Woodcut Figurative Prints

Signed: Harunobu ga Series: Series: Eight Fashionable Parlor Views (Furyu zashiki hakkei)? Format Japanese: chuban Provenance: Private Collection, Philadelphia Collection of McCleaf ...

"Gertrude" - Eleven Color Woodcut on Laid Rice Paper 2/45 Portrait of a woman by artist, Dan Miller (American, b. 1928) made by layers of color in woodcuts in Miller's signature sty...

Alison Saar was born in 1956 to Betye Saar, a well-known African American artist, and Richard Saar, an art conservationist. Her parents inspired her to become a sculptor and taught h...

A very good impression of this color woodcut and lithograph diptych. Signed and dated in pencil by Dine. From a limited edition of 12.

Amsterdam is an artwork realized by Frans Masereel, 1933. Woodcut print representing Amsterdam. 75 x 55 with frame; 17h x 12 cm each work. Good conditions.

Wood engraving. Physick catalog 917. Image: 3 3/4 x 2 5/16 (sheet 7 3/8 x 5 1/2). A fine impression printed on Japanese mulberry paper. Signed and numbered '5' in pencil. Housed in ...

Various surfing gestures and rad moves are the subject matter here, in which the negative space becomes the subject. Printed on buff paper. Rascals in Paradise - Figurative Print -...

A woodcut on paper by Deco artist John Storrs. This image of this print was used to sell Christmas gift subscriptions for the "Liberator Magazine", December 1918. Third state. Arti...

The temple is an artwork realized by Mizuno Toshikata (1866-1908). Woodcut print, early 20th Century. 33 x 43 cm with frame. Good conditions

Spoil Bank Crucifix. 1919. Wood engraving. Physick catalog 157. Image 2 x 3 (sheet 4 x 4 3/8). Printed on simili-Japan paper. Housed in a 10 x 8-inch archival mat. The Spoil Bank A...

A Man Portrait is an artwork realized after Toshusai Sharaku (active 1794–1795). Woodcut, 30 x 20 cm, with frame. Good conditions

An artist proof is a one of a kind print. An original. Surfing and sea shells: Two of my favorite things. Printed on buff archival paper. Surf n' Shell - Figurative Print - Woodcut ...

Finding a pussy cat in the deep jungle was truly a rare sighting for this naturalist. Black ink on buff rice paper. Rare Sighting - Figurative Print - Woodcut Print By Marc Zimmerma...

Woman Embroidering (Nini) by Lucien Pissarro (1863-1944) Woodcut 15 x 10 cm (5 ⁷/₈ x 4 inches) Stamped with initials lower right Numbered lower left, 18/20 Provenance: Private Colle...

Lon Megargee 1883-1960 "The Sheepherder" Wood block print Signed in plate, lower right Image size: 10 x 10 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Karl Michel, 'Der Gartner' (The Gardener), woodcut, c. 1925. Signed, titled, and numbered '15/50' in pencil. Signed in the block, lower left and right. A fine, richly-inked impressio...

Sebastian Münster (German, 1488-1552) LA SITUATION DE LA VILLE DE ROME Antique Map of Rome, 1549 Possibly printed in 1964 Print on paper Publisher:...

Karl Michel, 'Viel Gluck 1923 Wunscht der Graphikverlag, J.G. Holzwarth/Bad Rothenfelde', woodcut, 1922, edition 20. Signed and numbered op. 135d and 20/20 in pencil. Signed in the image, lower left. Annotated 'Vorgesdruck' [artist’s proof] in pencil. A fine, richly-inked impression, on heavy, cream Japan paper, with full margins (5/8 to 1 1/8 inches), in good condition. With the artist’s blind stamp in the top left margin. Printed by the artist. Matted to museum standards, unframed. New Year's Greeting - "1923, Good Luck Wishes from the Graphic Press, J.G. Holzwarth/Bad Rothfelde." Image size 5 x 3 1/2 inches (127 x 89 mm); sheet size 6 5/8 x 5 7/8 inches (168 x 149 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints. Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...

Karl Michel, 'Mehr Sonne fur 1924. Viel Gluck Wunscht Karl Michel U. Frau', woodcut, 1924, edition 20. Signed, dated, and numbered 'op. 162' and '15/20' in pencil. Signed in the ima...

Nicolas Party (Swiss, b. 1980) Portrait of a Seahorse Necklace, 2021 Medium: Woodcut on HM-5 gampi-shi Dimensions: 28.3 × 24.1 cm (11 1/10 × 9 ½ in) Edition of 100 + 8 AP: Hand-signe...

Nicolas Party (Swiss, b. 1980) Portrait with Shells, 2021 Medium: Woodcut on HM-5 Gampi-shi Dimensions: 45.7 x 38.1 cm (18 x 15 inches) Edition of 50: Hand-signed and numbered Condit...

ARTIST: Salvador Dali TITLE: Divine Comedy Heaven Canto 25 MEDIUM: Woodblock SIGNED: Hand Signed EDITION NUMBER: 122/150 MEASUREMENTS: 9" x 13.5" FRAME: Yes CONDITION: Excell...

Claire Mahl Moore, 'Court' also 'The Authorities', woodcut, 1936, edition 5. Signed 'Mahl' and titled in pencil. A fine, richly-inked impression, on ...

Carmen Cicero Untitled (Byzantium), from the Long Point Gallery Portfolio, 1988 Woodcut on paper Hand signed and numbered 22/30 on the lower front; with printer's blind stamp. 15 × 2...

WILLIAM HOGRATH (1767- 1764) THE BATHOS / Tail Piece 1764 (Paulson 1989: 216 I/I Paulson 1965/70: 216 I/I Engraving Plate 12 7/8 x 13 3/8 sheet x 17 ¾ x 18 ¾ Designed & Engrav’d by Wm Hogarth at left and Published according to Act of Parliam’t March 3, 1764 at right. Good condition on thick laid paper Small bit of tape on the left & right sheet edges small stan lower sheet edge all on recto. This Hogarth’s last print is fascinating as it is prophacy about death. Various institutions have interesting commentaries - to wit: Chicago Art Institute: Hogarth created The Bathos toward the end of his life. It is considered one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife. The Angel of Death even collapses in exhaustion after having destroyed the world. In his hand is an execution decree and around him lies a mass of broken objects. Princeton: Hogarth’s last print, The Bathos,….. is filled with all manner of images denoting the end of life as we know it. Entry no. 216 in Ronald Paulson’s catalogue raisonne Hogarth’s Graphic Works, 3rd revised edition says “This print is the culmination of such pessimistic images . . . . [taking] his general composition, the configuration of objects, and some of the particular items, from Dürer’s engraving, Melancholia; but he also recalls Salvator Rosa’s Democritus in Meditation (which derives from Dürer’s print) with a scroll at the bottom of the etching: ‘Democritus the mocker of all things, confounded by the ending of All Things’ (Antal, p.168).” Newfields (Indianapolis Museum of Art): Hogarth intended this engraving to serve as the tailpiece to bound volumes of his collected engravings and, appropriately, it proved to be his last engraving. Father Time has died and his last will and testament has been witnessed by the three Fates. He is surrounded by a landscape of death, decay, and ruin. Hogarth aimed this print at dealers in “dark” Old Masters paintings who promoted the idea that ruins evoked sublime feelings in viewers—a sentiment, Hogarth wrote, that was reducing the world to ruin. British Caricature...

The present work is an excellent example of the erotic Shunga prints produced by Utagawa 'Ando' Hioshige and his school. Shunga imagery became especially widespread in Japan with the...

A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe 6mm round seal indicating a lifetime impression printed between 1945 - 1957. Archivally sleeved, unmatted. Image size 14 1/4 x 9 3/8 inches (362 x 238 mm); sheet size 15 1/4 x 10 3/8 inches (387 x 264 mm). An impression of this work is in the permanent collection of the Fine Arts Museum of San Francisco, Achenbach Foundation. ABOUT THE ARTIST “I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui Hasui Kawase (1883–1957) is the most celebrated Japanese print designer of the shin-hanga ('new prints') movement. His prints, produced under the guidance and discerning eye of his publisher, Watanabe Shozaburo, represent the modern legacy of the renowned 19th-century Ukiyo-e masters, Hiroshige and Hokusai. Hasui was able to evoke the fleeting beauty of Japan during the interwar period as no other printmaker of his time could. Hasui's work enjoyed huge popularity upon producing his first print in 1918. Watanabe recognized and developed the enormous potential of the American market, resulting in Hasui's prints achieving high prices at auctions in New York as early as the 1920s. After the Second World War, his prints became highly sought-after collectible works among the American occupying forces in Japan. Hasui designed more than 600 prints during the 40-year span of his artistic career, and in 1956, he was named a 'Living National Treasure' of Japan. Hasui’s woodblock prints...

The present work is an excellent example of the erotic Shunga prints produced by Utagawa 'Ando' Hioshige and his school. Shunga imagery became especially widespread in Japan with the...

Dana Schutz (American, born 1976) Back Surgery in Bed, 2014 Medium: Woodcut on wove paper Dimensions: 71.8 x 53 cm Edition of 50: Hand-signed, numbered and dated in pencil Condition....

Ex Libris Arnaldo Pescatore- is a woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech...

Ex Libris - Luciano Guidi is a colored woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Cz...

Ex Libris is a colored woodcut print created by Michel Fingesten. Hand Signed on the upper margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter and engrav...

Utagawa Kunisada (Toyokuni III), 'Kabuki Actors as Two Samurai Warriors in Confrontation Under Cherry Blossoms', woodblock print, 1849-53. Signed in the left panel, lower left, and r...

Ex Libris - Ex Musicis is a colored woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czec...

Ex Libris - Memento Vivere is a colored woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a ...

Ex Libris - Eugène Strens is a woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech paint...

Ex Libris L'Amour et la Folie - Ex Libris Jean Brissac is a woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (...

Ex Libris - Nina Tosi is a woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter a...

Ex Libris P. de Sanctis is a colored woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czec...

Ex Libris - Eroticis M.B. is a colored woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a C...

Ex Libris - Malz- is a colored woodcut print created by Michel Fingesten, in 1936. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a...

Ex Libris - Livio Ghislandi is a woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech ...

Ex Libris is a woodcut print created by Michel Fingesten in 1937. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter an...

Ex Libris - Salve Pax is a woodcut print created by Michel Fingesten in 1937. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech...

Ex Libris - Marco Binnholz is a woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech pa...

Ex Libris - Reinheimer is a colored woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czec...

One of Jim Dine’s most iconic motifs, the romantic Rancho Woodcut Heart work illustrates the story of hope and love through a symbolic image of a large red heart. With the contrast o...

Ex Libris - Ruter is a Woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Numbered on the left corner, ex. n. 6/30 Very good condition. Michel Fing...

Ex Libris - Robert Malz is a colored Woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Very Good condition.. Michel Fingesten (1884 - 1943) was a ...

Ex Libris - Mantero is a Woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Very Good condition. Michel Fingesten (1884 - 1943) was a Czech painter...

Ex Libris M.R. is a Woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Very Good condition. Michel Fingesten (1884 - 1943) was a Czech painter and ...

Ex Libris - Kurt Hermann Mendel is a Woodcut print created by Michel Fingesten in 1936. Hand signed on the lower margin. Good conditions. Michel Fingesten (1884 - 1943) was a Cze...

Medium: original woodcut. This bold and striking Expressionist woodcut was printed in 1920 for Genius. Image size: 9 1/2 x 7 inches (240 x 180 mm). This original Rouveyre print is fr...

Watanabe Shozaburo, 1936. Woodblock in colors on handmade mulberry paper, Koban 182 x 120 mm, full margins. With the Shôtei artist seal in red ink, upper right. Signed "Shotei" and titled in English on the matrix in graphite. With the "Made in Japan" export stamp and the Watanabe catalog number stamp 179, both in blue ink, on the bottom sheet edge, verso, as issued. Adhered to a card stock matrix with deckle edges, as issued. A beautiful pre-war impression of this serene and peaceful scene, good gradient inking and luminosity in the lantern. Printed by hand with cherrywood blocks. *Marc Kahn, Shotei catalog S10; Watanabe 179 Born in Tokyo in 1871, Hiroaki Takahashi...

Ex Libris - R.A. is a Woodcut print created by Michel Fingesten. Hand signed on the lower margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter and engraver ...

The Book is a woodcut realized by an unknown artist in the early 20th Century. Very Good conditions. The artwork is depicted through confident strokes.

"Yanagibashi in Snow" is an original color woodcut by Utagawa Kunisada. This woodblock print depicts a woman walking in the snow near the Motoyanagi canal, which was located in Tokyo...

The bird is a woodcut print realized by an unknown artist in the early 20th Century. Very Good conditions. the artwork is depicted through confident strokes.