Baby Figurative Prints

Nature is a central theme in Alejandra's work, and with this surreal vibrant landscape, we can notice her profound curiosity about the cycles that occur in the natural world that tur...

Archival Giclée print on Hahnmuhle Photorag Paper Signed and Dated Limited edition of 8

Leon Kossoff Head of Father 2 1982 Etching, Edition of 25 46.3 x 37.5 cms (18 1/4 x 14 3/4 ins) (paper size) 26.5 x 20.6 cms (10 7/16 x 8 1/8 ins) (plate size)

Keith Haring Free South Africa 1985: Original 1985 Keith Haring Free South Africa poster- a key historical Keith Haring activist poster ...

Archival Giclée print on Hahnemuhle Photorag Paper Limited Edition of 60 Signed, dated, numbered and stamped.

Published by edition GKM. Unframed. Edition: 200 ex Paper: 300gr. Goya. Signed by the artist. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passe...

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that seem...

Leon Kossoff Fidelma 2 1984 Etching, Edition of 100 43.18 x 30.48 cms (17 x 12 ins)

Archival Giclée print on Hahnemuhle Photorag paper Limited edition of 35

Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition;...

Ronard Brooks KITAJ Swimmer Screen print Signature printed in the plate On heavy paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Games in Munich, 1972 Excellent condition

Madeline Luka (French 1894-1989) was a self taught painter known for her landscapes, portraits, nudes and still lifes. She typically portrayed her family and close friends set within...

Artist: Hunt Slonem, American (1951 - ) Title: Purple Couch Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 250, HC Image Size: ...

Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...

Marc Chagall Original Lithograph 1969 From the revue XXe Siecle, edition of 12,000 Unsigned, as issued Dimensions: 32 x 24 Condition : Excellent Reference: Mourlot 572 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Artist: Marc Chagall Title: Woman Circus Rider Portfolio: Derriere le Miroir: 10 Ans d'Edition Medium: Lithograph Date: 1956 Edition: 2000 Frame Size: 21" x 27 1/2" Sheet Size: 14" x...

This fun nostalgic print recreated with an Afro-American flair is Screen print in color on Mohawk Superfine UltraWhite Cover paper featuring Deckled Edges that give this piece an uni...

Publisher GKM. Unframed. Edition of 150 ex. Paper: 300gr. Goya. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passed aw...

Salvador Dali ( 1904 - 1989 ) Aliyah, Return, O Virgin of Israel, Aliyah suite edition 232/ 250 published Shorewood Press 1968 on Arches paper paper size 25 x 19.63 image size 20....

Hand signed and numbered by the artist. Artwork is in excellent condition. Additional images are available upon request. Certificate of Authenticity is included. Edition of 175. All...

Carabineer in love is a contemporary artwork realized by the artist Dipas in the 1970s. Mixed colored serigraph. Hand signed on the lower right margin. Numbered on the lower left ...

Vintage original Alexander Calder Three Legged Man Lithograph 1975: Lithograph in colors. 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. ...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Les Signes du zodiaque, 1959. Published by Édit...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Les Signes du zodiaque, 1959. Published by Édit...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Les Signes du zodiaque, 1959. Published by Édit...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Les Signes du zodiaque, 1959. Published by Édit...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Les Signes du zodiaque, 1959. Published by Édit...

Rabbit Skeleton is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardbo...

Lithograph and stencil on Papeteries de Rives paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Toulouse-Lautrec Album De Ma...

Original Holland, so easy to reach by KLM vintage travel poster. Archivally linen-backed in very fine condition ready to frame. Colors are bright and vibrant. Printed in Hollan...

Human Shapes is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Linocut on paper. Hand-signed on the lower. Good conditions with slight foxing. Mino Macc...

Lithograph and stencil on Papeteries de Rives paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Toulouse-Lautrec Album De Ma...

Boy Mounted on a Frog is a woodcut print on paper realized by an unknown artist in the 1830s Good conditions. The artwork is created through smooth delicate strokes by mastery.

Battle of Sedyman is an etching print on paper in the Late 19th century. Good conditions. From the suite of "France Pittoresques, including costume of the world.

Cheers! is a woodcut print on creamy-colored paper realized by Hermann Paul, in the 1910s. Good condition with slight folding and repaired cutting. René Georges Hermann-Paul (27 De...

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

Lithograph on vélin du Lana Papiers Spéciaux paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Masson Dessins, 1951. Published by George...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

From Les Maitres de L'Affiche, plate 94. Printed by Imprimerie Chaix, Paris. Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create an a...

David Hockney, Original poster. David Hockney, Olympishe Spiele Munchen Print Poster, 1972 David Hockney ( B. 1937 ) is an English painter, draftsman, printmaker, stage designer,...

Lithograph on vélin du Lana Papiers Spéciaux paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Masson Dessins, 1951. Published by George...

Metamorphosis is a lithograph realized in the 1950s by Jaen Boullet (1921-1970). Signed on the plate. Good conditions wth slight foxing The artwork is depicted by strong strokes i...

Veal anatomy is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. T...

Comic Performance and Various Masks is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

Weapons of Madagadassi is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, ...

Marc Chagall (1887-1985) The Bible, The Young Lady in the Field Original lithography (Daeger Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the back, ...

Decorative Wall Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 1780s. Signed on the plate. Good conditions with slight folding o...

Wilhelm Schlote Hommage à Banksy (with yellow, blue and red Flowers) Mixed Media on Paper 2017 Size: 25.59 x 27.48 inches (65,0 × 69,8 cm) Unique within a Limited Edition Signed by h...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

Saint Francis with the Christ Child is an etching print on paper realized by Pietro Faccini (1562-1602) Beautiful proof. Provenance: Collection G.S.S. Laub (Lugt 1221). Ref. Cat. P...

Lithograph on vélin du Lana Papiers Spéciaux paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Masson Dessins, 1951. Published by George...

Lithograph on vélin du Lana Papiers Spéciaux paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Masson Dessins, 1951. Published by George...

Lithograph on vélin du Lana Papiers Spéciaux paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Masson Dessins, 1951. Published by George...

The Cathedral is a watercolored woodcut print, realized by Charles Dubin in the 20th Century. The state of preservation is Good. The artwork is depicted skillfully through confiden...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, The Circus by Toulouse-Lautrec, 1952. Published the Par...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...