Items Similar to Vedute di Roma (3rd state) (Frontispiece of series, with Statue of Minerva)
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Giovanni Battista PiranesiVedute di Roma (3rd state) (Frontispiece of series, with Statue of Minerva)1748
1748
About the Item
Views of Rome (Vedute di Roma): Frontispiece for the whole series, with Statue of Minerva.
A fine impression of the rare 3rd state (of seven) of this major work, the frontispiece for Piranesi’s Vedute di Roma. This is an early third state impression with address and price: Autore, Palazzo Tomati. Paoli 2 1/2.
Watermark: Fleur-de-lys in a Double Circle (Hind 3)
- Creator:Giovanni Battista Piranesi (1720-1778, Italian)
- Creation Year:1748
- Dimensions:Height: 20 in (50.8 cm)Width: 25.25 in (64.14 cm)
- Medium:
- Movement & Style:
- Period:Mid-17th Century
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU365312420772
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1955
1stDibs seller since 2016
12 sales on 1stDibs
Typical response time: 15 hours
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Chicago, IL
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- View of the Tiber with Country LandscapeBy Jan Dirksz BothLocated in Chicago, ILEtching on paper with Schriftband watermark. Reference: Bartsch 7 III/IV (from VI). A very fine, early impression. Printed with the name of the artist, but before the addition...Category
15th Century and Earlier Old Masters Landscape Prints
MaterialsEtching
- The Basilica of ConstantineBy Giovanni Battista PiranesiLocated in Chicago, ILA very fine impression of the 3rd State, still with the address and price which were eliminated in the following 4th state. The presence of the address and price confirms that this ...Category
18th Century and Earlier Old Masters Landscape Prints
MaterialsEtching
- The Great Landscapes II, (4th State)By Anthonie WaterlooLocated in Chicago, ILWatermark: Schellenkappe (Foolscap) Similar to Churchill no. 340Category
17th Century Old Masters Landscape Prints
MaterialsEtching
- The Great Landscapes VI (2nd State)By Anthonie WaterlooLocated in Chicago, ILWatermark: Wappen von Amsterdam mit NebenmarkeCategory
17th Century Old Masters Landscape Prints
MaterialsEtching
- Landscape with Roman RuinsBy (After) Peter Paul RubensLocated in Chicago, ILEngraving after Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), executed by Schelte Adams Bolswert (Bolsward c. 1586 -1659 Antwerp). Bolswert was one of the major printmakers in the ...Category
17th Century Old Masters Landscape Prints
MaterialsEngraving
- St. Jerome in the DesertLocated in Chicago, ILEngraving by Joannes and Lucas van Doetecum (Deventer active by 1551 - circa 1569 Haarlem) in the manner of Peter Bruegel the ElderCategory
16th Century Old Masters Landscape Prints
MaterialsEngraving
You May Also Like
- Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural EtchingBy Giovanni Battista PiranesiLocated in Alamo, CAThis framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757. This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...Category
1750s Old Masters Landscape Prints
MaterialsEtching
- 18th Century Etching of "Chiesa di S. Lucia" in Rome by Giuseppe VasiBy Giuseppe VasiLocated in Alamo, CAThis 18th century etching is entitled "Chiesa di S. Lucia alle Botteghe Oscure" by Giuseppe Vasi was published in Rome in 1747 in Vasi's 'Magnificenze di Roma Antica e Moderna', whic...Category
Mid-18th Century Old Masters Landscape Prints
MaterialsEtching
- Piranesi 18th C. Etching "Reliquiae Theartri Pompejani" an Ancient Roman TheaterBy Giovanni Battista PiranesiLocated in Alamo, CAThis a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Reliquiae Theartri Pompejani" (Remains of the Theatre of Pompey) from "Il Campo Marzio dell'Antica Roma" (The C...Category
Mid-18th Century Old Masters Landscape Prints
MaterialsEtching
- Four Framed Hogarth Engravings "Four Times of the Day"By William HogarthLocated in Alamo, CAThe four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...Category
Mid-18th Century Old Masters Landscape Prints
MaterialsEngraving, Etching
- Veduta dell'esterno della gran Basilica di S. Pietro in VaticanoBy Giovanni Battista PiranesiLocated in Fairlawn, OHVeduta dell'esterno della gran Basilica di S. Pietro in Vaticano (View of the Exterior of St. Peter's Basilica in the Vatican) Etching, 1748 From the first printing of the "Vedute di...Category
1740s Old Masters Landscape Prints
MaterialsEtching
- Christ and the Woman of Samaria Among Ruins by James Bretherton after RembrandtBy Rembrandt van RijnLocated in Middletown, NYBretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...Category
18th Century Old Masters Figurative Prints
MaterialsHandmade Paper, Etching, Laid Paper