, brought to life through loose, pai...

The painting captures a serene moment on the foothill plateau, just as the day is beginning to wake up. The mountains are still wrapped in a soft blanket of morning fog, giving the s...

Portrait of a Mrs Ann Jennings, dated 1728 Enoch Seeman (1689-1744) Large 18th Century English School half-length portrait of a Mrs Ann Jennings, in straw hat and dress, oil on can...

A Young Lady as Flora Attributed to Jacob van Schuppen (Fontainebleau, 1670 – Vienna, 1751) Paris, France, circa 1710, early 18th century Oil on canvas: 46 × 36 cm Louis XIV-period c...

Giovanni Battista Piranesi, The Well, Carcere XIII , from “ Images of Prisons”, Buchard , Rome, 1749-50 Etching on laid paper. Signed on plate “ Piranesi F.” lower-right. Very good ...

Antique Italian painting from the 18th century. Framework oil on canvas depicting a landscape with figures of good pictorial quality. Nice sized and pleasantly decorated paintinf wit...

Magnificent Italian painting from the first half of the 18th century. This oil on canvas artwork depicts the biblical episode of Moses driving the shepherds from the well of Midian. ...

Antique Indian Mughal portrait of a Prince, late 18th cent. , by repute possibly depicting Maharaja Vijay Singh of Marwar (1729 - 1793) Rajasthani, 18th century The Rajput Raja ...

Portrait of a Noble Lady French School, early 1700's period oil painting on copper, unframed copper: 5 x 3 inches condition: very good, minor paint fading and deteriation. provenanc...

"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...

An oil painting on canvas measuring 73 x 60 cm unframed and 87 x 75 cm with a period frame, depicting a very fresh still life from the Flemish school of the second half of the 18th c...

This is an original rare and extremely collectible first octavo edition John James Audubon hand colored lithograph entitled "Brown Pelican, Young First Winter", No. 85, Plate 424, fr...

Reverse glass paintings with gallant and musical scenes in the taste of Pietro Longhi Venice (?) - 18th century Dimensions with frame: approximately 28 x 22 cm each. Pair of revers...

French or Italian school of the 18th century Animated landscape with a ruin Oil on canvas 27 x 33 cm (34 x 40 cm with the frame) Signed and dated lower right "1772 / Contencin? / fec...

Anton Raphael Mengs (Aussig, 1728 – Rome, 1779) Workshop Portrait of a Gentleman Oil on canvas 135 x 99 cm. – Framed 148 x 113 cm. The portrait of a gentleman presented here ...

Italian landscape capriccio from the second half of the 18th century, attributed to the Genoese painter Maria Luigia Raggi (1742–1813). The composition unfolds as an imaginary landsc...

Jacques-Francois Delyen (1684-1761), Court Painter of King Louis XV. A Magnificent Pair of Palatial "French Royal" Allegorical Paintings "Aurora and Diana" "Night and Day" A truly ...

Portrait of Marie-Anne de Malortie de Boudeville (1693–1774), Countess of Hombourg and Martainville Studio of Nicolas de Largillière (Paris, 1656–1746) Paris, early 18th century, ...

Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1794-1812 (First-second ser...

A refined 18th-century Italian painting. This oil-on-canvas painting depicts a magnificent Madonna and Child with a cherub, created with exquisite skill. Stylistically, the painting ...