1910s Paintings

This Lovely Scottish portrait oil painting is by noted portrait artist James Bell Anderson who worked out of his studio in Glasgow. It was painted in 1919 and is signed and dated. It...

This superb British portrait oil painting is by noted artist Alfred Kinglsey Lawrence. Painted in 1919 it is a seated portrait of a young woman with a lush burgundy velvet curtain be...

Alice BASTIDE (Saint Mandé 1868 – Paris 1959) Portrait of a little girl reading Oil on canvas H. 100 cm; L. 72.5 cm Signed lower right and dated 1912 Daughter of a pastor from Gard and an English woman, Alice Bastide grew up in Paris. A pupil of the Jullian Academy, she began her apprenticeship under the guidance of Henri Royer and François Schommer. The development of his art is mainly oriented towards still lifes, without completely abandoning portraits and landscapes. Her other specialty for which she received numerous awards is miniatures. At the Salon of 1914 she received the Maxime David prize crowning the best piece while her finesse was already noticed by press critics from 1907. Coronation, in 1926 she received a gold medal at the Salon for her miniature Coquetterie. In 1896, the young woman married a man from Gard, Auguste Massebiaux, whose name she would occasionally bear. The latter, a lawyer at the Paris Court of Appeal, died in 1910. The couple had no children. At that time she was domiciled at 48 avenue d'Orléans (later named avenue du general Leclerc) in Paris where she lived until her death in 1959. Until the mid-1930s she continued to exhibit at the Salon des Artistes French with a manner very close to Impressionism, luminous and vigorous. In 1912, two years after the death of her husband, Alice Bastide was certainly still marked by the sadness of her mourning. The tones of our portrait of a little girl and the frame she puts together are dark and heavy. This child, wearing an embroidered bonnet, is bent over her book, her loose hair flowing over a red velvet indoor dress. This intimate portrait on a dark tapestry...

Excellent attention to detail has brought forth a superb rendering of the armed American merchant marine freighter S.S. PLEIADES in wartime grey departing Le Havre during World War I...

Large antique oil portrait painting of a woman sitting, signed and dated in the lower right corner, Carl V Stetten, Paris 1911. This is a beautiful large scale Art Nouveau atmospheric oil portrait by a re-known and well respected artist, Carl Ernst Von Stetten...

This wonderful Post Impressionist exhibited horses portrait oil painting is by noted British artist Edgar Downs. Painted in 1912 it was exhibited the same year at the Royal Academy L...

Wonderful signed impressionist oil on panel circa 1910 by French painter Armand Francois Henrion. The work depicts a portrait of a mischievous Pierrot - a French clown - wearing white ruffles, a yellow hat and a monocle. The yellow of the hat is contrasted against the grey background. Signature: Signed lower right Dimensions: Unframed: 11"x8.5" This painting is nit currently framed but a suitable frame can be sourced if required Provenance: Private French collection Armand François Joseph Henrion...

Robert Spencer paints a sun-drenched scene of figures moving about outside red clay buildings in his work entitled, “Courtyard at Noon.”

Is there anything more cute than a dog yawning? Especially a gorgeous little Dachshund? I think not. Painted in 1915 and signed G A C, this super little painting is a profile view of a seated conker brown Dachshund. He is caught in the middle of a great big yawn, eyes blissfully closed, ready for a nap on someone's lap. The light from the right is highlighting the dog's head, ear, pink tongue and fore legs, beautifully accentuating its features and anatomy. The palette and brushwork are superb. The background fades downwards from dark to light, making the dog stand out perfectly. This is a superb 1915 oil painting of a lovely little yawning dachshund needing its forever home and perfect for all the dog lovers out there. Signed with initials lower right G.A.C 1915. Provenance. Barnwell Manor, Northamptonshire, Windsor House Antiques...

This lovely historically interesting British marine oil painting is by Newcastle artist Joseph Henry Kirsop. Painted in 1914, the location of the painting is the port of Newcastle up...

A fine oil on canvas by Harold Harvey which depicts a portrait of Francis Elliot Voyle. It was painted in 1916. It is a super oil painting of a seated gentleman with a top hat and cane. Great brushwork. Signed and dated lower left. Provenance. Cornish collection. Condition. Oil on canvas, 24 inches by 18 inches unframed and in good condition. Housed in an ebonised frame 30 by 24 inches framed. In good condition. Harold Harvey (1874–1941) was a Newlyn School painter who painted scenes of working class Cornish fishermen, farmers and miners and Cornish landscapes. He was born in Penzance and trained at the Penzance School of Arts under Norman Garstin and the Académie Julian in Paris (1894–1896). Harold Charles Francis Harvey was born to Mary Bellringer Harvey and Francis McFarland Harvey on 20 May 1874 in Penzance. His father was a bank clerk. During his youth, he was home schooled. From 1894 to 1896, he studied art at the Academie Julian in Paris under Norman Garstin. In 1896, he studied at both the Académie Delecluse and the Academie Colarossi. Prior to 1911, Harvey lived in Penzance. In 1911, Harvey married fellow artist Gertrude Bodinnar. They first met when Gertrude posed for Harvey. She discovered that she had artistic talent and became an artist in her own right in a wide range of visual and textile arts. The married couple lived in Newlyn at Maen Cottage. Friends of the Harveys included Laura Knight, Harold Knight, Annie Walke, and Father Bernard Walke of St Hilary Church. Late in his life, he converted to Catholicism. He died in Newlyn on 19 May 1941 and was buried in Penzance at the St Clare Cemetery. Gertrude lived in their cottage until 1960 when she moved into a St Just nursing home. She died six years later. After completing his schooling in Paris, Harvey returned to Penzance and began working with Norman Garstin. His works included landscapes and life settings of his native Cornwall, religious themes and interiors. He used oil and watercolour paints.From 1909 to 1913, he was an Associate of the Royal Cambrian Academy of Art, Conwy and, in 1910, he was a member of the South Wales Art Society. From about 1910 and into the early 1930s, he was a member of the Newlyn Society of Artists, particularly with artists from the Lamorna valley...

This impressive late 19th century portrait oil painting is by British artist James Edward Barclay. The sitter is a Major in the Royal Marines, William Wynch George Back Willis who wa...

An original oil on canvas by the British listed artist Darsie Japp. It was painted circa 1930 and depicts two woman at a table having a drink. A very evocative inter war oil painting. Provenance. James Bourlet Framers. Sotheby 12.11.86. Condition. Oil on canvas, 28 inches by 22 inches unframed and in excellent condition. Housed in a gallery frame, 36 inches by 30 inches framed in good condition. Darsie Japp (1888-1973) was born in Liverpool and attended St John's College of the University of Oxford. After he graduated he worked in the offices of his father's shipping company in the City of London between 1904 and 1907. Whilst working in the City Japp studied at the night school of the Lambeth School of Art under Philip Connard. Japp studied at the Slade School of Art between 1908 and 1909, where he became friends with his fellow student Stanley Spencer and would often visit him in his home at Cookham in Berkshire. Japp specialised in landscape and figure paintings and exhibited with the New English Art Club of which he became a member in 1919. At the start of the First World War Japp joined the British Army and, eventually, became a Major in the Royal Field Artillery commanding an artillery battery in Macedonia, for which he was awarded the Military Cross...

We are honored to present for sale a captivating winter landscape painting by Anton Jonsson Genberg, completed in 1919. This piece is a pristine representation of Genberg's artistry,...

A well executed impressionist landscape of the Connecticut River Valley by American artist William Lester Stevens (1888-1969). Born in Rockport, Massachusetts, Stevens first studied ...

This superb RSA exhibited Scottish Edwardian interior oil painting is by Glasgow Boy artist Alexander Ignatius Roche. It was painted circa 1914 when Roche was living at 8 Royal Terra...

This superb Scottish Edwardian Impressionist interior oil painting is by noted Scottish female artist Annie Rose Laing. Painted circa 1910, the composition is the interior of a room...

Antique oil on canvas painting depicting Neoclassical scene with architecture. The scene takes place in the foreground with the presence of three characters dressed in period clothi...

This oil on canvas is hand signed by the artist "L. Ury" at the lower right corner. It was realised in 1912 whilst the artist was in Holland. Provenance: Max and Rosa Joel, Berlin ...

A fine portrait oil on canvas by noted British Staithes listed artist Ernest Higgins Rigg. It is a super Edwardian portrait of Enid Richards and was painted at Govilon in Wales in 1...

"Oil On Canvas, Art Nouveau Portrait By Leon Tirode (1873-1956)" Old oil on canvas, Art Nouveau style, portrait "Autumn" painted and signed by Leon Tirode (1873-1956), French school...

Francis Jamieson was a painter in oil and watercolor of highland landscapes and coastal scenes. (The work of this highly prolific artist is curious since the oils and watercolors have two quite distinctive styles and subject matter. The oil paintings are most frequently seen and these are highland landscapes or loch scenes - sometimes they appear to be signed with pseudonyms such as 'W. Richards' and 'Phil Hips' - the location is usually inscribed on the reverse. The watercolors are often coastal scenes with boats and figures on a shore, painted in a more traditional Victorian style, and possibly pre-date the oils. F. E. Jamiesons's beach scenes were published as postcards around 1920 by G. Ajelli & Co. of London on a textured card to give the appearance of oils. Jamieson is known to have traveled widely in the South of England between the wars selling his work but does not appear to have exhibited.) This quote in parentheses is taken from Jeremy Wood's excellent book 'Hidden Talents - A Dictionary of Neglected Artists Working 1880-1950'. - Work by Francis Jamieson can be seen at the usual sites. Please note that on all these sites you will find F. E. Jamieson variously listed as Francis E. Jamieson, F.E.Jamieson, Frank E. Jamieson, Frederick E. Jamieson etc. You may also find some listings under his various pseudonyms of Arnould Pienne, Charles Maurice, Graham Williams...

This lovely British Post Impressionist oil painting is by noted artist Gerald Spencer Pryse. Painted circa 1910 the painting depicts Queen Mary greeting a large group of school child...

A lovely, 1918, French Impressionist oil painting depicting a view of the town of Martigues, France by Antoine Ponchin (1872-1933). Antoine Ponchin was a landscapist, achieving the...

An original Scottish Impressionist oil by John Henderson. This fine painting dates to circa 1910 and is an oil on canvas in a stunning and fresh palette. The wooded moorland stream l...

A stunning Edwardian oil on canvas by female artist Rowley Leggett who was a Surrey based artist. She was a noted rustic landscape painter and specialised in these sort of landscape...

This stunning oil painting was painted circa 1911 and is signed lower right. The painting depicts a Scottish interior- a small occasion or card table surrounded by a variety of mahog...

This impressive large portrait realist oil painting is by noted Scottish artist David Cowan Dobson. One of a pair, the sitter is Mr R H Sinclair and dates to 1914. He is beautifully ...

Eugene Higgins In Foreign Parts, circa 1913 Signed lower right Watercolor on paper Sight 17 x 13 inches Born William Victor Higgins in 1884 to a Shelbyville, Indiana farm family where the only art Victor was aware of as a child was his father's love of flowers. "He loved their forms and their colors, and he tended his garden as a painter might work a canvas." At the age of nine, Victor met a young artist who traveled the Indiana countryside painting advertisements on the sides of barns. He purchased paints and brushes so the young Higgins could practice his own artwork on the inside of his father's barn. He also taught Victor about art museums and especially about the new Chicago Art Institute. This information never left the young artist, and he saved his allowance until his father allowed him at the age of fifteen to attend Chicago Art Institute. He worked a variety of jobs to finance his studies both there and at the Academy of Fine Arts. Victor Higgins traveled to New York in 1908, where he met Robert Henri, who became a significant influence by depicting every-day scenes and stressing the importance of the spirit and sense of place as important factors in painting. Higgins was also greatly affected by the New York Armory Modernism Show of Marsden Hartley in 1913. While Victor Higgins was in Chicago he met former mayor and avid collector Carter H. Harrison who was to prove instrumental in the growth of Higgins career for several years. Harrison agreed to support Higgins for four years to go to Paris and Munich and paint and study in the great museums in Europe. While at the Academie de la Grande Chaumier in Paris (1910-1914) he met Walter Ufer, who was another Chicago artist being sponsored by Carter Harrison. This meeting was not only a life-long friendship, but the beginning of a great change in the way Higgins looked at "American" art. He decided that America needed it's own authentic style rather than the 19th Century classic style he was taught in Europe. Very soon after returning to Chicago in 1914, Harrison sent him and Walter Ufer on a painting trip to Taos, New Mexico for a year in exchange for paintings. Higgins made other similar agreements and was able to support himself with his painting. This trip was a life-changing experience and introduced Higgins to the authentic America he had been looking for. In 1914 Taos was an isolated village about twelve hours from Santa Fe on an impossible dirt road. But the colorful life of the pueblo people and the natural beauty drew a collection of artists who became the Taos art colony, from which the Taos Society of Artists was founded in 1915. Victor Higgins became a permanent resident within a year of his arrival and a member of the society in 1917, exhibiting with Jane Peterson in 1925 and with Wayman Adams and Janet Scudder in 1927. The members would travel around the country introducing the Southwest scenes with great success. He remained a member until the Society's dissolution in 1927. Higgins was the youngest member of the group of seven. Other members were Joseph Henry Sharp, Bert Phillips...

The paper in some of these photos looks overly textured due to the sharpness of the high-res digital camera. In person, with the human eye, the paper looks reasonably smooth with out blemishes. For this fashion illustration, Georges Lepape paints a stunning abstract pattern for the subject dress that is repeated in her hair. The work represents an early use of metallic paint, with silver metallic in the dress and bronze metallic in the blouse. Lepape's highly detailed drawing becomes more evident the closer you look. It's quite amazing how deftly he rendered facial feature on such a small scale. "Eva" 1918 Gouache, watercolor, and ink on paper Signed and dated, lower right: '1918' Inscribed, verso: "Costume for L'enfantement du mort, (miracle en pourpre, et or.). Devised by Marcel L'Herbier and performed at the Théatre Edouard VII and the Comédie des Champs-Elysées, 1919" Provenance: Ex-collection Lucien...

Oil on canvas by Roger GRILLON (1881-1938), France, 1914. "Bathers". With frame: 114x94 cm - 44.9x37 inches ; without frame: 92x73cm - 36.2x28.75 inches....

Antique American interior nude portrait oil painting. Oil on canvas. Framed. Signed on verso.

Norman Mills Price depicts a handsome, nude blond boy with classical good looks. He is lying on his stomach in straw in the loft of a barn with his buttocks exposed. The artist captu...

This charming British Edwardian oil painting is attributed to the circle of Tom Mostyn. Painted circa 1910 it is a wooded landscape with figures stopping to rest on a path bathed in ...

Shipping on the Grand Canal, Venice signed & dated 1910 oil on canvas, unframed canvas: 13 x 18 inches provenance: private collection, Europe condition: basic good condition though w...

Antique American impressionist landscape oil painting. Oil on canvas. Framed. No signature found.

This gorgeous exhibited Scottish Impressionist portrait oil painting is by noted artist Robert McGregor. It was painted in 1918 and exhibited at the Royal Scottish Academy the same y...

Signed figurative pastel on canvas circa 1910 by French genre painter Pierre Carrier-Belleuse. The work depicts three ballerinas wearing white tutus, warming up in a studio. Carrier-Belleuse was a contemporary of Edgar Degas and they exhibited simultaneously at the major Salons in Paris. This classic example evokes the Belle Epoque period in french history and is superbly executed. Signature: Signed lower right Dimensions: Framed: 29"x24" Unframed: 26"x21" Provenance: Private French collection Pierre Carrier-Belleuse studied at the École des Beaux-Arts in Paris under Alexandre Cabanel and the interior decorative artist Pierre Victor Galland. He started out as an oil painter and produced genre compositions, such as his Final Rendezvous. From 1885, however, he opted to work exclusively in pastel, producing a large number of sketches and portraits but always remaining faithful to his earlier genre compositions. Examples include Pierrot, Harlequin, Woman with Cat. The periodical Figaro Illustré published a large number of his sketches of dancers, a recurrent theme throughout his work. From 1875, Pierre Carrier-Belleuse exhibited frequently at the Paris Salon, receiving an honourable mention in 1887 and being awarded a silver medal at the Exposition Universelle of 1889. Museum and Gallery Holdings: Dunkirk: Dancer Adjusting her Shoe (pastel) Gray: On the Dunes; In the Sun La Rochelle: Dancer Le Puy-en-Velay: Fantasy Mulhouse: Mule's Bonnet Paris (Municipal Collection): Tender Vow (pastel) Versailles...

Signed Lower Right by Artist Book illustration: Smuggler’s Island, by Clarissa A. Kneeland; Publisher: (Houghton Mifflin Co.), 1928, opp. page126.

This British double portrait of two collie dogs is simply gorgeous. Painted circa 1910 it is indistinctly signed but may be by K Pearce. The composition is the head and shoulders of ...

Nu Assise by Ludovic-Rodo Pissarro (1878-1952) Oil on canvas
 55 x 47 cm (21 ⅝ x 18 ½ inches) 
Signed lower left, Ludovic Rodo
 Executed circa 1910 This work is accompanied by a cer...

A superb landscape oil painting on canvas by Sir James Lawton Wingate, President of The Royal Scottish Academy. This painting shows a windswept Scottish landscape and a "glimpse of t...

Signed Lower Left by Artist Cover of The Saturday Evening Post, September 6, 1913

This charming Edwardian Scottish full length portrait oil painting is by noted Scottish portrait artist George Fiddes Watt. Painted circa 1910, the sitter is Muriel Sutherland, daugh...

Leon Kroll Revolutionary Guard House for General Putnam's Army, West Redding, Connecticut, 1911 Signed and dated lower right Oil on panel 8 1/2 x 10 3/4 inches Provenance: Private C...

Signed lower right by the artist. Francesco J. Spicuzza, born in Sicily on July 23, 1883, came to America at the age of 8. He supported himself as a fruit peddler until a newspaperman gave him $4 a week to go to school...

Do you like fountains? Sylvia Gosse certainly did, as the location of this painting is the French town of Pernes Les Fountaines in Provence. The little town has 40 or more fountains, big and small, all serviced by the river Nesque. Gosse was a Camden Town/Sickert School artist and painted this painting circa 1912. It depicts a nocturnal landscape scene with three fountains. The fountains are beautifully illuminated with coloured lights and a large crowd on the banks of the water seem to have gathered to watch this spectacle, some having brought their own chairs. The coloured lights cast beautiful tones of pinky red on to the on lookers. Across the water and beyond a tree covered hill stands an impressive columned building. The vibrant colouring, impasto and brushwork are all superb. This is an excellent example of Gosse's work and Sickert's influence as her mentor and life long freind are evident. Signed lower left and also signed and titled verso. Provenance. Private collection of Camden Town Group...

This early 20th-century oil painting by Dutch artist Jelle Troelstra (1891-1979) depicts a seated woman wearing a floral top and dark grey dress. With eyes closed and hands held upo...

This atmospheric British Edwardian oil painting is by noted Welsh artist Alan Stepney Gulston. Painted circa 1910 it is a sunny Pembrokeshire coastal view from the high vantage point...

Henri BOUCHÉ-LECLERCQ (1878-1946) Portrait of the painter Louis Degallaix (1877-1951), 1910 Oil on canvas Signed, dated “1910” and dedicated “à mon ami Degallaix” lower right 55 x 4...

This stunning British Impressionist landscape oil painting is by noted British artist Joseph Vickers de Ville. It is entitled Clair de Lune verso and dated 1916-1919. Clair de Lune, ...

This superb 1913 late Pre-Raphaelite spring landscape oil painting is by noted Birmingham artist Edward Steel Harper Junior. The title, Life Kindled from a Fiery Birth is from Swinbu...

This beautifully composed British Edwardian still life oil painting is attributed to noted fish artist Rowland Knight. Painted circa 1910 it is a still life of salmon and rainbow tro...

Signed and dated ‘Ozenfant 1917’ (lower right) Price excl. VAT

This lovely portrait oil painting is by Scottish exhibited artist Allan Newton Sutherland. It was painted in 1914 and is a seated portrait of a young Scottish girl with auburn hair a...

A very fine British Impressionist oil painting by Robert Morley. The painted dates to circa 1911 and was possibly painted near Frensham in Surrey where he lived. It looks like sprin...

This superb atmospheric British Edwardian portrait oil painting is by noted Scottish artist Howard Somerville. Painted in 1911 it is a half length portrait of Miss Blanche Stuchbury,...

A young woman with a chinon in profile studies seated at a donkey's desk. The light falls from an attic with paintings and plants. The rest of the room is rather dark. The scene is ...