1970s Paintings

A rare vintage realist still life oil painting on thick board. Fine Belgium art by Hendrick Brandtsoen. A special chiaroscuro painting by an artist who used techniques of the 17th ...

Original oil and acrylic painting on canvas titled “Sandscape 2” by the well known American artist, Syd Solomon. Signed Syd Solomon lower left. Signed and dated Syd Solomon 1972 and inscribed as titled on the reverse. 22 × 30 inches. Overall very good to excellent condition. No notable issues detected during inspection. No signs of restoration under UV inspection. The painting is in its original wood with silver reveal floating frame. Overall framed measurements are 24.25 by 32.25 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Memory original engraving pianting. "Formed with his father, one of the most eminent Catalan teachers in the study of Art and growing up in a family where art and music were a vita...

Moonlit tonal seascape with sailboat, calm waters, and sepia elegance - Vintage Oil by British Artist, David James. Dramatic skies and beautiful reflections are a feature of this lan...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Oil on board realized by Sirio Pellegrini in 1976. Hand signed and dated lower left Includes a wooden frame realized by the Artist 92x72 cm. Very good condition. Sirio Pellegrini...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Sunset seascape with red-sailed boat and glowing sky over ocean swells - Vintage Oil by British Artist, David James. Dramatic skies and beautiful reflections are a feature of this la...

Title: Woman with Guitar Artist: Jordi Curós Ventura (1930–2017) Technique: Mixed media on canvas board Dimensions: 46 x 55 cm Framed: No Period: S...

Artwork Details: - Title: Nude Woman Resting with Flowers - Artist: Josep Munné Graupera (Barcelona, 1933-2016) - Year: 1978 - Technique: Oil on canvas - Dimensions: 25.6 x 31.9 inches (65 x 81 cm) - Signed: Yes, "J. Munné Jordi 78" in the lower right corner - Condition: Good, minor wear consistent with age - Framed: No - Art Movement: Catalan Costumbrist Realism --- **Description:** This painting delicately and sensitively portrays a female figure in a relaxed pose, resting on a bed draped...

Autumnal Landscape signed by Jean Fourie (1927-2015) French artist, painting in the Champagne region of France signed oil painting on board, unframed board: 18 x 13 inches condition:...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Modern nude study of red-haired woman reclining seated by American painter, Patricia Gren Hayes (b. 1932), 1979. Signed and dated on verso Provenance: Purchased as part of larger collection of artist's work Unframed. Canvas size: 16"H x 20"W. Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...

Large, impressive seascape of rolling surf pounding the rocky shore of Capri. Signed lower left by the Italian artist Guido Odierna. Circa 1975. Conditi...

George Dannatt (1915-2009) Icon 1970 Oil on paper 12.7 x 17.7 cm Vertical orientation George Dannatt’s long career as a painter and sculptor ended with the artist’s death in 200...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

At the beach is an artwork realized by Aldo Riso. Mixed colored tempera and watercolor painting. Titled on lower left. Frame included: 70.5 x 91.5 cm This beautiful mixed media...

Snow in the Valley - Winter Landscape in Oil on Canvas Serene winter landscape by A. V. Gagliardi (20th Century). A valley is covered with snow, with a small house and river in thew...

Paris street scene by a French street artist signed lower right. Label on verso "Angelo Ponza" Art Gallery Naples, Italy. Image, 16"H x 20"W Frame, 20"H x 24"W

Oil on wooden table realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower left. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first ...

A member of the original abstract expressionists, Robert Natkin's "Untitled" (1978) is a stunning acrylic painting, showcasing pastel colors in a minimalist, color field style. This ...

5142 Italian Beach scene with umbrellas and peaple at the sea side Oversized unframed

Beautiful ca. 1970s Pop Art painting of a reclining nude woman based on Tom Wesselmann's 1968 screenprint, Nude with Still Life. Oil on canvas, 30...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 17 by 21 inches overall and 16 by 20 painting alone. In excellent original condition. Hands...

W. A. Slaughter (1923 - 2003) Dallas / San Antonio Artist Image Size: 24 x 36 Frame Size: 33 x 45 Medium: Oil on Canvas "Bend in the Creek" Texas Hill Country Biography W. A. Slaught...

Original oil on canvas painting of a Parisian street scene done in post impressionist style by the Portuguese artist, Hilario Roberto. Street scene complete with iconic Parisian flo...

Beautiful winter landscape by American artist, J. Philip Richards (1906-1991). Maine Morning, 1974. Casein on paper, 16 x 26 inches; 26 x 36 inches framed. Signed lower right. Signed, titled and dated on verso. Excellent condition. Glass has been removed and will need to be replaced. Born in Moosic, PA, and graduated from the College of Fine Arts of Syracuse University in New York, J Philip Richards worked and studied with such artists of international reputation as William Von Schlagell, James Fitzgerald, David Porter, and John Taylor.He was professor emeritus of Fine Arts at Wilkes College in Wilkes-Barre, PA. Member of the American Watercolor Society, NYC, NY; York Artists Association, York, ME; Ogunquit Art Association, Ogunquit, ME; Wyoming Valley Art League, Wilkes-Barre, PA; National Society of Casein Painters, NYC, NY; Director Ancestor's Art Workshops, Searsport, ME; Gallery Director, "Gallery 164," Kennebunk, ME; Professional Artists League of America, NYC, NY; Art Guild of Kennebunks, Kennebunk, ME; Maine Artists...

A serene moorland scene with rich hues, misty hills, and a reflective waterway by 20th Century British Artist. Impasto, abstract landscape. Art measures 32 x 12 inches Frame measures 39 x 19 inches This landscape painting depicts a serene, atmospheric scene of a moorland with a reflective body of water winding through vibrant fields. The composition features a soft, diffused light illuminating the middle ground, where golden and green hues contrast with the rich purples and deep earthy tones of the surrounding vegetation. The distant mountains are enveloped in misty blues and grays, adding depth and a sense of vastness to the piece. The artist’s expressive, textured brushstrokes create movement, enhancing the raw beauty of the natural setting. Framed in a neutral, elegant frame, the painting exudes tranquility and captures the essence of the rugged landscape. Born in Birmingham in 1948, Rex Preston...

Original oil and acrylic painting on canvas of a contemporary cityscape.. Signed Lee Reynolds lower right. Vanguard Studio label verso. Circa 1975. Condition is excellent. The pain...

3945 Vintage oil painting on canvas Image size 19.5x15.5"

Beautiful abstract Minimalist painting by unknown artist. Dated 1977. Oil on canvas measures 36 x 60 inches. Signed and dated lower right.

The Artists Model Nude Lady Model French School, circa 1970's signed oil painting on card, unframed size: 17 x 24 inches condition: overall very good, a very few light markings to ...

“Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...

Oil size 54x81 cm. Frameless

Vivid late 1970's floral still-life featuring a colorful bouquet by Doro (American, 20th Century), 1979. Signed and dated "Doro 1979" lower left. Unframed. Image size, 24"H x 18"L.

George Dannatt (1915-2009) Yellow Enclosed 1970 Mixed media on paper 25.4 x 17.7 cm Vertical orientation George Dannatt’s long career as a painter and sculptor ended with the ar...

Patch of Cyan, Vintage Electric Blue Geometric Abstract by Eleanor Perry A bold modernist abstract painting by San Francisco, California artist Eleanor Perry (American, 20th Centu...

Indulge in a journey to the vibrant and nostalgic era of the 1970s with our vintage original oil painting—a mesmerizing modernist beach interior scene, capturing the essence of sandy...

Artist: Bill Wiman, American (1940 - ) Title: Girl in a Chair Year: 1978 Medium: Oil on Canvas, signed Size: 82 x 83.5 in. (182.88 x 212.09 cm) Frame: 83 x 84.5 inches

Cityscape with skyscrapers. Stylized and almost abstract representation of a city with skyscrapers, some of which have the shape of a sail. Oil on canvas. In a 1970´s aluminium / wood period frame. Signed lower right: Raimondo. Landscape appears at first glance as a series of abstract, geometric, very bright objects. Very good condition. Painting comes from a collection in Turin, Italy which had numerous signed works...

Antique American abstract expressionist painting. OIl on canvas. Framed. Signed.

Opera espressionista ,sui blu e azzurri Edgardo CORBELLI (Torino, 1918 – 1989) Dal tradizionale impianto paesistico degli anni ‘30, la pittura di Corbelli sfocia in esiti tecnico-e...

Maria Meriggi, born in 1935, is an Italian painter known for her evocative depictions of urban landscapes and everyday scenes, particularly those of Venice. Her notable works include...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Josep Guinovart (1927 –2007) was a Spanish Catalan painter most famous for his informalist or abstract expressionist work. In 1941, he began to work as a decorator. Three years later, he started his studies at the Escuela de Artes y Oficios de la Llotja (Art School of La Llotja) where he stayed until 1946. He first exhibited his work in 1948 in Galerías Syla in Barcelona. In 1951, he produced his first engravings entitled 'Homage to Federico García Lorca'. Two years later, he was awarded a grant from the French Institute to study in Paris for nine months. Here he discovered the cubist works of Henri Matisse and Pablo Picasso and travelled to Belgium, Holland and Germany. On his return to Barcelona and after a period working as an illustrator and set designer, around 1957 he began moving towards abstract art. His work is highly unconventional and usually on a large scale, using a wide range of materials, three-dimensional objects and organic substances such as eggshell, earth and straw. In 1962, he illustrated a book of poetry entitled Posies by Joan Salvat-Papasseit for the Ariel Editorial. He won many accolades for his work throughout the 1970s and 80s, including Spain's National Award for Plastic Arts in 1982. In 1994, a museum foundation dedicated to his art was inaugurated in Agramunt, his mother's birthplace to which he always felt a special attachment. In 2006 he designed the winery Mas Blanch i Jové in La Pobla de Cérvoles (Lleida) and created The Artists' Vineyard, a project intended to mix sculptures and other art works from different artists in the middle of a vineyard. The Artists' Vineyard was inaugurated after his death in 2010 with the unveiling of his sculpture The Countryside Organ: a music instrument, 6 meters height, for the wind to sing the vines. This winery also displays the 10.5 meters work In Vino Veritas...

Swing Jazz Quartet. Satchmo, Louis Armstrong! Oil Painting on board. Hand signed and dated 1974 Malcah Zeldis (born Mildred Brightman; 1931) is an American folk art painter. She is ...

Boats in Landscape further image on the reverse by Jean Fourie (1927-2015), signed French artist, painting in the Champagne region of France oil painting on board, unframed board: 18...

Title: Woman Selling Fruit Author: Rosendo González Carbonell Technique and Support: Oil on canvas Dimensions: 31.9 x 25.6 in (unframed) Period: 1970s Style: Costumbrist realism with impressionist influences Condition: Part of a private collection Description of the Artwork The painting portrays a woman holding a basket filled with fruit, notably apples and pears, focusing on warm and dark contrasts that add depth and realism to the composition. The artist creates an intimate atmosphere, skillfully manipulating light to highlight the woman's facial features and the textures of the fruit. The figure’s attire evokes a classical style, likely inspired by costumbrist themes. Rosendo González Carbonell, renowned for his focus on traditional scenes and female figures, employs in this piece loose yet precise brushstrokes, creating dynamism that enhances the composition. The warm hues of the fruit and the serene expression of the woman reflect the artist’s intention to capture a moment of everyday life with sensitivity and expressiveness. Author’s Biography Rosendo González Carbonell (Barcelona, 1910 - 1984) was a Spanish painter recognized for his focus on female figures, portraits, and landscapes. He studied at the Acadèmia de Belles Arts de Sabadell under the mentorship of Mayoral and Antoni Alsina i Amils and also attended the "Llotja" art academy in Barcelona. He was a disciple of Bonaventura Puig Perucho and maintained a close friendship with painter Alejandro Huerta Lucas. He participated in the National Fine Arts Exhibitions held in Barcelona in 1942 and 1944. His work reflects the tradition of Catalan painters such as Joaquim Mir and Santiago Rusiñol, as well as influences from impressionist masters like Claude Monet and Camille Pissarro. González Carbonell often depicted small villages, rural churches, and tranquil landscapes, balancing meticulous detail with impressionist brushstrokes that bring his compositions to life. Similar Artists González Carbonell shares artistic sensitivities with other renowned painters who captured the essence of landscapes and human figures through light and color: Joaquim Mir: Renowned for his luminous interpretations of the Catalan landscape. Santiago Rusiñol: Famous for his delicate depictions of rural scenes and local architecture. Josep Amat...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 36 x 55 Frame Size: 46 x 65 Medium: Oil Applied by Palette Knife "Flowers" Biography Jose Vives-Atsara (1919-2004) San An...

Emily Mason So Slight a Film (from the Lehman Brothers art collection), 1978 Oil on paper Abstract Expressionist painting Signed and dated 'Emily Mason '78' bottom right in pencil Fr...

James Boren (1921 - 1990) Waxahatchie, Texas / Oklahoma Artist / Member Cowboy Artists of America Image Size: 28 x 42 Frame Size: 40 x 53 Medium: Oil "Ca...

A beautiful modern expressionist painting depicting a white lily flower. This work though unsigned is clearly by the hand of a very talented artist. The work comes in an artist mad...

3795 Impressionist vase of flower Signed on verso Gelant Set in a carved gilt wood frame Image size 19.75 x15.75"

Title: Carrer de la Vilanoveta Artist: Rafael Monzó (Sitges, 1952) Year: 1979 Medium: Oil on canvas Dimensions: 18.1 x 15 inches (21.7 x 18.5 inches framed) Signature: Lower lef...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

Vintage Post-Impressionist beachscape. A lively and colourful impressionist painting of a woman taking a child for walk on the beach. The woman and her child walk past another woma...

"A vibrant tapestry of color and texture, celebrating pure abstraction with a dynamic, tactile rhythm." Pierre Coquet (1926–2021) Abstract Composition Oil on board, 44 x 64 x 2 cm (...

Antique American modernist signed abstract oil painting. Oil on canvas. Signed. Framed. Image size, 36L x 36H.

Title: Landscape with Figures Artist: Sebastià Congost i Pla (1919-2009) Technique: Oil on panel Dimensions: 13 x 16 in (without frame) / 17.7 x 20.9 in (with frame) Signature: Signe...

Title: Cape Maneuver Artist: José María Tuser Vázquez (Barcelona, 1919 – 1986) Technique: Oil on canvas mounted on board Dimensions: 19.7 x 23.6 in (50 x 60 cm) Date: Circa 1980s Signature: Signed "Tuser" in the lower left corner Condition: Excellent; thick, vibrant brushwork and vivid colors well preserved. 📝 Description This painting captures a dramatic moment in the bullfight — the classic verónica — as the matador gracefully halts the bull’s charge with a sweeping motion of the cape. The vivid contrast of magentas, blues, and golds intensifies the theatrical tension between man and beast. The composition is dynamic yet controlled, emphasizing the poise of the torero against the raw force of the bull. The expressive brushstrokes and thick impasto enhance the sense of movement, while the abstracted background ensures focus remains on the central figures. The piece is a striking blend of figuration and emotional energy, characteristic of Tuser’s taurine works. 👤 About the Artist: José María Tuser Vázquez José María Tuser Vázquez was a Spanish painter born in Barcelona in 1919. He studied at the Barcelona School of Arts and Crafts and began exhibiting in the 1940s. By 1947, he had fully devoted his career to bullfighting scenes, developing a distinctive figurative expressionist style with impressionist influences. He collaborated with the magazine El Ruedo, creating numerous illustrations and covers, and designed collectible postcards for Editorial Artigas. His work became well-known in Spanish artistic circles and is now part of both private and institutional collections, including the Club Taurino of London. His paintings have been auctioned internationally, reaching up to $3,000 depending on size and subject. His legacy is that of a painter who masterfully captured the emotion, tradition, and drama of the Spanish corrida. 🎨 Similar Artists José María Tuser Vázquez’s work shares thematic and stylistic elements with: Roberto Domingo – A pioneer of bullfighting art...