People More Prints

Artist: Pablo Picasso Title: Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame ...

Artist: Henri Matisse (after) Title: Nus Bleus X Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Sheet Size: 14" x 10 1/2 Signature: Signed in ...

Artist: Pablo Picasso Title: Citando al Toro a Banderillas Sentado en una Silla (Summoning a Bull with Flags while Seated in a Chair) Portfolio: La Tauromaquia Medium: Aquatint Date:...

Babysitter, 2006 by Julie Blackmon is from her ongoing series Domestic Vacations. The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refe...

Stolen Kiss is a color photograph by Julie Blackmon and is part of her ongoing series Domestic Vacations. Domestic Vacations: The Dutch proverb "a Jan Steen household" originated i...

Artist: Marc Chagall Title: Self-Portrait (Frontispiece) Portfolio: Mourlot Lithographe I Medium: Lithograph Date: 1960 Edition: Unnumbered Frame Size: 19 3/4" x 16 5/8" Sheet Size: ...

Artist: Pablo Picasso Title: Oval Head of Man Looking Straight (Plate XXIII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" She...

Artist: Pablo Picasso Title: Oval Head of a Woman with Piercing Eyes (Plate XXI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18"...

Artist: Marc Chagall Title: Rachel Hides Her Father's Household Goods Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 22 1/4" x 18 3/4...

Artist: Bernard Buffet Title: Still Life with Fruit Portfolio: Bernard Buffet Lithographs 1952-1966 Medium: Lithograph Year: 1968 Edition: Unnumb...

Artist: Marc Chagall Title: Profile and Red Child Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 18 1/2" x 15 1/2" Image Size: 12 1/2...

"Fluviorum in Europa principis Danubii" is a hand-colored map of the region about the Danube river created by Johann Baptist Homann (1663-1724) in his 'Atlas Novus Terrarum', publish...

Artist: Marc Chagall Title: Tamar, Daughter-in-Law of Judah Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Si...

Artist: Salvador Dali Title: Fight Before la Dame de Malehout Portfolio: The Quest for the Grail Medium: Etching in color Year: 1975 Edition: 39/249 Frame Size: 27" x 22" Sheet Size:...

Artist: Marc Chagall Title: Ruth and Boaz Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 22 1/4" x 18 3/4" Sheet Size: 14 3/8" x 10 1...

This duotone tinted lithograph with additional hand-coloring is entitled "Christian Church of St. George, at Lud Ancient, Lydda". It was drawn by Davi...

Artist: Marc Chagall Title: Rahab and the Spies of Jericho Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Siz...

Artist: Marc Chagall Title: Job in Despair Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Size: 14 3/8" x 10 ...

"Une Application Utile Du Diamant Magnetiseur-Actualites" is an original lithograph, the second state of three, by Honore Daumier. It depicts a husband and wife pair. Artwork Size: 8 1/2" x 10 3/4" Frame Size: 17 3/4" x 20 1/4" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

Artist: Henri Matisse Title: La Petite Ile Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 7/8" x 11 1/8" Signa...

Artist: Marc Chagall Title: Ruth Gleaning Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/...

Artist: Marc Chagall Title: Ruth at the Feet of Boaz Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Sheet Size: 1...

Artist: Marc Chagall Title: Adam and Eve are Banished from Paradise Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" ...

Artist: Henri Matisse Title: Dedicace Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image...

Artist: Marc Chagall Title: Adam and Eve and the Forbidden Fruit Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Ima...

Artist: Henri Matisse Title: Eglise des Bois Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 7/8" x 11 1/8" Sig...

Artist: Henri Matisse Title: Lied Dement Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 7/8" x 11 1/8" Signatu...

Artist: Henri Matisse Title: Dans la Chaleur et la Silence Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image SIze: 14 7/8"...

Artist: Marc Chagall Title: Naomi and Her Daughters-in-Law Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered ...

Artist: Henri Matisse Title: Hier, de tes Doights d'Or Pale Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition Size: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 1...

Artist: Marc Chagall Title: Cain and Abel Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/...

"Caricatura Robert Macaire Negociant" is a lithograph by Honore Daumier. It was published February 24, 1837. Original Text: Robert Macaire, Négociant. Hé bien ! Monsieur Macaire, v...

"Robert Macaire Commis Voyageur" is an original lithograph by Honore Daumier. It depicts two men having a conversation. Artwork Size: 14 1/4" x 9 1/2" Frame Size: 21 3/4" x 18 1/2" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

"CROQUIS D'ÉTÉ (Plate No. 5) LD 3203" is a 2nd state lithograph by Honore Daumier. Daumier initialed the work in the lower left corner. It depicts a man and a woman sitting at a tabl...

"Robert Macaire Banquier et Jure" is an original lithograph by Honore Daumier. It depicts a banker and his contemporary having a conversation. 1/2 D. 371 (Charivari) Artwork Size: 14 1/4" x 9 1/2" Frame Size: 21 5/8" x 19" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

"Ce Matin Avant l'Aurore" is an original lithograph by Honore Daumier, the second state of three. Original Text: Ce matin, avant l'aurore, Un Dieu vint me réveiller ; Il me dit : tu dors encore… Est-il temps de sommeiller ? De ton Papa c’est la fête, Fais lui quelque don flatteur En lui posant sur la tête Une Couronne de fleurs. Translation: This morning before dawn A God came to wake me up The curtains they were drawn And my snoring had to stop It is your daddy's birthday, A time for gifts and flowers To be placed on his head so gray Instead of his morning showers. Artwork Size: 9 1/4" x 9 1/4" Frame Size: 20 1/2" x 17 5/8" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

"New Masses" Vol 1, No 1, May 1926, Actual Magazine, VG Condition Hugo Gellert New Masses Magazine. May 1926, Inaugural: Vol 1, No 1. Published by the New Masses Inc., 39 West 8th St., New York City. New Masses (1926-1948) was an American Marxist magazine launched in New York City. It was closely associated with the Communist Party USA. With the coming of the Great Depression in 1929 America became more receptive to ideas from the political Left and New Masses became highly influential in intellectual circles. The magazine has been called the principal organ of the American cultural left from 1926 onwards. It featured the work of an array of independent writers and artists. The Metropolitan Museum of Art’s recent exhibition, “Art for the Millions: American Culture and Politics in the 1930s” celebrated the American spirit during the depression era. In the exhibition several issues of "New Masses" are exhibited, but not Vol 1. No. 1. We offer that. Lithograph by Hugo Gellert on the cover and multiple illustrations in magazine. Hugo Gellert (1892-1985) was a Hungarian-American illustrator and muralist. A committed radical and member of the Communist Party of America, Gellert is considered by some art critics as among the best political work of the first half of the 20th century. The artists who works are inside Vol 1, No. 1 include: William Gropper, Adolph Dehn, Stuart Davis, Art Young, I. Klein, Boardman Robinson, Wanda Gag, Louis Lozowick, F. S. Hynd, New Masses, Otto Soclow, Hans Stengel and Arnold Ronnebeck. The writers included in this issue: Babette Deutsch, Robert Dljnn, Robinson Jeffers, William Carlos Williams, Nathan Asch, Norman Studer, M. H. Hedges, Art Shields, Karol Rembov, Hal Saunders-White, Edwin Seaver, George Sterling, Scott Nearing and Whittaker Chambers. Editors: Egmont Arens, Joseph Freeman, Hugo Gellert, Michael Gold, James Rorty, and Joan Sloan.Executive Board: Egmont Arens, Maurice Becker, Helen Black, John Dos Passos, Robert Dunn...

TECHNICAL INFORMATION: Derrick Adams Side Part - Style Variation 4 2023 Screenprint and archival inkjet 27 x 20 in. Edition of 50 Pencil signed and numbered