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Period: 18th Century
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

Old Masters 18th Century Prints and Multiples

Materials

Laid Paper, Engraving

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT
AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

Located in Santa Monica, CA

AMERICAN REVOLUTION THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT, 1774 (LC Cresswell 664). Engraving and etching. Originally from "The London Magazine", April 1774. Pl...

Category

Old Masters 18th Century Prints and Multiples

Materials

Engraving

"House Cleaning in Preparation for the New Year" - Japanese Woodblock on Paper
"House Cleaning in Preparation for the New Year" - Japanese Woodblock on Paper

"House Cleaning in Preparation for the New Year" - Japanese Woodblock on Paper

By Kitagawa Utamaro 1

Located in Soquel, CA

"House Cleaning in Preparation for the New Year" - Japanese Woodblock on Paper House cleaning scene by Kitagawa Utamaro (Japanese, 1753-1806). This print was originally published around 1796-1799, with this example being a later reprint. The full scene is five sheets - there are two more sheets to the right that show more members of the house. However, it is these three sheets that contain the majority of the action - a maid sweeping at a mouse, a lady fainting, and a painting moved aside to allow for cleaning. Presented in a new black mat. Mat size: 24"H x 38"W Paper size: 17.75"H x 33"W Print Impression: 14.63"H x 29.5"W Utamaro Kitagawa...

Category

Edo 18th Century Prints and Multiples

Materials

Rice Paper, Woodcut

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

Old Masters 18th Century Prints and Multiples

Materials

Engraving, Laid Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

By Francisco Goya

Located in Soquel, CA

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Category

Northern Renaissance 18th Century Prints and Multiples

Materials

Engraving, Etching, Aquatint, Laid Paper

Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving
Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving

Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving

By Colen Campbell

Located in Saint Augustine, FL

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...

Category

Old Masters 18th Century Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio, Etching

The Temple of Bacchus - Etching - 1796
The Temple of Bacchus - Etching - 1796

The Temple of Bacchus - Etching - 1796

Located in Roma, IT

Etching on paper published by S. Merigot, London, in 1796. A finely executed late eighteenth-century topographical engraving depicting the celebrated Temple of Bacchus at Baalbek, L...

Category

Surrealist 18th Century Prints and Multiples

Materials

Etching

Ancient Roman Fresco Herculaneum - Original Etching by G. Morghen - 18th Century

Ancient Roman Fresco Herculaneum - Original Etching by G. Morghen - 18th Century

By Giovanni Morghen

Located in Roma, IT

Ancient Roman Frescofrom the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good conditions exce...

Category

Old Masters 18th Century Prints and Multiples

Materials

Etching

Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

By Johann Wilhelm Weinmann

Located in Alamo, CA

This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...

Category

Naturalistic 18th Century Prints and Multiples

Materials

Engraving, Mezzotint

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

By Samuel Ireland

Located in Melbourne, Victoria

'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...

Category

Naturalistic 18th Century Prints and Multiples

Materials

Engraving, Etching, Aquatint

Silvery Marmoset Amazon Monkey: Framed Audebert 18th C. Hand-colored Engraving
Silvery Marmoset Amazon Monkey: Framed Audebert 18th C. Hand-colored Engraving

Silvery Marmoset Amazon Monkey: Framed Audebert 18th C. Hand-colored Engraving

By Jean Baptiste Auderbert

Located in Alamo, CA

This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mico. Buff, Simia Argentata. Linn", which was drawn and engraved by Jean Baptiste Audebert...

Category

18th Century Prints and Multiples

Materials

Engraving

Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching

Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching

By Giovanni Battista Piranesi

Located in Alamo, CA

This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...

Category

Old Masters 18th Century Prints and Multiples

Materials

Etching

Wille after Batoni - 1778 Engraving, The Death of Mark Antony
Wille after Batoni - 1778 Engraving, The Death of Mark Antony

Wille after Batoni - 1778 Engraving, The Death of Mark Antony

Located in Corsham, GB

The Roman general Mark Antony dies in the arms of his lover Cleopatra in this finely detailed engraving by Johann Georg Wille (1715-1808) after a 1763 painting by Pompeo Batoni (1708...

Category

18th Century Prints and Multiples

Materials

Engraving

AMERICAN REVOLUTION- WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776
AMERICAN REVOLUTION- WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776

AMERICAN REVOLUTION- WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776

Located in Santa Monica, CA

REVOLUTIONARY WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776 (LC Cresswell 703) Engraving from The London Magazine, Plate 7 3/8 x 5, trimmed within plate mark at right. Sheet...

Category

Old Masters 18th Century Prints and Multiples

Materials

Engraving

Presumed Portrait of the Wife of the Danish Zoologist Morten Thrane Brünnich
Presumed Portrait of the Wife of the Danish Zoologist Morten Thrane Brünnich

Presumed Portrait of the Wife of the Danish Zoologist Morten Thrane Brünnich

Located in Firenze, IT

Presumed Portrait of the Wife of the Danish Zoologist Morten Thrane Brünnich, ca. 1780 Oil on canvas. Dimensions with frame: 59 × 49 cm Without frame: 48 × 38 cm A small late 18th-...

Category

Other Art Style 18th Century Prints and Multiples

Materials

Oil, Canvas

"A BRISK GALE" and "A MODERATE GALE"
"A BRISK GALE" and "A MODERATE GALE"

"A BRISK GALE" and "A MODERATE GALE"

Located in Portland, ME

Canot, P.C. (French, worked in England, 1710-1777), after Willem van de Velde and Ludolph Bakhuizen. "A BRISK GALE" and "A MODERATE GALE," engravings, ...

Category

18th Century Prints and Multiples

Materials

Engraving

Four Framed Hogarth Engravings "Four Times of the Day"
Four Framed Hogarth Engravings "Four Times of the Day"

Four Framed Hogarth Engravings "Four Times of the Day"

By William Hogarth

Located in Alamo, CA

The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...

Category

Old Masters 18th Century Prints and Multiples

Materials

Engraving, Etching

Baroque religious devotional engraving and embroidery, representing the Virgin o
Baroque religious devotional engraving and embroidery, representing the Virgin o

Baroque religious devotional engraving and embroidery, representing the Virgin o

Located in Valladolid, ES

Exquisite and iconic Baroque religious devotional engraving and embroidery, 18th century, depicting Our Lady of Mercy with the Child Jesus, framed in its original carved and polychro...

Category

Baroque 18th Century Prints and Multiples

Materials

Silk, Paper

Veduta del Tempio della Fortuna Virile, from Raccolta delle più belle Vedute ...

Veduta del Tempio della Fortuna Virile, from Raccolta delle più belle Vedute ...

By Giuseppe Vasi

Located in Middletown, NY

By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...

Category

Old Masters 18th Century Prints and Multiples

Materials

Watercolor, Laid Paper, Engraving, Etching

20. Curious shells

20. Curious shells

By Maria Sibylla Merian

Located in Columbia, MO

Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...

Category

Realist 18th Century Prints and Multiples

Materials

Pigment

Le Lévrier  - Etching by Jacques de Sève - 1771

Le Lévrier - Etching by Jacques de Sève - 1771

By Jacques de Seve

Located in Roma, IT

Buffon, Histoire Naturelle, 1767–1771 – Tom. V, Pl. XXVII (p. 300): Le Lévrier Copper engraving depicting Le Lévrier (Greyhound) standing in elegant profile within a landscaped esta...

Category

Old Masters 18th Century Prints and Multiples

Materials

Etching

18th C. Bartolozzi Portrait of Brooke Cobham from a 16th Century Holbein Drawing
18th C. Bartolozzi Portrait of Brooke Cobham from a 16th Century Holbein Drawing

18th C. Bartolozzi Portrait of Brooke Cobham from a 16th Century Holbein Drawing

By Hans Holbein

Located in Alamo, CA

This is an 18th century engraved portrait of Brooke Cobham, a nobleman in King Henry VIII's court, created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was then was printed in color on pink paper and hand finished with watercolor. It was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty". Sir George Brooke, Baron Cobham (1497-1558) was a prominent member of King Henry VIII's royal court. He became a member of parliament in 1529 and served as a peer in the trial of Queen Anne Boleyn, which resulted in her beheading. He was rewarded for his political and military service to King Henry and Britain with land, castles and former monasteries and was made a Knight of the Garter, a prestigious membership limited to the king and a very limited number of prominent British subjects. As a member of the Privy Council following the death of young King Edward VI (Henry VIII's son), he fell out of favor when he signed a ruling disinheriting both of Henry VIII's daughters, Mary and Elizabeth, in favor of Lady Jane Grey...

Category

Old Masters 18th Century Prints and Multiples

Materials

Engraving, Etching

The South West Prospect of London – English School 18th century
The South West Prospect of London – English School 18th century

The South West Prospect of London – English School 18th century

Located in Middletown, NY

A stunning 18th century optical view of London from the Thames. London: 1760. Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...

Category

English School 18th Century Prints and Multiples

Materials

Watercolor, Handmade Paper, Engraving

Red Geranium: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Red Geranium: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Red Geranium: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

By Johann Wilhelm Weinmann

Located in Alamo, CA

This is an original antique colored botanical mezzotint and line engraving of flowering Red Geraniums which is finished with hand-coloring. It is entitled "Geranium Anemones folio Af...

Category

Naturalistic 18th Century Prints and Multiples

Materials

Engraving, Mezzotint

Peach varieties, fruit engraving with later hand-colouring, circa 1770

Peach varieties, fruit engraving with later hand-colouring, circa 1770

By HL Duhamel Du Monceau

Located in Melbourne, Victoria

Peaches, Copper-line engraving with later hand-colouring, from Duhamel du Monceau’s 'Traité des Arbres Fruitiers', circa 1770. Duhamel du Monceau (1700-1782) was one of outstanding ...

Category

Naturalistic 18th Century Prints and Multiples

Materials

Engraving

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany

By William Curtis

Located in Saint Augustine, FL

Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1794-1812 (First-second ser...

Category

Victorian 18th Century Prints and Multiples

Materials

Watercolor, Engraving, Intaglio