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William Slaughter"BANKS OF BLUE" TEXAS HILL COUNTRY BLUEBONNETS RIVER 40X50 FRAMED1974
1974
$24,000
£17,808.93
€20,744.96
CA$33,408.17
A$37,203.01
CHF 19,362.11
MX$458,708.69
NOK 246,591.32
SEK 231,771.94
DKK 154,783.17
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About the Item
W. A. Slaughter
(1923 - 2003)
Dallas / San Antonio Artist
Size: 30 x 40
Frame: 40 x 50
Medium: Oil on Canvas
Dated 1974
"Banks of Blue" Texas Bluebonnets
Biography
W. A. Slaughter (1923 - 2003)
William A. Slaughter was born in San
Antonio, Texas in 1923 and died in Dallas, Texas December 2003. His
first call was to the ministry and after serving in the Air Force during
WWII, he was ordained as a Lutheran pastor. This calling took him first
to Lubbock, Texas, Mexico, and finally Dallas. It was during this
ministry in Mexico that Mr. Slaughter began seriously to hear another
call.
Slaughter began painting and exhibiting at local art and craft shows
after moving to Dallas. His church members began buying his paintings
and before long he knew that he was going to have to make a life
changing decision between the Ministry and art. Slaughter first belonged to and exhibited with the
Artists and Craftsmen's Association of Dallas. In 1968, he was awarded
first in landscape painting. In 1973, he was awarded first in still life
painting.
He was mostly self-taught and combined innate ability and persistence to
create many Texas landscapes, seemingly everyone's favorite subject, in
realist style. He also did figure paintings, still life, wildlife and
ethnic women and children.
- Creator:William Slaughter (1923 - 2003)
- Creation Year:1974
- Dimensions:Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)Depth: 3 in (7.62 cm)
- More Editions & Sizes:Size: 30 x 40 Frame: 40 x 50Price: $24,000
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:Please visit my 1stdibs storefront to see additional: Vintage, Mid Century, and Contemporary Texas and American art.
- Gallery Location:San Antonio, TX
- Reference Number:1stDibs: LU769315463862
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View All"AS BLUE AS IT GETS" TEXAS HILL COUNTRY BLUEBONNETS 38 X 48 FRAMED!
By Robert Harrison
Located in San Antonio, TX
Robert Harrison
(Born 1949)
San Antonio Artist
Image Size: 30 x 40
Frame Size: 38 x 48
Medium: Oil on Canvas
"As Blue As it Gets" Texas Hill Country Bluebonnets
Biography
Robert Harr...
Category
Early 2000s Impressionist Landscape Paintings
Materials
Oil
"Bluebonnet Creek" Texas Hill Country 1957 39 x 49 Framed!!!
By Porfirio Salinas
Located in San Antonio, TX
Porfirio Salinas
(1910-1973)
San Antonio Artist
Image Size: 30 x 40
Frame Size: 39 x 49
Medium: Oil on Canvas
Dated 1957
"Bluebonnet Creek" Texas Hill Country
Biography
Porfirio Salinas (1910-1973)
Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas.
From
the years of the Great Depression through President Lyndon Johnson's
Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained
one of the Lone Star State's most popular artists. Today, his works
remain popular with Texas collectors and those who love landscapes of
the beautiful "Hill Country" that lies in the center of the
state. One of the first Mexican American painters to become
widely recognized for his art, Salinas was a favorite of President
Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam
Rayburn, the longest-serving Speaker of the House of Representatives,
and Texas Governor John Connelly. In fact, President Johnson was so
enamored with his Salinas paintings that the artist will forever be
associated with America's first Texas-born President. Works by Porfirio
Salinas are in a number of museum collections, grace the halls of the
Texas State Capitol and the Governor's Mansion in Austin, and are
included in virtually every major private collection of Early Texas Art.
Porfirio
Salinas was born on November 6, 1910, near the small town of Bastrop,
Texas, about thirty miles from Austin. His father, Porfirio G. Salinas
(1881-1967), and his mother, Clara G. Chavez, struggled to make a
hardscrabble living as tenant farmers, but eventually were forced to
give up farming. The family moved to San Antonio, where Salinas' father
was able to get a job working as a laborer for the railroad, but the
scenic area around Bastrop, with its pine trees and the wide expanse of
the Rio Grande River, would forever remain a touchstone for the artist.
For the rest of his life, Salinas and his brothers went back frequently
to visit their grandmother in her little farmhouse. When in Bastrop,
Porfirio painted on the banks of the Rio Grande or in the groves of
pine trees. The Salinas family was close-knit and Porfirio was the
middle child of five children, so he had an older brother and sister as
well as a younger brother and sister. His mother was a native of
Mexico, so throughout his childhood the family made the long drive to
Mexico to visit Clara Salinas' family.
As a child growing up in
the bi-lingual section of San Antonio, Salinas drew and painted
incessantly and by the time he was ten, he was already producing work
that was mature enough to sell to his schoolteachers. Many years later
in an article in the New York Times he was described as a "boy whose
textbooks were seldom opened and whose sketchbook was never closed."
Instead of studying, the young artist spent his spare time watching
artists paint in and around San Antonio. As an aspiring painter,
Salinas was fortunate to grow up in the historic city, which had the
most active art scene in Texas. It was his exposure to older,
professional painters that encouraged the precocious young painter to
leave school early in order to help his family and pursue a career as a
professional artist, despite his father's inability to see art as a
career with any future for his son.
When Salinas was about
fifteen he came to know the artist Robert W. Wood (1889-1979). He met
Wood while he was employed in an art supply store and he soon began to
work as an assistant to the English-born painter, who had moved from
Portland to San Antonio in 1924. Although the diminutive Englishman was
already an established professional artist, he did not have a great
deal of formal art training and so he was then studying with the
academically trained Spanish painter Jose Arpa (1858-1952) in order to
augment his knowledge and give his work a more polished look. Salinas
was an eager young man, and while working in Wood's downtown San
Antonio studio he learned to stretch canvases, frame paintings and to
sketch in larger compositions from small plein-air studies for the
English artist. He began to accompany Wood and Arpa to the hills
outside San Antonio, where they painted small Plein-air studies of
fields of blue lupin - the state flower, the famous "Bluebonnets" of
Texas - in the springtime and scenes of the gnarled Red Oaks as they
changed color in the fall. He was soon assisting Wood in the tedious
work of painting the tiny blue flowers that collectors wanted to see in
the landscapes they purchased of central Texas. According to a
1972 newspaper story, "Legend has it that one day in the 1920s artist
Robert Wood decided he could not bear to paint another bluebonnet in
one of his landscapes. He hired young Porfirio Salinas to paint
them in for him at five dollars a painting." Whether this story is
accurate or apocryphal isn't clear, but the ambitious and independent
young Salinas wasn't destined to be anyone's assistant for very long.
The
formative event of Porfirio Salinas' teenage years was the Texas
Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the
eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of
paintings of wildflowers and Texas life were mounted in San Antonio
from 1927 to 1929. Held at the newly opened Witte Museum each spring,
the exhibition featured large cash prizes donated by the philanthropic
Davis, which were an inducement for artists to travel from all over the
United States to paint in the Hill Country of Texas. The "Davis
Competitions," as they were known, helped to cement San Antonio's
reputation as an art center, a legacy that remains with the "River
City" today. The shows generated a great deal of excitement in the
area, helping to make celebrities of the some of the artists who had
already settled there and encouraging others to make San Antonio their
home. Over the three years that the wildflower competitions were held,
more than 300 paintings were exhibited, and many thousands of viewers
saw the paintings at the Witte Museum and on tours throughout the state
and in New York. Each year Davis would generously purchase the winning
paintings and then donate them to the San Antonio Art League. Young
Porfirio Salinas would have been able to not only watch his two mentors
- Robert W. Wood and Jose Arpa - paint the works that they entered in
the Davis Competitions, he would have been able to see Arpa take
several of the major prizes, receiving the judge's accolades for
"Verbena," "Cactus Flower" and "Picking Cotton," works that are still
on view at the San Antonio Art League Museum today. Unfortunately,
Davis eventually put his donations to work in other charitable
endeavors, bringing to an end the wildflower events, but only after
they inspired Salinas and other young painters and had helped to make
wildflower paintings the most sought-after subject for traditionalist
Texas collectors.
In 1930, when he was only twenty, Salinas
hung out a shingle and began to paint professionally, augmenting the
sales of his easel paintings with what little business he could garner
by painting signs for local concerns. It was a struggle for the young
artist to make a living, as the effects of the Great Depression were
settling in. His early works are very similar to those of Robert
Wood's, both in subject matter and treatment. Salinas did small
paintings of Bluebonnets for the tourists who visited San Antonio to
see the famous Alamo as well as paintings of the Texas missions...
Category
1950s Impressionist Landscape Paintings
Materials
Oil
"SPRINGTIME BLUES" TEXAS BLUEBONNET TEXAS HILL COUNTRY
By CLIFF CAVIN
Located in San Antonio, TX
Cliff Cavin
Texas Artist
Size: 24 x 30
Frame: 30.5 x 36.5
Medium: Oil
2022
"Springtime Blues"
Biography
Cliff Cavin
Cliff Cavin, a native of San Antonio, Texas, is a landscape artist...
Category
2010s Impressionist Landscape Paintings
Materials
Oil
"CERULEAN SPRING" BLUEBONNETS ERIC HARRISON, TEXAS HILL COUNTRY LANDSCAPE
By Eric Harrison
Located in San Antonio, TX
Eric Harrison
(Born 1971)
Texas Hill Country Artist
Image Size: 24 x 36
Frame Size: 33 x 45
Medium: Oil
2022
"Cerulean Spring" Bluebonnets
Biography
Eric Harrison (Born 1971)
“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.”
-Henry D. Thoreau
Eric Harrison-born 1971 in San Antonio, Texas. In 1995 he married Kim Marie, and together they have two sons, Noah and Ethan. The Harrison’s reside in the hill country west of Blanco, Texas.
Currently painting in a language resonant with other Texas artists such as Robert and Julian Onderdonk, Robert Wood, Porfirio Salinas, Dawson Dawson-Watson, and Robert Harrison; with an affinity toward the work of California painter William Wendt. Paul Cezanne and many of the post impressionists.
Exhibitions and collections of his work include:
The United States Embassy in Togo, Africa
The University of Texas at San Antonio
The Buckhorn Museum San Antonio
Best of the Best Art Show Salado, Texas
Texas Landscape Show The Nave Museum, Victoria Texas
The Harrisons, “A Family of Texas Painters” Charles Morin...
Category
21st Century and Contemporary Impressionist Landscape Paintings
Materials
Oil
" Bluebonnets San Antonio Texas " Texas Ranch Scene Texas wildflowers
By Charles Harvi Altheide
Located in San Antonio, TX
Charles Harvi Altheide
(1874 - 1951)
San Antonio Artist Texas, Kansas, Missouri
Image Size: 11 x 15
Frame Size: 23.5 x 27.5
Medium: Oil on Canvas
Dated 1941
"Bluebonnets San Antoni...
Category
1940s Impressionist Landscape Paintings
Materials
Oil
"BLUEBONNET HILL" TEXAS HILL COUNTRY FRAMED 15.75 X 17.75
By Pedro Lazcano
Located in San Antonio, TX
Pedro Lazcano
(1909-1970)
San Antonio Artist
Image Size: 8 x 10
Frame Size: 15.75 x 17.75
Medium: Oil
"Bluebonnet Hills"
Pedro Lazcano (1909-1970)
I was always curious about Pedro La...
Category
1960s Impressionist Landscape Paintings
Materials
Oil
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