1980s More Prints

Paper Size: 33 x 42.25 inches ( 83.82 x 107.315 cm ) Image Size: 27.25 x 37.25 inches ( 69.215 x 94.615 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Large silkscreen printed in over 20 colors, signed and numbered out of 225 in pencil by Rodney Greenblat. Blindstamped by Martin Lawrence Galleries...

Original "Sam the Olympic Eagle" Linen-backed poster with holding the Olympic torch for the 1984 XXIII Olympiad Los Angles. The Olympic poster was sponsored by Buick. Excellent condition original L.A. Olympics poster. Created in 1980 for the 1984 World Olympics. This 1984 Olympics poster...

Illustration for Ray Bradbury’s The Martian Chronicles is an original modern artwork realized in 1980 by the Belgian illustrator Jean Michel Folon (1934-2...

88.3 x 69.9 cms (34.7 x 27.51 ins) Edition of 100

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Bernard Buffet (1928-1999) - La cérémonie du thé Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellen...

Vintage poster realized in occasion of Henry Moore's Exhibition in Mestna Galerija Ljubljana in 1983. Photolihtograph. Good condition.

Aquatint, lift-ground etching and aquatint on Georges Duchene Hawthorne of Larroque handmade paper 87.6 x 61 cm (34 1/2 x 24 inches) Edition of 52

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 30 1/4 × 40 1/2 inches Unframed Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves. Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs. Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas. Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall. By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production. Nancy Graves’ pioneering art...

A very good impression of this color screenprint on Rives BFK. Signed and numbered 26/175 in pencil by Chamberlain. Published by London Arts, Inc., Detroit, with the blind stamp lowe...

Original Images de la Revolt 1965 – 1975 exhibition poster for the for the exhibition at Musée de l’ Affiche et de la Publicité, Paris. This one is hand-signed in graphite in the l...

A very good impression of this color soft-ground etching, etching and aquatint on White Rives BFK paper. Signed, dated and numbered 55/60 in pencil, lower margin. Printed and publish...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. Here, Ricard traverses visual art, text, and the pleasure of sculptural trompe-l’œil with this printed drawing of melancholy hand-written and typed love poetry, composed with natural earthen shades of antique white and brown. Monet Portrait of Jeanne Duval...

Impressive portfolio with 17 lithographs on Japanese Kitakata appliqué with de Kooning's authorized facsimile signature and numbered "23" in pencil on the justification page. Publish...

Claire Seidl Description Without Place (Hand Signed), 1986 Lithograph and silkscreen. Hand signed, dated and numbered 17/65 by the artist. 28 × 38 1/2 inches Unframed Gorgeous Abstr...

Artist: Cuca Romley– Spanish/American (1933- ) Title: Country Wedding Year: circa 1981 Medium: Color etching Sight size: 15.75 x 22.75 inches. Sheet s...

SHOFAR AT LIONS GATE by the Israeli artist Moshe Castel (1909-1991) is a limited edition lithograph printed in 13 colors using traditional lithographic tech...

Original St. Moritz, the 1970s Swiss vintage travel poster ("Suisse Schweiz Switzerland"; "Top of the World") encouraging people to visit ...

Lucio Del Pezzo - Poster Exhibition is a mixed colored offset print realized in 1984 This print was realized on the occasion of the exhibition dedicated to the artist and held in St...

A very good impression of this color lithograph on Rives. Signed and numbered 4/50 in pencil by Francis. Printed and published by The Litho Shop, Inc., Santa Monica, with the blind s...

Bernard Buffet (1928-1999) - Katsura Rikyu-Kyoto Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellen...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Secret Writing / Poe Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Aquatint Etching, signed and numbered in pencil Edition of 99 Image Size: 1...

Exhibition Poster: The Kutztown Connection 1984 Keith Haring (After), American (1958–1990) Date: 1984 Poster on wove paper, signed and dated in the plate, signed in pencil Size: 33 x...

A very good, richly-inked impression of this aquatint on Arches Watercolor paper. Initialed, dated, titled numbered 42/54 in pencil. Printed by Gregory Burnet and Maurice Payne, I.M.E. Studios, New York. Published by the Jewish Museum...

Artist: Gene Davis Title: Royal Curtain Medium: Screenprint on Arches paper Date: 1980 Edition: 61/250 Frame Size: 35" x 26 1/2" Sheet Size: 29 3/4" x 21 3/4" Signature: Hand signed ...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...

Silk Stockings and Candlelit Cafes, is an original hand drawn lithograph by Sharon E. Sutton printed using hand lithography techniques on archival paper 100% acid free. An architectu...

PLAINS OF JUPITER is a hand drawn color lithograph by the British painter Harold Hitchcock printed using hand lithography on archival Arches paper 100% acid free. In the dreamy, roma...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Marc Chagall (1887-1985) - La Thora Rouge Etching and aquatint from 1981. An unnumbered and unsigned copy outside from signed edition of 60. Dimensions of sheet: 49.5 x 32.5 cm D...

Image dimensions: 17.7 x 17.7 cm. Abstract Composition in Tondo - West End is a joyful color etching on paper, realized in 1983 by the Italian graphic master Piero Dorazio (Rome, 19...

Yayoi Kusama Flower, Edition 100/100. Lithograph [3 plates, 3 colors, 3 runs], Collage. Image: 22.3 x 15.5 cm. Sheet: 35.5 x 27.5 cm. Published in 1982 on on Velin d' Arches paper by...

From the "Free South Africa" series 1985. Lithograph in colors on BFK Rives paper. Signed in pencil and numbered from the numbered edition of 60 piec...

A very good impression of this extremely scarce color aquatint and etching on cream wove paper. Signed and numbered 6/20 in pencil by Nevelson.

Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Field 1983. Color etching, copy 13/65, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm (frame), titled, numbered, monogram...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Demain (Tomorrow) is an original modern artwork realized in 1980s by the Belgian illustrator Jean Michel Folon (1934-2005). Original etching and aquatint. Hand signed and numbere...

Moon Shell Jill O’Connell Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 500, AP Image Size: 24.5 x 19 inches Size: 29.5 in. x 23 in....

Tim Engelland (American, 1950-2012) Untitled, 1989 Woodcut 11 x 8 1/2 in. Signed and dated lower right Numbered lower left 29/250 A lifelong artist, Engelland specialized in oil po...

Tim Engelland (American, 1950-2012) Untitled (Waiter), 1987 Woodcut 11 x 8 1/2 in. Numbered, dated, and signed bottom: 87/100, 1987, T. Engelland A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...

Tighe O'Donoghue's detailed depiction of a flower is highly reminiscent of anatomical drawings and mathematical studies due to the careful linework, detailed shading, and soft colors...

Graphisms & 2. 1980, paper, silk screen, 15x21 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoing...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

YES TO LIFE-NO TO DRUGS (Oui À La Vie-Non À La Drogue) is a handmade color lithograph by the internationally recognized Syrian artist Mohammad Sami Burhan printed on archival Arches ...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint with metal foil Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approxi...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 26.5 x 32.5 inches Size: 31 x 41 in. (78.74 x 104.14 cm)"

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Seiko from the Homage to Andy Warhol Portfolio Year: 1989 Medium: Screenprint on Lennox Museum Board with Diamond Dust, sign...

Pastel Landscape: Impressionist Farmhouse is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the American artist Nell Revel Smith from Leland...

Pastel Landscape: Impressionist Trees is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the American artist Nell Revel Smith from Leland, Mi...

Robert Motherwell Untitled 1986 Colour lithograph and collage, on Guarro paper, Edtion of 100 55.9 x 37.8 cms (22 x 14 7/8 ins)

Presenting an authentic edition work by the esteemed artist Victor Vasarely, renowned for his distinct artistic style and captivating visual language. This limited edition piece offe...

A superb impression of this scarce color aquatint and lift-ground etching on German Etching paper. Signed and numbered 27/36 in pencil, lower right. Printed by Catherine Mousley in t...

Nude with Flowers Ronald Julius Christensen American (1923–1999) Date: circa 1980 Lithograph, signed and numbered in pencil Edition...

Vintage Cinematheque Musee de l’Affiche et de la Publicite vintage Franch poster. Archival linen backed in A-condition, ready to frame. There are a couple of spots on the right si...

A very good impression of this color aquatint on Arches. Signed and numbered 3/48 in pencil by Chamberlain. Published by Novak Graphics, Toronto, with the black ink stamp, verso, and...

Artist - John Lutes (1926-2001) Title - Cay Runner Medium - Lithograph Year Published - 1980 Print Size - 29 x 22 in. Printer - J K Fine Art Editions Co., NY Cay Runner is an original hand drawn, limited edition lithograph, (not a photographically reproduced or digital print) by the American artist John D. Lutes created using traditional hand lithography techniques, proofed and printed in multiple colors on archival Arches paper 100% acid free. Cay Runner depicts a very detailed realistic rendition of a runner boat in still water, a solid light khaki grey sky serving as the backdrop for this quiet marine boat portrait. This is a rare limited edition lithograph by Mr. Lutes not often seen on the marketplace. Cay Runner is in excellent condition, unframed, pencil signed by John Lutes. Print size - 30 x 22 inches, unframed, excellent condition, hand signed in pencil by John Lutes Edition size - 300, plus proofs Year published - 1980 Printer - J K Fine Art Editions Co. NY John D. Lutes, born 1926 in Chicago, died 2001...

Marc Chagall, Author Charles Sorlier, Russian (1887 - 1985) - Lithographs V: 1974 - 1979, Year: 1984, Medium: Catalogue Raisonne with Slipcase, Size: 13 x 10 x 1.5 in. (33.02 x 25...