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"A Song for a Nesei Fisherman" Poster, Limited Edition Screenprint #14 of 100 Show poster designed by Chester Yoshida (American, b. 1922). The play "A Song for a Nisei Fisherman" wa...

Artist: Marc Chagall Title: Woman Circus Rider Portfolio: Derriere le Miroir: 10 Ans d'Edition Medium: Lithograph Date: 1956 Edition: 2000 Frame Size: 21" x 27 1/2" Sheet Size: 14" x...

A View at Bolcheretzko (Russia) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook.John Webber (1752-1793) was ...

"Maximino Javier (Mexico, 1948) 'Bajada de emergencia (serie Tamayo Total)', 2023 silkscreen on paper Canson 320 g. 20.3 x 28.2 in. (51.5 x 71.5 cm.) Edition of 100 Unframed ID: JAV-...

This screen print, “A Cracked Icon,” is a reference to one of my favorite musicians, David Bowie, and his song “Cracked Actor.” I’m fascinated by how we process fragmentation and mut...

Georg Baselitz (German, b. 1938) Serpentine (Blue), 2022 Medium: Etching with sugar lift aquatint on wove paper Dimensions: 53 × 39 cm (20 9/10 × 15 2/5 in) Edition of 50: Hand-signe...

Original Los Angeles, California vintage fun map, Funny Funny World. Archival linen backed in very fine condition. Ready to frame. This is the 1976 printing of this map, now 50...

"De Quoi! De Quoi! Votre Dot?" is an original lithograph 3/3 D. 390 (Charivari) by Honore Daumier. It depicts an odd-looking man and a beautifully-dressed woman in conversation. Ther...

Artist: Marc Chagall Title: Blue Still Life Portfolio: Derriere le Miroir 99-100 Medium: Lithograph Date: 1957 Edition: 2500 Frame Size: 19 1/2" x 17 3/4" Sheet Size: 15" x 11" Signa...

A very good impression of this color electrostatic heat transfer on wool felt. Signed, dated and numbered 13/250 in ink by Simpson. Printed by Jeffrey Ryan, 21 Steps Editions, Albuqu...

The original “Aretha” vintage music promotional poster features Aretha Franklin and artwork created by Andy Warhol. Archivally backed linen is in very good condition and ready to f...

Artist: George Rodrigue Title: Union Station (Blue Dog for President) Medium: Silkscreen Year: 1996 Edition: 36/150 Framed Size: 31" x 42" Sheet Size: 18" x 30" Signed: Hand signed a...

I started my sticker campaign in 1989 and I continue to value the power of a small but mighty source of disruption and expression. When I was younger and had few resources my strateg...

Artist: Alberto Giacometti Title: Annette Facing Front Portfolio: Derriere le Miroir Tenth Anniversary Edition Medium: Etching Date: 1956 Edition: 2000 Frame Size: 19 1/2" x 14 1/4" ...

Artist: Julian Opie Title: Anya with Hands Together Portfolio: 26 Portraits Medium: Lithograph Date: 2006 Edition: 250 Frame Size: 20" x 17" Sheet Size: 16 1/2" x 11" Image Size: 13"...

Artist: Russell Young Title: Marilyn Portrait (Red) Portfolio: Marilyn Portrait Medium: Hand-pulled acrylic and enamel silkscreen on paper Date: 2014 Edition: 25/25 Sheet Size: 27" x...

Original General Electric Professional TV Service midcentury modern vintage poster. “I’m no artist, but I know what makes the best picture.” I install General Electric Tubes, Best for any set! Service-designed Black-Daylite picture tubes. In the black-and-white area of the television tube is an image of Whistler’s mother in a rocking chair. Of course, during this time frame, all televisions were only black and white. Archival linen is backed and ready to frame and in A- condition. Note that the white mark on the service man’s sleeve is printed into the image and is not a flaw. A great vintage poster for the collector of old televisions, radios, and early electronics...

Garden Sale by Brian Pollard is a limited edition giclée print of the scene of a village plant sale. It In the distance, it features emblems of rural life,  such as a lake, bridge an...

'Mamalukes Exercising the Spear' Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt ...

"First Steps" is an original lithograph created by Jean Charlot. This is a wonderful piece with hispanic styling, showing a mother teaching her child how to walk. The mother is shown...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Original poster: HEAD OUT TO OZ, artist: James McMullan. Size 24" x 37". Rolled, Not folded; very good to excellent lithograph condition. Year: ...

Artist: Jamie Wyeth Title: Untitled Portfolio: Inaugural Impressions Medium: Lithograph in colors Date: 1977 Edition: 51/100 Sheet Size: 23" x 20" Image Size: 17" x 14" Signature: Ha...

Chuck Sperry lives in the Haight-Ashbury district of San Francisco, where he’s made his particular style of rock poster designs for over 15 years. He operates Hangar 18, a silkscreen print studio, located in Oakland. Sperry works in San Francisco, but exhibits internationally from Athens to Argentina, Bristol to Belgrade (visited Belgrade at the invitation of The Cultural Minster of Serbia). By conducting workshops and lectures all over the planet, Sperry’s tutelage has inspired a new generation of rock poster and silkscreen artists worldwide. His artwork has been exhibited at leading San Francisco art institutions including the San Francisco Museum of Modern Art and the Yerba Buena Center for the Arts; his prints have been archived by the Achenbach Graphics Arts Council, The Oakland Museum of California, San Francisco Public Library (Main Branch), the United States Library of Congress, and the Rock and Roll Hall of Fame. He has brought his rock artistry to projects for Goldenvoice, Live Nation, Virgin Megastore, Guitar Center, Random House, Harper Collins, Harvard University Press, Nylon, and Wired. Released in early 2009, the documentary film “American Artifact...

"Fishing Boats Gloucester" is a soft ground etching created by Joseph Margulies. The artist signed this piece in the lower right margin with graphite. This piece depicts several fish...

Honeymoon Machine, original 1 sheet U. S. theater poster; acid-free archival linen backed; this poster is ready to frame. Very fine condition with original theater-issued fold mark...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One and Robbie Conal to create a series of anti-Bush/anti-war posters for the street-art campaign: Be The Revolution. In 2005, Fairey accepted a residency at the Contemporary Museum in Honolulu, Hawaii, where he created murals and prints that reveal a dramatic combination of constructivist style with distinctly traditional Hawaiian themes and influences. Amanda Fairey gave birth to the couple’s first child, Vivienne in June 2005, she is the namesake of punk fashion legend Vivienne Westwood. Vivienne would be the model for Fairey’s “Vivi La Revolucion” print of 2008. Fairey's street-art, was featured with that of Dan Witz...

Rare original vintage poster for KLM Royal Dutch Airlines. This version has the Constellation flying in the sky behind an old sailing schooner. Great detail in the ship, which i...

Original: "Save waste fats for explosives. Take them to your meat dealer" vintage poster—original World War II Acid-free, archival linen-backed, ready-to-frame. The Original "Save...

Original “This Device on Hat or Helmet means U. S. MARINES” vintage poster. Archivally linen-backed in excellent condition. No paper loss an...

Artist: Marc Chagall Title: Nocturne at Vence Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/4" x ...

Original “Banque Nationale de Credit Emprunt National 1920” vintage Cappiello poster. Linen backed in B condition with touch-up restoration in various poster parts. The price ref...

Original HERE. Mister! AMOCO Service mid-century vintage poster. Archivally linen backed in very good condition, ready to frame. A- condition with a dime size touch-up in the low...

Artist: Marc Chagall Title: Eve Incurs God's Displeasure Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Size:...

Original vintage British World War II poster: Save for Supremacy Post Office Savings Bank Original linen backed lithographic poster. imag...

Original Mahatma Gandi vintage poster. Photo: Information Services of India, N.Y. In a gentle way, you can shake the world. The Equitable Life Assurance Society of the United States, New York, NY. Archival linen backed, ready to frame, Grad A condition. Condition, c. 1960s From a series of portraits with inspirational quotes from The Equitable Life Assurance Society of the United States. Photo from the Photo Information Service of India, NY. Mohandas Karamchand Gandhi (2 October 1869 – 30 January 1948) was an Indian lawyer, anti-colonial nationalist, and political ethicist who employed nonviolent resistance to lead the successful campaign for India's independence from British rule. (Wikipedia) About Equitable Life. After closing to new business in 2000, parts of the business were sold off, and the remainder of the company became a subsidiary of Utmost Life and Pensions in January 2020. The Equitable Life Assurance Society (Equitable Life), founded in 1762, is a life insurance...

Original “Stocks Americans” vintage poster. Linen backed in very good condition, ready to frame. No paper loss, no fold marks, clean and bright. Distress on one letter “S” in A...

This piece titled "Flight Risk" is a limited edition photographic print by Andrew Pinkham and is made from archival pigment on cotton rag. This piece measures 20"h x 20"w unframed an...

Original World War 1 vintage military poster: YOUR WAR SAVINGS PLEDGE. Archival linen backed, very good condition; ready to frame. For War Savi...

A 19th century, hand coloured lithograph, the colours fresh and in good condition for its age. Artist: Captain Philip Meadows Medium: Hand coloured lithograph Plate 6 Created: 1842 Paper Size: 39 x 32.5 cm Plate Size: 27.5 x 21.2 cm With the description sheet on verso TAYLOR, Captain Philip Meadows (1808-1876). Plate from Sketches in the Deccan. London: published by J McLean 1842 Plate 6 From a series of views of the Deccan, at this time the state of Hyderabad. The suite of plates includes views, scenes and settings of places and buildings at Goa, Arungabad, Tooljapoor, Golcondag, Hyderabad, Ellors, Rozah, and the Tandoor hills, among others. Meadows Taylor arrived in India as a young man to work with a Bombay merchant, but quickly accepted a military commission...

Original Einstein vintage poster. “Hair. It’s not the style that counts, it’s what’s under it.” A black and white image of Einstein with his hair messed me. Linen-backed in excellent condition, ready to frame. From a series of portraits with inspirational quotes from The Equitable Life Assurance Society of the United States. Photo from Bettmann Archive. The poster is a variation of the original photo with the quote “It’s not the style that counts, it’s what’s under it”. This quote is a play on words emphasizing substance's importance over style. The poster reminds us that actual value lies in what is inside a person rather than their outward appearance. About Equitable Life. After closing to new business in 2000, parts of the business were sold off, and the remainder of the company became a subsidiary of Utmost Life and Pensions in January 2020. The Equitable Life Assurance Society (Equitable Life), founded in 1762, is a life insurance...

Original Pierre Dieuzey et ses Capetiens, Jazz New Orleans vintage poster. Artist: Pierre Merlin. Lithograph, archival linen-backed vin...

DIRTY HARRY (1971) Vintage poster created for the first Japanese release of the Don SIEGEL directed thriller starring Clint EASTWOOD * Format: B2: 20×28 inches (51×73 cm) * Condit...

Linen backed original post-World War II military poster "First Class Soldier and Citizen, U.S.A." Original fold marks have been restored during linen backing. The poster features a smiling Army soldier in his khaki uniform. A rare original military poster to find today. (The poster was documented as being printed in a larger size.). R-224-RPB-2-1-47 A military recruitment poster for young men to join the military post World War 2. The poster features a clean-cut, handsome man in his military uniform with crossed arms smiling at you. Artist: Glass. No known biography of this artist. This is an original 1947 vintage American poster...

Original Soccer vintage sports poster. Linen backed in very good condition, ready to frame. Printed by Ortega Company in Valencia. This type of untitled vintage poster was commonly printed and the date of an upcoming game and team would be added at the bottom of the poster. Soccer games were played quite often, allowing the local team to advertise their events without reprinting a new poster for each game or event. This poster was printed as a full lithograph, so it was expensive to produce. There is no specific designation of which two teams are being shown here in this antique poster The poster has a nickname of ‘heads-up,” as two of the players are in the air as they position themselves to control the soccer ball. Valencia two main clubs, FC València and Levante UD, attract hordes of fans to their matches. Both clubs play in the First Division of La Liga...

De la serie "Valle de Lágrimas" Serigrafía e impresión con tintas pigmentadas sobre papel.

Original Ford of Germany, The All New Taunus 12M Super vintage German antique poster. Archivally linen-backed om excellent condition and ready to frame. We have not be able to locate any other document copy of this poster. The Taunus 12M, presented in 1952, was the first new German Ford...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

Original vintage poster: La 18 ch Peugeot. Archival linen-backed art deco early antique French automobile poster. Notable artist Rene Vincent. Excellent condition. Black and white lithograph on natural unbleached paper. Ready to frame. This is a full-size poster and not a magazine ad. From our research, it has been almost a decade since the last copy of this poster was available. Rare Rene Vincent automobile poster. Black and white posters are a rarity as far as vintage posters are concerned. The original idea was to catch the attention of passersby in every possible way. Color was an essential tool in advertising when posters were an essential source for name-brand recognition. The absence of color gives these auto posters a touch of class. They can also be compared to old photographs. Either way, you're looking at something special. This one is incredibly cool since it came from the talented artist Rene Vincent. If his name doesn't ring a bell, his poster "Porto Ramos" probably will if you look it up on our site. You will find that he also created automobile posters as early as 1905, which are all extremely rare and hard to find. Don’t let this excellent-condition vintage poster pass you by. Vincent only got to devote a little time to posters once he was in his forties, after working for many years in various publications--mainly humor and fashion magazines--and in decorative design. However, once he made the switch, he produced prolifically posters, even using additional pseudonyms. He preferred sleek automotive posters...

This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. Government is supposed to create the greatest good f...

Reviewing the photographs of Julie Blackmon, critic Leah Ollman of the Los Angeles Times wrote: “Each frame is an absorbing, meticulously orchestrated slice of ethnographic theater … that abounds with tender humor but also shrewdly subtle satire.” Blackmon is a native of Springfield, MO, and her photographs are inspired by her experience of growing up the oldest of nine children—including five sisters—in what she calls “a generic American town in the middle of the U.S.” In college, Blackmon was introduced to the work of artists Sally Mann, Diane Arbus, and Helen Levitt, and she describes herself as “obsessed” with their images. “When my three children were small,” she recalls, “we moved into an old house with a darkroom in the basement. Like any mother, I wanted to take pictures of my kids. But I didn’t want to be just the ‘mother photographer.’ I wanted my work to be more: more penetrating, more artful, more striking, more thoughtful, more a reflection of the times. “Over the next few years, I progressed from making documentary black and white photographs of my life and the lives of my sisters to creating colorful, fictitious images that offered a more fantastical look at everyday life. My work became more conceptual, as I began to realize that I was not obligated to capture “reality” exactly, but that I could work more like a painter or a filmmaker, actively shaping the images I was creating. This realization—that fiction can often capture the truth more memorably than reality—was a major shift in how I saw the world around me, and it transformed my work.” “It’s thrilling to see the most common aspects of everyday life as potential stories or themes for a photograph. It changes how you see things: suddenly, a Starbucks employee on a smoke break, or an outmoded beauty shop catering to an elderly clientele, can spark a memorable image. As Nora Ephron...

Artist: Mr. Brainwash Title: Love Catcher - Red Medium: Screenprint on Archival paper Date: 2023 Edition: 75 Frame Size: 28" x 28 1/2" Sheet Size: 22" x 22" Signature: Hand signed wi...

Color lithograph. Printed by Ancourt, Paris. The Divan Japonais was a small café-concert at 75 rue des Martyrs, Paris, where Yvette Guilbert began her career. This is Toulouse-Lautr...

Antonio Frasconi created the woodcut entitled "Walt Whitman" in 1974. It is signed in pencil. The paper size is 24.25 x 19.25 inches. This piece is in very good condition. “Someti...

Artist: Robert Indiana Title: Sunburst Marilyn Medium: Screenprint in colors on wove paper Year: 2001 Edition: AP XV/XX (aside from the edition of 100) Sheet...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* RESTORED, numbered and RARE Vintage Textured Print Aft...

Original Mondorf-les-Baines lithograph created by the artist Lex Weyer in 1959. Archival linen back in very fine to excellent condition; ready to frame. Grand-Duche de Luxembour...