1910s Paintings

'Arcadia,' a very large Neoclassical Arts & Crafts painting by Thomas Eyre Macklin and William Irving British, 1911, Oil-on-canvas Frame: height 185cm, width 366cm, depth 3cm Canvas: height 182cm, width 364cm Depicting an idyllic scene of a band of women dancing, singing and playing musical instruments, this wonderful and exceptionally large Neoclassical painting...

Medium: Oil on Canvas (on Board) Signature: Signed Lower Left Literature: Reese, Lowell Otus, The Little Injun, Collier's Weekly, November 4, 1916, p. 13, illustrated. Schoonover,...

Signed lower left: Iosif Evstafievich Krachkovsky (1854 - 1914), and dated lower right - 1910. Summer View Of Well pole or Shadoof / sweep somewhere in Ukraine (due the specific wicker fences design). A hot summer day that causes thirst, water quenches it. Water, a symbol of life at all times. The well depicted in this painting. source of water and hence the source of life. Symbolism and philosophical overtones in this painting is the main message of the artist to us... Oil painting on canvas pasted on cardboard, framed, early 20th century. Size app.: 45 x 33 cm (roughly 17.7 x 12.99 in), framed by 56 x 44 cm (roughly 22.04 x 17.32 in). Very Good condition, age wear, canvas pasted on cardboard. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker than on our pictures, appearance also depends on sufficient light in your room. I. E. Krachkovsky - Polish-Russian landscape painter...

"Bouquet de fleurs dans un vase et jetee de roses dans un play de cuivre" by Desire Alfred Magne is an antique still life measuring 32x39 in. A thr...

Painted in 1917, this striking winter landscape captures the force and stillness of a spring flood, likely set in the artist’s native Ockelbo region. The painting is a rare example o...

Robertson K. Mygatt (American, 1862-1919) Misty Landscape Oil on panel, 7 7/8 x 9 7/8 inches Framed: 14 x 16 inches (approx.) Signed and dated at lower left: "Robertson K. Mygatt 19...

One is Signed Lower and the Other is Signed Lower Right Louis Kronberg (1872 - 1965) Kronberg, often referred to as "the American Degas,"was born in Boston on December 20, 1872. He displayed artistic talent in his elementary school years and while he was only fifteen years old, his brother, who had become an impresario, made it possible for Louis to copy portraits of stage and concert celebrities backstage. Louis came to know Ignaz Paderewski, Boris Chaliapin...

Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...

"The poor little bridesmaid ... in her pink cotton gown ... though doubtless, there never was such a pretty girl." A kitchen scene is depicted with a young bridesmaid admiring her f...

Carl Johansson (1863-1944), also known as "Ultramarin Johansson," was a highly skilled Swedish landscape painter who is known for his ability to capture...

Medium: Oil on Canvas Signature: Unsigned Study for the July 7, 1917 cover of Collier's National Weekly (the title story was "Why I'd Let My Boy Go To War").

MANUEL GARCÍA Y RODRÍGUEZ Spanish, 1863- 1925 THE WASHERWOMEN signed and dated "Garcia y Rodriguez" 1910 (lower right) oil on mahogany wood panel 19...

Gabrielle MILLIOUD-MELAY (1875-1931) Peonies and Cherries Oil on canvas signed low right Old frame Dim canvas : 54 X 73 cm Dim frame : 76 X 95 cm French painter 19th century Lyon S...

Medium: Oil on Canvas Signature: Signed and Dated Lower Left Cover illustration for The Saturday Evening Post, June 8, 1912

Date: 1919 Medium: Oil on Canvas Dimensions: 24.00" x 36.00" Signature: Signed and Dated 'Dean / Corn / well '19' (Lower Right) This work was originally used as an illustratio...

Robert Spencer paints a sun-drenched scene of figures moving about outside red clay buildings in his work entitled, “Courtyard at Noon.”

Fight Between Two Boys, Saturday Evening Post cover study, 1911

Date: 1917 Medium: Oil on Canvas Dimensions: 34.00" x 24.00" Signature: Signed Lower Right Baseball Magazine cover, July 1917 For more than a century, baseball was the All A...

An illustrator working in a painterly, narrative style as N. C. Wyeth, Howard Pyle, Dean Cornwell from the Golden Age Of Illustration. Surface quality is post impressionist with hea...

Walt Kuhn (1877-1949)was associated with the art group known as "The Eight" and with Arthur B. Davies, was a the key figure in forming the American Association of painters and Sculp...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Harry Leith-Ross (1886 - 1973). The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis...

Oil on Canvas "The girl in the Red Dress" by W Frank Calderon, RA (no58) Exhibit 1911. Calderon was influenced by the "Art Nouveau"period, this painting shows his beautiful detailed...

Painting, around 1910, oil on cardboard. Romantic love scene in the forest. Signed, Gaston Bussiere. With beautiful (original) Art Deco frame. Frame has minimal damage in places. Dimensions with frame 67cm x 86cm This painting is offered here for the first time exclusively on 1stdibs! From private, German estate. Gaston Bussière (April 24, 1862 in Cuisery – October 29, 1928 or 1929 in Saulieu) was a French Symbolist painter and illustrator. Bussière studied at l'Académie des Beaux-Arts in Lyon before entering the école des beaux-arts de Paris where he studied under Alexandre Cabanel and Pierre Puvis de Chavannes. In 1884, he won the Marie Bashkirtseff...

Provenance Consigned to the gallery by private collectors Description In Jean Mannheim’s "Pathway to the Church" a lone figure walks up a narrow dirt path through a field lined with...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 24.75" x 18.63", Framed 34.00" x 18.50" Saturday Evening Post Cover, March 23, 1918 Exhib...

This New York scene was painted as a study for a larger painting (also offered for sale). This study is unique in that it shows Riverside Drive in the winter. It was painted durin...

Antique illustration of a golfer getting out of a sand trap by well listed illustrator Leslie Saalburg whose work appeared in Vanity Fair and Esquire.

This dynamic New York scene was painted during a period of intense development in Manhattan. In an impressionistic style, Leon Kroll captures the reshaping of the city. The paintin...

Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961), inscribed 'Vence' and dated 1949; additionally signed, verso. An exceptional late figural work by this pioneer of Mo...

Date: 1918 Medium: Oil on Mounted Canvas Signature: Signed Lower Left Dimensions: 24.70" x 18.20" Illustration from “The Fire Flinger’s” written by William J. Neidig, featured ...

Charles Allan Cooke (British, early 20th century) Military Motor Ambulance Station, World War I, ca. 1916–1918 Oil on canvas, signed and inscribed on reverse In this powerful and ra...

George Ames Aldrich (American, 1872-1941) Country Cottage on a River: Another superbly painted oil on canvas cottage painting be Aldrich showing a mas...

Signed and dated ‘Ozenfant 1917’ (lower right) Price excl. VAT

Medium: Oil on Canvas Signature: Signed Lower Right Magazine cover: Woman with hat boxes. Francis Xavier Leyendecker, like his older brother, Joseph, was a talented illustrator. Bo...

MAX RABES German, 1868 - 1944 AN ORIENTALIST SCENE WITH MUSICIANS AND DANCER signed "Max Rabes" (lower right) oil on canvas 65 x 77-1/2 inches (164.5 x 197 cm.) framed: 70-2/3 x 8...

Signed and dated '1910' lower right

Distinguished Gentleman Portrait Signed by D - Lubin (French, early 20th century) Dated 1915 oil on panel, unframed panel: 13.75 x 10.5 inches Provenance: Private collection, Paris ...

In his oil painting, “Gloucester,” Guy C. Wiggins paints a large sailing ship docked at the edge of harbor, its three masts reaching up towards a morose gray sky.

Rocky Inlet (France) Oil on canvas, relined, c. 1915 Signed: K A Buehr, lower right (see photo) Created during the artist's time in Giverny and Normandy Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibitiion at the North Franklin Street Gallery. Provenance: Gift of the artist to his wife, Mary Hess Buehr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Gallery Condition: Craquelure to the paint surface (normal with aging of 100 years) Relined Canvas size: 11 1/8 x 14 1/4 inches Frame size: 16 x 19 inches “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

ARTHUR SEGAL 1875-1944 Jassy, Rumania 1875-1944 London (Romanian) Title: Still Life and Fruits, 1911 Technique: Original Signed Oil Painting on cardboard size: 61 x 86 cm ...

Ferdinand Leeke Carnival test, 1914 Oil on canvas 32 x 39 in

JOSÉ VILLEGAS CORDERO Spanish, 1844 - 1921 THE BARBER OF SEVILLE signed & dated "J. Villegas. / Junio 1913." (lower left) oil on canvas 19-3/8 x 28-3/4 inches (49 x 73 cm.) framed: 27-1/2 x 36-3/4 inches (69.5 x 93 cm.) PROVENANCE Private Collector, Seville, Spain José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918. He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano. In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny. He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique. Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco. At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...

Signed Lower Right by Artist Post Cover, October 1, 1910

Medium: Watercolor and Gouache on Paper Signature: Signed Lower Left Sight Size 31.00" x 12.00", Framed 36.00" x 18.00" Hoot Mon, Life Magazine Cover...

Robertson K. Mygatt (American, 1862-1919) Green Field and Barn Oil on panel, 6 1/8 x 9 7/8 inches Framed: 10 x 15 inches The landscape painter and etcher Robertson K. Mygatt was born in New York City and studied at the Art Students’ League with John Twachtman...

Medium: Oil on Canvas Signature: Signed Indistinctly Sight Size 40.00" x 30.00", Framed 46.00" x 36.00" All Around Magazine, Dec 1915. #872 in N.C. Wyeth Catalouge Raisonne 2008 This rare pulp painting by Wyeth was originally published as the cover illustration for "The Return of the Four" by Edwin Bliss, All Around Magazine, December, 1915. The painting was reproduced as catalog no. 872 in N.C. Wyeth, Catalogue Raisonné of Paintings, Brandywine River Museum, 2008. Notes: NEWELL CONVERS WYETH (American, 1882-1945) The Return of the Four, All Around Magazine, pulp cover, December 1915 Oil on canvas 40 x 30 in. Signed indistinctly This rare pulp painting by Wyeth was originally published as the cover illustration for "The Return of the Four" by Edwin Bliss, All Around Magazine, December, 1915. The painting was reproduced as catalog no. 872 in N.C. Wyeth, Catalogue Raisonné of Paintings, Brandywine River Museum, 2008. PROVENANCE: Graham Gallery, New York; Private Collection. EXHIBITED: Graham Gallery, New York. Artist biographical notes: N. C. Wyeth produced over 300 illustrations for hundreds of articles, books, posters, and magazine covers. In 1911, he was accepted by Scribner's to illustrate such classics as "Treasure Island, " The Last of the Mohicans...

View in Summer of Napoli, Italy Well executed pleinair painting of a hill over looking the Bay of Napoli, Italy. done at the turn of the century in ...

Medium: Oil on Board Signature: Signed Lower Left Framed 37.00" x 29.00" Saturday Evening Post Cover, August 21, 1915

Cubist influence mixed with soft warm colors is on full display in this charming work. Signed twice. 6 Gallery Tags on verso Sotheby's Kennedy Galleries Barbara Mathes Gallery Sid Deutsch Gallery The Downtown Gallery University of Arizona Art...

Medium: Oil on Canvas Signature: Signed Lower Right Saturday Evening Post Cover, October 11, 1913

William Lee-Hankey, R.E., R.W.S., R.O.I. 1869-1952. Chartres Cathedral. Oil on canvas. 27 x 25. Signed, lower left. Price on the strecther, verso: $1000000. Provenance: Woodrugg Brot...

This superb British portrait oil painting is by noted artist Alfred Kinglsey Lawrence. Painted in 1919 it is a seated portrait of a young woman with a lush burgundy velvet curtain be...

Early 20th Century Original Autumnal Landscape of Old Water Mill in Oil on Linen Wonderful antique landscape of water mill during autumn season. Smoke billowing from the mill adds t...

Howard Watch ad illustration. Born in Germany, Francis Xavier Leyendecker was very competent, but was always overshadowed by his older brother. Franc...

Condition craquelure on the surface; soiling on the surface, and two scuffs on the surface, one in the center, the other on upper the right side Measures 22x28

This large oil painting depicting a sweet moment of maternal bonding was published as an interior illustration for Harper’s Bazar in May 1910. Jessie Willcox Smith gained renown for ...

Medium: Oil on Canvas Signature: Signed Lower Right Cover of The Saturday Evening Post, November 4, 1916 Literature: The Saturday Evening Post, November 4, 1916, illustrated on the ...

Date: 1912 Medium: Oil on Canvas Sight Size 18.50" x 12.50", Framed 27.50" x 21.50" Signature: Signed Lower Left July 1912 Woman's Home Companion Magazine Cover

Signed Lower Right by Artist This piece was created as an illustration for John Fleming Wilson’s short story Somewhere at Sea, published in the May 1917 issue of Redbook Magazine. The story tells of a group of businessmen in charge of a line of shipping vessels...

In this painting, Art Nouveau French illustrator Georges Lepape depicts a high moment of personal drama. He exquisitely renders a beautiful yet solitary woman sitting on the beach...