1970s Paintings

Signed and dated abstract oil on canvas by French painter Jacques Germain. The piece is composed in swathes of thick impasto, particularly in red, blue, green and white. A truly interesting and unique work that would compliment a modern setting. Signature: Signed lower right/ further signed and dated verso Dimensions: Framed: 11"x16" Unframed: 10"x15" Provenance: Private French collection Jacques Germain was born in Paris in 1915. In 1931, on the advice of Blaise Cendrars, he became a pupil of Fernand Léger and Amédée Ozenfant at the Académie Moderne, Paris. He soon left for the Bauhaus in Dessau, where Jean...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 13.75 x 20 Frame Size: 20 x 27 Medium: Pen, Pencil, Crayon, Marker "Daddy Playing in the Mud" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk Artist John Willard Banks, black self-taught artist, the son of Charlie and Cora Lee (McIntyre) Banks, was born on November 7, 1912, near Seguin, Texas. At the age of five his parents took him to San Antonio, where he attended Holy Redeemer School until the age of nine, when his parents were divorced and John returned to his grandparents' farm near Seguin. From childhood Banks's favorite pastime was drawing pictures on his Big Chief tablet. He later recalled, "As a kid I used to lie flat on my stomach, drawing and drawing. . . . My mother had to kick me off the floor to sweep." While helping out on his grandparents' farm, Banks completed the tenth grade before striking out on his own. His favorite activities during his youth were singing in a gospel quartet and playing baseball. In his adult years he worked in oilfields and cotton fields, drove a truck, and tended a San Antonio service station. During World War II he joined the army; he held the rank of sergeant and was stationed in the Philippines. After the war he returned to San Antonio, where he worked as a custodian at Kelly Air Force Base, at Fort Sam Houston, and at a local television station. Banks married Edna Mae Mitchell in 1928, and they had five children. The marriage ended in divorce around 1960. In 1963 he married Earlie Smith. His art career began in 1978 while he was recuperating from an illness for which he had been hospitalized. Banks's wife admired her husband's drawings and secretly took several of them to a San Antonio laundromat. There she hung the drawings on the wall, offering them for sale at the price of fourteen dollars. They were purchased and taken to a gallery for framing. Quite by chance, a San Antonio physician and collector of works of art by black artists...

Original oil on canvas painting titled “Multishore” by the well known American artist, Syd Solomon. Signed Syd Solomon lower right. Signed and dated Syd Solomon 1971 on the stretcher, inscribed as titled on the reverse 30 × 26 inches. Condition is excellent. The painting is housed in its original wood with silver reveal floating frame. Overall framed measurements are 32.75 by 28.75 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Artist: Irving Amen, American (1918 - 2011) Title: Reading Girl Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 24 x 20 in. (60.96 x 50.8 cm)

This painting by Ivan Bergdahl captures a dramatic mountain landscape, from northern Scandinavia, possibly in Sweden. The scene showcases rugged, snow-capped peaks rising from a vibr...

"Back Road" California Redwoods Santa Cruz County original Oil Painting Oil painting of the California Redwoods by Gorman Woody (American, 1907-2000). the scene is a country road ...

Sailboat Race Miriam Bromberg Date: circa 1960 Oil on Canvas, signed lower right Size: 24 x 50 in. (60.96 x 127 cm)

Oil on canvas signed by American artist, John Little (1907-1984) and dated 1970-71 in gilded trimmed, wood frame. Little, who attended the Buffalo Fine Arts Academy and worked under ...

'Abstract in Saffron and Rose', San Francisco, Bay Area Abstraction, SOMA, SFSFA ----- Signed lower right, 'P. Ciment' for Phyllis Ciment (American, born 1946) and painted circa 1975...

Fun Dining Oil on canvas artist signed. Smith Blanchard was born on August 19, 1952 in Port-au-Prince, Haiti. Smith Blanchard was the son of the late Haitian artist Sisson Blanchard...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

Oriental scene is an orientalist artwork realized by Giulio Rosati (1857 – 1917) . The artwork depicts an oriental palace with lady and horse rider in l...

Title: Salobreña Artist: Rafael Duran Benet (Terrassa, 1931 – Barcelona, 2015) Technique: Oil on canvas board Dimensions: 13 x 16.1 in Support: Canvas board, unframed Signature: Sign...

Artist: Lucio Ranucci, Italian (1925 - ) Title: Pranzo Year: 1971 Medium: Oil on Canvas, signed and dated Size: 30 in. x 32 in. (76.2 cm x 81.28 cm) Frame Size: 40 x 41 inches

This is an amazing original large vintage oil painting on canvas depicting a nautical scene, with a large sailing ship in a choppy ocean. This is a classic maritime style, one that...

Rene Marcil: 1917-1993. Very well listed Canadian artist who has auction records as high as $100,000. This fabulous fresh to the market oil painting is either on a thin board or thic...

Vivid oil painting of a seated figure holding a terracotta vase, surrounded by hanging pottery, by August Lenox (American, 1908-1986). Signed "Lenox" ...

Suzanne Schweig Langsdorf Martyl was active/lived in Illinois, Missouri, Kansas. Suzanne Martyl is known for abstract western landscape, magazine cover illustration, murals, botanics. Illustrator of the Doomsday Clock. Martyl exhibited infrequently but five one-man shows in Saint Louis since 1936 kept her in the public. She was also represented in many of the National exhibitions. In 1940 she was awarded the first prize in the Midwestern Show at the Kansas City Art Institute and won the hundred dollar purchase prize at the Y.M.H.A., Saint Louis. The following year she was awarded first prize in the annual exhibition of Missouri artists at the Saint Louis City...

6011 Four nude male dancers gouache painting set in a brown matt in a brass frame Image 16.5x21.5"

Alberto Ulloa Burgos (1 January 1950 – 1 October 2011). Street After Rain (Santiago de Chile), 1970. Oil on masonite panel measuring 20 x 24 inches; 26 x 30 inches framed. Signed and dated lower right. Original frame with export label stamp. Alberto Ulloa Burgos was a painter, sculptor, and poet from Altamira, Dominican Republic. He was a student of the distinguished Latin American painter Jaime Colson...

John Bazadona (American, 1948-2000), "Model Shelly in Red Scarf", Oil on Canvas, 1974, signed and with Art Students League of New York label to verso, unframed. 50" H x 36" W. Proven...

The Artists Model Portrait of a Nude Lady reclining French School, circa 1970's indistinctly signed oil painting on card, unframed size: 25 x 18 inches condition: overall very good,...

Artist: Philip Standish Read, American (1927 - 2000) Title: Untitled Year: circa 1975 Medium: Oil on Canvas, signed l.r Size: 60 x 72 in. (152.4 x 182.88 cm)

Joan Cruspinera Muñoz was born in 1945 in Tiana, Barcelona. This Catalan artist is a painter, draftsman and painter. His training is extensive and int...

Lynne Drexler Twilight Imagery, 1976 Signed and dated on the reverse Oil on canvas 30 1/2 x 22 1/2 inches Southern-born Lynne Mapp Drexler found her ar...

Euphoria Miriam Bromberg Date: 1970s Oil on Board Size: 24 in. x 36 in. (60.96 cm x 91.44 cm) Frame Size: 30 x 42 inches

Ramón Pichot Soler (1924-1987) - Woman and flowers - Oil on panel Oil measures 33x41 cm. Frameless. Ramon Pichot i Soler (Figueres, 1924 - Barcelona, May 24, 1996) was a Catalan pai...

Technical Sheet - Title: Port de la Selva - Artist: Josep Puigdengolas Barella (1906-1987) - Style: Mediterranean Luminism - Technique: Oil on board - Dimensions: 13 x 16.1 inches (u...

Signed lower right: "Kupferman". Inscribed lower right: "2317". Titled, signed, dated, and inscribed verso: "GK:2,317.D / "Pacific Tide Pool" / Lawrence Kupf...

Original acrylic painting on canvas. Hand signed and dated lower left by Peter Max. Artwork size: 48.25 x 58 inches. Canvas is stretched. Artwork is in excellent condition with...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

'Portrait of Woman in Yellow', oil on cardstock paper (circa 1970s), by Raymond Debiève. A cubist portrait of this lovely young woman at her window is ...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Modern abstract landscape painting by Houston, TX artist Margaret Nobler. The work features a boat floating near an oceanside dock with the sun setting...

5-3161 Acrylic nude in a custom wood frame

Lester Hughes (1938-2021) El Paso Artist Image Size: 24 x 36 Frame Size: 30 x 42 Medium: Oil "Lost and Found" West Texas Cattle STRAYS Biography Lester Hughes (1938-2021) From El Pas...

Sloyer Untitled, 1976 Oil on canvas 36 1/4 x 24 x 1 3/8 in. Artist label verso (text slightly obscured) Signed on stretcher bar

Title: Woman with Glass Author: Ramón Pichot Soler (1924-1996) Technique: Oil on hardboard Dimensions: 18.1 x 15 inches Framing: Unframed Estimated year: 1970s Descripti...

Estado de conservación muy aceptable el de la pintura La obra se presenta enmarcada (el marco presenta una leve falta) Medidas obra: 65 cm altura x 92 cm ancho. Medidas marco 70 c...

Signed lower right Circa 1970 Overall in silver edge floater frame 21 x 31.5 inches

Australian River Landscape Painting by 20th Century English Australian Artist, Howard Barron (1900–1991) depicting a scene along the Murrumbidgee River in Australia’s New South Wales...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Artist: Johnson Title: Secretariat Year: 1975 Medium: Oil on Canvas, signed Size: 66.5 x 50 in. (168.91 x 127 cm) Frame Size: 71.5 x 55.5 inches

Technical Sheet - Title: Still Life - Artist: Romualdo Fernández Barrera (1933-2022) - Medium: Oil on canvas - Dimensions: 27.5 x 39.4 inches - Style: Post-Impressionism - ...

Antonio GUANSE (1926-2008) Still Life with Flowers, 1962 Oil on canvas panel Signed lower right Countersigned and dated on the back On panel, 37 x 45 cm (14.5 x 17.7 in) visible Pre...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas board. Work measurements 46x38 cm. Frame size 51x43 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Span...

Artist: Lowell Nesbitt (1933-1993) Title: NASA, Apollo 9 Space Mission Series Year: 1970 Medium: Oil on canvas Size: 26 x 18 inches Inscription: Signed, dated by the artist, verso No...

This colourful abstract expressionist painting is by the award-winning artist Milly Ristvedt. For decades, Milly Ristvedt has explored the unlimited potential and power of colour to...

Seasons Miriam Bromberg Date: 1970s Oil on Canvas Size: 28 x 36 in. (71.12 x 91.44 cm) Frame Size: 29 X 37 inches

The Artists Model Portrait of a Nude Lady reclining French School, circa 1970's indistinctly signed oil painting on card, unframed size: 17 x 25.5 inches condition: overall very goo...

Evocative original oil on canvas painting by the Welsh artist, John Bowen. Signed lower left. Condition is very good. Circa 1970. The artist uses the light to capture the beauty of the young girl looking directly at us with her cat resting in her lap. The painting is housed in a dark wood frame with narrow liner of the same time period of the artwork. Overall framed measurement is 41 by 29 inches. Provenance: A Sarasota, Florida estate. John Bowen (1914–2006) Carmarthenshire Museums Service Collection Painter, born in Llanelli, Carmarthenshire. After attending Llanelli and Swansea Schools of Art he taught at Llanelli School of Art, 1939–60, also at the Boys’ Grammar School there apart from wartime service in the Royal Air Force. He was an artist member of SWG and also showed WAC and at the Royal National Eisteddfod. In 1968 he had a retrospective at Parc Howard Mansion, Llanelli. Painter of landscapes in Britain and abroad and still life, in oil and watercolour whose work is in many public collections, including WAC and Newport Art Gallery and Museum. Text source: 'Artists in Britain Since 1945' by David Buckman (Art Dictionaries Ltd, part of Sansom & Company) His work was influenced by some of the twentieth century's greatest artists such as Pablo Picasso and Marc Chagall. His paintings are in the permanent collections of Parc Howard Museum...

Artist: Giancarlo Impiglia, Italian/American (1940-) Title: Pulcinella Year: 1975 Medium: Oil on Canvas, signed Size: 48 in. x 32 in. (121.92 cm x 81.28 cm)

Work on wood Wooden frame with red velvet 38.7 x 53 x 2 cm This artwork depicts an urban scene, capturing a quiet street lined with buildings with simple, geometric architecture. V...

Contemporary acrylic abstract using eye catching hues of orange, red, green and blue, circa 1970. Original artwork on paper displayed on a white mat with a gold border. Archival p...

'The Fishermen', oil on canvas, by Anna Costa (circa 1970s). Cassis is a small, Provencal fishing village in southern France, located about 45 minutes east of Marseille and 45 minute...

6030 Ballerina silhouette oil painting in white on a black backround Signed verso Robert Yarmola Framed Image 17.75x10.75

L'hymne du Roi David (King David's Dream) Oil on wood by Marc Chagall c late 70's Comes with Numbered and Verified Certificate of Authenticity from Comite C...

Artist: Peter Stroud, British (1921 - 2012) Title: Blue on Brown Overlap Year: 1971 Medium: Acrylic on Canvas, signed, dated and titled verso Size: 48 x 48 inches

Nevicata nel bosco, Luce invernale, Bianco

The Artists Model Nude Lady Model French School, circa 1970's oil painting on card, unframed size: 18 x 23 inches condition: overall very good, a very few light markings to the surf...