1980s More Prints

Abstract yellow and black Rene Ricard print with hand painted poetry on handmade paper. Printed in black ink at the top of the sheet and framed with a thin line, the artist's loose h...

40 x 42.2 cms (15 3/4 x 16 5/8 ins) Signature: Signed "Motherwell" in pencil lower right Inscriptions: Numbered in pencil lower right Edition: 100

Original Italian poster: Fodere Bemberg. Occhio alla fodera!. Original Rene Gruau Italian fashion design. Size: 39" x 55". Original poster; r...

Original prerelease Indiana Jones and the Last Crusade 1 sheet movie poster that was rolled and not folded. Artist: Drew St4uzan. Size: 27" x 40". Linen backed. Excellent co...

Pastel Landscape: Impressionist Farmhouse is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the American artist Nell Revel Smith from Leland...

Vintage Cinematheque Musee de l’Affiche et de la Publicite vintage Franch poster. Archival linen backed in A-condition, ready to frame. There are a couple of spots on the right si...

Photograph from From Richard Heeps acclaimed series Ordinary Places, a 1980's vintage interior view from the kitchen sink looking out to the garden. It was Richard's first colour co...

Hans ERNI is an artist born in Switzerland in 1909 and died in 2015. His works have been sold at public auction 3,987 times, mostly in the Print-Multiple category. The oldest auction...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

DRUID POINT is an original hand drawn limited edition lithograph by the Iowa born artist Jim Buckels printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free. DRUID POINT presents a finely detailed fantasy landscape scene depicting a modern architecture cliffside house set high on a hill overlooking sparkling moonlit water and a deep blue night sky full of stars. Dramatic shades of dark blue, light purples, turquoise, greens, light beige, gray, black and touches of white create an intriguing nighttime ambience which keep the viewer's imagination engaged. DRUID POINT is a rarely seen, beautifully detailed architectural evening landscape evoking an aura of mystery and fascination. Print size - 27." x 27" unframed, excellent condition, vivid colors, full bleed image, no margins, square size format, hand signed in pencil by Jim Buckels Year published - 1988 Edition size - 350, plus proofs Printer - J K Fine Art Editions Co. NY DRUID POINT is a very impressive, hand crafted original limited edition lithograph not a photo reproduction or digital print! JIM BUCKELS Artist statement- "On one level, I think of myself as a decorative artisan, or at best a scene painter. I don't mind this distinction, because many of my heroes never achieved much more. It's a modest but honorable aspiration. The artists who have influenced me are quite dissimilar and usually less prominent in the pantheon of art history: Canaletto, the Flemish scene painters, the Hudson River artists...

Frank Lloyd Wright's Ennis House, Los Angeles - Lithograph on Paper Clean, modern lithograph of the Ennis House in Los Angeles by Frances Myers (American, 1936-2014). The Ennis House sits at the top of a small hill, cutting a strong line against a soft peach-colored sky. Wright's strong sense of balance is highlighted in this composition, with patterns and lines guiding the viewers eye in various directions around the piece. Numbered, titled, signed and dated along the bottom edge: 7/50 Ennis House - Los Angeles Frances Myers 1980 Paper size: 29.5"H x 38"W Print size: 24"H x 32"W Shipped rolled in a tube. Myers was born on April 16, 1936, in Racine, Wisconsin. She began her studies at the San Francisco Art Institute, but soon transferred to the University of Wisconsin–Madison where she earned a BS in 1962, and an MFA in 1965. Myers employed a variety of printmaking techniques in her career including "relief, photo-etching, and mixed media processes." Myers is best known for her prints depicting various buildings. She once said, “I don’t want to invent a building, I want to bring new life to a building.” Growing up in Racine, Myers was exposed to many of Frank Lloyd Wright's architectural works, and she paid tribute to this in her 1980 work The Frank Lloyd Wright Print...

Aquatint and lift-ground etching on Georges Duchêne Hawthorne of Larroque handmade paper, Edition of 70 1983 90.2 x 46.4 cms (35 1/2 x 18 1/4 ins)

Los Alamos Hills monotype by John Hogan, landscape cliffs, greens, yellow white John Hogan A graduate of Northeast Louisiana State University with a bachel...

A very good impression of this large, color Mixografía print on handmade paper. Signed and numbered 20/100 in pencil. Printed and published by Taller de Gráfica Mexicana, Mexico City...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

TREE ROOTS II is an original hand drawn, limited edition lithograph printed using traditional hand lithography techniques on archival Arches paper 100% acid free. TREE ROOTS II is a ...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...

Artist: Gene Davis Title: Royal Curtain Medium: Screenprint on Arches paper Date: 1980 Edition: 61/250 Frame Size: 35" x 26 1/2" Sheet Size: 29 3/4" x 21 3/4" Signature: Hand signed ...

Untitled II, by Luis Caballero Lithography Size: 15 in H x 10.7 in W Edition 8/75 Signed in the lower right corner. Numbered in the lower left corner. Great condition with flaws. ...

Artist: Ron Kleemann, American (1937 - ) Title: White Knight Year: 1980 Medium: Screenprint on Somerset Paper, signed and numbered in pencil Edition Size: 250 Paper Size: 22 x 30 inches

Louisa Chase’s paintings are romantic in tone, alluding to the power of nature while serving as pictorial metaphors for her own state of mind. Drawing on her distinctive brand of Neo...

Kenneth Noland Ojai Festival print (Deluxe signed limited edition), 1986 Lithograph with offset lettering Hand signed and numbered 6/100 by Kenneth Noland on lower front Frame inclu...

TAPESTRY OF SPRING by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 1...

Hans ERNI is an artist born in Switzerland in 1909 and died in 2015. His works have been sold at public auction 3,987 times, mostly in the Print-Multiple category. The oldest auction...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Roy Lichtenstein for Leo Castelli Gallery is a very colorful artwork realized after Roy Lichtenstein in 1979. Mixed colored offset  on paper. This beautiful print was realized on t...

This poster was made to advertise American Pop artist Keith Haring’s exhibition at Tony Shafrazi Gallery in 1989. It features a series of colored “bubbles” with several illustrated a...

Bronze, hand-patinated and partially polished cast in 1982 using the lost-wax (""à cire perdue"") technique bearing the foundry stamp ""Strehle Kunstguss"" height (including base): 5...

Spectrum of Enchantment by Helen Covensky, Polish/American (1925–2007) Date: 1980 Lithograph, signed and numbered in pencil Edition of 225, HC Image Size: 17 x 26 inches Size: 22 in....

DREAMFIELDS II is a hand drawn original lithograph by the artist Sybil Kleinrock (spouse of the renowned jewelry designer David Yurman. It was printed in seven colors using tradition...

JAPANESE AZALEAS is an original hand drawn lithograph printed using hand lithography techniques on archival Arches paper 100% acid free. JAPANESE AZALEAS portrays a botanical waterco...

Original poster: Blame It On The Movies!. The Reel Music of Hollywood. Theater performance of Blame it on the Movies! Acid-free archival linen-backed original; ready to frame. ...

Jenny Holzer is one of the most important and original artists of the 20th century. Her body of work, with an emphasis on text, is consistently provocative and occasionally frightening, manipulating the language of both pop culture and government slogan to produce commentary on global issues notably power structures and warfare. Holzer's iconic "Inflammatory Essays", produced between 1979 and 1982, were first pasted on walls throughout heavily populated metro areas including New York and other cities. Composed of anonymous statements, printed on friendly or calm colored papers, the statements were influenced by writings of major political figures such as Emma Goldman...

Bernard Buffet (1928-1999) - The great building in Tokyo Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in ...

Original Menton Fete Internationale du Citron (Menton International Lemon Festival). Archival linen backed in very good condition, A-, and ready to frame. The art group that created this poster is Studio Bazzoli. Printer: Imprimerie Corogec. In 1929, Menton was still the leading lemon producer on the continent. The Menton Festival of the lemon started in 1934, and in 1935 the first Lemon Festival poster was created. This poster is one of the featured posters on the festival website. The image of a woman’s face decorated with yellow and green lemons creating huge hair! The background is done in Mediterranean blue. Note that this is larger than the standard French travel poster size. A very relaxing and beautiful original Menton poster...

YES TO LIFE-NO TO DRUGS (Oui À La Vie-Non À La Drogue) is a handmade color lithograph by the internationally recognized Syrian artist Mohammad Sami Burhan printed on archival Arches ...

Image dimensions: 17.7 x 17.7 cm. Abstract Composition in Tondo - West End is a joyful color etching on paper, realized in 1983 by the Italian graphic master Piero Dorazio (Rome, 19...

Silk Stockings and Candlelit Cafes, is an original hand drawn lithograph by Sharon E. Sutton printed using hand lithography techniques on archival paper 100% acid free. An architectu...

PHAEDRA'S VIGIL is an imaginary architectural landscape that combines the real and the surreal. Created in 1989 by the Iowa born artist Jim Buckels(b.1948) known for his dream-like i...

Artist: Robert Motherwell Title: Penelope Medium: Etching on Johannot paper Date: 1988 Edition: 27/40 Sheet Size: 13" x 10" Image Size: 6" x 6" Signature: Initialed (RM) in pencil

Walter Darby Bannard Siciliian Magician, 1980 Silkscreen on wove paper Pencil signed, titled and dated by the artist on the front Unframed Provenance: Bart Gallery, Providence, RI Th...

Seascape + Sails is an original artwork realized by Osvaldo Peruzzi in 1988. Mixed colored lithograph. Hand-signed by the artist on the lower right. Numbered on the lower left marg...

Mid-Century Modern Piero Fornasetti Exhibition Poster, Deocrative Art, Framed PIERO FORNASETTI (1913-1988) 'Fornasetti's Decorative Objects' poster Italy, 1989 Provenance: Christie...

Bernard Buffet (1928-1999) - Sigura Bank Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent condit...

Christopher Pratt (1935-2022) is one of Canada’s most prolific and recognizable Maritime artists. Born in St. John's, Pratt has dedicated the majority of his artistic practice to d...

Mt. Christo Rey Afternoon by John Hogan rock cliff, red, brown, black and white framed edition ACPIV

New York/New Wave PS1 1981: A rare, highly sought after Basquiat collectible announcing Basquiat (as SAMO) in his first major show. Curated by the great Basquiat champion, Diego Cortez, the show would mark Jean-Michel's official unveiling to the art world. A historical document of the New York downtown art scene of the time, additional participants included (with their names listed on the poster): Keith Haring, Futura 2000, Andy Warhol, Kenny Sharf, Robert Mapplethorpe, Nan Goldin, Dondi, Lady Pink, Lawrence Weiner & many more figures of historic acclaim. Basquiat credit (as SAMO) found in the lower area of the top second area. Folding exhibition poster; 22 x 34 inches. Fair overall vintage condition; minor signs of handling; minor separation to folds in a few areas. Few known to have survived in good condition. Unsigned from an edition of unknown; RARE. Poster design by Randolph Black. Glenn O'brien, Artforum 2003: "1981: “NEW YORK/NEW WAVE”: "In June of ’80 the spectacular “Times Square Show,” mounted in an abandoned multistory massage parlor on Forty-first Street and Seventh Avenue, took things to a whole new level. The show was as funky as its surroundings and as lively a happening as had been seen since the ’60s. Artists dropped in and contributed to this nonstop party, a continuous work-in-progress that featured not only the best young artists but also film, video, and live music performances. It brought worlds together—the uptown (as in the Bronx) with the downtown. The institutional emergence of this new force took place in mid-February 1981, in the “New York/New Wave” show at P.S. 1 in Long Island City, a spectacular exhibition featuring 119 artists (more or less) and curated by Diego Cortez. Mammoth in scale, “New York/New Wave” offended purists as much by its maximalist approach as by its content. Cortez hung the art from floor to ceiling, throughout the galleries and the halls. He brought together a coalition of punks, No Wave musicians, young painters, graffiti artists, poets, performers, and more radical-type forefathers like Ray Johnson, Lawrence Weiner, William Burroughs, and Andy Warhol to create a museum–as–fun house that engaged the eye and mind relentlessly. I find quite a few names who went on to serious things: Kathy Acker, David Armstrong, Jean-Michel Basquiat, David Byrne, Sarah Charlesworth, Henry Chalfant, Larry Clark, Arch Connelly, Jimmy de Sana, Dondi, Brian Eno, Fab 5 Freddy, Peter Fend, Futura 2000, Jedd Garet, Nan Goldin, Keith Haring, Duncan Hannah, Roberto Juarez, Bill Komoski, Greer Lankton, Lady Pink, Marcus Leatherdale, Arto Lindsay, Judy Linn, John Lurie, Lydia Lunch, Ann Magnuson, Christoper Makos, Robert Mapplethorpe, Frank Moore, Lee Quinones (LEE), Rene Ricard, Kenny Scharf, Kate Simon, Duncan Smith...

Artist: Robert Motherwell Title: Trieste - Zurich - Paris Medium: Etching on Johannot paper Date: 1988 Edition: 27/40 Sheet Size: 13" x 10" Image Size: 6" x 6" Signature: Initialed (...

Bottles Amos Yaskil Israeli (1935) Date: 1980 Lithograph, signed and numbered in pencil Edition of 375 Image Size: 17.5 x 25 inches Size: 22 x 29.5 in. (55.88 x 74.93 cm)

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Original vintage poster: Aspen Winternational 1983 and Subaru World Cup Races, printed 1982 by artist Terry Rose. The ASPEN WINTER NATIONAL skiing poster...

Original Quale Capri? Original Italian vintage travel poster. Conservation archival linen backed in very good condition, ready to frame. Quale Capri? Is which Capri? in Italian. The image is the outline of the island of Capri, off the coast of Naples, Italy. The poster has two different sides, which Capri do you like or want? One side represents progress with large commercial skyscrapers and the other side the small homes and businesses on the island. The question is do you want to allow development on this beautiful Mediterranean island. Capri was first “discovered” by emperor Augustus in the early years of the Roman Empire. He often resided there and built many temples, villas and gardens as a way of having his own private paradise. The meaning of the name Capri can be traced to the ancient Greeks, where the ancient Greek word 'kapros' means 'wild boar'. The island of Capri has had dozens of famous vintage posters...

Original "Sam the Olympic Eagle" Linen-backed poster with holding the Olympic torch for the 1984 XXIII Olympiad Los Angles. The Olympic poster was sponsored by Buick. Excellent condition original L.A. Olympics poster. Created in 1980 for the 1984 World Olympics. This 1984 Olympics poster...

Bernard Buffet (1928-1999) - Ginza District-Tokyo Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excelle...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

From the portfolio "The Four Seasons" depicted the four seasons with text and flowers, this print by Pop artist Paula Scher uses a simple, collage-like style to create its compositio...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1953. The print suite was realized in 1985 in a limited edition of 2500, a...

Artist/Designer; Manufacturer: Philip Guston (1913-1980) Marking(s); notes: signed, blind stamp; ed. 39/50; 1980 Country of origin; materials: Canadian-American; lithograph Dimension...

Original Images de la Revolt 1965 – 1975 exhibition poster for the for the exhibition at Musée de l’ Affiche et de la Publicité, Paris. This one is hand-signed in graphite in the l...