Early 1900s Prints and Multiples

This is a Limited Austrian Gallery Edition, signed on plate, with its dry stamp seal from Official Klimt Villa, published by Austria-Klimt Villa Gallery in 2012; Giclee printed on ...

This is a rare edition published in 2022-23 coincide the exhibition in Euro. This high quality fine art lithograph paint is in mint condition, never been exposed to light and have be...

Original Alphonse Mucha decorative panel. Linen backed in very good condition A-/B+ condition. This lovely poster looks just like an oil painting. It is a rare design by Alphonse ...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

The 1900 original poster "La Topaze" by Alphonse Mucha, part of the renowned "Les Pierres Précieuses" series, is a quintessential example of the Art Nouveau movement. This work, prin...

Medium: original etching. Catalogue reference: Tabanelli 220. This impression on watermarked laid paper was printed in 1906 and published by Gazette des Beaux Arts. Plate size: 8 5/8...

Alphonse Mucha Seasons: Autumn, 1903 Original lithograph Printed signature in the plate Printed on paper 71 x 31 cm (c. 27.9 x 12.2 inches) On paper linen on canvas, 75 x 35.5 cm (c...

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the image size is ...

Medium: original etching and drypoint. This impression on wove paper was printed in 1904 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 6 5/8 x 4 3/4 inc...

CARLSBERG PILSNER, artist: Carsten Ravn. This professional archival linen-backed lithograph is ready to frame. Carlsberg is synonymous with quality and tradition in the brewing world. Condition A-. Touched-up pin holes in the four corners. Minor touch-up near the bottom left crown emblem. Green is more of an old army green, and lettering is natural, unbleached, tan colored. Carlsberg Pilsner DRINK ALL YEAR ROUND The horizontal poster shows four scenes of people enjoying their beer: a skier, a cycling woman, a dandy, and a hunter. Above them is the inscription “Carlsberg Pilsner“ and below it “DRIKKES AARET RUNDT.” The latter makes it clear that you can drink it all year round. The four scenes also show the four seasons and that you can always drink Carlsberg Pilsner. (Text is in Danish). Carlsberg’s first brewery was just outside Copenhagen and was opened in 1847. However, it wasn't until 1904 that Carlsberg pilsner is brewed for the first time This 1908 poster...

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...

This magnificent 1905 original poster by E. Louis Lessieux (1848–1925) was commissioned by the Paris-Lyon-Méditerranée (P.L.M.) railway company to promote travel to the beautiful coa...

A la Corrida Color aquatint, c. 1900 Signed "Osterlind" lower right in red pencil Annotated: "No. 96" in pencil lower left Edition: about 100 Published by Sagot, Paris: their blindst...

Katabexine is a superb early advertising poster by Leonetto Cappiello, created during the formative years of his career, when he was already beginning to transform the visual languag...

Charles Rennie Mackintosh was a Scottish architect, designer, and visual artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald, was influential on European design movements such as Art Nouveau and Secessionism and praised by great modernists such as Josef Hoffmann. Mackintosh was born in Glasgow and died in London. He is among the most important figures of Modern Style (British Art Nouveau...

The Kiss, no. 1 from the fifth installment of Das Werk Gustav Klimts Undoubtedly Klimt’s best known and most reproduced images, this printed version of The Kiss is the only one with which Klimt was directly involved. Unveiled at Vienna’s Kunstschau 1908, and saved for the fifth and final delivery of Das Werk, The Kiss marks a triumph in Klimt’s career and represents a culmination of many themes in his oeuvre up to that point. After all of the controversy surrounding the State’s prior rejection of the University murals commissioned from Klimt, the Ministry of Education reversed their policy toward the artist with a show of wholehearted support by purchasing for the Osterreichische Galerie BelvedereThe Kiss while it still hung in the Kunstschau exhibit. Considered in relation to the eight multicolored collotypes which preceded its print debut in the Das Werk portfolio, The Kiss literally embraces all which came before it. The golden seaweed dangling in tresses from the lovers’ feet harkens back to Water Snakes I and II. The bed of flowers evokes the settings Klimt created in both The Golden Knight and The Sunflower. In fact, this image sprung out of a particularly happy summer spent in the company of Klimt’s lover, Emilie Floge...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Plate 37 from Alphonse Mucha's Figures Decoratives, a folio of forty color lithographic plates published by Librairie centrale des beaux-arts in 1905. Issued during a period of incr...

The Virgins, no. 2 from the fifth installment of Das Werk Gustav Klimts The Virgins speaks to a new chapter of Klimt’s artistic development. That it was sel...

Claude Renoir, la Tete Baisee (Claude Renoir, Head Lowered) Lithograph, 1904 Edition 1,000, this one of 950 on wove paper with the stamp signature (there were also 50 impressions pri...

Anonymous, Japanese Kimono Fabric Design, color woodcut, c. 1930. A superb impression, with fresh colors, fine graduations, and metallic gold motifs, on ...

"Sandwich Tern' Antique Hand Colored Lithograph Delicately rendered naturalist drawing of a sandwich tern from the 1903 edition of "A History of British Birds" by F.O. Morris. This...

Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced impression, on cream wove paper, the full sheet with margins (1 1/2 to 2 3/16 inches), in very good condition. Sheet size 28 x 38 1/2 inches (711 x 978 mm). The full sheet, unmounted and unmatted—shipped carefully rolled and protected. Rendering by A. Berger after Joseph Fleischmann. Published by Carl Gerold’s Son, Vienna, 1900. This Artic whaling scene depicts a Greenland whale in the foreground pursued by whalers. A whaling ship is seen in the background and at right, another whale among icebergs with seagulls overhead. The print by Albert Berger...

John Marin, 'Bridge, Venice', etching, 1907, Zigrosser 59. Signed in pencil. Signed and dated 'Marin 07' in the plate, lower center; titled 'Le Pont Venezia' in the plate lower right. A superb, delicately inked impression, on antique cream laid paper, the full sheet with margins (5/8 to 3/4 inches); slight lightening to the paper within the original mat opening, otherwise in excellent condition. Printed by George Haskell, New York. Matted to museum standards, unframed. Image size 5 x 7 1/16 inches; sheet size 6 5/8 x 8 11/16 inches. Literature: 'John Marin: Peintre Graveur', Charles Saunier, L' Art Décoratif, Paris, January, 1908 (illustrated). 'The Complete Etchings of John Marin', Carl Zigrosser, Philadelphia Museum of Art, 1969 (illustrated). Impressions of this work are in the following museum collections: Art Institute of Chicago (Stieglitz Collection), Cleveland Museum of Art, Fine Arts Museums of San Francisco, Metropolitan Museum of Art, and the Philadelphia Museum of Art. ABOUT THE ARTIST "How to paint the landscape: First, you make your bow to the landscape. Then you wait, and if the landscape bows to you, then, and only then, can you paint the landscape." —John Marin “I would say to a person who thinks he wants to paint, go and look at the way a bird flies, a man walks, the sea moves. There are certain laws, certain formulae. You have to know them. They are nature's laws and you have to follow them just as nature follows them... You don't create the formulae... You see them." —John Marin, conversation with Dorothy Norman...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Medium: original etching and drypoint. Catalogue reference Delteil 126. Printed on laid paper in 1900 and published in Paris by Henri Floury as the frontispiece for Gustave Geffroy's...

Original hand colored lithograph by the French artist, Maurice Jacque of the Place du Tertre in Montmartre Paris, France. Signed in lower right margin. Titled in lower left margin. ...

Donald Shaw MacLaughlin (1876-1938), Doorway of the Doges, Venice, etching with plate tone, 1909, signed bottom right [also signed and dated in the plate]. Reference: Marie Bruette 1...

Original boxing print with the initials P.B. in the upper left corner. Printer Ed. Sagot Editeur, Paris. Professional acid-free archival linen backed and ready to frame. Excel...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

“Allegorische Frauengestalten – Darstellung Weiblicher Handarbeiten” is a breathtaking circa 1900 original lithograph by renowned Belgian Art Nouveau artist Privat-Livemont. This ele...

The engraving "The Pink Of Condition" by George Wright was published in London in 1909. It depicts the beginning of a British fox hunting scene. The ...

Original aquatint engraving of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. ...

'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.

Plate #4 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...

Around 1900, Swiss artist Mary Golay created a stunning lithograph titled Le Paon (The Peacock), a vivid example of Art Nouveau's fascination with nature, beauty, and flowing organic...

Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto. [Rinder 191]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

This elegant 1903 lithograph by Charles Léandre presents a refined portrait of a young woman seated in an intimate interior. The composition captures the quiet elegance of the Belle ...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

This circa 1900 original advertising poster by Mourgue was created to promote the pioneering automobiles of De Dion-Bouton, one of the most influential names in the early history of ...

With La Jupe Ôtée (1906), Manuel Robbe once again captures the delicate boundary between modesty and sensuality—a recurring theme in his celebrated Belle Époque prints. The title, wh...

Judith I, no. 9 from the second installment of Das Werk Gustav Klimts Much like his treatment of the Classical personage, Danae, from Greek mythology, Klimt’s depiction of Judith takes an Old Testament character, a heroine who avenges the death of her husband by killing an Assyrian king, and firmly positions her in his present-day Vienna. His multicolored collotype rips the canvas from its gilded frame which directly references the subject with its title: “Judith und Holofernes”. Now in print form, Judith, holding the severed head of a male in murky shadow, is the ultimate Viennese femme fatale. Her likeness is unmistakably similar to a former lover of Klimt’s and famous Viennese soprano, Anna von Mildenburg. Though his allusion to ancient Assyria is apt, Klimt literally lifted the gold patterned background’s design motif from a relief detail from Sennacherib’s Palace displayed in a London museum. His context then is contemporary. In a sensual and sexually powerful tour de force, Klimt’s Judith...

Medium: original lithograph. Published in Paris in 1904 by Revue de l'art ancien et moderne. This impression was printed on china paper, and mounted along the top edge by the publish...

Medium: etching (etched by Felix Bracquemond after Ingres). This impression on chine-colle paper was printed in 1903 and published in Paris by the Gazette des Beaux-Arts. The image m...

Water Snakes II, no. 9 from the fourth installment of Das Werk Gustav Klimts The last painting Klimt exhibited with the Secession before resigning, Water ...

B. J. O. NORDFELDT (1878 - 1955) THE WAVE, MOONRISE, 1906 (Donovan 19) Woodcut printed in colors. Signed and dated faintly in sky upper left. Image 9 ¼ x 11 1/8”, sheet 9 5/8 x 11 ...

Medium: original lithograph. Printed in Paris in 1902 for the special Felix Vallotton issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Size...

Das Grausen is a lithograph realized after a work by Alfred Kubin in 1903, Hand-signed and titled, plate from Faksimiledrucke nach Kunstblättern, edition H. Von Weber. Included a...

Medium: original etching. Published in Vienna by Gesellschaft für Vervielfältigende Kunst in 1903. The plate measures 4 1/2 x 7 inches (115 x 178 mm). A fine, dark impression printed...

Medium: original etching and drypoint. Printed in 1909 and published in Paris by Henri Floury. Plate size: 8 1/4 x 5 5/8 inches (212 x 143 mm). Not signed.

Medium: original etching. This impression on laid paper was printed in 1904 and published in Paris for the Revue de l'art ancien et moderne. Image size: 8 5/8 x 6 7/8 inches (220 x 1...

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...

This delicate composition, titled "Le Bouquet de Violettes", is a masterful original aquatint engraving created in 1903 by the French artist Manuel Robbe (1872–1936). A refined examp...

Original collotype created from Gustav Klimt’s Impressionist Fruit Trees landscape, painted in 1901. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300. Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...

Original vintage travel poster: METZ (France), artist: Alfred Pellon, signed A. Pellon. Size 34.75" x 36". Year: c 1906. Stone lithograph. ...

This is truly one of the iconic images of vintage poster art. It was created in the early 1900's by the famed artist, Leonetto Cappiello. He ...

Medium: original etching. This work was printed in 1901 and published by the Revue de l'Art ancien et moderne as an undiscovered Goya etching, but it is now understood to have been e...

Original collotype created from Gustav Klimt’s Farmhouse in Buchberg (Upper Austrian Farmhouse), painted in 1911. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300. Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Musee Grevin Avant La Lettre (Before Text), created in 1900, is one of the best known images by the great French artist, Jules Chéret. The poster advertises a show performance at the...