Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Gustav Klimt
"Woman Leaning Forward" by Gustav Klimt - Original Print from Courtesans Folio

1907

About the Item

Plate #3 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings. This print is from folio 263/450. Publisher: Julius Zeitler, Leipzig. Printer: W. Drugulin, Leipzig. From the Toledo Museum of Art: When not creating paintings for exhibitions and commissions, Gustav Klimt produced over 4,000 personal drawings and sketches. His drawings were frequently highly erotic—even graphic and sexually taboo—in nature. In them Klimt often rejected the decorativeness and detail of his paintings, working instead in a looser and more minimal style. The 15 drawings presented in this publication of Lucian’s Dialogue of Greek Courtesans, chosen by translator and publisher Franz Blei (who, as a writer, was known for eroticism in his work as well), are virtually unrelated to the text, as the dialogue discusses the role of courtesans (i.e. prostitutes) in society. Klimt’s drawings instead portray female eroticism in varying degrees of explicitness, a subject that would bring him notoriety and complaints of obscenity.
  • Creator:
    Gustav Klimt (1862 - 1918, Austrian)
  • Creation Year:
    1907
  • Dimensions:
    Height: 13.75 in (34.93 cm)Width: 11 in (27.94 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU467314425252

More From This Seller

View All
Max Eisler Eine Nachlese folio “Portrait of Baroness Bachofen-Echt” collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #22, Bildnis Baronin Bachofen-Echt; multi-color collotype after 1914-1916 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category

1930s Vienna Secession Figurative Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Portrait of Friederike Marie Beer" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #24, Bildnis Friederike Maria Beer; multi-color collotype after the 1916 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN ...
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “The Bride” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #30, Brautzug; multi-color collotype after unfinished 1917/18 painting in oil on canvas. Painted in the last months of Klimt’s life, The Bride was one...
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Hygieia” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #10, Ausschnitt aus dem Bilde “Medizin”; multi-color collotype detail from Medicine, one of the faculty paintings for the Uni...
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Adam & Eve” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #20, Adam und Eva; multi-color collotype after unfinished 1917/18 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a...
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Allegory of Life and Death” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #18, Der Tod und das Leben; multi-color collotype after original painting (1910-1916) in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AF...
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

You May Also Like

Original Vintage Secession Poster celebrating the emperor's jubilee
Located in Zurich, CH
Original Vintage Poster by the Austrian artist Ferdinand Ludwig Graf, a member of the Hagenbund. This Viennese artist association moved as soon a...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Paper

Fortune
By Anastasia Kurakina
Located in London, GB
artist: Anastasia Aureum limited edition on paper print 2024 hand signed
Category

21st Century and Contemporary Vienna Secession Figurative Prints

Materials

Paper, Color, Digital

Der Polster
By Max Kurzweil
Located in New York, NY
Kurzweil, Maximilian. Der Polster, 1903. Color woodcut on japon. Included as an insert in Pan. Unsigned. Framed.11 1/4 x 10 1/4. 1 Ref: Hofstatter, p. 241; Pabst, p. 154. Maximillian Kurzweil was the co-founder of the Vienna Secession in 1897 and editor and illustrator of the influential Secessionist magazine Ver Sacrum...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Lithograph

Mädchen am Fenster. 1906-08.
By Oskar Kokoschka
Located in New York, NY
Mädchen am Fenster. 1906-08. Color lithograph printed on smooth card stock. Full margins. Tipped into a later presentaion folder, signed by the artist in pencil, on the recto. Published by the Wiener Werkstätte, Vienna, with the printed postcard text on verso. Among Kokoschka's earliest prints were a series of 14 postcards, the current work and the following lot that he produced for the Wiener Werkstätte. Wingler/Welz 4. Oskar Kokoschka was an Austrian artist, poet and playwright best known for his intense expressionistic portraits...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Lithograph

Untitled Woodcut
Located in Wilton, CT
Original hand-colored woodcut from a portfolio of Secessionist fashion illustrations. Signed in the lower right margin by the artist, Reni Schaschl (1895-1979), a talented member of...
Category

1910s Vienna Secession Figurative Prints

Materials

Woodcut

Fruhling
By Josef Siccard-Redl
Located in New York, NY
Siccard-Redl, Josef. Fruhling, Ca 1910. Color wood engraving, Signed and titled in pencil by the artist. Little is known of this artist other than he worked in Vienna during the ...
Category

1910s Vienna Secession Figurative Prints

Materials

Engraving

Recently Viewed

View All