Bridget Riley Art

Step into the mesmerizing world of Bridget Riley's artistic brilliance with "Going Across," a captivating screenprint crafted as part of her renowned Lozenges series in 2001. Measuri...

Bridget Riley Print for The Chicago 8, from Conspiracy: The Artist as Witness (Schubert, 15), 1971 Silkscreen on 100% handmade rag paper Signed and numbered 110/150 and dated i1971 n...

Screen print on wove paper. Produced in 1966. Edition of 75. Hand signed and numbered by Bridget Riley.

Screen print. Produced in 2007. Edition of 75. Hand signed and numbered by Bridget Riley. Schubert 65

Screenprint in 3 colours plus white under print on Fabiano 5 paper Edition of 75 48.9 x 80 cm (19.2 x 31.5 in) Signed, numbered, dated and titled on the front Condition upon request ...

Fold, 2004 Bridget Riley Screenprint in colours, plus white under print on Fabriano 5 paper Signed, titled, dated and numbered from the edition of 250 Published by Ridinghouse, Lond...

Colour screenprint on white wove paper Edition of 150 61 x 46 cm (24 x 18.1 in) Signed, numbered and dated on the front. Ink stamped initial “K” on the verso Condition upon request ...

Silkscreen on Somerset Satin paper AP of 10 aside from the main edition of 90 Signed and numbered on the front Condition upon request Framed with acrylic Published by Parkett magazine...

Bridget Riley: Reconnaissance (hand signed and inscribed by Bridget Riley), 2001 Hardback monograph with no dust jacket as issued (hand signed and inscri...

Signed, titled, dated and numbered from the edition of 75 in pencil, on card, printed by Kelpra Studio, London, with their rubber stamp verso, the full sheet printed to the edges.

Bridget Riley Flashback (Hand Signed), 2009 Offset Lithograph (hand signed by Bridget Riley) 27 × 27 inches Boldly signed in black marker on the front Unframed Signed by Bridget Riley in her inimitable hand on the occasion of this 2009-2010 exhibition at the Southampton City Art Gallery of works from the Arts Council of Great Britain collection. Bridget Riley Biography Bridget Riley's (b. 1931) abstract compositions yield a singular sense of visual pleasure for the viewer, a notion derived as much from the artist's formative encounters with Old Master and Impressionist painting as from her early experiences with nature. Since 1961, she has focused exclusively on seemingly simple geometric forms, such as lines, circles, curves, and squares, arrayed across a surface—whether a canvas, a wall, or paper—according to an internal logic. The resulting compositions actively engage the viewer, at times triggering sensations of vibration and movement. This sense of dynamism was explored to great effect in the artist's earliest black-and-white paintings, which established the basis of her enduring formal vocabulary. In 1967, Riley introduced color into her work, thus expanding the perceptual and optical possibilities of her compositions. Riley was born in 1931 in London, where she attended Goldsmiths College from 1949 to 1952 and the Royal College of Art from 1952 to 1955. Riley’s first solo exhibitions were held at Gallery One, London, in 1962 and 1963, followed by two exhibitions at Robert Fraser Gallery, London, in 1966 and 1967. She was also at that time included in numerous group exhibitions such as Towards Art?, Royal College of Art London (1962); The New Generation, Whitechapel Gallery, London (1964); and Painting and Sculpture of a Decade 1954–1964, Tate Gallery, London (1964). In 1965, her work was included in the now-seminal group exhibition The Responsive Eye, organized by William Seitz at The Museum of Modern Art, New York. In 1968, she represented Great Britain at the 34th Venice Biennale (along with Philip King), where she was the first living British painter to win the prestigious International Prize for Painting. Her first retrospective, covering the period from 1961 to 1970, opened at the Kunstverein Hannover in 1971 and subsequently traveled to Kunsthalle Bern; Kunsthalle Düsseldorf; Galleria Civica d’Arte Moderna, Turin; and the Hayward Gallery, London. More recent significant solo presentations include those at Dia Center for the Arts, New York (2000-2001); Museum Haus Esters and Kaiser Wilhelm Museum, Krefeld, Germany (2002); Museum of Contemporary Art, Sydney (2004-2005); Musée d'Art Moderne de la Ville de Paris (2008); Walker Art Gallery, Liverpool (traveled to Birmingham Museums and Art Gallery; Norwich Castle Museum and Art Gallery; Southampton City Art Gallery; 2009-2010); The National Gallery, London (2010-2011); Art Institute of Chicago (2014-2015); The Courtauld Gallery, London (2015); De La Warr...

Bridget Riley Richard Feigen Gallery 1965 Op Art poster, 1965 Offset lithograph poster 21 × 17 inches Unframed Very rare early Bridget Riley poster...

Untitled [Wave], 1975 Bridget Riley Screenprint in colours, on wove Signed, dated and numbered from the edition of 400 Printed by Graham Henderson, London Published by Galerie Beyel...

Start, 2000 Bridget Riley Screenprint in colours, on paper Signed, titled, dated and numbered from the edition of 200 Printed by Artizan Editions, Hove Image: 34.8 × 38 cm (13.7 × 1...

Sideways, 2011 Bridget Riley Screenprint in colours, on Fabriano 5 wove Signed, titled, dated and numbered from the edition of 250 Printed by Artizan Editions, Hove Image: 29 × 17 c...

Screenprint in colours Edition of 250 Signed, numbered and dated on the front Artwork in mint condition. Artwork not inspected outside of frame Float-mounted with plexiglass Frame: 5...

Untitled [La Lune en Rodage - Carlo Belloli], 1965 Bridget Riley Screenprint, on wove paper Signed, dated and numbered from the edition of 200 (plus 10 artist's proofs) Printed by K...

Carnival, 2000 Bridget Riley Sscreenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 75 (plus 10 artist's proof) Printed and published by Artiz...

Frieze, 2000 Bridget Riley Screenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 200 (plus 20 artist's proof) Printed by Sally Gimson Artizan ...

Silkscreen printed in colours Edition of 200 47.5 x 49 cm (18.7 x 19.3 in) Signed, numbered and dated on the front Condition on request Published by the artist The seller can only p...

Screenprint on Saunders board Edition of 75 Signed, numbered, dated and titled on the front Condition upon request Published by the Rowan Gallery and printed at the Kelpra Studio Ou...

Vista, 2017 Bridget Riley Screenprint in colours, on Fabriano 5 wove Signed, titled, dated and numbered from the edition of 150 Printed by Artizan Editions, Forest of Dean Image: 17...

Splice, 1975 Bridget Riley Screenprint in colours, on wove Signed, dated, titled and, numbered from the edition of 45 Printed by Graham Henderson, London Sheet: 75.3 × 54 cm (29.6 ×...

RA 2, 1981 Bridget Riley Screenprint in colours, on wove Signed, dated, titled, annotated, numbered from the edition of 75 Printed by Artizan Editions, Hove Image: 87.2 × 76.4 cm (3...

Untitled [Winged Curve], 1966 Bridget Riley Screenprint in black, on wove Signed, dated and numbered from the edition of 75 Printed by Kelpra Studio, London Image: 36.9 × 40.9 cm (1...

Untitled [Elongated Triangles 1], 1971 Bridget Riley Screenprint in colours, on wove Signed, dated and numbered from the edition of 75 Printed by Kelpra Studio, London Image: 97 × 2...

15 colour screen print on 300gsm Fabriano 5 paper - Hand signed, dated, titled and numbered by the artist. Edition of 250 Signed

Signed, numbered and titled by the artist in pencil, recto. Edition of 200 Signed

BRIDGET RILEY Rose Horizontal, 2018 Screenprint in colours, on Fabriano 5 paper Signed, titled, dated and numbered from the edition of 75 Printed by A...

Measure For Measure, 2020 Screenprint in 3 colours on Fabriano 5 paper 25 × 24 3/5 in 63.5 × 62.5 cm Edition of 175 This work is part of a limited ...

1965 Screenprint in colors, on wove paper Image/sheet: 11 3/5 x 11 1/2 in. Edition of 200 Signed, dated and numbered in pencil, lower margin Framed, excellent condition

Bridget Riley (b. 1931) is one of the foremost exponents of Op Art, a style that plays with human perception to produce optically illusionistic works of art. The English painter stud...