Giovanni Battista Piranesi Art
Italian, 1720-1778
Piranesi was born in Venice in 1720 and died in Rome in 1778. He was the son of a stone mason and was trained as an architect. After a slow start he eventually achieved great success as an architect, archaeologist, artist, designer, collector, and antiquities dealer. His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include figures in mysterious activities, who are dwarfed by the magnitude of their monumental surroundings.
Piranesi's style greatly influenced the neoclassical art movement of the late 18th century. His dramatic scenes inspired generations of set designers, as well as artists, architects and writers. His prints have continued to increase in value to institutions and collectors.(Biography provided by Timeless Intaglio)
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Artist: Giovanni Battista Piranesi
Ancient Roman Medici Marble Vase: An 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le quail r...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Sepolcro Regio, o Consolare , inciso nella rupe... - G. B. Piranesi - 1764
By Giovanni Battista Piranesi
Located in Roma, IT
Sepolcro Regio, o Consolare , inciso nella rupe del Monte Albano (Royal or Consular Tomb in the Alban Hills) is an original etching realized by Giovan Battista Piranesi in 1764.
Ed...
Category
1760s Giovanni Battista Piranesi Art
Materials
Etching
Veduta della Spelonca, detta il Bergantino - Etching by G. B. Piranesi - 1762
By Giovanni Battista Piranesi
Located in Roma, IT
Veduta della Spelonca, detta il Bergantino is an original etching realized by G. B. Piranesi in 1762.
Image Dimensions: 43 x 63 cm
Very good condition.
Ref. Ficacci., p.442
Category
1760s Giovanni Battista Piranesi Art
Materials
Etching
Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...
Category
Early 18th Century Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Temples of Iside and Serapi - Etching by G. B. Piranesi - 1759
By Giovanni Battista Piranesi
Located in Roma, IT
Temples of Iside and Serapi is an etching realized by the italian artist Giovanni Battista Piranesi in 1759.
Image dimensions: 41.5 x 55.5 cm.
Very precious lifetime impression. C...
Category
1750s Giovanni Battista Piranesi Art
Materials
Etching
Vaso antico di marmo adornato di finissimi intagli ed arabeschi - Etching 1778
By Giovanni Battista Piranesi
Located in Roma, IT
Marble vase with frieze of arabesques.
Artist proof, printed on contemporary laid paper, wide margins, representing “an antique marble vase frieze of arab...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Etching
Tripode antico di marmo che si conserva nel Museo Capitolino - Etching 1778
By Giovanni Battista Piranesi
Located in Roma, IT
English Title: Ancient Tripod Store in the Capitoline Museums...
Artist proof, printed on contemporary laid paper, wide margins, representing a “tripod from Villa lanti, Gianicolo (Rome)”. Etching with strong contrasts and sharp details. with a dedication to “Cavaliere Edward Walter”. Signed on plate "Cavalier Piranesi del. e inc.". Good condition, lightly worn paper, normal folds and little holes on higher margin due to the binding of the volume “Vases and Candelabras...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Etching
Prospetto della medesima Sedia Curale, Veduta della parte... - Etching 1778
By Giovanni Battista Piranesi
Located in Roma, IT
Another front view of the same chair / Rear view of the same chair.
Artist proof, printed on contemporary watermarkedpaper, wide margins, representing the same chair in front and re...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Etching
Candelabro ornato con diversi arabeschi... Etching 1778
By Giovanni Battista Piranesi
Located in Roma, IT
Candelabrum base ornamented with various arabesques
Artist proof, printed on contemporary watermarked paper, wide margins, representing a “candelabrum base ornamented with various arabesques” in P.ce Lanti, Roma. Etching with good contrasts and sharp details.Signed on plate “Cavalier Piranesi F..” on lower-left margin. Good conditions, with usual fold, some foxing and little holes in higher margin due to the binding of the volume “Vases and Candelabras...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Etching
Sezione per il Luogo della Nave - Etching by G.B. Piranesi - 1778
By Giovanni Battista Piranesi
Located in Roma, IT
Section for the place of the boat.
Wonderful proof, printed on contemporary laid paper, wide margins, representing a “section for the place of the boat”. Etching with good contrasts ...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Etching
Veduta delle Antiche Sostruzioni, Vintage Cityscape Etching by Giovanni Piranesi
By Giovanni Battista Piranesi
Located in Long Island City, NY
Artist: Giovanni Battista Piranesi, Italian (1720 - 1788)
Title: Veduta delle Antiche Sostruzioni
Portfolio: Vedute di Roma
Year: 1776
Medium: Etching
...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Vaso Cinerario di Gran Mole
By Giovanni Battista Piranesi
Located in Roma, IT
Artist's proof, printed on antique laid paper, large margins, representing an antique marble vase, whose details are described in the ending note....
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Vaso antico di marmo, che si conosceva nella Galleria... - Etching 1778
By Giovanni Battista Piranesi
Located in Roma, IT
English Title (short version): Antique marble vase in the Gallery of the Palazzo Barberini
Artist proof, printed on contemporary paper, large marg...
Category
18th Century Giovanni Battista Piranesi Art
Materials
Etching
Monumento antico ritrovato fra le rovine di un Sepolcro sulla Via Appia - 1778
By Giovanni Battista Piranesi
Located in Roma, IT
Antique monument found in a tomb on the Via Appia
Artist proof, printed on contemporary laid paper, wide margins, representing an “antique monument found in ...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Etching
Veduta in Prospettiva d'un Antico Vaso Cinerario di Marmo
By Giovanni Battista Piranesi
Located in Roma, IT
The same urn, in perspective
Beautiful artist proof, printed on antique laid paper, large margins, showing a precious urn. Etching with good contrasts and sharp details, signed on pl...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Profilo d'una Sedia Curule di Marmo
By Giovanni Battista Piranesi
Located in Roma, IT
Etching of the serie “Vases, candelabras, gravestones, sarcophagi, tripods, lamps, and ornaments”, made and etched by Piranesi, published in the year 1778 by his son Francesco. Very fine etching, “Profile of the curial chair...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Vaso antico di marmo, che si conosceva nella Galleria del Palazzo
By Giovanni Battista Piranesi
Located in Roma, IT
Artist's proof, printed on antique laid paper, large margins, representing an “antique marble vase in the gallery of the palazzo Barberini” as he r...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Piranesi 18th C. Etching "Reliquiae Theartri Pompejani" an Ancient Roman Theater
By Giovanni Battista Piranesi
Located in Alamo, CA
This a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Reliquiae Theartri Pompejani" (Remains of the Theatre of Pompey) from "Il Campo Marzio dell'Antica Roma" (The Campus Martius of Ancient Rome), published in Rome in 1762. It depicts the remains of an ancient theater in Rome with exposed seating and an arch still standing in the foreground. An inset shows an architectural side view of a portion of the structure.
The etching is presented in an antiqued silver-colored wood frame with a cream-colored French mat. The frame measures 24" x 20.75" x 1.25". The print is in excellent condition.
The Theatre of Pompey (Latin: Theatrum Pompeii, Italian: Teatro di Pompeo) was a structure in Ancient Rome built during the latter part of the Roman Republican era by Pompey the Great...
Category
Mid-18th Century Old Masters Giovanni Battista Piranesi Art
Materials
Etching
View of the Capitoline Hill - Etching by G. B. Piranesi - 1775
By Giovanni Battista Piranesi
Located in Roma, IT
View of the Capitoline Hill is an original etching realized by the italian artist Giovanni Battista Piranesi in 1775.
Very precious and rare lifetime impression. Roman edition. II ...
Category
1770s Giovanni Battista Piranesi Art
Materials
Etching
18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
A. Tigna Protensa Super Media Epistylia, B. Praecisiones Tigorum Quaqua Versus Extrinsectus Apparentium, C. Opae Extremitates Tigorum Contintes, Fig. I, plate 88 from "Vasi, Candelab...
Category
Mid-18th Century Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Vaso antico di marmo che è ornato di quattro Maschere - Etching 1778
By Giovanni Battista Piranesi
Located in Roma, IT
Antique marble vase decorated with four masks
Artist proof, printed on contemporary laid paper, wide margins, representing an “antique marble vase ...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Etching
View of the Cave known as Bergantino - Etching by G. B. Piranesi - 1762
By Giovanni Battista Piranesi
Located in Roma, IT
View of the Cave known as Bergantino is an etching realized by the italian artist Giovanni Battista Piranesi in 1762.
Very precious and rare lifetime impression. Roman edition.
C...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Vaso antico che si vede nella Villa di Sua Eminenza Card. Alessandro Albani
By Giovanni Battista Piranesi
Located in Roma, IT
Artist's proof, printed on antique watermarked paper, wide margins, representing an “antique vase in the Villa Albani” as pointed out in the higher note. ...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Veduta Della Gran Curia Innocenziana from Vedute di Roma, 1752
By Giovanni Battista Piranesi
Located in San Francisco, CA
This exceptional mid-18th century etching by Giovanni Battista (Giambattista) Piranesi (b. 1720-1778) is titled “Veduta della Gran Curia Innocenziana” (“View of the Palazzo di Montecitorio”). It is from Piranesi’s Vedute di Roma...
Category
1750s Realist Giovanni Battista Piranesi Art
Materials
Etching
View of Mausoleo of Cecilia Metella - Etching by G. B. Piranesi - 1773
By Giovanni Battista Piranesi
Located in Roma, IT
View of Mausoleo of Cecilia Metella is an original etching realized by the italian artist Giovanni Battista Piranesi in 1773.
Precoius roman edition. Complete title on the lower ma...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Ruins of an Ancient Tomb - G. B. Piranesi - 1762
By Giovanni Battista Piranesi
Located in Roma, IT
Ruins of an Ancient Tomb is an original etching realized by the italian artist Giovanni Battista Piranesi in 1762.
Image dimensions: 41.5x56 cm
Very precoius and rare lifetime spec...
Category
1760s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
View of Castello dell'Acqua Felice - Etching by G. B. Piranesi - 1751
By Giovanni Battista Piranesi
Located in Roma, IT
View of Castel of Acqua Felice is an original etching realized by the italian artist Giovanni Battista Piranesi in 1751.
Very precoius and rare lifetime impression. Roman edition. I...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Spaccato del Mauseleo di Ottaviano Augusto, Piranesi Roman etching, 1800
By Giovanni Battista Piranesi
Located in Melbourne, Victoria
From Piranesi’s, Antichità Romane, Paris edition published by Francesco Piranesi.
Piranesi was an Italian architect and etcher. He published series of etchings of archaeological in...
Category
Early 1800s Baroque Giovanni Battista Piranesi Art
Materials
Etching
Veduta della Magnifica Sostruzione Fabricata - Etching by G. B. Piranesi -1760s
By Giovanni Battista Piranesi
Located in Roma, IT
View of the magnificent substructure is an original etching realized by the italian artist Giovanni Battista Piranesi.
Very precoius and rare specimen. Roman edition.
Complete tit...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Etching
Vaso Cinerario di Gran Mole, etching from "Vases, Candelabras, Grave, Stones..."
By Giovanni Battista Piranesi
Located in Roma, IT
Well-knowned as an architect and an archaeologist, undoubtedly Giovanni Battista Piranesi, is the most important engraver of the 18th century: the leading artist in this field in the...
Category
1770s Giovanni Battista Piranesi Art
Materials
Engraving, Etching
Veduta della Basilica di S. Paolo Fuor delle Mura - Etching
By Giovanni Battista Piranesi
Located in Roma, IT
Etching on laid and watermarked paper (a double circles visible near the bell tower). 38 th Plate from the series " Views of Rome".
Signed on plate on lower-left margin "Piranesi F....
Category
1740s Giovanni Battista Piranesi Art
Materials
Etching
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Ba...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Vue du Temple de Neptune - Etching by G.B.Piranesi - 1778
By Giovanni Battista Piranesi
Located in Roma, IT
View of the Temple of Neptune is an etching realized by G.B. Piranesi in 1778. It belongs to the last great series by Piranesi: "Differentes Vues De Quelques Restes De Trois Grandes ...
Category
1770s Modern Giovanni Battista Piranesi Art
Materials
Etching
XXXIII Fig. I Avanzo del Tempio di Castore e Polluce
By Giovanni Battista Piranesi
Located in Fairlawn, OH
XXXIII Fig. I Avanzo del Tempio di Castore e Polluce .View of the Remains of the Peristyle of the House of Nero,
Etching, 1756
Signed in the plate (see photo)
From: Le Antichità Roma...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
View of the Arch of Constantine - Etching by G.B.Piranesi - 19th Century
By Giovanni Battista Piranesi
Located in Roma, IT
An early 19th century proof, in fair condition but with a very good inking, of the plate "View of the Arch of Constantine". It belongs to the first Paris Edition of 1800-1807.
The f...
Category
19th Century Modern Giovanni Battista Piranesi Art
Materials
Etching
Galleria grande di Statue
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Vaso Anzio di Marmo press S.E. il Sig. Schowvaloff-Etching by G.B. Piranesi-1778
By Giovanni Battista Piranesi
Located in Roma, IT
Artist proof, printed on contemporary filigree paper, large margins, representing an antique marble vase , whose details are described in the ending note . The piece is dedicated to ...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Carcere ascura
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Carcere ascura
Etching, 1743
Signed in the plate bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort.
Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper.
Visible watermark verso
Small printer crease in the bottom right below the caption plate.
Image size: 14 1/2 x 9 1/2 inches
Reference: Robison 3 iii/VI
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Camera sepolcrale
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Camera sepolcrale
Etching 1743
Signed in the bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 20 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Ruine di Sepolcro antico
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Ruine di Sepolcro antico
Etching, 1743
Signed in the plate bottomleft in the caaption plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Coniditon: Excellent/Very good
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 17 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
The Trajan's Column - Offset by G.B. Piranesi - 1990s
By Giovanni Battista Piranesi
Located in Roma, IT
A beautiful reproduction of one of the most celebrated Piranesi's masterpieces, realized in a limited edition of a few hundreds in 1990s.
The Trajan's Column is the last remaining n...
Category
1990s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
By Giovanni Battista Piranesi
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category
1760s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
The Arch of Constantine and the Colosseum
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Arch of Constantine and the Colosseum
Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo
From: "Vedute di Roma" (Roman Views), part II
An early Paris edition,...
Category
1760s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Giovanni Piranesi Marble Urns and Vases and Lamps Etching C.1770
By Giovanni Battista Piranesi
Located in San Francisco, CA
G.B. Piranesi Marble Urns and Vases and Lamps Etching c.1770
Beautiful 18th century etching by Giovanni Battista Piranesi (1720-1778)
Loose translation of the text: Knight Gio. Bat...
Category
Late 18th Century Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The C
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The Capitol and the Steps of S. Maria in Aracoeli)
Etching, 1775
Watermark: Double Circle Fleur de Lys
A lifetime impression with the price etching in the plate
Printed in Rome, before the plates are moved to Paris and the numerous posthumous editions
Reference: Hind 38 ii/IV
Robison 38 ii/V with the price
Wilton Ely 190
Condition: A fine Roman...
Category
1770s Baroque Giovanni Battista Piranesi Art
Materials
Etching
A Sue Eccellenza il Signor Henry Hope - Gruppo di Cariatidi - 1778
By Giovanni Battista Piranesi
Located in Roma, IT
Group of Caryatids with the dedication to Henry Hope
Artist proof, printed on contemporary laid paper, wide margins, representing a “group of caryatids” found in Vigna Strozzi", Rome...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Etching
Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757.
This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
Etching, 1748
From: Vedute di Roma, Plate 8
An early Roman printing, published by Bouchard e Gravier
Watermark: Fleur de Lys in a double circle
Signed in the plate
Condition: Small margins as are common with Bouchard published impressions.
Centerfold (as usual)
Rich impression with good contrasts
Plate/Image size: 15 7/8 x 24 1/8 inches
Sheet size: 17 3/8 x 24 3/4 inches
Reference: Focillon 723
Wilton-Ely 138
Hind 6 ii/VI, Bouchard e Gravier printing, before the price and numbers in later states
This image is Piranesi’s second interior scene from the Vedute di Roma. The first interior is a less complex composition of the Interior of St. Peters which lacks the challenging perspective that the artist masters in this image.
The Papal Basilica of St. Paul Outside the Walls...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
The Monumental Tablet
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Monumental Tablet
Etching, engraving, drypoint and burnishing, c. 1748
Series: Grotteschi (Grotesques, 4 plates)
Original, unwashed condition. Excellent.
Second edition first is...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
(Large!) UNA DELLE QUATTRO FIGURE RAPPRESENTANTI QUATTRO VITTORIE
By Giovanni Battista Piranesi
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (1710-1778)
UNA DELLE QUATTRO FIGURE RAPPRESENTANTI QUATTTRO VITTORIE, (Focillon 330, Wilton-Ely 463) 1750-1756
Etching, Plate 48 from “Le Antichita Romane“ vol. 3. Engraved by Jean Barbault...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Altra veduta del medesimo in prospettiva - Etching by G.B. Piranesi - 1778
By Giovanni Battista Piranesi
Located in Roma, IT
Complete name : Altra veduta del medesimo in prospettiva, fra una lampada e un piccolo vaso in bronzo
Artist proof, with a good contrast and sharp details, printed on contemporary la...
Category
Late 18th Century Giovanni Battista Piranesi Art
Materials
Etching
The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant' Angelo)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Ponte and Castel S. Angelo
Veduta del Ponte e Castello Sant' Angelo
Etching, 1754
Signed in the plate lower right above the caption
From: Vedute di Roma
A proper Roman printing with the price in the lower right corner. Printed on a Double Circle Fleur de Lys watermark paper, c. 1760, with full margins.
A brilliant impression .
Note: A view of the Tiber River, Castello Sant' Angelo and St. Peter's Basilica in the distance.
Watermark: Double Circle Fleur de Lys
References: Robison c/g
Hind 29 ii/VII
Foclllon 793
Condition: A Roman printing before the numbers added in Paris. Printed on a Double Circle Fleur-de-Lys watermark paper.
Right margin folded over 5/8 inches for framing.
Usual centerfold as issued in the album.
Slight aging to the sheet.
Binding holes at the left margin edge
Framed with plexi.
Plate size: 14 7/8 x 22 7/8 inches
Sheet size: 21 5/8 x 30 5/16 inches
Frame size: 22 3/4 x 33 1/2 inches
Sant’Angelo Bridge, Italian Ponte Sant’Angelo, ancient (Latin) Pons Aelius, ancient Roman bridge, probably the finest surviving in Rome itself, built over the Tiber by the emperor Hadrian (reigned 117–138 AD) to connect the Campus Martius with his mausoleum (later renamed Castel Sant’Angelo). The bridge was completed about AD 135. It consists of seven stone arches and five main spans of about 60 feet (18 m) each, supported on piers 24 feet (7 m) high.
In the 13th century Pope Clement IV installed an iron balustrade and in the 16th century Pope Clement VII placed statues of Saints Peter and Paul...
Category
1750s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Piranesi IV.
By Giovanni Battista Piranesi
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, editioned, Giovanni Battista Piranesi print in Verlag von AD Lehmann in Wien, end of the 19. century, SalamonArt certificate will be included.
Category
Late 18th Century Italian School Giovanni Battista Piranesi Art
Materials
Archival Pigment
Avanzo del Pronao del Tempio di Giove Tonante, from Le Antichità Romane
By Giovanni Battista Piranesi
Located in Middletown, NY
Etching on buff laid paper with a partial indiscernible watermark, full margins. In very good condition with some minor scattered spots of foxing in the margins. Some pencil notatio...
Category
Late 18th Century Old Masters Giovanni Battista Piranesi Art
Materials
Handmade Paper, Etching
Tiempo Antico vulgarmente detto della Salute
By Giovanni Battista Piranesi
Located in Wilton Manors, FL
Giovanni Battista Piranesi (1720-1778)
Tempio antico volgarmente detto della Salute su la Via d'Albano, cinque miglia lontan da Roma... (Ancient Temple popularly known as the Temple of Health on the Via d'Albano five miles outside Rome...), from Vedute di Roma...
Category
18th Century Rococo Giovanni Battista Piranesi Art
Materials
Engraving
Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano (View of the Exterior of St. Peter's Basilica in the Vatican)
Etching, 1748
From the first printing of the "Vedute di Roma"
An early impression with strong contrasts
Before the price and the addition of numbers in the later states.
A view of Michelangelo's done from behind the Piazza, redesigned in 1547
Condition: Excellent
Plate size: 15 3/4 x 24 3/4 inches
Reference: Robison 5 a/g
Hind 5 i/VII
Focillon 54.789
Designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini, St. Peter's is the most renowned work of Renaissance architecture and the largest church in the world. While it is neither the mother church of the Catholic Church nor the cathedral of the Diocese of Rome (these equivalent titles being held by the Archbasilica of Saint John Lateran in Rome), St. Peter's is regarded as one of the holiest Catholic shrines...
Category
1740s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Altra veduta del medesimo in prospettiva...
By Giovanni Battista Piranesi
Located in Roma, IT
Title : Altra veduta del medesimo in prospettiva, fra una lampada e un piccolo vaso in bronzo
Artist proof, with a good contrast and sharp details, printed on antique laid paper, lar...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Drypoint
Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Category
1770s Old Masters Giovanni Battista Piranesi Art
Materials
Etching
Giovanni Battista Piranesi art for sale on 1stDibs.
Find a wide variety of authentic Giovanni Battista Piranesi art available for sale on 1stDibs. You can also browse by medium to find art by Giovanni Battista Piranesi in etching, engraving, paper and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large Giovanni Battista Piranesi art, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Francisco Goya, Frans Hogenberg, and Giuseppe Vasi. Giovanni Battista Piranesi art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $425 and tops out at $24,955, while the average work can sell for $2,380.
Artists Similar to Giovanni Battista Piranesi
Questions About Giovanni Battista Piranesi Art
- 1stDibs ExpertJanuary 10, 2025Giovanni Battista Piranesi is famous for his work spanning many different fields. After a slow start, he eventually achieved great success as an architect, archaeologist, artist, designer, collector and antiquities dealer. His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include figures in mysterious activities who are dwarfed by the magnitude of their monumental surroundings. Piranesi's style greatly influenced the neoclassical art movement of the late 18th century. Explore a collection of Giovanni Battista Piranesi art on 1stDibs.