Giovanni Battista Piranesi Art
Italian, 1720-1778
Piranesi was born in Venice in 1720 and died in Rome in 1778. He was the son of a stone mason and was trained as an architect. After a slow start he eventually achieved great success as an architect, archaeologist, artist, designer, collector, and antiquities dealer. His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include figures in mysterious activities, who are dwarfed by the magnitude of their monumental surroundings.
Piranesi's style greatly influenced the neoclassical art movement of the late 18th century. His dramatic scenes inspired generations of set designers, as well as artists, architects and writers. His prints have continued to increase in value to institutions and collectors.to
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Artist: Giovanni Battista Piranesi
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
Category
1760s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence.
This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art.
This magnificent etching is presented in a brown-colored wood frame and a tan French...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
The Giant Wheel (Carceri IX), (2nd State)
By Giovanni Battista Piranesi
Located in Chicago, IL
This is a second state impression from three states.
Category
Mid-18th Century Old Masters Giovanni Battista Piranesi Art
Materials
Engraving, Etching
The Well, Carcere XIII - Etching by G.B.Piranesi - 1750s
By Giovanni Battista Piranesi
Located in Roma, IT
Giovanni Battista Piranesi, The Well, Carcere XIII , from “ Images of Prisons”, Buchard , Rome, 1749-50
Etching on laid paper. Signed on plate “ Piranesi F.” lower-right. Very good ...
Category
1750s Modern Giovanni Battista Piranesi Art
Materials
Etching
Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...
Category
1760s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Obelisco Egizio (Egyptian Obelisk) from Vedute di Roma Etching by Piranesi
By Giovanni Battista Piranesi
Located in New York, NY
Obelisco Egizio from "Vedute di Roma" by Giovanni Battista Piranesi.
2nd Roman state, 1759-1778. Etching on laid paper with a watermark of a Fleur-de-L...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Paper
The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant' Angelo)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Ponte and Castel S. Angelo
Veduta del Ponte e Castello Sant' Angelo
Etching, 1754
Signed in the plate lower right above the caption
From: Vedute di Roma
A proper Roman printing w...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
By Giovanni Battista Piranesi
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category
1760s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The C
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The Capitol and the Steps of S. Maria in Aracoeli)
Etching, 1775
Watermark: Double Circle Fleur de Lys
A lifetime impression with the price etching in the plate
Printed in Rome, before the plates are moved to Paris and the numerous posthumous editions
Reference: Hind 38 ii/IV
Robison 38 ii/V with the price
Wilton Ely 190
Condition: A fine Roman...
Category
1770s Baroque Giovanni Battista Piranesi Art
Materials
Etching
Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano (View of the Exterior of St. Peter's Basilica in the Vatican)
Etching, 1748
From the first printing of the "Vedute di Roma"
An early impression with strong contrasts
Before the price and the addition of numbers in the later states.
A view of Michelangelo's done from behind the Piazza, redesigned in 1547
Condition: Excellent
Plate size: 15 3/4 x 24 3/4 inches
Reference: Robison 5 a/g
Hind 5 i/VII
Focillon 54.789
Designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini, St. Peter's is the most renowned work of Renaissance architecture and the largest church in the world. While it is neither the mother church of the Catholic Church nor the cathedral of the Diocese of Rome (these equivalent titles being held by the Archbasilica of Saint John Lateran in Rome), St. Peter's is regarded as one of the holiest Catholic shrines...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
The Trajan's Column - Offset by G.B. Piranesi - 1990s
By Giovanni Battista Piranesi
Located in Roma, IT
A beautiful reproduction of one of the most celebrated Piranesi's masterpieces, realized in a limited edition of a few hundreds in 1990s.
The Trajan's Column is the last remaining n...
Category
1990s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
$1,623 Sale Price
25% Off
The Monumental Tablet
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Monumental Tablet
Etching, engraving, drypoint and burnishing, c. 1748
Series: Grotteschi (Grotesques, 4 plates)
Original, unwashed condition. Excellent.
Second edition first is...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse)
"Temple of the Cough"
Etching, 1764
Signed in the plate
From: Vedute di Roma...
Category
1760s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Ruins of an Ancient Tomb - G. B. Piranesi - 1762
By Giovanni Battista Piranesi
Located in Roma, IT
Ruins of an Ancient Tomb is an original etching realized by the italian artist Giovanni Battista Piranesi in 1762.
Image dimensions: 41.5x56 cm
Very precoius and rare lifetime spec...
Category
1760s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Carcere ascura
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Carcere ascura
Etching, 1743
Signed in the plate bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort.
Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper.
Visible watermark verso
Small printer crease in the bottom right below the caption plate.
Image size: 14 1/2 x 9 1/2 inches
Reference: Robison 3 iii/VI
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Veduta del Porto di Ripa Grande - View of the Port of Ripa Grande - 1753
By Giovanni Battista Piranesi
Located in Roma, IT
G. B. Piranesi, Veduta del Porto di Ripa Grande (View of the port of Ripa Grande)
Etching, Burin and Drypoint on fine watermarked paper (with lily watermarked). Signed on plate lower-right: “G.B. Piranesi Architetto fec.”.
2nd State/ VI (Hind 27)
Image Dim: cm 38.2 x 61.5, Dim: 53.3 x 77.3.
Good conditions, with some normal fold of paper at the center
From one of the most important series of etchings by G.B. Piranesi, ”Views of Rome drawn and etched by Giambattista Piranesi...
Category
Mid-18th Century Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Antiche urne cinerarie e lampade
By Giovanni Battista Piranesi
Located in Roma, IT
From the Piranesi's series “Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal cav. Gio. Batt. Piranesi pubblicati l’anno MDCCLXXIIX” (1778). Antiche urne cinerarie e lampade" is an artist proof, printed on contemporary laid paper, large margins, representing antique marble cinerary urns - “found into antique graves...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
$1,623 Sale Price
25% Off
Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Galleria grande di Statue
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
The Arch of Constantine and the Colosseum
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Arch of Constantine and the Colosseum
Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo
From: "Vedute di Roma" (Roman Views), part II
An early Paris edition,...
Category
1760s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
View of Mausoleo of Cecilia Metella - Etching by G. B. Piranesi - 1773
By Giovanni Battista Piranesi
Located in Roma, IT
View of Mausoleo of Cecilia Metella is an original etching realized by the italian artist Giovanni Battista Piranesi in 1773.
Precoius roman edition. Complete title on the lower ma...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
A Framed 18th C. Piranesi Etching of an Ancient Marble Vase from Hadrian's Villa
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le ...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757.
This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
View of the Ancient Structure built by Tarquinius Superbus called the Bel Lido
By Giovanni Battista Piranesi
Located in Fairlawn, OH
View of the Ancient Structure built by Tarquinius Superbus called the Bel Lido, and like others built by Marcus Agrippa in the time of Augustus when he cleaned all the sewers leading...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Ba...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category
Early 18th Century Old Masters Giovanni Battista Piranesi Art
Materials
Etching, Engraving, Drypoint
View of Castello dell'Acqua Felice - Etching by G. B. Piranesi - 1751
By Giovanni Battista Piranesi
Located in Roma, IT
View of Castel of Acqua Felice is an original etching realized by the italian artist Giovanni Battista Piranesi in 1751.
Very precoius and rare lifetime impression. Roman edition. I...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
Etching, 1748
From: Vedute di Roma, Plate 8
An early Roman printing, published by Bouchard e Gravier
Watermark: Fleur de Lys in a double circle
Signed in the plate
Condition: Small margins as are common with Bouchard published impressions.
Centerfold (as usual)
Rich impression with good contrasts
Plate/Image size: 15 7/8 x 24 1/8 inches
Sheet size: 17 3/8 x 24 3/4 inches
Reference: Focillon 723
Wilton-Ely 138
Hind 6 ii/VI, Bouchard e Gravier printing, before the price and numbers in later states
This image is Piranesi’s second interior scene from the Vedute di Roma. The first interior is a less complex composition of the Interior of St. Peters which lacks the challenging perspective that the artist masters in this image.
The Papal Basilica of St. Paul Outside the Walls...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Veduta della Spelonca, detta il Bergantino - Etching by G. B. Piranesi - 1762
By Giovanni Battista Piranesi
Located in Roma, IT
Veduta della Spelonca, detta il Bergantino is an original etching realized by G. B. Piranesi in 1762.
Image Dimensions: 43 x 63 cm
Very good condition.
Ref. Ficacci., p.442
Category
1760s Giovanni Battista Piranesi Art
Materials
Etching
Veduta della Basilica di San Giovanni in Laterano by G.B.Piranesi - 1749
By Giovanni Battista Piranesi
Located in Roma, IT
Veduta della Basilica di San Giovanni in Laterano, is an original etching realized by Giovanni Battista Piranesi in 1749.
S. Giovanni in Laterano with palace and Scala Santa on t...
Category
18th Century Modern Giovanni Battista Piranesi Art
Materials
Etching
View of the Capitoline Hill - Etching by G. B. Piranesi - 1775
By Giovanni Battista Piranesi
Located in Roma, IT
View of the Capitoline Hill is an original etching realized by the italian artist Giovanni Battista Piranesi in 1775.
Very precious and rare lifetime impression. Roman edition. II ...
Category
1770s Giovanni Battista Piranesi Art
Materials
Etching
Veduta della Piazza della Rotonda - Early Lifetime Impression
By Giovanni Battista Piranesi
Located in Roma, IT
The Piazza della Rotonda, with the Pantheon and Obelisk. Etching on fine watermarked paper. Signed on plate on lower-left margin "Piranesi del. Sc." and with the address of Bouchard...
Category
1740s Giovanni Battista Piranesi Art
Materials
Etching
Vedute di Roma (3rd state) (Frontispiece of series, with Statue of Minerva)
By Giovanni Battista Piranesi
Located in Chicago, IL
Views of Rome (Vedute di Roma): Frontispiece for the whole series, with Statue of Minerva.
A fine impression of the rare 3rd state (of seven) of this m...
Category
Mid-17th Century Old Masters Giovanni Battista Piranesi Art
Materials
Etching
A Sue Eccellenza il Signor Henry Hope - Gruppo di Cariatidi - 1778
By Giovanni Battista Piranesi
Located in Roma, IT
Group of Caryatids with the dedication to Henry Hope
Artist proof, printed on contemporary laid paper, wide margins, representing a “group of caryatids” found in Vigna Strozzi", Rome...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Etching
Vaso antico che si vede nella Villa di Sua Eminenza Card. Alessandro Albani
By Giovanni Battista Piranesi
Located in Roma, IT
Artist's proof, printed on antique watermarked paper, wide margins, representing an “antique vase in the Villa Albani” as pointed out in the higher note. ...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Vaso antico di marmo, che si conosceva nella Galleria del Palazzo
By Giovanni Battista Piranesi
Located in Roma, IT
Artist's proof, printed on antique laid paper, large margins, representing an “antique marble vase in the gallery of the palazzo Barberini” as he r...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Vasi Antichi - Etching by G.B. Piranesi - 1778
By Giovanni Battista Piranesi
Located in Roma, IT
Antique Vases
Artist proof, printed on contemporary laid paper, wide margins, representing two antique vases, whom details are in the captures. Etching with good contrasts and sharp ...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Etching
$1,533 Sale Price
25% Off
Veduta in Prospettiva d'un Antico Vaso Cinerario di Marmo
By Giovanni Battista Piranesi
Located in Roma, IT
The same urn, in perspective
Beautiful artist proof, printed on antique laid paper, large margins, showing a precious urn. Etching with good contrasts and sharp details, signed on pl...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
$1,172 Sale Price
25% Off
Pair of 19th-Century Neoclassical Etchings by Giovanni Battista Piranesi
By Giovanni Battista Piranesi
Located in Denver, CO
Enhance your collection with this exquisite pair of 19th-century Neoclassical black and white etchings by the renowned Italian artist Giovanni Battista Piranesi. These highly detaile...
Category
19th Century Neo-Expressionist Giovanni Battista Piranesi Art
Materials
Etching
The Column of Marcus Aurelius
By Giovanni Battista Piranesi
Located in Chicago, IL
A fine impression with the address of the artist (Autore, Strada Felice) and the price (Paoli 2 1/2) as well as Hind Watermark no.3 (Fleur-de-lys-in-a-Double-Circle), all correspondi...
Category
Mid-18th Century Giovanni Battista Piranesi Art
Materials
Etching
XXXIII Fig. I Avanzo del Tempio di Castore e Polluce
By Giovanni Battista Piranesi
Located in Fairlawn, OH
XXXIII Fig. I Avanzo del Tempio di Castore e Polluce .View of the Remains of the Peristyle of the House of Nero,
Etching, 1756
Signed in the plate (see photo)
From: Le Antichità Roma...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…...
By Giovanni Battista Piranesi
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
$2,000 Sale Price
20% Off
Ruine di Sepolcro antico
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Ruine di Sepolcro antico
Etching, 1743
Signed in the plate bottomleft in the caaption plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Coniditon: Excellent/Very good
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 17 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Piranesi 18th C. Etching "Reliquiae Theartri Pompejani" an Ancient Roman Theater
By Giovanni Battista Piranesi
Located in Alamo, CA
This a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Reliquiae Theartri Pompejani" (Remains of the Theatre of Pompey) from "Il Campo Marzio dell'Antica Roma" (The Campus Martius of Ancient Rome), published in Rome in 1762. It depicts the remains of an ancient theater in Rome with exposed seating and an arch still standing in the foreground. An inset shows an architectural side view of a portion of the structure.
The etching is presented in an antiqued silver-colored wood frame with a cream-colored French mat. The frame measures 24" x 20.75" x 1.25". The print is in excellent condition.
The Theatre of Pompey (Latin: Theatrum Pompeii, Italian: Teatro di Pompeo) was a structure in Ancient Rome built during the latter part of the Roman Republican era by Pompey the Great...
Category
Mid-18th Century Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Veduta in Prospettiva della gran Fontana dell'Acqua Vergine detta di Trevi
By Giovanni Battista Piranesi
Located in New York, NY
Etching, 1773.
From the Vedute di Roma.
Framed dimensions 25.5 x 34.5 inches.
Category
18th Century Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Camera sepolcrale
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Camera sepolcrale
Etching 1743
Signed in the bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 20 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Rovine del Tempio de' Castori nella città di Cora - Etching by G. B. Piranesi
By Giovanni Battista Piranesi
Located in Roma, IT
Image dimensions 40.6x56.8.
Belongs to the Collection "Antiquities of Cori, described and etched by Giovambat Piranesi", and printed in 1764.
Beautiful first roman edition/1st state ...
Category
1760s Giovanni Battista Piranesi Art
Materials
Etching
View of the Arch of Constantine - Etching by G.B.Piranesi - 19th Century
By Giovanni Battista Piranesi
Located in Roma, IT
An early 19th century proof, in fair condition but with a very good inking, of the plate "View of the Arch of Constantine". It belongs to the first Paris Edition of 1800-1807.
The f...
Category
19th Century Modern Giovanni Battista Piranesi Art
Materials
Etching
Temples of Iside and Serapi - Etching by G. B. Piranesi - 1759
By Giovanni Battista Piranesi
Located in Roma, IT
Temples of Iside and Serapi is an etching realized by the italian artist Giovanni Battista Piranesi in 1759.
Image dimensions: 41.5 x 55.5 cm.
Very precious lifetime impression. C...
Category
1750s Giovanni Battista Piranesi Art
Materials
Etching
Veduta del Campidoglio di fianco
By Giovanni Battista Piranesi
Located in New York, NY
Etching. Signed in the plate lower right. From the fourth state, of six, a late 18th / early 19th century impression; first Paris edition. From the Vedute di Rome series.
Overall...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Monumento antico ritrovato fra le rovine di un Sepolcro sulla Via Appia - 1778
By Giovanni Battista Piranesi
Located in Roma, IT
Antique monument found in a tomb on the Via Appia
Artist proof, printed on contemporary laid paper, wide margins, representing an “antique monument found in ...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Etching
Piranesi VI.
By Giovanni Battista Piranesi
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, edition, Giovanni Battista Piranesi print in Verlag von Ad Lehmann in Wien, end of 19 Century.
Category
Late 18th Century Italian School Giovanni Battista Piranesi Art
Materials
Black and White, Archival Pigment
$1,058 Sale Price
20% Off
18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
A. Tigna Protensa Super Media Epistylia, B. Praecisiones Tigorum Quaqua Versus Extrinsectus Apparentium, C. Opae Extremitates Tigorum Contintes, Fig. I, plate 88 from "Vasi, Candelab...
Category
Mid-18th Century Old Masters Giovanni Battista Piranesi Art
Materials
Etching
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse)
"Temple of the Cough"
Etching, 1764
Signed in the plate
From: Vedute di Roma...
Category
1760s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Veduta degli Avanzi sopra terra dell'antico Ustrino - Etching by G. B. Piranesi
By Giovanni Battista Piranesi
Located in Roma, IT
Image dimensions 40x60.
Veduta degli Avanzi sopra terra dell’antico Ustrino (View of the visible remains of the ancient crematorium) is a wonderful black and white etching on thick...
Category
1750s Giovanni Battista Piranesi Art
Materials
Etching
Vaso Anzio di Marmo press S.E. il Sig. Schowvaloff-Etching by G.B. Piranesi-1778
By Giovanni Battista Piranesi
Located in Roma, IT
Artist proof, printed on contemporary filigree paper, large margins, representing an antique marble vase , whose details are described in the ending note . The piece is dedicated to ...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
The Basilica of Constantine
By Giovanni Battista Piranesi
Located in Chicago, IL
A very fine impression of the 3rd State, still with the address and price which were eliminated in the following 4th state. The presence of the address and price confirms that this ...
Category
18th Century and Earlier Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...
Category
Early 18th Century Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Giovanni Battista Piranesi art for sale on 1stDibs.
Find a wide variety of authentic Giovanni Battista Piranesi art available for sale on 1stDibs. You can also browse by medium to find art by Giovanni Battista Piranesi in etching, engraving, paper and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large Giovanni Battista Piranesi art, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Francisco Goya, Frans Hogenberg, and Giuseppe Vasi. Giovanni Battista Piranesi art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $425 and tops out at $24,955, while the average work can sell for $2,380.
Artists Similar to Giovanni Battista Piranesi
Questions About Giovanni Battista Piranesi Art
- 1stDibs ExpertJanuary 10, 2025Giovanni Battista Piranesi is famous for his work spanning many different fields. After a slow start, he eventually achieved great success as an architect, archaeologist, artist, designer, collector and antiquities dealer. His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include figures in mysterious activities who are dwarfed by the magnitude of their monumental surroundings. Piranesi's style greatly influenced the neoclassical art movement of the late 18th century. Explore a collection of Giovanni Battista Piranesi art on 1stDibs.