Face Figurative Prints

Original poster for Kölner Kunstmarkt '71 (KKM '71), the predecessor of Art Cologne. The art fair's poster of 1971 was illustrated with Andy Warhol's i...

"Poissonnerie" 1960 wood cut print by Léonard Tsugouhara Foujita from the book "Petits Métiers et gagne petit." Hand signed "Foujita" on front lower right corner. Hand numbered 12/60...

La Feuille de vigne. Original color lithograph, 1983. Edition of 100 signed and numbered impressions on Arches paper. Published in Paris by Galerie Maeght-Lelong. Valerio Adami is an...

ALEX KATZ (1927-Present) Alex Katz' 'Man with Pipe' is a color etching and aquatint, 1984, on Rives BFK paper, signed and numbered 163/185 in pencil, printed by Aldo Crommelynck, co...

Metamorphose. Original color litograph, 1982. Edition of 100 signed and numbered impressions on Arches paper. Published by Galerie Maeght, Paris. Valerio Adami is an Italian artist k...

Leon Kossoff Head 4 1984 Etching, Edition of 25 23 x 17 cms (9 1/16 x 6 11/16 ins) (paper size) 5 x 3.7 cms (1 15/16 x 1 7/16 ins) (plate size)

Leon Kossoff Head of Father 2 1982 Etching, Edition of 25 46.3 x 37.5 cms (18 1/4 x 14 3/4 ins) (paper size) 26.5 x 20.6 cms (10 7/16 x 8 1/8 ins) (plate size)

Noland Anderson is a self taught portrait artist who strives to create works of art that are a celebration of people of color. He is known for his detailed compositions in oils applied with loose brush strokes. He often features images of Black women and men engaging in everyday life in urban settings. Born in Newport News, Virginia with roots in Sumpter, SC, Noland's passion for figure drawing was formed at an early age. Noland attended the Art Institute of Fort Lauderdale where he received an Associate Degree in Advertising. Upon graduating, he went on to work as a freelance illustrator, designing Judaic art throughout the mid 1990s through early 2000s. During this period, Noland's freelance work extended into television where he worked as one of three court artists for the ABC affiliate in South Florida and as an illustrator for Univision (an American media company serving the Latin Market worldwide). Noland is represented by Neema Fine Art Gallery. Neema Fine Art Gallery will donate 15% of the subtotal of each purchase of "Transcendent Achievement Through Transformational Leadership" to the Beta Nu Foundation in an effort to support the Beta Nu Chapter of Alpha Phi Alpha in their efforts to support the needs of the FAMU student body, the needs of the surrounding community, and promote scholarship among Alpha Phi Alpha members and beyond. All limited edition giclees (reproductions) are made to order so please anticipate your artwork to arrive within 14-21 days of your order. All open editions will be shipped within 7 business days.  Orders are shipped via UPS or Fedex; please check your email for all tracking information. Thank you for your support. Keywords: black art Black artist Black art gallery African american art African american artist African american painting African-american art African-american painting African-american artist Ethnic art Ethnic painting Ethnic artist Southern art Southern artist Southern painting African american art gallery African-american art gallery Charleston Charleston gallery Charleston art gallery Atlanta Atlanta gallery Atlanta art gallery Serenbe Serenbe art gallery Chattahoochee hills Georgia Georgia art Atlanta art Neema gallery Neema fine art gallery Giclee Giclee on canvas Harlem Renaissance Library 20's African American male Gentlemann HBCU FAMU Black History...

La mort de Marat. Original color lithograph, 1983. Edition of 100 signed and numbered impressions on Arches paper. Valerio Adami is an Italian artist knows for his Nouvelle Figuration movement. Adami began to incorporate various subjects into his artworks such as modern European history, literature, philosophy, and mythology. In this image Adami seeks inspiration in European History more specifically the French revolution. In the image he depicts the death of Marat...

Hand embellished screen print 124 x 88 cm 48 7/8 x 34 5/8 in. Edition of 10 (#1/10) ----------- Deborah Azzopardi has become world-renowned for her d...

"Hepburn and Bogart" original etching by Al Hirschfeld. Caricature portraits of Katherine Hepburn and Humphrey Bogart in "The African Queen." Artist ...

Published by edition GKM. Unframed. Edition: 200 ex Paper: 300gr. Goya. Signed by the artist. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passe...

TECHNICAL INFORMATION: Shepard Fairey Chinese Soldiers 2006 Screenprint 24 x 18 in. Edition of 300 Pencil signed and numbered; accompanied with COA by...

Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...

The painting is being offered with a work and authenticity certificate

Trust Three, Giclée Print on Aluminium Panel by Stoney Darkstone, 2022 Stoney Darkstone’s work exists in a world between fashion and art, blurring lines between fantasy and reality,...

Katie Eleanor, St Medard and the Devil II, 2019 Handcoloured portrait of a devil creature, immobilised in marble, inspired by the tale of St Medard. Purchasing on his rock, he lovin...

paper measures 26.5 x 30 inches. Edition PP 4/4 Painter, sculptor, poet, and musician Larry Rivers was an established figure in the New York School, recognized for creating large pa...

Published anonymously c. 1920, Vienna, in an edition of 100, after the original gouache, watercolor and pencil on paper, signed and dated in the plate by the artist in middle right: ...

David Hockney Untitled (from Geh durch den Spiegel), 1966 Medium: Lithograph on paper Dimensions: 14 7/10 × 10 1/10 in (37.3 × 25.6 cm) Edition of 250: Not signed, not numbered Condi...

Kumasaka Chōhan to Ushiwakamaru is a Japanese Ukiyo-e print created between 1848 and 1854 by artist Utagawa Kunisada (Japanese, 1786-1864). The print is a Diptych, and is part of the...

Madeline Luka (French 1894-1989) was a self taught painter known for her landscapes, portraits, nudes and still lifes. She typically portrayed her family and close friends set within...

'Happy Birthday Elvis! (Royal Blue)' by Mr. Brainwash, 2019 24 x 22 Inches Original serigraph on paper with hand finished acrylic splatter on hand torn, 100% cotton 300gsm cream arch...

"Beautiful Lies" Photography 24" x 36" inch Edition of 7 by Brendan North From “Painted Poetry” series: “Painted Poetry” is a collection of 40 photographs created over 4 years and w...

Image size: 24 x 12 inches Edition of 30

LADIES WITH PARROTS is an original hand drawn lithograph printed using hand lithography techniques on archival Somerset printmaking paper, 100% aci...

Marc Chagall (1887-1985) Le Soleil de l'Atelier, 1971 Lithograph in colors on Arches paper 25-1/2 x 19-3/4 inches (64.8 x 50.2 cm) (sheet) Epreuve d'Artist /Edition of 50 Signed in p...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. AP 45/50 (there was also a main edition of 250). Screen print on Arches Aquarelle (Rough) Paper. Printed by Alexande...

"Jim Morrison Mugshot" Print on canvas 39 x 36 inch Ed. of 75 by Gerard Marti Giclee print on canvas Stretched on wooden bars. Signed and numbered by the artist. The lead singer of The Doors Jim...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Mes Dessins d'Antibes', 1958 lithograph on paper Velin Arches 300 g. 20.1 x 25.8 in. (51 x 65.5 cm.) Edition of 200 Unframed ID: PIC2001-014 Prints based on original drawings by Pablo Picasso executed by Daniel Jacomet, artistic printer. The series “Mes dessins d'Antibes” is a fantastic study of the Homeric and mythological Antibes (the Greek Antipolis). In these lithographs Picasso...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Lady with Flowers" *Signed and numbered by Ting in pencil lower left Year: 1979 Medium: Or...

Chinese augural prints art edition Menarini Florence 1982. Linked to Chinese folk customs and daily life, the prints are popular ornaments for Lunar New Year decorations and express ...

Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Not framed, but matted with 100% cotton rag matting from Holland, gold filet from Italy, and foam board backing. All archival Matted size: 17" x 14.5" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...

Marc Chagall Original Lithograph 1969 From the revue XXe Siecle, edition of 12,000 Unsigned, as issued Dimensions: 32 x 24 Condition : Excellent Reference: Mourlot 572 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

RED HORSE on HOT PINK THREE GEISHAS is an original lithograph on archival Somerset printmaking paper, 100% acid free by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010). Ting's use of bold colors and expressive calligraphic brush drawn forms convey vivid life energy. He is well known for his colorful images of women, flowers, fish, parrots and horses and was associated with artists Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group called COBRA. Throughout his artistic life, Ting imbued his passion and spirit into his paintings, poetry and sculpture. RED HORSE on HOT PINK THREE GEISHAS is a freely expressed Chinese Ink Brush drawing of three colorfully robed women...

SEATED SEAMSTRESS is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism...

Artist: Leon Golub, American (1922 - 2004) Title: The Lovers Year: 1992 Medium: Lithograph, signed and numbered in pencil Edition: 52/90 Size: 30 x 22.5 in. (76.2 x 57.15 cm)

Ronard Brooks KITAJ Swimmer Screen print Signature printed in the plate On heavy paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Games in Munich, 1972 Excellent condition

Some of his prints were published by the WPA. it is a wood engraving signed in pencil. From a small edition. It measures 12 X 12.5 full sheet with margins. image is smaller. Albert...

Elizabeth Catlett - CHILDREN WITH FLOWERS 1995, limited edition lithograph printed in twelve colors using traditional hand lithography techniques on archival Arches paper, 100% acid free. CHILDREN WITH FLOWERS is a multicultural collage portrait of four children, each a different cultural heritage, wearing colorful print fabric clothing, gathered together behind a straw basket weave planter filled with a variety of pink impatiens and white daisies. The children's bodies, hands and flowers join together as a metaphor of unity and diversity of children throughout the world. A cheerful, socially aware composition by the renowned African American female...

Marc Chagall Original Lithograph Title: The Green Horse 1973 Dimensions: 33 x 50 cm Reference: This lithograph was created for the portfolio "Chagall Monu...

Known for their work in painting, photography, sculpture, and film, McDermott & McGough comprises visual artists David McDermott and Peter McGough, who formed their partnership on th...

Artist: Marc Chagall Title: The Accordionist (Derriere le Miroir 99-100) Portfolio: Derriere le Miroir Medium: Original Lithograph Date: 1957 Edition: 2500...

La Sirène after Marc Chagall is bursting with bold colors depicting a mermaid in gold with long black hair topped by a crown and her lover in blue with a bunch of red roses between them in a green background. It is one of 12 wood engravings from the portfolio Estampes by Robert Rey...

Salvador Dali ( 1904 - 1989 ) Aliyah, Return, O Virgin of Israel, Aliyah suite edition 232/ 250 published Shorewood Press 1968 on Arches paper paper size 25 x 19.63 image size 20....

Publisher GKM. Unframed. Edition of 150 ex Paper: 300gr. Goya. Signed, dated and numbered. Corneille, one of the founders of the COBRA group, has passed away. He died in Paris on Su...

Artist - Salvador Dali (Spanish, 1904-1989) Title - PRINCE OF CUPS, Tarot Card Series Publisher - DALART N.V. Year published - 1979 Medium - Lithograph on Arches Cover 270 gsm. 100% acid free, signed in pencil, inscribed 2/5 PP (Printers Proof) by Salvador Dali on lower print margin, publishers mark "DALART N.V. Copyright 1979" blindstamp embossed on lower left print margin. Fine impression, vivid colors, unframed, in very good condition. Listed in the Albert Field's OFFICIAL CATALOGUE OF THE GRAPHIC WORKS OF SALVADOR DALI, Reference #79-15. PRINCE OF CUPS from the Tarot Series 1979, is a surrealist style limited edition lithograph by Salvador Dalí (1904 – 1989) Printed on archival Arches paper, 100% acid free. PRINCE OF CUPS depicts a freely drawn, black line portrait of a young Prince wearing his golden yellow crown, sporting a white ruffle collared shirt, looking slightly sideways posed behind a golden chalice...

Derain, Andre (French, 1880-1954). VISAGE DE FEMME APPUYE SUR SA MAIN (FACE OF A WOMAN LEANING ON HER HAND). Adhemar 71, BN-IFF 17. Lithograph, 1927. One of 25 copies numbered in Rom...

Woman is an original black and white etching realized by Massimo Campigli in 1964. Hand signed on the right margin. Numbered on the lower left. Edition of 102 copies (16/102), etch...

George Zachary Constant (American/Greek 1892-1978), "Untitled: Head Of A Woman No. 2", Portrait/ Figurative Etching and Drypoint signed on Paper, 12.50 x 8.75 (15.25 x 11.50 Framed),...

Stampa riprodizione del disegno " Volto di Ragazza" realizzato dal disegnatore Emilio Greco.Firmato in basso a destra. Scultore italiano (Catania 1913 - Roma 1995). Trasferitosi a Ro...

Salvador Dali - Original Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12". Catalogue Raisonné : Field 68-6 (p. 40-41). Salvador Dal...

SULTRY by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Coventry Rag paper, 100% acid free. SULTRY is...

This fun nostalgic print recreated with an Afro-American flair is Screen print in color on Mohawk Superfine UltraWhite Cover paper featuring Deckled Edges that give this piece an uni...

Publisher GKM. Unframed. Edition of 150 ex. Paper: 300gr. Goya. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passed aw...

Jean-Michel Basquiat - In Italian (Framed) Size - 29h x 26w x 1"d Materials - Print on paper paper framed in wood Description This Jean-Michel Basquiat framed print...

Original Holland, so easy to reach by KLM vintage travel poster. Archivally linen-backed in very fine condition ready to frame. Colors are bright and vibrant. Printed in Hollan...

Artist: Andre Masson (French) Title: Surrealist Woman Year: 1970 Medium: Color lithograph Edition: Numbered 146/200 in pencil Image size: 24 x 18.5 inches Signature: Hand signed in...