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Chryssa Vardea-Mavromichali Art

Greek, 1933-2013
Chryssa, (born Chryssa Vardea Mavomichali) is best known for her "Luminist" sculpture in brilliantly colored neon tubing, was born in Greece and now ranks as one of the outstanding and innovative artists in America today. Chryssa has had individual and collective exhibition shows at the Museum of Modern Art, The Guggenheim, The Whitney -New York. Harvard University; Institute of Contemporary Art at the University of Pennsylvania; Carnegie Institute among many others.
(Biography provided by Brightcolors)
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Artist: Chryssa Vardea-Mavromichali
1970's Large Silkscreen Abstract Geometric Day Glo Serigraph Pop Art Print Neon
By Chryssa Vardea-Mavromichali
Located in Surfside, FL
Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis...
Category

1980s Pop Art Chryssa Vardea-Mavromichali Art

Materials

Screen

Untitled-27 - Conceptual Art Screenprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Untitled-27 Chryssa, Greek (1933–2013) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 125 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)
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1980s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Times Square Fragment XII - Conceptual Art Screenprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Times Square Fragment XII Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint, signed and numbered in pencil Edition of AP 11 Size: 37 in. x 25 in. (93.98 cm x 63.5 cm)
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1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown 6, Conceptual Art Screenprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Chinatown 6 Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint, Signed and Numbered in Pencil Edition of 66/250 Size: 38 x 31 in. (96.52 x 78.74 cm)
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1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Series 1, Conceptual Art Screenprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Series 1 Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint on Arches, Signed and Numbered in Pencil Edition of AP 11/20 Size: 31.5 in. x 31.5 in. (80.01 cm x 80.01 cm)
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1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Times Square Fragment #8 - Conceptual Art Screenprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Times Square Fragment #8 Chryssa, Greek (1933–2013) Date: 1979 Screenprint, signed and numbered in pencil Edition of 300 Size: 32 in. x 25 in. (81.28 cm x 63.5 cm)
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1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Untitled 7 - Conceptual Art Screenprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Untitled 7 Chryssa, Greek (1933–2013) Date: circa 1975 Screenprint, Signed in pencil Size: 33 in. x 20 in. (83.82 cm x 50.8 cm)
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1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown 8, Conceptual Art Screenprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Chinatown 8 Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint, Signed and Numbered in Pencil Edition of 66/250 Size: 38 x 31 in. (96.52 x 78.74 cm)
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1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Untitled - Chinese Characters - Conceptual Art Screenprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Untitled - Chinese Characters (Red on Mauve) Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint, signed and numbered in pencil Edition of 125 Size: 30 x 22 in. (76.2 x 55.88 cm)
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1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio 2, Image 6 - Conceptual Art Screenprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Chinatown Portfolio 2, Image 6 Chryssa, Greek (1933–2013) Date: circa 1978 Screenprint, signed and numbered in pencil Edition of 150 Size: 40 in. x 30.5 in. (101.6 cm x 77.47 cm)
Category

1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown 2, Conceptual Art Screenprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Chinatown 2 Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint, Signed and Numbered in Pencil Edition of 66/250 Size: 38 x 31 in. (96.52 x 78.74 cm)
Category

1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown 3, Conceptual Art Screenprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Chinatown 3 Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint, Signed and Numbered in Pencil Edition of 66/250 Size: 38 x 31 in. (96.52 x 78.74 cm)
Category

1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio II, Image 12
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 12 Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in. (...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

1980's Large Silkscreen Chinese Characters Serigraph Pop Art Print China
By Chryssa Vardea-Mavromichali
Located in Surfside, FL
Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis Tsarouchis, Giorgos Sikeliotis, Takis, Arman, Fernando Botero, Chryssa, Dimitris Mytaras...
Category

1980s Pop Art Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio II, Image 11
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 11 Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in. ...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

Times Square Fragment #2
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #2 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 39 in. x 25 in. (99...
Category

1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio II, Image 7
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 7 Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in. (1...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

Times Square Fragment #4
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #4 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 39 in. x 25 in. (99...
Category

1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio II, Image 5
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 5 Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in. (...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio #1, 97/250
By Chryssa Vardea-Mavromichali
Located in Austin, TX
Artist: Chryssa (Greek, born 1933) Chinatown Portfolio #1 Year: 1978 Medium: Screenprint on wove paper Signed in pencil and numbered 97/250 Edition: 250 Dimension: 38 1/4 x 31 1/4i...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

Times Square Fragment #7
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #7 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 39 in. x 25 in. (99...
Category

1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Four Seasons
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
This serigraph was created by Greek artist Chryssa. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installat...
Category

1980s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio II, Image 2
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 2 Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in. (...
Category

1980s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

Times Square Fragment #9
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #9 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 38 x 25 inches
Category

1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Times Square Fragment 6
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #6 Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 37 x 25 inche...
Category

1980s Contemporary Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio #9, 97/250
By Chryssa Vardea-Mavromichali
Located in Austin, TX
Artist: Chryssa (Greek, born 1933) Chinatown Portfolio #9 Year: 1978 Medium: Screenprint on wove paper Signed in pencil and numbered 97/250 Edition: 250 Dimension: 38 1/4 x 31 1/4i...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio #6, 97/250
By Chryssa Vardea-Mavromichali
Located in Austin, TX
Artist: Chryssa (Greek, born 1933) Chinatown Portfolio #6 Year: 1978 Medium: Screenprint on wove paper Signed in pencil and numbered 97/250 Edition: 250 Dimension: 38 1/4 x 31 1/4i...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

Times Square Fragment #10
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #10 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 40 x 25 inches
Category

1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

"Repetition" Chryssa, Greek Female Artist, Abstract, Neon Light Art Study
By Chryssa Vardea-Mavromichali
Located in New York, NY
Chryssa Repetition Signed lower right; titled on the reverse Gouache, watercolor, charcoal, and graphite on paper 15 x 11 inches Born and educated in Athens, Greece, Vardea Chryssa, known professionally as Chryssa, became a U.S. citizen and earned a reputation for her sculptured assemblages utilizing light from neon, and plexiglas combined with mixed media pieces. One of her pieces, Untitled Light Sculpture (1980) is 22 feet long and is installed in the atrium of a building at 33 Monroe Street in Chicago. It was programmed electronically to create changing patterns of reflected light through 900 feet of neon tubing. Chryssa's sculptures with precision and definite form were a reaction against the prevalent Abstract Expressionism of the 1950s with its emphasis purely upon the artist's intent. In her work, the focus is on materials and the way they are shaped for specific use by craftsmen. She got her early education in Athens, and first studied to be a social worker. She was then sent by the Greek Ministry of Social Welfare to the Dodecanese Islands and later to the Ionian Sea island of Zante, whose population had suffered great loss from earthquakes. Disillusioned that monies were being provided to restore monasteries but not to help other earthquake victims, Chryssa changed her life's direction to become a painter. In Athens, she studied art with Anghelos Prokopion. Then she went to Paris, France, and studied briefly at the Academie Grande Chaumiere and associated with surrealists Andre Breton, Edgard Varese, and Max Ernst. In 1954, she moved to San Francisco, California for a year of study at the California School of Fine Arts, and there she first saw the work of Jackson Pollock, which had a freeing affect on her and inspired her to experiment with pure form. But later she reacted against action painting with her assemblage sculptures of controlled precision. In 1955, Chryssa settled in New York City, and became the first artist to incorporate neon light tubing and commercial signs into sculpture. It is asserted that her "mature work grew out of the Greek experience, before and after World War II, wedded to the raucous letters, signs, symbols, and lights of Time Square, New York City" (Heller 125). In fact, she was so taken with the lights of Times Square that she unsuccessfully tried to get a job as a sign maker but was prevented by labor union rules. However, one of the members gave her sign-making lessons in his shop. She first made Pop images such as depictions of automobile tires and cigarettes and in sculptures, utilized letters of the alphabet, ideas that predated similar images by Jasper Johns and Andy Warhol. Her first major work of interwoven light and letters was Times Square Sky of 1962, but she was dissatisfied because she thought the piece was too crowded. To create a sense of breathing, she inserted neon light, and for the first time, this material became an art medium. From that time, she was prolific and created many variations based on the letters W and A. For her, a primary motivating factor was remaining cool or mentally collected amidst the onslaught of bombarding information and to process it through her creations in new ways so that nothing was repeated. She set up her own work place...
Category

Late 20th Century Abstract Chryssa Vardea-Mavromichali Art

Materials

Gouache, Graphite, Paper, Charcoal, Watercolor

Chryssa 1979 Signed Limited Edition Screen Print Chinatown Series Red
By Chryssa Vardea-Mavromichali
Located in Rochester Hills, MI
Chryssa Chinatown - 1979 Print - Serigraph   38.5'' x 31'' inches Edition: Signed in pencil and marked 204/250 Chryssa, (born Chryssa Vardea Mavomichali) is best known for her "Lumi...
Category

1970s Abstract Chryssa Vardea-Mavromichali Art

Materials

Screen

Chryssa 1979 Signed Limited Edition Screen Print Chinatown Series Tan
By Chryssa Vardea-Mavromichali
Located in Rochester Hills, MI
Chryssa Chinatown - 1979 Print - Serigraph   38.5'' x 31'' inches Edition: Signed in pencil and marked 207/250 The bright lights and signage of Manhattan became an important source ...
Category

1970s Abstract Chryssa Vardea-Mavromichali Art

Materials

Screen

1970's Large Silkscreen Abstract Geometric Day Glo Serigraph Pop Art Print Neon
By Chryssa Vardea-Mavromichali
Located in Surfside, FL
Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in yellow, red, silver Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis...
Category

1980s Pop Art Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio II, Plate Three
By Chryssa Vardea-Mavromichali
Located in New York, NY
Chryssa Chinatown Portfolio II, Plate Three, ca. 1978 Silkscreen on thick wove paper 40 × 30 1/2 inches Pencil signed and numbered 36/150 on the front; bears printers stamp on the ba...
Category

1970s Abstract Chryssa Vardea-Mavromichali Art

Materials

Pencil, Screen

Untitled From: Gates to Times Square (20 screenprints & 2 lithographs)
By Chryssa Vardea-Mavromichali
Located in Fairlawn, OH
Untitled From: Gates to Times Square (20 screenprints, two with additional lithography) Silkscreen, c. 1978 Signed in pencil (see photo) Edition 100 (90/100) (see photo) Publisher: Prestige Art, Ltd., Mamaroneck, NY Printer: Styria Studio, Inc., NY, with their blindstamp This earlier (1966) sculpture of the same title is the inspiration of the portfolio. The sculpture is in the collection of the Albright Knox Museum. The screenprints follow the neon of the sculpture. Greek-born American sculptor Chryssa—who went by her first name professionally—died on December 23, 2013, reports Margalit Fox of the New York Times. Born in 1933 in Athens, Chryssa Vardea-Mavromichali grew up during the Nazi occupation of Greece. After studying at the Académie de la Grande Chaumière, Paris, and the California School of Fine Arts, San Francisco, she began incorporating neon into her fragmentary, text-based work. Her first solo exhibition in New York was held at the Betty Parsons Gallery in 1961, which was quickly followed by shows at the Guggenheim, New York; Leo Castelli Gallery, New York; and the Walker Art Center, Minneapolis. Her work is part of collections of major museums, including the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; and the Corcoran Gallery of Art, Washington, DC. Note: A set of Gates...
Category

1970s Abstract Chryssa Vardea-Mavromichali Art

Materials

Screen

1970's Large Silkscreen Abstract Geometric Day Glo Serigraph Pop Art Print Neon
By Chryssa Vardea-Mavromichali
Located in Surfside, FL
Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis Tsarouchis...
Category

1980s Pop Art Chryssa Vardea-Mavromichali Art

Materials

Screen

1970's Large Silkscreen Abstract Geometric Day Glo Serigraph Pop Art Print Neon
By Chryssa Vardea-Mavromichali
Located in Surfside, FL
Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis...
Category

1980s Pop Art Chryssa Vardea-Mavromichali Art

Materials

Screen

New York Times, Silkscreen by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: New York Times (CE) Year: Circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 38 x 25 inches
Category

1980s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio II, Image 3
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 3 Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in. (...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

Times Square Fragment #5
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #10 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 40 x 25 inches
Category

1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio II, Image 1, Silkscreen by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 1 Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in. (...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinese Characters, Silkscreen by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Chinese Characters (Tan on Silver) Medium: Serigraph, signed and numbered in pencil Edition: 125 Paper Si...
Category

1980s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

"Tranquility #5, " Serigraph, 1979
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
This serigraph was created by Greek artist Chryssa. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, and acrylic glass installations, Chr...
Category

1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Classified Ad, Monoprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Classified Ad Year: 1977 Medium: Silkscreen and Acrylic Monoprint on Paper, signed, dated and titled in pencil Image Size: 14.5 x 22 inche...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Monoprint

American Newsprint, Monoprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: American Newsprint Year: 1977 Medium: Silkscreen and Acrylic Monoprint on Paper, signed, dated and titled in pencil Image Size: 13 x 21.5 ...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Monoprint

Series 2
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Series 2 Year: circa 1979 Medium: Silkscreen on Arches, Signed and Numbered in Pencil Edition: AP 11/20 Size: 31.5 x 34 inches
Category

1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Jobs and Employment Classifieds, Monoprint by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Jobs and Employment Classifieds Year: 1982 Medium: Monoprint Silkscreen, signed l.r. Image Size: 29.5 x 21 inches Size: 39 in. x 29.5 in. ...
Category

1980s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Monotype

Untitled From: Gates to Times Square (20 screenprints, 2 lithographic additions)
By Chryssa Vardea-Mavromichali
Located in Fairlawn, OH
Signed in pencil Edition 100 Printer: Styria Studio, Inc., NY, with their blindstamp This earlier (1966) sculpture of the same title is the inspiration of the portfolio. The sculpture is in the collection of the Albright Knox Museum. The screenprints follow the neon of the sculpture. Greek-born American sculptor Chryssa—who went by her first name professionally—died on December 23, 2013, reports Margalit Fox of the New York Times. Born in 1933 in Athens, Chryssa Vardea-Mavromichali grew up during the Nazi occupation of Greece. After studying at the Académie de la Grande Chaumière, Paris, and the California School of Fine Arts, San Francisco, she began incorporating neon into her fragmentary, text-based work. Her first solo exhibition in New York was held at the Betty Parsons Gallery in 1961, which was quickly followed by shows at the Guggenheim, New York; Leo Castelli Gallery, New York; and the Walker Art Center, Minneapolis. Her work is part of collections of major museums, including the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; and the Corcoran Gallery of Art, Washington, DC. Note: A set of Gates...
Category

1970s Abstract Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio II, Image 4
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 4 Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in. (...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

Chinatown Portfolio II, Image 8, Silkscreen by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 8 Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in. (...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

Series 4
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Series 4 Year: circa 1979 Medium: Silkscreen on Arches, Signed and Numbered in Pencil Edition: AP 11/20 Size: 31....
Category

1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Series 3
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Series 3 Year: circa 1979 Medium: Silkscreen on Arches, Signed and Numbered in Pencil Edition: AP 11/20 Size: 34 x 31.5 inches
Category

1970s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Screen

Study for a Neon Sculpture, Conceptual Art Watercolor by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
This is a unique watercolor study by Greek neon artist Chryssa. Although it does not closely resemble any of her known completed works, the forms are similar to her series "Analysis ...
Category

1960s Abstract Geometric Chryssa Vardea-Mavromichali Art

Materials

Watercolor

Chinatown Portfolio, 12 Silkscreens by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio Year: circa 1978 Medium: 12 Screenprints, each signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in. (10...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Screen

U.S.A., Neon Light Box Sculpture by Chryssa, 1962
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
This is a unique neon sculpture in plexi-box with stand. It is the very first completed Neon Sculpture by the famed sculptor and referenced in the monograph "Chryssa" by Pierre Restany. Chryssa, a Greek-born American sculptor who in the 1960s was one of the first people to transform neon lighting from an advertising vehicle into a fine art medium. A builder of large-scale assemblages in a wide range of materials — bronze, aluminum, plaster, wood, canvas, paint, found objects and, in the case of neon, light itself — Chryssa, whose work prefigured Minimalism and Pop Art, was considered a significant presence on the American art scene in the ’60s and ’70s. Exhibited widely in the United States in those years, her art is in the collections of major museums, including the Museum of Modern Art, the Guggenheim Museum and the Whitney Museum of American Art in New York, and the Corcoran Gallery of Art in Washington. Artist: Chryssa, Greek (1933 - 2013) Title: USA, First Preparartory Work For a Neon Box...
Category

1960s Contemporary Chryssa Vardea-Mavromichali Art

Materials

Plexiglass, Neon Light

Experimentation for Chinatown
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Experimentation for Chinatown Year: 1977 Medium: Acrylic on Paper, signed and dated l.r. Size: 30 in. x 22 in. (76.2 cm x 55.88 cm) ...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Paper, Acrylic

Color Chart for Chinatown Nighttime
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Color Chart for Chinatown Nighttime Year: 1977 Medium: Acrylic on Paper , signed and dated l.r. Size: 22 in. x 30 in. (55.88 cm x 76.2...
Category

1970s Conceptual Chryssa Vardea-Mavromichali Art

Materials

Paper, Acrylic

The Pill
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: PILL Year: circa 1970 Medium: Plexi-Glass 3-D Construction Size: 39 in. x 28 in. x 5 in. (99.06 cm x 71.12 cm x 12.7 cm) Frame Size: ...
Category

1970s Modern Chryssa Vardea-Mavromichali Art

Materials

Plexiglass

Chinatown II, Oil Painting by Chryssa
By Chryssa Vardea-Mavromichali
Located in Long Island City, NY
Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown II Year: circa 1978 Medium: Oil on Canvas, signed verso Size: 43 in. x 31 in. (109.22 cm x 78.74 cm)
Category

1970s Pop Art Chryssa Vardea-Mavromichali Art

Materials

Canvas, Oil

Chryssa Vardea-mavromichali art for sale on 1stDibs.

Find a wide variety of authentic Chryssa Vardea-Mavromichali art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue, red, orange and other colors. You can also browse by medium to find art by Chryssa Vardea-Mavromichali in screen print, paint, paper and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Chryssa Vardea-Mavromichali art, so small editions measuring 13 inches across are available. Customers who are interested in this artist might also find the work of Risaburo Kimura, Paul Jenkins, and William Wegman. Chryssa Vardea-Mavromichali art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $450 and tops out at $950,000, while the average work can sell for $1,500.

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