1970s Paintings

Claude Venard, French (1913 - 1999) - Le Soleil Blanc, Year: circa 1970, Medium: Oil and Sand on Canvas, signed lower left and titled on verso, Size: 20 x 28.75 in. (50.8 x 73.03 ...

Kaapa Mbitjana Tjampitjinpa (b.1926-1989) Titled: « Man and Women’s Snake and Bush Tucker Dreaming » Pigments and Polymer 50x76cm – year 1971! Aboriginal art - Master piece This wo...

Horizontal bars of blue, maroon, cherry red, pink, lemon yellow, burnt orange and green communicate on a soaked sand-coloured ground in the two panels that form this 9-foot square acrylic diptych painting on canvas. The rhythm of the spaces between the short lengths of colour creates a dialogue of movement that leads the eye upwards through the large picture plane. About the inspiration for the work, the artist wrote: "This is one of the rare paintings that I saw clearly in a dream and painted almost exactly as I saw it. It relates back to the four-panel work, Lock-Up (1972), done a couple of months earlier, where I used the physical break between panels as an edge to anchor some colour bars. In Phoenix, some bars are anchored while others float within the larger ground colour." This painting was included in the exhibition catalogue Milly Ristvedt-Handerek: Paintings of a Decade (1979). Milly Ristvedt, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe at the Vancouver School of Art. In Toronto, during the 1960s and 1970s, she was making and exhibiting large-scale paintings alongside a small but defined group of non-figurative painters who, like Ristvedt, had planted...

"An intricate dialogue of geometric forms and muted tones, reflecting the quiet strength of French mid-century abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on ca...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Title: Cape Maneuver Artist: José María Tuser Vázquez (Barcelona, 1919 – 1986) Technique: Oil on canvas mounted on board Dimensions: 19.7 x 23.6 in (50 x 60 cm) Date: Circa 1980s Signature: Signed "Tuser" in the lower left corner Condition: Excellent; thick, vibrant brushwork and vivid colors well preserved. 📝 Description This painting captures a dramatic moment in the bullfight — the classic verónica — as the matador gracefully halts the bull’s charge with a sweeping motion of the cape. The vivid contrast of magentas, blues, and golds intensifies the theatrical tension between man and beast. The composition is dynamic yet controlled, emphasizing the poise of the torero against the raw force of the bull. The expressive brushstrokes and thick impasto enhance the sense of movement, while the abstracted background ensures focus remains on the central figures. The piece is a striking blend of figuration and emotional energy, characteristic of Tuser’s taurine works. 👤 About the Artist: José María Tuser Vázquez José María Tuser Vázquez was a Spanish painter born in Barcelona in 1919. He studied at the Barcelona School of Arts and Crafts and began exhibiting in the 1940s. By 1947, he had fully devoted his career to bullfighting scenes, developing a distinctive figurative expressionist style with impressionist influences. He collaborated with the magazine El Ruedo, creating numerous illustrations and covers, and designed collectible postcards for Editorial Artigas. His work became well-known in Spanish artistic circles and is now part of both private and institutional collections, including the Club Taurino of London. His paintings have been auctioned internationally, reaching up to $3,000 depending on size and subject. His legacy is that of a painter who masterfully captured the emotion, tradition, and drama of the Spanish corrida. 🎨 Similar Artists José María Tuser Vázquez’s work shares thematic and stylistic elements with: Roberto Domingo – A pioneer of bullfighting art...

Title: Barcelona and Its People Artist: Josep Maria Martínez Lozano (1923–2006) Year: 1979 Technique: Oil on canvas mounted on board Dimensions: 29.13 x 21.65 in Condition: Unfr...

Artist: Carol Sideman– American (1925-2021) Title: Blue Sea #57 Year: circa 1975 Medium: Acrylic paint, gouache, chine colle on heavy watercolor paper Si...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Title: Landscape Among Olive Trees Artist: Rafael Duran i Benet Medium: Oil on canvas board Dimensions: 13 x 16.1 in Signature: Signed in the lower right corner Condition: Unfra...

'Echoes of the Avant-Garde: Mid-Century Visions XIII', oil on board (circa 1970s), signed OT. Step into a world where the spirit of early 20th-century modernism meets the bold experi...

'Echoes of the Avant-Garde: Mid-Century Visions XI', oil on board (circa 1970s). Step into a world where the spirit of early 20th-century modernism meets the bold experimentation of ...

'Echoes of the Avant-Garde: Mid-Century Visions IX', oil on board (circa 1970s) by STM. Step into a world where the spirit of early 20th-century modernism meets the bold experimentat...

Claude Venard, French (1913 - 1999) - Le Soleil Blanc, Year: circa 1970, Medium: Oil and Sand on Canvas, signed lower left and titled on verso, Size: 20 x 28.75 in. (50.8 x 73.03 ...

'Echoes of the Avant-Garde: Mid-Century Visions IV', oil on board (circa 1970s), initialed 'STM'. Step into a world where the spirit of early 20th-century modernism meets the bold ex...

A serene moorland scene with rich hues, misty hills, and a reflective waterway by 20th Century British Artist. Impasto, abstract landscape. Art measures 32 x 12 inches Frame measures 39 x 19 inches This landscape painting depicts a serene, atmospheric scene of a moorland with a reflective body of water winding through vibrant fields. The composition features a soft, diffused light illuminating the middle ground, where golden and green hues contrast with the rich purples and deep earthy tones of the surrounding vegetation. The distant mountains are enveloped in misty blues and grays, adding depth and a sense of vastness to the piece. The artist’s expressive, textured brushstrokes create movement, enhancing the raw beauty of the natural setting. Framed in a neutral, elegant frame, the painting exudes tranquility and captures the essence of the rugged landscape. Born in Birmingham in 1948, Rex Preston...

Morning fog. 1975., cardboard, oil, 49x69 cm Realistic early morning landscape in the village with haystacks in the fog Alfejs Bromults (1913.3.IV - 1991.11.I) His first profession...

Max Epstein, Canadian (1932 - 2002) - Erotic Target, Year: 1973, Medium: Acrylic on Canvas, signed l.r., Size: 48 x 48 in. (121.92 x 121.92 cm), Frame Size: 48.5 x 48.5 inches

Vintage cubist abstract oil painting. Oil on canvas. Signed. Framed. Measuring 27 by 34 inches overall and 24 by 30 painting alone. In excellent original condition. Handsomely fram...

Technical Sheet Title: "Suggestive Nude of a Woman" Artist: Rosendo González Carbonell (1910-1985) Technique: Oil on canvas Dimensions: 36.2 x 28.7 inches Framing: Unframed Signed: Y...

Antique American modernist abstract oil painting. Oil on canvas. Measuring 46 by 46 inches overall. In excellent original condition. Excellent condition, ready to hang and enjoy.

A serene moorland scene with rich hues, misty hills, and a reflective waterway by 20th Century British Artist. Impasto, abstract landscape. Art measures 32 x 12 inches Frame measures 39 x 19 inches This landscape painting depicts a serene, atmospheric scene of a moorland with a reflective body of water winding through vibrant fields. The composition features a soft, diffused light illuminating the middle ground, where golden and green hues contrast with the rich purples and deep earthy tones of the surrounding vegetation. The distant mountains are enveloped in misty blues and grays, adding depth and a sense of vastness to the piece. The artist’s expressive, textured brushstrokes create movement, enhancing the raw beauty of the natural setting. Framed in a neutral, elegant frame, the painting exudes tranquility and captures the essence of the rugged landscape. Born in Birmingham in 1948, Rex Preston...

Emily Mason So Slight a Film (from the Lehman Brothers art collection), 1978 Oil on paper Abstract Expressionist painting Signed and dated 'Emily Mason '78' bottom right in pencil Fr...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 17 by 21 inches overall and 16 by 20 painting alone. In excellent original condition. Hands...

Title of the Artwork: Odalisque with Tray Artist: Rosendo González Carbonell Technique: Oil on canvas Dimensions: 24 x 20 inches Frame: Unframed Style: Figurative, focusing on the fe...

"A vivid mosaic of interlocking forms and bold hues, offering a powerful glimpse into French mid-century abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on canvas, ...

Jaume Mariné - Coastal view - Oil on canvas board Oil measurements 16x21 cm. Frame 22x27 cm. Born in Poblenou in 1935. died in 2012. He was the son of a wall painter, in whose sma...

5188 Vintage framed modernist oil painting of trees in a misty forest Image size 20x16"

Frame size 76x92 cm. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After s...

Two Strips Down is an orginal contemporary artwork realized in 1974. Acrylic on canvas. Hand signed, titled, dated on the back. Includes frame.

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Jamie Wyeth Corbett House, Monhegan Island, Maine, 1973 Signed lower left Watercolor on paper 20 3/4 x 28 1/2 inches The house depicted in the present work is on Monhegan Island, Ma...

This colourful abstract painting is by Canadian artist Milly Ristvedt. For more than sixty years, Milly Ristvedt’s artwork has been grounded in an exploration of colour and expressi...

'Echoes of the Avant-Garde: Mid-Century Visions III', oil on board (circa 1970s). Step into a world where the spirit of early 20th-century modernism meets the bold experimentation o...

3794 Equestrian oil painting set in a custom wood frame Image size 23.5x19.25"

This painting by Ivan Bergdahl captures a dramatic mountain landscape, from northern Scandinavia, possibly in Sweden. The scene showcases rugged, snow-capped peaks rising from a vibr...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 35x27 cm. Frame 40x32 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spani...

'Family Farm in France', gouache on art paper, by Michel Debiève (circa 1970s). An extremely endearing depiction of a French family farm, the delight is...

3582B Cubic abstract Painting Set in a gilt wood frame

Work on canvas Silver wooden frame 67 x 67 x 6 cm

Title: Spanish Village with Church Artist: Rafael Duran Benet (1931–2015) Technique: Oil on canvas board Dimensions: 33 x 41 cm (approx. 13 x 16.1 in) Signature: Signed in the lo...

Title: Spanish Landscape with Farmhouse Artist: Rafael Duran Benet (Barcelona, 1931–2015) Technique: Oil on canvas board Dimensions: 13 x 16.1 in Signature: Signed "R. Duran" in ...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 35x27 cm. Frame 40x32 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spani...

Abstract Composition, original painting by Pierre Coquet (1926-2021) Oil on paper laid on a board Frame with a natural oak floating frame 35 x 39 x...

Jordi Curós Ventura (1930-2007) - Woman in rocking chair - Oil on canvas. Work measurements 61x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish paint...

Snow in the Valley - Winter Landscape in Oil on Canvas Serene winter landscape by A. V. Gagliardi (20th Century). A valley is covered with snow, with a small house and river in thew...

Oil on board realized by Sirio Pellegrini in 1976. Hand signed and dated lower left Includes a wooden frame realized by the Artist 92x72 cm. Very good condition. Sirio Pellegrini...

Artist: Lucio Ranucci, Italian (1925 - ) Title: Pranzo Year: 1971 Medium: Oil on Canvas, signed and dated Size: 30 in. x 32 in. (76.2 cm x 81.28 cm) Frame Size: 40 x 41 inches

Rising Tondo by Ilya Bolotowsky, Russian/American (1907–1981) Date: 1972 Acrylic on Canvas, signed and dated bottom, and signed, titled, and dated on verso Size: 47 x 47 in. (119.38 ...

GLORIA STUART (1910 – 2010) WATTS TOWERS, 1971 Oil on canvas, signed lower right, 24” x 50 ½”. Gloria Stuart, an Academy Award nominated actress was also a painter, illustrator and printmaker. She most recently portrayed Rose in the blockbuster film “Titanic”. She was a Santa Monica native. In 2013 The Los Angeles Museum of Art, LACMA exhibited a nearly identical painting looking from the south, the same size and frame. Last 5 photos show the example at LACMA. One shows theirs in a distant room with a major Thomas Hart Benton painting in the foreground A VERY IMPORTANT MULTI-LEVELED DOCUMENT OF LOS ANGELES AND HOLLYWOOD CULTURAL HSTORYi The following is from her obituary in the Los Angeles Times upon her death in September 2010 at the age of 100 Gloria Stuart, a 1930s Hollywood leading lady who earned an Academy Award nomination for her first significant role in nearly 60 years — as Old Rose, the centenarian survivor of the Titanic in James Cameron’s 1997 Oscar-winning film — has died. She was 100. .......She devoted much of her time to designing and printing artists’ books (handmade, letter-press printed books in limited editions, with her own artwork and writing). Her work is in the J. Paul Getty Museum in Los Angeles, the Metropolitan Museum of Art in New York City, the Victoria and Albert Museum in London and other museums. Stuart, a founding member of the Screen Actors Guild who later became an accomplished painter and fine printer, died Sunday night at her West Los Angeles home, said her daughter, writer Sylvia Thompson. Stuart had been diagnosed with lung cancer five years ago. “She also was a breast cancer survivor,” Thompson said, “but she just paid no attention to illness. She was a very strong woman and had other fish to fry.” In July the actress was honored at an “Academy Centennial Celebration With Gloria Stuart” at the Samuel Goldwyn Theater in Beverly Hills. “She was a charming and beautiful leading lady in the ‘30s, and I never understood why her career didn’t go further at that time,” film historian and critic Leonard Maltin, who interviewed Stuart on stage at the event, told The Times on Monday. As for Stuart’s high-profile comeback in “Titanic”: “She was thrilled by the attention that that performance brought her and really wanted to win that Oscar. I thought she hit just the right notes in that performance. She was wry and engaging.” As a glamorous blond actress under contract to Universal Studios and 20th Century Fox in the 1930s, Stuart appeared opposite Claude Rains in James Whale’s “The Invisible Man” and with Warner Baxter in John Ford’s “The Prisoner of Shark Island.” She also appeared with Eddie Cantor in “Roman Scandals,” with Dick Powell in Busby Berkeley’s “Gold Diggers of 1935” and with James Cagney in “Here Comes the Navy.” And she played romantic leads in two Shirley Temple movies, “Poor Little Rich Girl” and “Rebecca of Sunnybrook Farm.” But mostly she played what Stuart later dismissed as “stupid parts with nothing to do” — “girl reporter, girl detective, girl nurse” — and “it became increasingly evident to me I wasn’t going to get to be a big star like Katharine Hepburn and Loretta Young.” After making 42 feature films between 1932 and 1939, Stuart’s latest studio contract, with 20th Century Fox, was not renewed. She appeared in only four films in the 1940s and retired from the screen in 1946. By 1974, “the blond lovely of the talkies” had become an entry in one of Richard Lamparski’s “Whatever Happened to” books. Writer-director Cameron’s $200-million “Titanic” changed that. Stuart played Rose Calvert, the 100-year-old Titanic survivor who shows up after modern-day treasure hunters searching through the wreckage of the sunken ship find a charcoal drawing of her wearing a priceless blue diamond necklace. Stuart’s performance as Old Rose frames the 1997 romantic- drama that starred Leonardo DiCaprio as lower-class artist Jack Dawson...

Illegible signature lower right. Oil measures 38x46 cm. Frameless. Dated 1976.

Swing Jazz Quartet. Satchmo, Louis Armstrong! Oil Painting on board. Hand signed and dated 1974 Malcah Zeldis (born Mildred Brightman; 1931) is an American folk art painter. She is ...

Colin Ruffell is an English painter of interiors, cityscapes, and many other unique subjects. This bold and evocative 1970s painting by English artist Colin Ruffell captures a nosta...

Antonio Sala Herrero (1927-2012) - View of Montjuic Barcelona - Oil on canvas Oil measures 50x61 cm. Frame measures 66x77 cm.

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Neutral Abstract, Muted Colours, Signed Oil Painting By French artist 'Jean Briant', 20th Century Signed by the artist on the lower right hand corner ...

Artwork Details: - Title: Nude Woman Resting with Flowers - Artist: Josep Munné Graupera (Barcelona, 1933-2016) - Year: 1978 - Technique: Oil on canvas - Dimensions: 25.6 x 31.9 inches (65 x 81 cm) - Signed: Yes, "J. Munné Jordi 78" in the lower right corner - Condition: Good, minor wear consistent with age - Framed: No - Art Movement: Catalan Costumbrist Realism --- **Description:** This painting delicately and sensitively portrays a female figure in a relaxed pose, resting on a bed draped...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Harvest Time in a farm on East Coast of England by 20th Century British Artist Art measures 8.75 x 6.25 inches Frame measures 11.5 x 9 inches Don Micklethwaite is a British Post...

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very good. No restorations. Original frame. Overall framed measurements are 17 by 14 inches. Partial Saidenberg Gallery, New York City label verso. Provenance: A Long Island, New York collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Original oil on canvas post impressionist painting by the American artist, George Shawe. Titled “Path to Pontoise” which is small town outside of Paris, France. Signed by the artist...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

This exquisite monochrome painting from 1971 showcases David Bolduc's command of color and nuanced texture. Rendered in a soft pink hue, the canvas is alive with subtle variations i...

Artist: Jonathan Singer, American (1949 - 2019) Title: Homage to Ilya Bolotowsky Year: 1979 Medium: Acrylic on Canvas, signed and dated lower right Size: 78 x 45.5 in. (198.12 x 11...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

ChatGPT Plus Title: Park in a Catalan City Artist: Sebastià Congost Pla (1919–2009) Technique: Oil on canvas-mounted hardboard Dimensions: 24 x 33 cm Framed dimensions: 34 x 43 cm Si...

Beautiful collage painting by unknown artist. Acrylic on torn paper segments, reassembled as collage. Art object assempled on rectangular sheet of hand made rag paper measures 12.5...

Abstract landscape by Stephen Thomas Rascoe, 1924 - 2008, oil on board. Stephen Rascoe is a classically trainer artist whose works can be found in countless museums and private colle...

Title: Carrer de la Vilanoveta Artist: Rafael Monzó (Sitges, 1952) Year: 1979 Medium: Oil on canvas Dimensions: 18.1 x 15 inches (21.7 x 18.5 inches framed) Signature: Lower lef...

Work on canvas mounted on cardboard

A beautiful oil on board painting by American artist Maurice Monnard. Monnard was a Post-Impressionist painter known for his colorful cityscapes depict...

Maria Meriggi, born in 1935, is an Italian painter known for her evocative depictions of urban landscapes and everyday scenes, particularly those of Venice. Her notable works include...

Title: Harvesters Artist: Jesús Villar (1930–2015) Technique: Oil on canvas Dimensions: 24 x 48 inches (61 x 122 cm) Framed dimensions: 30.7 x 54.7 inches (78 x 139 cm) Signatur...