1910s Paintings

Wilson Irvine Winter Landscape Signed lower left Oil on canvas 24 x 27 inches A prolific Impressionist with a penchant for atmospheric scenes, Illinois native Wilson Irvine began h...

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 f...

We are honored to present for sale a captivating winter landscape painting by Anton Jonsson Genberg, completed in 1919. This piece is a pristine representation of Genberg's artistry,...

Painting, around 1910, oil on cardboard. Romantic love scene in the forest. Signed, Gaston Bussiere. With beautiful (original) Art Deco frame. Frame has minimal damage in places. Dimensions with frame 67cm x 86cm This painting is offered here for the first time exclusively on 1stdibs! From private, German estate. Gaston Bussière (April 24, 1862 in Cuisery – October 29, 1928 or 1929 in Saulieu) was a French Symbolist painter and illustrator. Bussière studied at l'Académie des Beaux-Arts in Lyon before entering the école des beaux-arts de Paris where he studied under Alexandre Cabanel and Pierre Puvis de Chavannes. In 1884, he won the Marie Bashkirtseff...

Signed lower left: Iosif Evstafievich Krachkovsky (1854 - 1914), and dated lower right - 1910. Summer View Of Well pole or Shadoof / sweep somewhere in Ukraine (due the specific wicker fences design). A hot summer day that causes thirst, water quenches it. Water, a symbol of life at all times. The well depicted in this painting. source of water and hence the source of life. Symbolism and philosophical overtones in this painting is the main message of the artist to us... Oil painting on canvas pasted on cardboard, framed, early 20th century. Size app.: 45 x 33 cm (roughly 17.7 x 12.99 in), framed by 56 x 44 cm (roughly 22.04 x 17.32 in). Very Good condition, age wear, canvas pasted on cardboard. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker than on our pictures, appearance also depends on sufficient light in your room. I. E. Krachkovsky - Polish-Russian landscape painter...

Painted in 1917, this striking winter landscape captures the force and stillness of a spring flood, likely set in the artist’s native Ockelbo region. The painting is a rare example o...

This intriguing British Edwardian figurative interior oil painting is by noted artist Arthur Croft Mitchell. It is entitled Two Worlds verso and dated as c1910. The composition of th...

This gorgeous Edwardian Scottish oil painting is by noted Scottish artist George Houston. Painted circa 1910 and in portrait orientation, the composition is a winter's snowy landscap...

This impressive British Edwardian portrait oil painting is by noted artist Frank Thomas Copnall. It was painted circa 1910 and hung in the Williamson Art Gallery and Museum in Birken...

This charming British Post Impressionist portrait oil painting is by noted Slade School artist (Alfred) Clive Gardiner. It was painted in 1918 and shows the influence of the French a...

Signed and dated '1910' lower right

Oil Painting by Charles Henry Burleigh "The Farmstead" R.B.A 1875- 1956 Brighton painter member of the Royal of Institute of painters. Also ex...

Norman Mills Price depicts a handsome, nude blond boy with classical good looks. He is lying on his stomach in straw in the loft of a barn with his buttocks exposed. The artist captu...

Alexandre Altmann (1878-1932) Snowy Landscape, 1915 Oil on canvas, 50 x 65 cm Provenance: Private collection, France Captured in the winter tones of 1915 by Alexandre Altmann, 'Sn...

Date: 1919 Medium: Oil on Canvas Dimensions: 24.00" x 36.00" Signature: Signed and Dated 'Dean / Corn / well '19' (Lower Right) This work was originally used as an illustratio...

A magnificent Winter Landscape by the Swedish artist Anton Genberg (1862-1939). In this painting from 1912, we see the characteristic features that made ...

Ferdinand Leeke Carnival test, 1914 Oil on canvas 32 x 39 in

A Post-Impressionist oil of a wooden wharf with a large sailing boat moored and dockhands working with a view beyond towards a coastal town with wooden-f...

Oil on Canvas "The girl in the Red Dress" by W Frank Calderon, RA (no58) Exhibit 1911. Calderon was influenced by the "Art Nouveau"period, this painting shows his beautiful detailed...

Anna Milo Upjohn was an overlooked female illustrator in the school of Jessie Willcox Smith. Her work displays a deep academic knowledge evident in her stylized illustrations of children and engaging their world. Signed lower right- 'A.M.UPJOHN" unframed. She was an assignment artist for renowned women's publications such as The Woman's Home Companion and children's books, as well as commercial assignments.s for the Red Cross. Unframed Anna Milo Upjohn (1868–1951) was an American artist, illustrator, author, and relief worker who, late in her long career, became known for paintings, drawings, and illustrations she made for the American Red Cross. After graduating from high school, she studied art briefly in New York but obtained most of her training in Paris from Claudio Castelucho and Lucien Simon.[1] In the early years of the twentieth century, she became known both for her portraits and paintings of children and for her book and magazine illustrations. Finding herself in France at the outset of the First World War, she devoted herself to relief work first among the refugees in Paris and later among the devastated villages in France and Belgium. Having spent the first half of her adult life as an independent professional, she served as a staff artist for the American Red Cross between 1921 and 1931. She traveled extensively during her adult life and lived mostly in New York City; Ithaca, New York; and Washington, D.C. Early life and training During the 1870s, Upjohn's family lived with her grandfather, a well-known architect named Richard Upjohn who had retired to a scenic home in Garrison, New York. Richard Upjohn's biographer says when she was about five she would accompany him as he sketched and painted. She questioned him about his color choices and learned that artists often chose colors different from the ones present in the subjects they painted. He also showed her engravings of famous paintings, explaining what made them great and where they fell short in his view.[2] Her family was living in Fond du Lac, Wisconsin when she graduated from high school in 1887.[3] A few years later, the family moved to New York, where, in the early 1890s, she took classes at the Cooper Union Woman's Art School.[4] She began her foreign travels in 1893 and during the next few years studied art in Munich, Florence, and Paris.[5] In 1902, she took an illustration class at the National Academy of Design and the following year won the Academy's Suydam silver medal for her work.[6] Between 1909 and 1912, she studied and traveled in Europe's other major cities.[7] In 1922, Upjohn told a reporter that she had studied art "in many places, usually for a few months at a time and disconnectedly, but what counted most was the work she did in Paris under Castelucho and Lucien Simon.”[1] Born in Barcelona, Castelucho's birth name was Claudi Catelucho Diana, but he went by his surname alone. In Paris during the early years of the twentieth century, he and Simon both trained private students and both taught at two mondernist alternatives to the École des Beaux Arts: the Académie Colarossi and the Académie de la Grande Chaumière.[8] Upjohn did not say whether she took private lessons, classes, or both. Career in art Image No. 1, Anna Milo Upjohn, Young Boy Going Fishing, 1910, oil on canvas, 25 x 30 inches In 1890, at the age of twenty-one, Upjohn completed a painting of angels for St. Paul's Episcopal Cathedral in Fond du Lac, Wisconsin. Her uncle Richard M. Upjohn had designed the building and her father was currently its rector (having succeeded John Henry Hobart Brown...

Max Kuehne paints a view of The Brooklyn Bridge from below, while boats traverse the river underneath and the New York skyline rises across the water in his oil painting, “Brooklyn B...

Signed lower right by the artist. Francesco J. Spicuzza, born in Sicily on July 23, 1883, came to America at the age of 8. He supported himself as a fruit peddler until a newspaperman gave him $4 a week to go to school...

This superb British Orientalist oil painting is by noted artist Edmund Aubrey Hunt. Painted in 1916, the composition is a Hajj or pilgrimage to Mecca. Hunt and his second wife Maude ...

Medium: Oil on Canvas Signature: Signed Lower Right Magazine cover: Woman with hat boxes. Francis Xavier Leyendecker, like his older brother, Joseph, was a talented illustrator. Bo...

This colorful painting by Eleanor Parke Custis is in the spirit of Louis Valtat and the Fauves. The subject of flowers in the foreground is repeated in the backdrop. It straddles the line between abstraction and representation. Signed lower right - Work is framed. Eleanor Parke Custis studied in Corcoran School of the Arts and Design under Edmund C. Tarbell and Pennsylvania Academy of the Fine Arts with Henry B. Snell. Initially, she began her art career as a painter, creating watercolors. Custis created illustrations for Scribner's Magazine, Harper's, Doubleday, Harcourt. She started to take photographs in her youth, using a Brownie camera...

We are honored to present for sale a captivating winter landscape painting by Anton Jonsson Genberg, completed in 1919. This piece is a pristine representation of Genberg's artistry,...

Powerful visual done at Stella's peak period of creativity in Barbados. Signed lower right. Provenance: Doyle, New York Elegantly framed.

Oil on board Provenance Estate of Marjorie MacMonnies Wysong (the artist's granddaughter); Hap Moore Auctions; Martin Ferrick Antiques Exhibitions Avery Galleries, Bryn Mawr, Pennsylvania, American Women Artists: 1860–1960, October 13–November 10, 2017. Description During her expatriate career, between the mid-1880s and return to the United States in 1920, painter and muralist Mary Fairchild MacMonnies (later Low) was one of the most successful American women artists of her generation. Mary Fairchild was born in Connecticut, but was raised largely in St. Louis, Missouri. Inspired by her mother's work as a painter of miniatures and dissatisfied as a school teacher, she enrolled in the St. Louis School of Fine Arts, where she led a movement for women to be permitted to draw model posed in the nude, an important component of artistic training then considered improper for well-bred young women. Impressed by her talent and drive, the school's director, Halsey Ives...

Medium: Oil on Canvas Sight Size 22.50" x 52.00", Framed 30.00" x 60.00" Signature: Signed 'N.C. Wyeth' (Lower Right) Exhibited Memphis, Tennessee, Memphis Brooks Museum of Art, and...

"Sunset Over the Lake" by Carl Kjellin is a Nordic Light painting capturing the ephemeral beauty of a lake at sunset. The vibrant canvas, dominated by a b...

Dick Beer (b. London 1893 - d. Stockholm 1938) Saint Cloud, 1912 oil on board board dimensions 40.5 x 32.5 cm frame 51.5 x 43.5 cm signed Dick Beer painted 1912 Exhibited: The Swedish-French Art Gallery, Memorial Exhibition, Catalog nr 5, 1942 Provenance: A private collection, Sweden Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

John B. Monaco 1916 painting and study of the John Singleton Copley portrait of John Hancock. San Francisco artist and San Francisco city documen...

Walt Kuhn (1877-1949)was associated with the art group known as "The Eight" and with Arthur B. Davies, was a the key figure in forming the American Association of painters and Sculp...

Charles Allan Cooke (British, early 20th century) Military Motor Ambulance Station, World War I, ca. 1916–1918 Oil on canvas, signed and inscribed on reverse In this powerful and ra...

Study for the cover of the November 15, 1912 issue of Vogue magazine A figural work depicting lovers figures, the recumbent male costumed as a masked Harlequin clown, the female sea...

MANUEL GARCÍA Y RODRÍGUEZ Spanish, 1863- 1925 THE WASHERWOMEN signed and dated "Garcia y Rodriguez" 1910 (lower right) oil on mahogany wood panel 19...

FRANK BRANGWYN ( U.S./U.K./Belgium, 1867-1956) watercolor, gouache, and charcoal on paper, "The Scourging of St. Alban," study for the mural painted for Christ's Hospital, West Horsh...

Clara Deike (American, 1881-1964) Hillside and Stream, 1916 Gouache on paper Signed and dated lower right 22 x 18 inches 25.5 x 21.5 inches, framed A graduate of the Cleveland Schoo...

Dick Beer (b. London 1893 - d. Stockholm 1938) Saint Cloud, 1912 oil on board board dimensions 40.5 x 32.5 cm frame 51.5 x 43.5 cm signed Dick Beer painted 1912 Exhibited: The Swedish-French Art Gallery, Memorial Exhibition, Catalog nr 5, 1942 Provenance: A private collection, Sweden Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

4015 Gouache landscape painting in a green frame

Elegant figures in a spring garden with mother and child. Colors are pure and fresh. Has everything that one would want in a D'espagnat . A top 2 % work by this artist .. Signed ...

Georges d'Espagnat French, 1870 - 1950 Les Vendanges Signed gdE (lower left)  Oil on canvas 67 by 43 in. W/frame 71 by 47 in. Born at Melun on 14th August 1870, Georges d’Espagnat...

Original magazine advertisement for ‘Cream of Wheat’ hot cereal, published 1914. From the archives of Nabisco, and Kraft Foods; nº 226. Artwork Dimensions: 28" x 22" Framed Dimens...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Harry Leith-Ross (1886 - 1973). The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis...

This is an almost lifesize portrait of a charming blond holding a basket of freshly picked flowers. The girl set against a verdant landscape with blue sky and cumulus clouds. The subject is the friend of the artist's daughter. 78 x 42in. framed. This joyful image of youth looks better in person due to its impressive size and clearly will be a statement piece in any home. Francis Luis Mora ( ( Uruguayan / American, 1874-1940) Studied under Edmund Charles Tarbell...

Listed Hungarian artist. Active in Paris, Vienna, Budapest, Munich, and Prague. Measures: 24 x 20 inches, oil on panel. 34 x 30 inches with period frame. Signed lower right. 'The Bea...

This painting by Carl Johansson captures the scenic beauty of Ramsele, featuring the Faxälven river winding through a typical Niplandskap. The Niplandskap, characteristic of Sollefte...

Early Tonalist Landscape -- California Coastal Live Oaks William Schneider 1915 Beautiful early 20th Century tonalist landscape of California by New York artist William G. Schneider ...

Work on cardboard

Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...

Sophus Vermehren was born as the son of the painter Frederik Vermehren and his wife Thomasine Ludvigne Grüner. He trained as a painter for three years and learned to draw from his fa...

Estate signed verso. Painted between the years 1916 and 1926. This painting is identified in the Francis Draper Jr. archives as #0-99........... PROVENANCE: The Francis Draper Jr. Estate........ PLEASE INQUIRE ABOUT THE ENTIRE COLLECTION OF THESE WONDERFUL CALIFORNIA PLEIN AIR IMPRESSIONIST...

This painting is characterized by a cool, turquoise sky that contrasts against snow-covered hills and trees. The artist Harald Gallén has painted the snow in flowing, almost sculptur...

This large oil painting depicting a sweet moment of maternal bonding was published as an interior illustration for Harper’s Bazar in May 1910. Jessie Willcox Smith gained renown for ...

In elegant clothing and a pompous hat, the lady looks out from the side of the picture. The narrow neckline and the sideways positioning create a strict and controlled impression. Th...

In his oil painting, “Gloucester,” Guy C. Wiggins paints a large sailing ship docked at the edge of harbor, its three masts reaching up towards a morose gray sky.

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Baigneuses en Bord de Rivière by Georges Manzana Pissarro (1871-1961) Oil on cardboard 98.2 x 79.4 cm (38...

Medium: Oil on Canvas Laid on Panel Signature: Signed Lower Right The Saturday Evening Post cover, November 12, 1910

This vibrant and atmospheric Venetian scene by Luigi Lanza captures the timeless allure of Venice’s Grand Canal. Lanza, celebrated for his ability to render the play of light on wate...

In his oil painting, “Water View of New York, 1911,” Max Kuehne paints the Hudson river from a vantage point atop the palisades. The New York skyline ris...

Date: 1918 Medium: Oil on Mounted Canvas Signature: Signed Lower Left Dimensions: 24.70" x 18.20" Illustration from “The Fire Flinger’s” written by William J. Neidig, featured ...

Herman Österlund (1873-1964) Sweden Ocean View from the West Coast, 1916 oil on canvas signed and dated Herman Österlund 1916 canvas dimensions 14.37 x 16.73 inches (36.5 x 42.5 cm...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...

Painted in 1917, this striking winter landscape captures the force and stillness of a spring flood, likely set in the artist’s native Ockelbo region. The painting is a rare example o...

Sir Alfred James Munnings, P.R.A., R.W.S. (1878-1959) 'The hunt' Signed and dated 'A.J. Munnings. 1913.' (lower right) pencil, watercolour and bodycolour on a prepared sheet of paper...

World War I scene Story illustration for “Will You Tell Her I’m All Right?” by Catherine Van Dyke for The Ladies Home Journal, published March 1918, illustrated page 11. The full c...

Medium: Pastel, Gouache, and Black Crayon on Paperboard Sight Size 22.88" x 17.50", Framed 31.75" x 26.50" Signature: Signed EVERETT SHINN and Dated Vanity Fair Cover...

Jim’s of Lambertville is proud to offer this artwork. Signed and dated lower right. Complemented by a hand carved and gilt frame. Illustrated in "New Hope for American Art" by Jam...

Signed Lower Right by Artist This piece was created as an illustration for John Fleming Wilson’s short story Somewhere at Sea, published in the May 1917 issue of Redbook Magazine. The story tells of a group of businessmen in charge of a line of shipping vessels...

George Ames Aldrich (American, 1872-1941) Country Cottage on a River: Another superbly painted oil on canvas cottage painting be Aldrich showing a mas...

Standing Female Nude Oil on canvas, c. 1910 Signed lower left corner (see photo) Condition: Excellent Housed in a 22K Gold Leaf Frame Canvas size: 24 x 18 1/8 inche...

View in Summer of Napoli, Italy Well executed pleinair painting of a hill over looking the Bay of Napoli, Italy. done at the turn of the century in ...

Roger de la Fresnaye (French, 1885-1925) - Femme Nue Couchée Monumental 90% life size nude model painting executed during the zenith and birth of cubism and expressionism. Oil on ...