Figurative Prints

LE MAÎTRE D'ÉCOLE, 1955 (THE SCHOOLMASTER) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Observations: Lithograph on BFK Rives paper plat...

This exquisite zincograph by Pablo Picasso (1881–1973), titled Femme dans un fauteuil (Woman in an Armchair), from the album Non vouloir (Not Wanting), originates from the 1942 editi...

A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

Pablo Picasso (1881-1973) L'Ecuyère et les Clowns (B. 844; M. 304) , 1961 Lithograph on Arches wove paper 22 1/10 × 30 1/10 in 56.1 × 76.5 cm Ed. of 50

Original 1983 Andy Warhol Perrier Poster – Authentic Pop Art Masterpiece. Grade A. Preserved in mint condition, this poster is a rare find for serious...

Jasper Johns Fool's House, 1972 10 color lithograph on Angoumois à la Main handmade paper on a single lithographic stone with an aluminum etching plate with deckled edges Pencil sign...

CLAIRVOYANCE Date of creation: 2016 Medium: Offset lithograph with silver on paper Edition number: 185/300 Size: 68 x 68 cm Observations: Offset lithograph with silver on paper hand ...

This exquisite lithograph after Laurence Stephen Lowry (1887–1976), titled Punch and Judy, S.P.21., originates from the School Prints Ltd. serie...

ABLO PICASSO (1881-1973) Femme assise au chignon, 1962 Linocut printed in four colors on vélin d’Arches paper 24 3⁄4 x 17 1⁄2 inches ; 62.8 x 44.4 cm Numbered ‘11/50’ and signed ‘Pic...

PABLO PICASSO (1881-1973) Chez la pythie - harpye. Homme au masque de minotaure et femme au masque de sculpteur, 1934 Aqua[nt and etching on Montval laid paper 13 x 17 1⁄2 inches ; 3...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

PABLO PICASSO (1881-1973) Peintre et sa toile, 1963 Linocut printed in two colors on vélin d’Arches paper 29 5⁄8 x 24 1⁄2 inches ; 75.2 x 62.2 cm Numbered ‘16/50’ and signed ‘Picasso...

Etching on handmade cream laid paper with a deckle edge, and an elaborate and large watermark of a crowned figure with a harp, and letters A S, 11 3/4 x 8 inches (298 x 204 mm); shee...

Salvador DALI Flordali : The Rose With Butterflies, 1969 Original Lithograph and Etching Handsigned in pencil Numbered /175 copies On Japan paper 77 x 57 cm (c. 31 x 22.4 inch) RE...

This authorised Lithography " Portrait of a Young man" by Van Gogh was published in Munich, Germany by Franz Hanfstaengl in 60s. It is in mint condit...

Offset lithograph poster Printed signature and date on offset paper This poster was published in a limited edition of 250 - unnumbered - separate from the lithographic portfolio of...

David Hockney Rencontres 1964 Color Lithograph Size: 12.68 × 19.21 inches (32.2 x 48.8 cm) Signed in plate Edition: 1,500 Publisher: Galerie Krugier & Cie, Geneva, Switzerland Fr...

The original artwork and this giclée reproduction were created by Andrew Cranston RSA (Elect) for the 187th RSA Annual Exhibition in 2013. Against a flat black background evoking the...

Shepard Fairey Third Eye Open Letterpress on Cream Cotton Paper with Hand-deckled Edges Year: 2024 Size: 20.5 x 15.25 inches (52.07 x 38.74 cm) Edition: 450 Signed, dated and numbere...

Pablo Picasso, Spanish (1881 - 1973) - Don Quixote, Medium: Poster, Size: 15.5 x 11.5 in. (39.37 x 29.21 cm), Frame Size: 21 x 16.75 inches

This is the original, historic silkscreen poster from Robert Indiana's historic 1966 LOVE exhibition at the Stable Gallery in New York. The print itself was published in a very limit...

GSY curated this unique set of three authentic Shin-hanga Woodblock Prints by the workshop of Hasegawa Sadanobu III, the Uchida Publishing House, a well-known Kyoto publisher; they h...

A Picture of Ourselves, from The Blue Guitar Etching with Aquatint in colours on Inversk mould made paper with full margins Signed in pencil and annotated BAT ("Bon a Tirer") on the ...

This exquisite engraving after Marie Laurencin (1883-1956), titled Sans titre (Untitled), from the folio Dialogue sur la Danse (Dialogue on the Dance), originates from the 1949 editi...

Tracey Emin Every part of me's bleeding Offset lithograph poster, 1999 Published by: Lehmann Maupin Gallery, 39 Greene Street, SoHo, NYC Boldly signed and dated 2025 in silver sharpi...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1953 album Miro Recent Paintings. Published by the Pierre Matisse Gallery, New Y...

An original hand-signed and numbered Dali lithograph entitled "Chevalier Surrealiste". A rare example that it accompanied with the original fo...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le cavalier bleu (The Blue Rider), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, originates from ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Coeur d’amour epris (Heart of Love Enamored), from Verve, Revue Artistique et Litteraire, Vol. VI, No. 23, originate...

Shepard Fairey Post-Punk Flower (Black) Letterpress on Cream Cotton Paper with Hand-deckled Edges Year: 2022 Size: 18 x 12 inches (45.72 × 30.48 cm) Edition: 375 Signed, dated and nu...

Grateful Dead “Skeleton & Roses” Poster (1971) — Tour Blank. Grade A, A- condition, ready to frame. A striking 1971 Grateful Dead poster f...

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

One of seven allegorical plates on the arts. Made by the company Porcelanas Bidasoa (Spain) in 1980 in fine white porcelain, with 24-carat gold edge. Limited edition of 5,000 example...

Charles Turzak, 'La Salle and Washington Street (Chicago, Illinois)', woodcut, c. 1935, edition c. 25. Signed and titled in pencil. A fine, richly-inked impre...

I KNOW NOT, I KNOW Date of creation: 2010 Medium: Offset lithograph with silver and UV varnish on paper Edition: 300 Size: 68.9 × 53 cm Condition: In mint conditions and not framed O...

Takashi Murakami - A RETURN FROM WANDERING Date of creation: 2022 Medium: Offset lithograph with cold stamp and high gloss varnish on paper Edition: 300 Size: 71 cm Ø Condition: In m...

Salvador Dali (1904-1989) Hell 22 - The Liars, 1963 Wood engraving from "Divine Comedy" with the signature printed in the plate On BFK Rives vellum 32,8 x 26,4 cm (c. 13 x 10") REF...

Pablo Picasso (1881-1973) - Dans l'Atelier Etching and aquatint from 1965. The edition of 33/50. Dimensions of work: 39 x 51.5 cm. Hand signed. Publisher: Galerie Louise Leiris,...

NEW GENERATION is a hand drawn, limited edition lithograph printed using hand lithography techniques on archival Arches paper, 10% acid free, by the renowned African American woman a...

DAVID SHRIGLEY - WITNESS MY JOY Date of creation: 2022 Medium: Screen print & varnish on Somerset paper Edition: 125 + 12 AP Size: 75 x 56 cm Condition: Brand new, inside its cus...

ALBRECHT DURER (1471-1528) THE VIRGIN AND CHILD SEATED BY A TREE 1513 (Bartsch 35; Meder 34 c-d, Hollstein 34) Engraving a generally good impression. Trimmed slightly into the i...

Alex Katz - No Kids – Come Into My House album cover (Hand Signed by Alex Katz), 2008, 2013 Offset lithograph album cover (Hand signed in marker by Alex Katz) Album cover designed by...

Obsessions of the Heart ( The World ) is from one of Salvador Dali's TAROT series titled Visions Surrealiste. It is an original limited edition (78 / 100) lithograph on Japon paper, ...

This exquisite lithograph by Pablo Picasso (1881–1973), titled La Danse (The Dance), from the album Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956), originates from the 1956 edition published by Editions du Livre, Monte-Carlo, under the direction of Andre Sauret, Editeur, Monte-Carlo, and Fernand Mourlot, Editeur, Paris; printed by Mourlot Freres, Paris, October 6, 1956. La Danse embodies Picasso’s vigorous exploration of movement and mythic vitality, rendered through expressive contour and rhythmic composition that reflect his sustained reinvention of classical themes in the 1950s. Executed as a lithograph on grand velin Renage filigrane paper with la marque de l'editeur, this work measures 12.625 x 9.75 inches (32.07 x 24.77 cm). Unsigned and unnumbered as issued. The edition reflects the exceptional craftsmanship of Mourlot Freres and the continued scholarly collaboration between Andre Sauret and Fernand Mourlot in documenting Picasso’s graphic oeuvre. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: La Danse (The Dance), from Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956) Medium: Lithograph on grand velin Renage filigrane paper with la marque de l'editeur Dimensions: 12.625 x 9.75 inches (32.07 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions du Livre, Monte-Carlo, under the direction of Andre Sauret, Editeur, Monte-Carlo, and Fernand Mourlot, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Picasso, Pablo, et al. Picasso Lithographe. Andre Seuret, 1949-1964, illustration 281 Condition: Well preserved, consistent with age and medium Provenance: From the album Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956), published 1956 Notes: Excerpted from the album (translated from French), This publication, directed by Fernand Mourlot and Andre Sauret, was printed in MMD examples, on grand velin Renage filigrane paper a la marque de l'editeur, was completed on October 6, 1956 on the presses of Mourlot Brothers and Louis Duval, master printers in Paris. The typography is from L'Imprimerie Union. About the Publication: Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956), published in 1956 by Editions du Livre, Monte-Carlo, under the direction of Andre Sauret in collaboration with Fernand Mourlot, represents the culminating volume in the foundational survey of Picasso’s lithographic production. Covering a period of extraordinary experimentation, the publication documents Picasso’s sustained engagement with lithography as an autonomous and innovative medium. Printed on grand velin Renage filigrane paper bearing the publisher’s watermark, the edition exemplifies the highest standards of mid twentieth century French art publishing, uniting rigorous documentation with masterful printing. The partnership between Picasso and the Mourlot atelier played a transformative role in advancing modern lithography, and this volume stands as an essential scholarly reference for collectors, museums, and historians. As part of the broader Picasso Lithographe project, the publication solidified the importance of printmaking within Picasso’s oeuvre and reinforced the album format as a vehicle for serious modern art scholarship. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version "O") achieved a record-breaking sale of $179,365,000 at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso La Danse...

Salvador DALI Surrealist Boat (Vaisseau fantome), 1969 Original etching Handsigned in pencil Numbered /200 on Rives BFK vellum 58 x 45 cm (c. 23 x 18 in) REFERENCE : - Catalog rai...

Artist: John Kacere (1930-1999) Title: Diane Year: 1979 Edition: A.P.; 200, plus proofs. Medium: Lithograph on Waterford paper Size: 19 x 28 inches Inscription: Signed by the artist ...

Engraving on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'Âge de Soleil, 1950. Published by Robert J. Godet, Paris; rendered by ...

This exquisite lithograph by Pablo Picasso (1881–1973), titled La Petite Corrida (The Little Bullfight), from the album Special issue of the XX Siecle Review, Hommage a Picasso, originates from the 1971 edition published by Tudor Publishing Co., New York, in collaboration with Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris. La Petite Corrida reflects Picasso’s lifelong fascination with the bullfight—a subject that symbolized vitality, struggle, and creation throughout his career. Executed with the spontaneity and graphic brilliance characteristic of his late lithographs, the composition captures both movement and ritual, merging ancient spectacle with modern energy. Executed as a lithograph on velin paper, this work measures 12.5 × 9.75 inches (31.75 × 24.77 cm). Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris, the atelier that produced many of Picasso’s greatest lithographic works. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: La Petite Corrida (The Little Bullfight), from the album Hommage a Picasso, 1971 Medium: Lithograph on velin paper Dimensions: 12.5 × 9.75 inches (31.75 × 24.77 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1971 Publisher: Tudor Publishing Co., New York, in collaboration with Societe Internationale d'Art XXe siecle, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Catalogue de L’oeuvre Grave et Lithographie, Pablo Picasso: Catalogue of the Printed Graphic Work. Editions Kornfeld, 1967, illustration 839. Goeppert, Sebastian, et al. Pablo Picasso, the Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 92. Picasso, Pablo, and Fernand Mourlot. Picasso Lithographs, Translated by Jean Didry, Boston Book and Art Publisher, 1970, illustration 302. Condition: Well preserved, consistent with age and medium Provenance: From the album Hommage a Picasso, published 1971 by Tudor Publishing Co. and Societe Internationale d'Art XXe siecle, Paris About the Publication: Gualtieri di San Lazzaro’s XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro—a visionary editor, critic, and champion of modernism—believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris, including Mourlot, Arte, and Bellini, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, Surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design—an enduring testament to Gualtieri di San Lazzaro’s belief that the visual arts are the soul of the modern age. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso La Petite Corrida, Picasso Mourlot Freres, Picasso XXe siecle, Picasso Hommage a Picasso, Picasso 1971 lithograph, Picasso velin paper, Picasso bullfight lithograph...

Historically scarce -- hand signed museum invitations by Lichtenstein from MoMA, where the artist attended himself, rarely surface, especially when framed and preserved at this level...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Danseuse (Dancer), from the album Le Ballet (The Ballet), originates from the 1954 edition published by Librairie Hache...

Mr. Brainwash You Drive Me Crazy - LE, 2024 Medium: Silkscreen on Paper Edition: Framed 40/101 Artwork Size: 27.5 x 33.5 in Framed Size: 27.5 x 33.5 in

One of the founders of Impressionism and certainly one of its greatest masters, Pierre-Auguste Renoir (1841 - 1919) was not a prolific printmaker, but he explored several different m...

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side pr...

KAWS VERY FIRST COMPANION - HISTORIC Uniquely Hand signed by the artist. (the regular edition was unsigned) KAWS Limited Edition 1st Companion (Hand Signed by KAWS), 1999 Painted Ca...

James Lesesne Wells, 'Sisters', linocut, edition not stated but small, 1928. Signed, titled, and annotated 'imp' in pencil. A fine impression on off-white wove Japan paper, with wide margins (1 7/8 to 3 3/4 inches), in excellent condition. Printed by the artist. Very scarce. Matted to museum standards, unframed. Image size 8 3/16 x 6 3/4 inches (208 x 171 mm); sheet size 13 1/2 x 10 3/4 inches (343 x 273 mm). Exhibition and Literature: 'Narratives of African American Art and Identity: The David C. Driskell Collection,' The Art Gallery at the University of Maryland, extensive touring exhibition, 1998-2000. Collections: Pennsylvania Academy of the Fine Arts, Smithsonian Institution (Anacostia Community Museum). ABOUT THE ARTIST “Wells is more than an artist with a deep concern for his fellow man. He carries many of his themes a step further into an apocalyptic world, a world of revelation and shifting lights. … He works on large blocks in a bold free style. … His work has a vigor, therefore, that is not often used in the medium today.” —Jacob Kainen (painter, critic, and collector) from Richard J. Powell’s 1986 essay Phoenix Ascending: The Art of James Lesesne Wells. James Lesesne Wells was an American painter, printmaker, educator, and pioneering figure of the Harlem Renaissance, whose work established a vital connection between African heritage, modernist form, and African American cultural identity. Known for his innovative use of linoleum and woodblock printing, Wells played a key role in shaping 20th-century African American art and inspired countless students throughout his lengthy career as a teacher at Howard University. Born in Atlanta, Georgia, Wells' early exposure to the arts came through church and community, where African American cultural traditions were central. He pursued formal artistic training at Lincoln University in Pennsylvania (earning a B.A. in 1924), followed by studies at the Pennsylvania Academy of the Fine Arts and the Barnes Foundation, where he encountered European modernists as well as traditional African sculpture, which profoundly influenced his style. Wells moved to New York in the late 1920s, swiftly immersing himself in the lively artistic and intellectual scene of Harlem. There, he became associated with artists, writers, and thinkers of the Harlem Renaissance, contributing to the growth of Black cultural identity. Considered a mentor to many famed artists of the Harlem Renaissance, Wells served as director of a summer art workshop in Harlem where his assistants included Charles Alston, Jacob Lawrence, and Palmer Hayden...

Letter of the Alphabet A from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good conditions...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Bacchanale, from the album Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956), originates from th...

Untitled is a modern artwork realized by Wifredo Lam in 1970s. Mixed colored lithograph, realized after one of the Artist's paintings. Hand monogrammed in the right lower margin wi...