Men More Prints

"A Song for a Nesei Fisherman" Poster, Limited Edition Screenprint #14 of 100 Show poster designed by Chester Yoshida (American, b. 1922). The play "A Song for a Nisei Fisherman" wa...

"Maximino Javier (Mexico, 1948) 'Bajada de emergencia (serie Tamayo Total)', 2023 silkscreen on paper Canson 320 g. 20.3 x 28.2 in. (51.5 x 71.5 cm.) Edition of 100 Unframed ID: JAV-...

This screen print, “A Cracked Icon,” is a reference to one of my favorite musicians, David Bowie, and his song “Cracked Actor.” I’m fascinated by how we process fragmentation and mut...

"De Quoi! De Quoi! Votre Dot?" is an original lithograph 3/3 D. 390 (Charivari) by Honore Daumier. It depicts an odd-looking man and a beautifully-dressed woman in conversation. Ther...

Artist: Alberto Giacometti Title: Annette Facing Front Portfolio: Derriere le Miroir Tenth Anniversary Edition Medium: Etching Date: 1956 Edition: 2000 Frame Size: 19 1/2" x 14 1/4" ...

Original General Electric Professional TV Service midcentury modern vintage poster. “I’m no artist, but I know what makes the best picture.” I install General Electric Tubes, Best for any set! Service-designed Black-Daylite picture tubes. In the black-and-white area of the television tube is an image of Whistler’s mother in a rocking chair. Of course, during this time frame, all televisions were only black and white. Archival linen is backed and ready to frame and in A- condition. Note that the white mark on the service man’s sleeve is printed into the image and is not a flaw. A great vintage poster for the collector of old televisions, radios, and early electronics...

"First Steps" is an original lithograph created by Jean Charlot. This is a wonderful piece with hispanic styling, showing a mother teaching her child how to walk. The mother is shown...

Original poster: HEAD OUT TO OZ, artist: James McMullan. Size 24" x 37". Rolled, Not folded; very good to excellent lithograph condition. Year: ...

Artist: Jamie Wyeth Title: Untitled Portfolio: Inaugural Impressions Medium: Lithograph in colors Date: 1977 Edition: 51/100 Sheet Size: 23" x 20" Image Size: 17" x 14" Signature: Ha...

Honeymoon Machine, original 1 sheet U. S. theater poster; acid-free archival linen backed; this poster is ready to frame. Very fine condition with original theater-issued fold mark...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

Original “This Device on Hat or Helmet means U. S. MARINES” vintage poster. Archivally linen-backed in excellent condition. No paper loss an...

Original HERE. Mister! AMOCO Service mid-century vintage poster. Archivally linen backed in very good condition, ready to frame. A- condition with a dime size touch-up in the low...

Original Mahatma Gandi vintage poster. Photo: Information Services of India, N.Y. In a gentle way, you can shake the world. The Equitable Life Assurance Society of the United States, New York, NY. Archival linen backed, ready to frame, Grad A condition. Condition, c. 1960s From a series of portraits with inspirational quotes from The Equitable Life Assurance Society of the United States. Photo from the Photo Information Service of India, NY. Mohandas Karamchand Gandhi (2 October 1869 – 30 January 1948) was an Indian lawyer, anti-colonial nationalist, and political ethicist who employed nonviolent resistance to lead the successful campaign for India's independence from British rule. (Wikipedia) About Equitable Life. After closing to new business in 2000, parts of the business were sold off, and the remainder of the company became a subsidiary of Utmost Life and Pensions in January 2020. The Equitable Life Assurance Society (Equitable Life), founded in 1762, is a life insurance...

Original “Stocks Americans” vintage poster. Linen backed in very good condition, ready to frame. No paper loss, no fold marks, clean and bright. Distress on one letter “S” in A...

Original World War 1 vintage military poster: YOUR WAR SAVINGS PLEDGE. Archival linen backed, very good condition; ready to frame. For War Savi...

Original Einstein vintage poster. “Hair. It’s not the style that counts, it’s what’s under it.” A black and white image of Einstein with his hair messed me. Linen-backed in excellent condition, ready to frame. From a series of portraits with inspirational quotes from The Equitable Life Assurance Society of the United States. Photo from Bettmann Archive. The poster is a variation of the original photo with the quote “It’s not the style that counts, it’s what’s under it”. This quote is a play on words emphasizing substance's importance over style. The poster reminds us that actual value lies in what is inside a person rather than their outward appearance. About Equitable Life. After closing to new business in 2000, parts of the business were sold off, and the remainder of the company became a subsidiary of Utmost Life and Pensions in January 2020. The Equitable Life Assurance Society (Equitable Life), founded in 1762, is a life insurance...

Original Pierre Dieuzey et ses Capetiens, Jazz New Orleans vintage poster. Artist: Pierre Merlin. Lithograph, archival linen-backed vin...

DIRTY HARRY (1971) Vintage poster created for the first Japanese release of the Don SIEGEL directed thriller starring Clint EASTWOOD * Format: B2: 20×28 inches (51×73 cm) * Condit...

Linen backed original post-World War II military poster "First Class Soldier and Citizen, U.S.A." Original fold marks have been restored during linen backing. The poster features a smiling Army soldier in his khaki uniform. A rare original military poster to find today. (The poster was documented as being printed in a larger size.). R-224-RPB-2-1-47 A military recruitment poster for young men to join the military post World War 2. The poster features a clean-cut, handsome man in his military uniform with crossed arms smiling at you. Artist: Glass. No known biography of this artist. This is an original 1947 vintage American poster...

Original Soccer vintage sports poster. Linen backed in very good condition, ready to frame. Printed by Ortega Company in Valencia. This type of untitled vintage poster was commonly printed and the date of an upcoming game and team would be added at the bottom of the poster. Soccer games were played quite often, allowing the local team to advertise their events without reprinting a new poster for each game or event. This poster was printed as a full lithograph, so it was expensive to produce. There is no specific designation of which two teams are being shown here in this antique poster The poster has a nickname of ‘heads-up,” as two of the players are in the air as they position themselves to control the soccer ball. Valencia two main clubs, FC València and Levante UD, attract hordes of fans to their matches. Both clubs play in the First Division of La Liga...

De la serie "Valle de Lágrimas" Serigrafía e impresión con tintas pigmentadas sobre papel.

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

Reviewing the photographs of Julie Blackmon, critic Leah Ollman of the Los Angeles Times wrote: “Each frame is an absorbing, meticulously orchestrated slice of ethnographic theater … that abounds with tender humor but also shrewdly subtle satire.” Blackmon is a native of Springfield, MO, and her photographs are inspired by her experience of growing up the oldest of nine children—including five sisters—in what she calls “a generic American town in the middle of the U.S.” In college, Blackmon was introduced to the work of artists Sally Mann, Diane Arbus, and Helen Levitt, and she describes herself as “obsessed” with their images. “When my three children were small,” she recalls, “we moved into an old house with a darkroom in the basement. Like any mother, I wanted to take pictures of my kids. But I didn’t want to be just the ‘mother photographer.’ I wanted my work to be more: more penetrating, more artful, more striking, more thoughtful, more a reflection of the times. “Over the next few years, I progressed from making documentary black and white photographs of my life and the lives of my sisters to creating colorful, fictitious images that offered a more fantastical look at everyday life. My work became more conceptual, as I began to realize that I was not obligated to capture “reality” exactly, but that I could work more like a painter or a filmmaker, actively shaping the images I was creating. This realization—that fiction can often capture the truth more memorably than reality—was a major shift in how I saw the world around me, and it transformed my work.” “It’s thrilling to see the most common aspects of everyday life as potential stories or themes for a photograph. It changes how you see things: suddenly, a Starbucks employee on a smoke break, or an outmoded beauty shop catering to an elderly clientele, can spark a memorable image. As Nora Ephron...

Artist: Mr. Brainwash Title: Love Catcher - Red Medium: Screenprint on Archival paper Date: 2023 Edition: 75 Frame Size: 28" x 28 1/2" Sheet Size: 22" x 22" Signature: Hand signed wi...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* RESTORED, numbered and RARE Vintage Textured Print Aft...

Tennis. Original motivational – theater - sports poster. Linen backed in excellent condition, ready to frame. This linen-backed 1970 vintage poster, created by The Perfection Fo...

Based on a photo taken by Ted Soqui during the LA riots of spring 1992. "This image is equally emblematic of the current wave of protests for racial justice and police reform that the nation has been experiencing in the wake of the murder of George Floyd...

Manufacturer: Obey Giant Edition Details: Year: 2023 Class: Art Print Status: Official Run: 550 Technique: Screen Print Paper: Fine Art Thick Cream Speckletone Paper Size: 18 X 24 Ma...

Original "Beware Spreading Vital Information Will Undermine Our War Effort. Do your Part In Silence" vintage World War 2 poster. Ori...

Original vintage poster: Quality Workmanship A sound Foundation on which to build one's future Cooperative Thoughtful Skilful Dependable Careful This lithograph was printed in 1940 by Elliott Service in NYC. Very good condition with only a minor tear on the bottom, which was laid down during linen-backing. Similar in design to Mather’s Work Incentive posters...

Original motivational – theater - sports poster. Linen backed in excellent condition, ready to frame. This linen-backed 1970 vintage poster, created by The Perfection Form Company, features a captivating image of men on a track field...

"RFK is a hero of mine for his positions on racial equality during the Civil Rights movement. His speech after Martin Luther King, Jr.’s assassination is one of the greatest speeches ever delivered. The opportunity to do this RFK mural at a high school that focuses on art and social justice is great for many reasons, especially because it demonstrates to the kids the power of large-scale artwork." -Shepard Fairey...

Carlos Rodriguez Cardenas (Cuba, 1962) 'Artista de la Calidad', 1988 silkscreen on paper 25.6 x 19.7 in. (65 x 49.8 cm.) Unframed ID: ROD-201 Hand-signed by author

Original movie poster: "Young Man with a Horn" Original Vintage Movie The film "Young Man with a Horn" originally came out in 1950 and starred Kirk Douglas as the titular character...

In front of the mirror 19/100. Paper, linocut, 49,5x31,5 cm. 1970. Arturs Mucenieks (1912-1984) Graphic artist, painter. Born in the family of the tenant. Zenta Muсenieсe wife - painter, daughter Ilse Muceniece - painter. In 1949 he graduated from the AAL department of Painting; Diploma work "Sportsman holiday " (head O. Skulme). He worked as a teacher and head of the teaching department at the J. Rosenthal Riga Art School (1950-56), editorial managers of landscape, poster and cards at publishing house "Liesma" (1966-68). He participated in exhibitions since 1948. Significant personal and memorabilia exhibition: in Riga (1969-70, 1971, 1975, 76, 78-79, 80, 85), Ogre (1978-79, 1989). Member of the Artists` Union of Latvia since 1959. In easel graphic he carried away with monumentalism, poetically rich and naturally true person depiction, which realized in dynamic linocuts cycles ( "Latvian farm Anturage", 1961; "We want peace", 1962; "Spring Song", 1967). Concept of monumantalizing image developed in book graphics, primarily in the illustration to the prose (P. Bauģe "People near the water" 1961, R. Ezeras "Wild apple tree" 1966, and "Water well", 1972, A. Auziņa "Griezies, vilciņ", 1973) and poster art (" Riga - 750! ", 1951; the cycle" Latvian Riflemen", 1959; triptych "Slava" 1967 "on March 8", 1968...

Title: Original "Diane" 1956 Half-Sheet Vintage Movie Poster Linen backed and ready to frame. NSS: 56/13 Features:- - This is an original movie poster for the 1956 film "Diane"...

Le Chasseur Fortune Engraving framed Bez.: C. Van Falenz pinixit // Jac. Ph. Le Bas Sculp. // a Paris chez Le Bas graveur du Cabinet du Roy au bas de la rue de la Harpe...

Diptych 1980. paper, linocut, each artwork 24,5х15 cm The diptych created in 1980 consists of two linocut prints on paper. Each artwork measures 24.5x15 cm. The subject of the dipt...

Original. " "Just meet those schedules, will you?" vintage poster. Lithograph. U. S. Army Official Poster. An American pilot, complete with goggles and a flying cap, holds a map up while smiling with a headline of "Just meet those schedules, will you?". Linen-backed and ready to frame World War 2 vintage poster, 1944. This exclusive vintage World War II poster is a rare and beautiful piece of history. This original and authentic poster is truly a sight to behold, showcasing an iconic image of an Army Air Force...

Russian epic. 2/10 1966, paper, linocut, 23.5x35 cm The linocut print depicts a scene from Russian folklore and history, capturing the essence of a ...

Original vintage movie poster: “MR. DEEDS GOES TO TOWN.” 'L'extravagant Mr. Deeds' Linen-backed Belgium movie poster. Longfellow Deeds lives in a small town, leading a small-town...

Artist: Pablo Picasso Title: Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame ...

"Caricatura Robert Macaire Negociant" is a lithograph by Honore Daumier. It was published February 24, 1837. Original Text: Robert Macaire, Négociant. Hé bien ! Monsieur Macaire, v...

"Robert Macaire Banquier et Jure" is an original lithograph by Honore Daumier. It depicts a banker and his contemporary having a conversation. 1/2 D. 371 (Charivari) Artwork Size: 14 1/4" x 9 1/2" Frame Size: 21 5/8" x 19" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

"CROQUIS D'ÉTÉ (Plate No. 5) LD 3203" is a 2nd state lithograph by Honore Daumier. Daumier initialed the work in the lower left corner. It depicts a man and a woman sitting at a tabl...

"New Masses" Vol 1, No 1, May 1926, Actual Magazine, VG Condition Hugo Gellert New Masses Magazine. May 1926, Inaugural: Vol 1, No 1. Published by the New Masses Inc., 39 West 8th St., New York City. New Masses (1926-1948) was an American Marxist magazine launched in New York City. It was closely associated with the Communist Party USA. With the coming of the Great Depression in 1929 America became more receptive to ideas from the political Left and New Masses became highly influential in intellectual circles. The magazine has been called the principal organ of the American cultural left from 1926 onwards. It featured the work of an array of independent writers and artists. The Metropolitan Museum of Art’s recent exhibition, “Art for the Millions: American Culture and Politics in the 1930s” celebrated the American spirit during the depression era. In the exhibition several issues of "New Masses" are exhibited, but not Vol 1. No. 1. We offer that. Lithograph by Hugo Gellert on the cover and multiple illustrations in magazine. Hugo Gellert (1892-1985) was a Hungarian-American illustrator and muralist. A committed radical and member of the Communist Party of America, Gellert is considered by some art critics as among the best political work of the first half of the 20th century. The artists who works are inside Vol 1, No. 1 include: William Gropper, Adolph Dehn, Stuart Davis, Art Young, I. Klein, Boardman Robinson, Wanda Gag, Louis Lozowick, F. S. Hynd, New Masses, Otto Soclow, Hans Stengel and Arnold Ronnebeck. The writers included in this issue: Babette Deutsch, Robert Dljnn, Robinson Jeffers, William Carlos Williams, Nathan Asch, Norman Studer, M. H. Hedges, Art Shields, Karol Rembov, Hal Saunders-White, Edwin Seaver, George Sterling, Scott Nearing and Whittaker Chambers. Editors: Egmont Arens, Joseph Freeman, Hugo Gellert, Michael Gold, James Rorty, and Joan Sloan.Executive Board: Egmont Arens, Maurice Becker, Helen Black, John Dos Passos, Robert Dunn...