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Period: 1910s
Charles Partridge Adams, Colorado Landscape Gouache, 20th-Century Plein Air Art
Located in Denver, CO
This original circa 1910s plein air field study by celebrated Colorado landscape painter Charles Partridge Adams (1858–1942) beautifully captures the tranquil majesty of the Rocky Mo...
Category

American Impressionist 1910s Paintings

Materials

Gouache

Queen Mary Greeting School Children - British 1910 royalty portrait oil painting
Located in Hagley, England
This lovely British Post Impressionist oil painting is by noted artist Gerald Spencer Pryse. Painted circa 1910 the painting depicts Queen Mary greeting a large group of school child...
Category

Post-Impressionist 1910s Paintings

Materials

Oil

Winter Sunset - The Lys - Neo-Impressionist Landscape Oil by Jenny Montigny
Located in Marlow, Buckinghamshire
Signed oil on artist's board riverscape circa 1910 by Belgian neo-impressionist painter Jenny Montigny. The piece depicts a view of the River Lys in winter as the sun sets. The river...
Category

Post-Impressionist 1910s Paintings

Materials

Oil, Board

Portrait of Emily Gertrude Muirhead - British Italian 1910 art oil painting
Located in Hagley, England
This superb Portrait oil painting is by noted Italian born artist Pilade Bertieri. Painted circa 1910, Bertieri had a London address in 1908 and exhibited five pictures at the Royal ...
Category

Realist 1910s Paintings

Materials

Oil

Figures on a Woodland Path - British Edwardian art landscape oil painting
Located in Hagley, England
This charming British Edwardian oil painting is attributed to the circle of Tom Mostyn. Painted circa 1910 it is a wooded landscape with figures stopping to rest on a path bathed in ...
Category

Impressionist 1910s Paintings

Materials

Oil

Promenade Estivale - Post Impressionist Landscape Oil by Victor Charreton
Located in Marlow, Buckinghamshire
Signed figure in landscape oil on board circa 1910 by French Post-Impressionist painter Victor Charreton. The piece depicts a lone figure taking a walk beside a stream in a wooded ar...
Category

Post-Impressionist 1910s Paintings

Materials

Oil, Board

The Harbor
Located in Wiscasett, ME
Beautiful impasto, oil on canvas. Contemporary custom frame. Unsigned, but very well executed painting.
Category

Post-Impressionist 1910s Paintings

Materials

Oil

"Misty Bayou" HAZE. ONE OF HIS BEST Dated 1917 Alexander Drysdale (1870-1934)
By Alexander John Drysdale
Located in San Antonio, TX
Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Size: 20 x 30 Frame: 26 x 36 Medium: Oil Wash? Watercolor? Dated: 1917 "Misty Bayou" Housed in the original magnificent frame. Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Alexander John (A.J.) Drysdale was an early 20th century Louisiana artist who specialized in landscapes using the technique of oil wash, that gave his works a characteristic of a hazy look. Drysdale made use of this technique by diluting the oil paint with kerosene and applying it with cotton balls. Alexander John Drysdale, born in Marietta, Georgia on March 2, 1870, came to New Orleans at the age of fifteen with his parents. His father, Reverend Alexander J. Drysdale, became the rector of Christ Church Cathedral. Alex received private tutoring from a Professor Mehado and art lessons from Ida Hackell at the Southern Art Union. Later in New Orleans (1887) he studied art under Paul Poincy (1833-1909). The exact date of Drysdale's arrival in New York is unknown, but he enrolled in the Art Students League where he received instruction from Charles C. Curran and Frank Vincent DuMond. Apparently, he remained in New York for about five years and did not go to Europe for further study. After some time, Drysdale began specializing in landscapes, executed in a tonalist manner. Back in New Orleans, Drysdale was inspired by local subjects, especially swamp or bayou areas and other desolate wetlands. Over a period of many years Drysdale's landscapes evolved to a unique stylistic maturity. In 1909 he received a gold medal from the New Orleans Art Association. It is easy to see the influence of two artists that he admired: Corot and Inness. Working equally well in oil and watercolor (he also did scenes in charcoal), Drysdale usually divided his scene into halves or thirds, typically, a foreground consisting of tall swamp grasses achieved with broad vertical strokes; a middle ground consisting of a backdrop row of trees at the horizon line executed with staccato, jabbing strokes resulting in textural contrast; and a background devoted totally to a tonalist-like moisture-laden sky often hazy with no clouds or only a slight indication of them. This formulaic compositional format rendered with an economy of technique resulted in imagery with repetitious forms and shapes diffused in a nebulous space. In this regard, Drysdale's works are impressionistic; he also tended to use the violets and blues of the impressionist palette. Yet he lacked a specific interest in color and light. Although his expression of the Louisiana scenery is very personal, even mystical, the artist appears to have been very limited in subject matter. One of his last works was a mural for the Shushan (New York) Airport administration building, and shortly before his death he was employed as an artist by the Civil Works Administration. Drysdale was a member of the Arts and Crafts Club of New Orleans, and his work was in the permanent collection of the Delgado Museum for many years. The artist worked at his studio at 320 Exchange Place in the picturesque Vieux Carré until his death at the age of sixty-three. Stewart (in Painting in the South, 1983), describes how Drysdale was a shrewd businessman. He would solicit new homeowners who might need a canvas to decorate a wall, or a cotton broker who recently made the headlines. Drysdale died in New Orleans, on February 9, 1934. Sources: Louisiana Artists from the Collection of Dr. and Mrs. James W. Nelson. Baton Rouge, LA: Louisiana State University, 1968; Wiesendanger, Martin and Margaret Wiesendanger, Nineteenth Century Louisiana Painters and Paintings from the Collection of W. E. Groves. New Orleans: W. E. Groves Gallery, 1971, pp. 44-45; Painting in the South: 1584-1980, Exh. cat. Richmond, VA: Virginia Museum, 1983, pp. 106-107, 114, 276; Chambers, Bruce W., Art and Artists of the South: The Robert P. Coggins Collection of American Paintings. Exh. cat. Rochester, NY: Memorial Art Gallery of the University of Rochester, 1984, p. 88; Zellman, Michael David, 300 Years of American Art. Seacacus, NJ: Wellfleet Press, 1987, p. 634; Gerdts, William H., Art across America: Two Centuries of Regional Painting, 1710-1920. New York: Abbeville Press, 1990, vol. 2, pp. 110-111. Submitted by Richard H. Love and Michael Preston Worley, Ph.D. Biography from The Johnson Collection ALEXANDER JOHN DRYSDALE (1870–1934) Born in Marietta, Georgia, Alexander John Drysdale was the only son of an ordained Episcopal priest whose ministry required frequent moves to parishes in Georgia, Alabama, and Tennessee. In 1883, he accepted the call to become dean of Christ Church Cathedral, New Orleans, and was later elected a bishop. Alexander, thirteen years old when the family settled in New Orleans, began his art studies under the instruction of Ida C. Haskell, a California-born artist who was on the faculty of the recently established Southern Art Union. The local academy had been founded by several leading artists, including Andres Molinary, William Henry Buck...
Category

Impressionist 1910s Paintings

Materials

Mixed Media

'The Sacramento River, Rio Vista', California, Bohemian Club, White House, SFSD
Located in Santa Cruz, CA
'The Sacramento River, Rio Vista' by James Everett Stuart, 1919. California, Bohemian Club, White House, SFSD ----- Signed lower left, 'J. E. Stuart' for James Everett Stuart (Ameri...
Category

Other Art Style 1910s Paintings

Materials

Canvas, Masonite, Oil

The Yellow Hat - American School
Located in North Clarendon, VT
Fun early 20th century American Impressionist painting of a woman in a fancy hat. Heavy impostor, oil on artist board. Faint writing on verso - might be a signature. 16" x 12" housed...
Category

American Impressionist 1910s Paintings

Materials

Oil

'Still Life, Ceramic Vase & Creamer Cup', France, Copenhagen, Nuremberg, Odense
Located in Santa Cruz, CA
Signed lower right, 'M. Bomund' for Marius Madsen Bomund (Danish, 1882-1963). Additionally inscribed, verso, 'Madsen Bomund', titled indistinctly, 'Studie fra ...' and dated 1915. M...
Category

1910s Paintings

Materials

Canvas, Oil

L'irreparable
By Jan Frans Deboever
Located in West Hollywood, CA
Important Notice: The paintings of Jan Frans DeBoever are available only as a complete collection. The collection price is $165,000.00. Please check the dedicated page of Jan Frans D...
Category

Symbolist 1910s Paintings

Materials

Mixed Media

The Maiden - British Newlyn exhib art nude Laura Knight portrait oil painting
By Harold Knight
Located in Hagley, England
This stunning exhibited nude portrait oil painting is by noted British Newlyn School artist Harold Knight. `The Maiden` was painted at Dozmary. The Belgrave Gallery catalogue 1986 suggests the sitter is in fact his wife, Laura Knight the noted artist. The sensuous understanding of the flesh tones and anatomy reveals the qualities that established Knight's reputation as a leading portrait painter after the War. This picture may be dated to c.1916. A really lovely portrait by a much sought after artist. Signed lower left. Provenance. Fifty Years Ago Exhibition, RWS Galleries, June 1965, no. 200. Miles Lamdin Gallery, London. Belgrave Gallery February 1986 which suggests in their catalogue the sitter is Laura Knight. Shades of British Impressionism...
Category

Realist 1910s Paintings

Materials

Oil

Danseuses a la barre - Impressionist Figurative Pastel - Pierre Carrier-Belleuse
Located in Marlow, Buckinghamshire
Signed figurative pastel on canvas circa 1910 by French genre painter Pierre Carrier-Belleuse. The work depicts three ballerinas wearing white tutus, warming up in a studio. Carrier-Belleuse was a contemporary of Edgar Degas and they exhibited simultaneously at the major Salons in Paris. This classic example evokes the Belle Epoque period in french history and is superbly executed. Signature: Signed lower right Dimensions: Framed: 29"x24" Unframed: 26"x21" Provenance: Private French collection Pierre Carrier-Belleuse studied at the École des Beaux-Arts in Paris under Alexandre Cabanel and the interior decorative artist Pierre Victor Galland. He started out as an oil painter and produced genre compositions, such as his Final Rendezvous. From 1885, however, he opted to work exclusively in pastel, producing a large number of sketches and portraits but always remaining faithful to his earlier genre compositions. Examples include Pierrot, Harlequin, Woman with Cat. The periodical Figaro Illustré published a large number of his sketches of dancers, a recurrent theme throughout his work. From 1875, Pierre Carrier-Belleuse exhibited frequently at the Paris Salon, receiving an honourable mention in 1887 and being awarded a silver medal at the Exposition Universelle of 1889. Museum and Gallery Holdings: Dunkirk: Dancer Adjusting her Shoe (pastel) Gray: On the Dunes; In the Sun La Rochelle: Dancer Le Puy-en-Velay: Fantasy Mulhouse: Mule's Bonnet Paris (Municipal Collection): Tender Vow (pastel) Versailles...
Category

Impressionist 1910s Paintings

Materials

Canvas, Pastel

After the Storm - Oil on Canvas 1910´s
Located in Stockholm, SE
"After the Storm" is the title of this oil painting on canvas by the Swedish artist Hjalmar Berghcrantz (1889–1961). Signed and dated 1917. The artwork depicts a rugged landscape whe...
Category

Naturalistic 1910s Paintings

Materials

Canvas, Oil

Portrait of a Girl with a Puppy - Scottish Edwardian art portrait oil painting
Located in Hagley, England
This stunning Edwardian portrait oil painting is attributed to Scottish Kirkcudbright School artist William Stewart MacGeorge. Painted circa 1910, The painting shows the influences o...
Category

Realist 1910s Paintings

Materials

Canvas, Oil

Les Baigneuses - Neo-Impressionist Nudes in Landscape Oil by Georges Lemmen
Located in Marlow, Buckinghamshire
Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea. Signature: Signed lower left with the cachet of painter Dimensions: Framed: 23.5"x24.5" Unframed: 14.5"x15.5" Provenance: Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...
Category

Impressionist 1910s Paintings

Materials

Oil, Canvas

English World War 1 military Navy or Army Military Motor Ambulance Station
Located in Woodbury, CT
Charles Allan Cooke (British, early 20th century) Military Motor Ambulance Station, World War I, ca. 1916–1918 Oil on canvas, signed and inscribed on reverse In this powerful and ra...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

The Oarsman, Original Collier's Magazine Cover Illustration
Located in Fort Washington, PA
Original cover illustration for Collier's Magazine, published June 24, 1916. The image features a handsome young blond man holding oars Literature: Laurence S. Cutler and Judy Goff...
Category

1910s Paintings

Materials

Canvas, Oil, Pencil

'Parisian Model', Paris, Royal Academy, André Lhote, Fin de Siècle, Carmen
Located in Santa Cruz, CA
'Parisian Model' by Georg Pauli, 1911. Paris, Royal Academy, André Lhote, Fin de Siècle, Carmen --- Initialed lower right, 'GP', for Georg Pauli (Swedish, 1855-1935) titled, 'Paris'...
Category

Modern 1910s Paintings

Materials

Canvas, Oil

'Fishing Boat at Dawn', Danish Post-Impressionism, Weilbach Kunstleksikon
By Victor Qvistorff
Located in Santa Cruz, CA
Signed lower right, 'V. Qvistorff' for Victor Qvistorff (Danish, 1883-1953) and painted circa 1915. Born in Bredegaarde, Denmark, Victor Qvistorff first studied with Hans Andersen B...
Category

Post-Impressionist 1910s Paintings

Materials

Cotton Canvas, Oil

Portrait of Alan Sims with Bird Nest - British Edwardian art oil painting
Located in Hagley, England
This lovely British Edwardian Impressionist portrait oil painting is by noted artist Charles Henry Sims. Painted circa 1910, the young child in the painting is Alan Sims, the artist'...
Category

Impressionist 1910s Paintings

Materials

Oil

1910's Art Deco Erte Gouache Painting Original Hand Signed Rare French Costume
Located in Buffalo, NY
A rare original signed Art Deco gouache on paper by Erte (Romain de Tirtoff) . This stunning theatrical costume design is signed Erte at the lower right. The piece is 20 by 18 fram...
Category

Art Deco 1910s Paintings

Materials

Gouache, Archival Paper, Pencil

Antique American School Tropical Modernist Palm Tree Landscape Oil Painting
Located in Buffalo, NY
Antique American modernist tropical landscape oil painting. Oil on canvas. Framed. Measuring: 24 by 28 inches overall, and 20 by 24 painting alone.. In excellent original condition....
Category

Modern 1910s Paintings

Materials

Oil, Canvas

Antoine Ponchin View of Martigues France French Impressionist oil painting 1918
Located in Rancho Santa Fe, CA
A lovely, 1918, French Impressionist oil painting depicting a view of the town of Martigues, France by Antoine Ponchin (1872-1933). Antoine Ponchin was a landscapist, achieving the...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Alexander Drysdale, Live Oak and Cypress Trees - Provenance - Framed
By Alexander Drysdale
Located in New Orleans, LA
A classic Alexander Drysdale bayou scene, with the characteristic orangey/peach Impressionistic glow, out of the estate of Kenneth Abshire of Gulfport, MS. If you clicked on this, yo...
Category

Impressionist 1910s Paintings

Materials

Oil

Early 20th century English Antique portrait of a Polo Pony
Located in Woodbury, CT
This early 20th-century portrait of a Polo Pony by the esteemed English artist George Paice is an exquisite representation of equine artistry, showcasing Paice’s remarkable skill in ...
Category

Victorian 1910s Paintings

Materials

Oil, Board

"The Coward" Original cover for Life magazine, Woman Kissing World War I Soldier
Located in Fort Washington, PA
"The Coward" (Woman Kissing Soldier). Original cover illustration for Life Magazine, published April 1919. Norman Rockwell’s The Coward (or, Woman Kissing Soldier) was published on...
Category

American Realist 1910s Paintings

Materials

Canvas, Oil

Anemones - Belgian Impressionist Still Life, Antique Flowers Floral Oil Painting
Located in Sevenoaks, GB
A very beautiful early 20th century impressionist oil on board still life depicting colourful anemones in a blue vase by Victor Simonin. This important and very fine work was exhib...
Category

Impressionist 1910s Paintings

Materials

Oil, Board

"Clearing after a Shower" Guy Wiggins, Impressionist Gloucester Schooners
Located in New York, NY
Guy Wiggins Clearing after a Shower Signed lower right, titled on verso Oil on panel 12 x 16 inches Guy Carleton Wiggins is best known for his impressionistic snow scenes of New Yo...
Category

American Impressionist 1910s Paintings

Materials

Oil, Wood Panel

Cornish Family in an Interior - British 1912 Newlyn School art oil painting
Located in Hagley, England
This superb British figurative interior oil painting is by noted Newlyn school artist Harold Harvey. Painted circa 1912 the composition is a Cornish family, bathed in golden light, s...
Category

Realist 1910s Paintings

Materials

Oil

Mid Century Nantucket Street Landscape
By Jane Brewster Reid
Located in Soquel, CA
Wonderful flowers and stone steps, Nantucket, a rare watercolor painting by New York and Nantucket artist Jane Brewster Reid (American, 1862-1966). Presented in a giltwood frame. Sig...
Category

American Impressionist 1910s Paintings

Materials

Paper, Watercolor

Stockholm Winter Landscape, 1919, by Swedish Artist Anton Genberg
Located in Stockholm, SE
We are honored to present for sale a captivating winter landscape painting by Anton Jonsson Genberg, completed in 1919. This piece is a pristine representation of Genberg's artistry,...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

La Chalandiere a Briere - Impressionist River Landscape Oil by Pierre Montezin
Located in Marlow, Buckinghamshire
Signed and titled oil on canvas riverscape by sought after French impressionist painter Pierre Eugene Montezin. The work depicts a view of a river in autumn. The trees that line the ...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Portrait of Two Sisters by a Window - British 1918 Slade School art oil painting
By Clive Gardiner
Located in Hagley, England
This charming British Post Impressionist portrait oil painting is by noted Slade School artist (Alfred) Clive Gardiner. It was painted in 1918 and shows the influence of the French a...
Category

Post-Impressionist 1910s Paintings

Materials

Oil

Coucher de soleil - Post Impressionist Landscape Oil by Ferdinand du Puigaudeau
Located in Marlow, Buckinghamshire
Signed and dated post impressionist riverscape oil on canvas by French painter Ferdinand du Puigaudeau. This stunning and large work depicts a view of the river Loire in Nantes, Fran...
Category

Post-Impressionist 1910s Paintings

Materials

Canvas, Oil

Dusk, Venice
By Frank Russell Green
Located in New York, NY
At some point after 1897, when Frank Russell Green was elected as an associate of the National Academy of Design, he traveled to Venice, Italy where he was inspired by the rich scene...
Category

American Impressionist 1910s Paintings

Materials

Oil

Antique Exhibited Signed Greek Piraeus Coastal Harbor Scene Framed Oil Painting
Located in Buffalo, NY
Very finely painted early impressionist view of Piraeus Greece. Exhibition label remains. Framed. Signed. Image size, 12L x 9H.
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Winter Moonlight
Located in Lambertville, NJ
signed lower right
Category

American Impressionist 1910s Paintings

Materials

Canvas, Oil

Antique Spanish Oil on Canvas Painting French Cavaliers Playing Chess Paris 1910
Located in Portland, OR
A very good large antique oil on canvas painting by the celebrated Spanish artist Maximo Juderias Caballero (1867-1951), Paris 1910. The painting depicting an interior scene of 17th ...
Category

Naturalistic 1910s Paintings

Materials

Canvas, Oil

Chartres Cathedral
Located in Storrs, CT
William Lee-Hankey, R.E., R.W.S., R.O.I. 1869-1952. Chartres Cathedral. Oil on canvas. 27 x 25. Signed, lower left. Price on the strecther, verso: $1000000. Provenance: Woodrugg Brot...
Category

Modern 1910s Paintings

Materials

Crayon, Watercolor, Oil

Autumn Landscape
By Royal Milleson
Located in Fairlawn, OH
Autumn Landscape Oil on relined canvas, c. 1915 Signed lower right corner: "Royal H. Milleson" Condition: Excellent Canvas size: 14 1/2 x 20 3/8 inches Frame size: 19-1/4 x 25-1/4 x 2-1/2 inches Clearly among the artist's finest paintings! Provenance: Private Collection, Greencastle, Indiana Ray H. French Collection (1919-2000) Martha A. French Trust Royal Hill Milleson...
Category

American Impressionist 1910s Paintings

Materials

Oil

Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism
Located in New York, NY
Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism George Pearse Ennis (American, 1884-1936) "Forging a Gun Tube #1...
Category

American Modern 1910s Paintings

Materials

Canvas, Oil

Gustav Klimt Sketch of a Woman Catalogued
Located in Dallas, TX
Gustav Klimt (Austrian, 1862-1918) Frauenkopf nach rechts, 1916 Pencil on paper Dimensions: 22.5 x 14.75 Inches (57.2 x 37.5 cm) (sheet) Stamped lower right: GUSTAV / KLIMT / NACHLAS...
Category

Aesthetic Movement 1910s Paintings

Materials

Paper

Sir Alfred Munnings Watercolour Titled 'The Hunt'
Located in Uppingham, GB
Sir Alfred James Munnings, P.R.A., R.W.S. (1878-1959) 'The hunt' Signed and dated 'A.J. Munnings. 1913.' (lower right) pencil, watercolour and bodycolour on a prepared sheet of paper...
Category

Realist 1910s Paintings

Materials

Watercolor

Post-Impressionist Painting The Church in Taormina, Sicily, 1914
Located in Stockholm, SE
Dick Beer (b. London 1893 - d. Stockholm 1938) The Church in Taormina, Sicily (Kyrkan i Taormina) oil on canvas canvas dimensions 54 x 47 cm signed and dated Dick Beer 1914 painted 1914 Exhibited: Varias Konstsalong, Stockholm, 1916; Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...
Category

Post-Impressionist 1910s Paintings

Materials

Canvas, Oil

Portrait of Blanche Stuchbury - Scottish Edwardian art portrait oil painting
Located in Hagley, England
This superb atmospheric British Edwardian portrait oil painting is by noted Scottish artist Howard Somerville. Painted in 1911 it is a half length portrait of Miss Blanche Stuchbury,...
Category

Realist 1910s Paintings

Materials

Oil

Le Pont Neuf - Impressionist Figures in Landscape Oil by Amedee Marcel-Clement
Located in Marlow, Buckinghamshire
Signed and dated figures in cityscape oil on panel by French impressionist painter Amedee Marcel-Clement. The work depicts a view of the Pont Neuf bridge that runs over the River Sei...
Category

Impressionist 1910s Paintings

Materials

Oil, Panel

The Cornish Fisherman Antique English Signed Oil Painting Portrait of Sea Man
Located in Cirencester, Gloucestershire
"The Mate" (Cornish fisherman) by David W. Haddon (British, early 20th century) signed and dated 1914 oil on board, framed framed: 18 x 14 inches board: 16 x 12 inches provenance: pr...
Category

Victorian 1910s Paintings

Materials

Oil

Pair of 20th century views of Venice, Near St. Marks and Squero di San Trovaso
Located in Woodbury, CT
Attributed to Antonio María de la Concepción Reyna Manescau María de la Concepción Reyna Manescau, variously cited as Antonio María Reyna Manescau or simply Antonio Reyna Manescau...
Category

Impressionist 1910s Paintings

Materials

Oil, Canvas

'Old Brick Kiln, Henry, Illinois', Impressionist, Bowers, Laguna Beach, PAI, AIC
By Frank Coburn
Located in Santa Cruz, CA
'Old Brick Kiln, Henry, Illinois' by Frank Coburn, 1918. Impressionist, Bowers, Laguna Beach, Pasadena Art Institute, Art Institute of Chicago ----- Signed lower right, 'F. Coburn' ...
Category

1910s Paintings

Materials

Canvas, Oil

"Street In Paris (Eglise St. Julien)" Jane Peterson, American Impressionism
Located in New York, NY
Jane Peterson Street In Paris (Eglise St. Julien), circa 1910 Signed lower right; artist's labels on the reverse Oil on canvas 24 x 18 inches Exhibited New York, Lincoln Glenn Galle...
Category

American Impressionist 1910s Paintings

Materials

Canvas, Oil

View from Månberget, Källvik (1912)
Located in Stockholm, SE
The view from Månberget at sunset, as captured by Gottfrid Kallstenius in this 1912 oil painting, displays a warm golden light over Djupsundet, framed by the silhouette of a gnarled ...
Category

Romantic 1910s Paintings

Materials

Canvas, Oil

"Autumn Landscape" Bruce Crane, Bright Orange, Luminous, Tonalist Fall Scene
Located in New York, NY
Bruce Crane Autumn Landscape Signed lower right Oil on canvas 16 x 24 inches Bruce Crane Was born in New York City, he studied with Alexander H. Wyant before attending the Art Stud...
Category

American Impressionist 1910s Paintings

Materials

Canvas, Oil

Antique American School Pointillist Fall Landscape Lake View Oil Painting
Located in Buffalo, NY
Antique American school pointillist landscape painting. Oil on board, circa 1920. Unsigned. Displayed in a period impressionist frame. Image size, 14"L x 16"H.
Category

Pointillist 1910s Paintings

Materials

Canvas, Oil

Antique French School Oil Painting Canvas Cliffs at Etretat Normandy France 1910
Located in Portland, OR
A fine & large antique oil painting on canvas by Raimond Louis Lecourt (1882-1946), the cliffs at the Atlantic Ocean, Etretat, Normandy, France, circa 1910. Lecourt was the quintessential painter of scenes of Normandy France, this is a large and very fine example of his work. The painting depicts the Falaise d' Amont located near Etretat, Normandy, the Falaises (cliffs) are on the Atlantic coast and are a very impressive formation of flint cliffs with huge naturally created archways. The painting is beautifully rendered and in some areas the artist has employed impasto technique (thickly applied paint) to provide texture to the ocean & cliffs, in the foreground of the cliffs is a flock of herring gulls circling overhead. The painting is signed "Lecourt" lower right with a dedication, the painting is housed in the original sponge decorated gesso frame, also created by the artist. Condition is excellent, this charming painting is ready to hang on your wall. The artist was born in Le Havre, and studied at the National School of Fine Arts and the Regional School of Fine Arts of Rouen, he studied under Charles Lhuillier and Léon Bonnat. He received the Croix de Guerre 1914-1918 Military medal during WW1. Lecourt studied at the Le Havre School of Fine Arts under the direction of Charles Lhuillier , then with Léon Bonnat at the Paris School of Fine Arts . He then lived in Fontaine-la-Mallet , where he painted in the Normandy region, which was his favorite subject. In 1899, Lecourt obtained the honorary prize for the upper course with the city's silver medal. A municipal scholarship which allowed him to enter the Paris School of Fine Arts in the studio of the painter Léon Bonnat . There he found his comrades from Le Havre who had preceded him there: Othon Friesz , Raoul Dufy , the brothers René and Henri de Saint-Delis . He debuted at the Salon of French Artists in 1901 with his painting Le Herseur . He completed his studies in the studio of Luc-Olivier Merson and it was around this time that he got into the habit of spending his holidays in Fontaine-la-Mallet with his comrade Othon Friesz . He settled there permanently in 1907, after a trip to Brittany from where he brought back numerous sketches and portraits. During the First World War , he was mobilized on August 1, 1914 in the same regiment and behaved like a hero, decorated with the Croix de Guerre and the Military Medal . During an engagement at Courcy - Brimont , September 14, he was injured by a gunshot to the right forearm. He continued to draw with his left hand then, after a long rehabilitation, he regained the use of his right hand. He became a member of the Society of French Artists, also exhibited at the Salon des Indépendants, and made regular submissions to the Salons. Many paintings by him appear in museums & galleries in Denmark , Germany, the United States, Japan, and in England where the "Dogs of the Duchess of Manchester" painting was exhibited and won Lecourt great acclaim. After the outbreak of World War II, Lecourt takes the German Occupation of France very badly. After General Philippe Petains's handshake with Hitler in Montoire-sur-le-Loir, he returned his military medal to the Chancellery, accompanied by this comment: "We have no need for decorations in a country which no longer has the sense of honor" During this period, he resided with Charles Toussaint, a Le Havre broker and companion from the 74th infantry regiment, at the Frescinet manor, a property which would disappear under the bombings of the September 11, 1944. At this time, he painted mainly on wood, as canvases were rare and expensive at this time. In the winter of 1943-1944, he was hit by a military truck which skidded on the ice, during the fighting for the liberation of the port of Le Havre, the village of Fontaine-la-Mallet, where he lived, was raised to the ground under heavy bombing. His house, his studio, his notes and sketches were destroyed. However he went back to work with courage, but something had broken inside him. The following winter, he caught a cold and contracted pneumonia which took him away in eight days, unable to be properly treated following the refusal of an American army colonel, to give to civilians penicillin that only the Americans had at the time. His friends mourned him and others said that he was a gifted painter of Cauchoise (Normandy) painting, and who knew so well how to render plough horses, Normandy cows...
Category

French School 1910s Paintings

Materials

Canvas, Oil

La Cote de Marseille - Post Impressionist Sea Landscape Oil by Louis Gaussen
By Adolphe Louis Gaussen
Located in Marlow, Buckinghamshire
Signed seascape oil on panel circa 1910 by French painter post impressionist painter Adolphe Louis Gaussen. The work depicts a view of the bright blue sea from a rocky shoreline on t...
Category

Post-Impressionist 1910s Paintings

Materials

Oil, Panel

Interior with Lady Reading - Scottish Edwardian 1910 art portrait oil painting
Located in Hagley, England
This superb Scottish Edwardian Impressionist interior oil painting is by noted Scottish female artist Annie Rose Laing. Painted circa 1910, the composition is the interior of a room...
Category

Impressionist 1910s Paintings

Materials

Oil

Early 20th Century American Impressionism -- Old Lyme Connecticut Red House
Located in Soquel, CA
Gorgeous early 20th Century American Impressionist landscape of Connecticut red house by George M. Bruestle (American, 1871 - 1939), November 1914. Signed lower left and on verso. Dated on verso. Presented in gilt-toned wood frame. Image size: 8"H x 10"W. George Matthew Bruestle is an American Realist/Impressionist painter known for his intimate landscapes. Born and raised in New York City, Bruestle studied at the Art Students' League of New York in 1886 at the young age of fifteen and later in Paris. That same year, Bruestle visited Essex, CT and eventually purchased a second home in Hadlyme, Old Lyme as the Art Colony formed. Bruestle's main studio was in New York City. Inspired by Jean-Baptiste-Camille Corot [1796-1875] and other French landscape painters, Bruestle's style was a mix of Early Realism and Early Impressionist techniques. He was an adept draftsman and his paintings favored earlier European examples but, later took on a brighter Impressionist palette and brushy quality of the Old Lyme Art...
Category

American Impressionist 1910s Paintings

Materials

Board, Oil

Modern Salon painting Still life MASURE Flowers Japenese "Fleurs et japoneries"
Located in PARIS, FR
Georges Paul MASURE (Active 1900s/1910s) Oil on canvas 80 x 65 cm (97 x 82cm with the frame) Signed and dated lower right "G. P. Masure / 1912" Painting exhibited at the Salon des Indépendants in 1913 (2032. « Fleurs et japoneries ») Beautiful 19th century frame Georges Paul Masure was a Parisian painter in the Montparnasse area. He exhibited at the Salon des Indépendants in the years 1900/1910. Our painting is the painting he exhibited at the Salon des Indépendants in 1913 under the number 2032 and titled "Flowers and Japaneries". It represents a still life with a bunch of flowers, a magnificent basket of oranges, a pomegranate and a Japanese sculpture with a little fisherman with a red Koi carp. 2500 years ago, when the son of Confucius was born, he received as a gift from King Shoko of Ro, a fish that was first called Koi. It represents the symbol of strength, because this fish was the only one able to go up the steam of the Yellow River. Owning a koi will long remain the prerogative of the Japanese nobility. The dominant colors in the painting are orange and red. And in Japanese Shinto...
Category

French School 1910s Paintings

Materials

Oil

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