Face Figurative Prints

From Les Maitres de L'Affiche, plate 94. Printed by Imprimerie Chaix, Paris. Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create an a...

Valerio Adami Jacques Derrida's Portrait Original Signed Lithograph Signed and Numbered Dimensions: 90 x 60 cm Edition: 50

Pablo Picasso's mastery of perspective and integration of geometric planes into his portraits is evident in this portrait of a woman wearing a matching orange hat and blouse. Returni...

Lou Barlow (Louis Breslow), 'Tenant Farmers', color wood engraving, 1936, edition 25. Signed, titled, and numbered '15/25' in pencil. A superb, richly-inked impression, with fresh c...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Le chapeau epingle (The Pinned Hat), from the album Les Lithographies de Renoir (The Lithographs of Renoir),...

Visually, the design evokes a king playing card, reinterpreted through a Mesoamerican lens: Mayan‑style figures, swords, clouds, and other symbolic motifs are composed in a richly gr...

HENRI de TOULOUSE-LAUTREC (French 1864 - 1901) EROS VANNE (Cupid Exhausted), 1894 (Delteil 74; Adhemar 81; Adriani 92) Original lithograph, cover of music / song sheet words by Maur...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Frontispice pour Les Cavaliers d’Ombre (Frontispiece for The Horsemen of Shadow), from the album Les Cavaliers d'Ombr...

From the Vargas Portfolio **Portfolio Cover Not Included** Lithograph Only Alberto Vargas (1896-1982) was born in Arequipa, Peru, in 1896, the son of...

Fly TWA The Orient, an original linen-backed travel poster by David Klein. Size: 25” x 40". Archival linen backed and ready to frame. Excellent condition, Grade A. Standing i...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. X, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchb...

This exquisite lithograph by Marc Chagall (1887–1985), titled L'Ange (The Angel), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litter...

Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state), 1645-50 Etching on laid paper 152 x 184 mm.; 6 x 7 1/4 inches References: Bellini 45 Bartsch 52 Note...

This bold color lithograph is signed, dated and numbered in pencil by Peyton, from an edition of 350. Published by the Public Art Fund, New York.

Mucha, Alfons Maria 1860 - 1939 Lefevre-Utile - Sarah Bernhardt Lithograph 1903 Dimensions: 27.5 x 20 in. (70 x 51 cm) Framed: 28 x 35.5 Inches Printe...

After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

"Three Ribbon Heads", Art Deco Female Figurative by John Luke Eastman. 1984 Beautiful mid-1980's hand colored Art Deco style lithograph by Southern California artist John Luke Eastman (American, b.1929). In this 1984 version of Eastman's "Three Ribbon Heads", a delicate flowing line drawing of three consecutive women's faces in profile are framed by ribbons in a circular composition. As in many of the artist's works, Eastman captions the piece with the following phrase: " In this life we have three lasting qualities...faith, hope, and love. But the greatest of them is love." Hand signed and dated in pencil lower right, "John L. Eastman 84" artists proof. Displayed in a light grey mat and new art deco-style giltwood frame. Paper size: 20"H x 16"W. Framed size: 19.5"H x 23.25"W x 1"D. John Luke Eastman is a Southern California artist with a unique style. A graduate of UCLA with a degree in graphic arts, he was successful fashion illustrator and art director for prestigious department store in L. A. before turning his full attention to fine art. Over the part decade he has created and mastered the unique style that is currently found in his limited edition silk-screen graphics. A versatile artist, who has illustrated many record and book covers he refers to his style as "the 5th dimension" or "beautiful distortion". The qualities he seeks to impart through his works are fluidity of movement, a feeling of spatiality, weightlessness and beautiful color. His artworks have been in a lot of shows across the country. He recently had show at Celux (Louis Vuitton membership...

NORTH Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of four also a...

This exquisite etching by Marie Laurencin (1883–1956), titled Trois jeunes filles (Three Young Girls), from the album Antares, eaux-fortes originales de Marie Laurencin (Antares, Ori...

Artist: Theo Tobiasse, French (1927 - 2012) Title: Rachel Year: 1984 Medium: Lithograph, signed and numbered in pencil Edition: 86/125 Image: 38 x 26 inches Size: 42 x 28.5 in....

Léonor FINI (1907-1996) Young lady Original etching, 1973 Hand signed in pencil Numbered /275 copies On Arches vellum size 56 x 38 cm (c. 22 x 15 in) Very good condition

Morning Awakening by Alfons MUCHA (1860-1939) "Morning Awakening" from the series "The Times of the Day" Variant 1 Original lithograph Signed "Mucha" and dated "99" for 1899, at t...

Klimt’s association with Martin Gerlach dates back to the early 1880s when Gerlach and Schenk published their first edition of Allegorien und Embleme. By the mid-1890s, they were pla...

Plate 13 from La Suite Vollard. Bloch 229. Baer 444. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Printe...

KATHE KOLLWITZ (1867-1945) HAMBURGER KNIEPPE, 1901) (K.58 IIIb) Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...

Title: Portrait Of Samurai Medium: Woodblock Print Style: Ukiyo-e Size: 13 1/2"" x 9 1/2"" Frame Size: 18 1/2"" x 14 1/2"" Signature: Kunisada Provenance: Collection from E...

Artist: Erte, Russian (1892 - 1989) Title: Her Secret Admirers Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 300 Image Size: 33 in. x 24 in. (83.82 cm x 60.9...

Mary Cassatt, After, American (1844 - 1926) - Afternoon Tea Party, Year: 1991; Original Published: 1890 - 1891, Medium: Color Etching on Arches Paper, Image Size: 14 x 10 inches, ...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Kunsthalle Bern (Hopeless)" Year: 1968 Medium: Original Screenprint, Exhibition Poster o...

A scarce impression by Dehn, the spirit of sedultive culture personified. Lithograph on white wove paper with deckle edges, 13 1/2 x 17 1/8 inches (343 x 435 mm), full margins. Sign...

This exquisite lithograph by Marc Chagall (1887–1985), titled Devant le Tableau (Before the Painting), from the album The Lithographs of Chagall, Volume II, originates from the 1963 ...

Fernando Botero (Colombian, b.1932) is celebrated for his painted and sculpted scenes featuring animals and figures with inflated proportions, reflecting the artist’s predilection for satire, caricature, and political commentary. Born in Medellin, Colombia, Botero began exhibiting his paintings there in 1948, and later worked as a set designer in Bogotá. In the 1950s, he traveled to several different European countries, including Spain, Italy, and France, to study the work of Renaissance and Baroque masters. He also traveled to Mexico to familiarize himself with the current Mexican avant-­‐garde. Botero became renowned for the varied source material he drew upon, from Colombian folk imagery to canonical works by Diego Velázquez, Pablo Picasso, and Francisco de Goya. In his depictions of contemporary Latin American life, he portrays the poverty and violence prevalent in Colombia in somber images, as well as in his iconic inflated figures, satiric images of Latin American presidents, first ladies, and government officials. A meeting with Dorothy Miller from The Museum of Modern Art in the early 1960s proved to be a turning point in his career; she acquired his work at a time when abstraction was the celebrated idiom, and he later exhibited his work in a major exhibition at the museum, solidifying his international reputation. In the 1970s, Botero moved to Paris, where he created large figural sculptures with his signature inflated forms. He remains engaged with images of his Latin American home city, and with overtly political imagery; his recent works include large paintings of prisoners at Abu Ghraib in a direct commentary on the war in Iraq. Botero has exhibited his work at the Museum of Modern Art in Copenhagen, the Maillol Museum in Paris, the Palazzo Benezia in Rome, the Hermitage Museum in St. Petersburg, and the National Museum in Bogotá. He currently lives and works in Paris, Montecarlo, and New York. 2012–2013 Museo Bellas Artes de Bilbao, Bilbao, Spain 2012 Una celebración, Palacio Bellas Artes de México, Mexico 2012 Hommage zum 80. Geburtstag, Botero -­‐ Gemälde, Skulpturen und Zeichnungen, Samuelis Baumgarte Galerie, Bielefeld, Germany 2010 Art is deformation, Nassau County Museum of Art, Roslyn Harbor, NY (solo) Inaurgural Exhibition: Fernando Botero, David Benrimon Gallery, New York, NY (solo) Latinas!, Nassau County Museum of Art, Roslyn Harbor, NY 2009 Gary Nader Fine Art, Coral Gables, FL Fernando Botero: The Circus. James Goodman Gallery, New York, NY El Dolor de Colombia, Pinacoteca Diego Rivero, Xalapa, Veracruz, Mexico 2008 The Baroque World of Fernando Botero, Brooks Museum of Art, Memphis, TN; New Orleans Museum of Art, New Orleans, LA; Delaware Art Museum, Wilmington, DE 2007–2008 Botero: Oeuvres récentes, Marlborough Monaco, Monte Carlo, Monaco (solo) 2007 Fernando Botero: Abu Ghraib, University of California, Berkeley, CA (solo) The Baroque World of Fernando Botero, Musée National des Beaux-­‐Arts du Québec, Canada (solo) Delaware Art Museum, Wilmington, DE (solo) New Orleans Museum of Art, New Orleans, LA (solo) Summer Exhibition, Marlborough Gallery, New York, NY Latin Masters...

Felice Casorati (Italian, 1883-1963) The Embrace, 1946 Lithograph Sight: 15 1/2 x 11 1/4 in. Framed: 23 1/3 x 18 2/3 x 1 in. Signed lower left, numbered lower right Felice Casorati (December 4, 1883 – March 1, 1963) was an Italian painter, sculptor, and printmaker. The paintings for which he is most noted include figure compositions, portraits and still lifes, which are often distinguished by unusual perspective effects. Casorati was born in Novara. He showed an early passion for music, but abandoned his study of piano after a serious illness, and became interested in art. To please his mother he studied law at the University of Padua until 1906, but his ambition to be a painter was confirmed in 1907 when a painting of his was shown in the Venice Biennale*. The works he produced in the early years of his career were naturalistic in style, but after 1910 the influence of the symbolists* and particularly of Gustav Klimt turned him toward a more visionary approach. In 1915 he had a solo exhibition at the Rome Secession III, where he showed several paintings and the first of his sculptures in varnished terracotta*. His military service in World War I began that year and lasted until his discharge from the army after the death of his father in 1917. In 1918, "intrigued by the decadent atmosphere of Turin with its sinister views", he settled there with his mother and two sisters. His works of the next decade typify, in their emphasis on geometry and formal clarity, the "return to order" then prevalent in the arts as a reaction to the war. Although many critics found his work cold, cerebral, and academic, Casorati achieved international recognition as a leading figure in this movement. Casorati himself wrote, in 1931: "In taking up, against me, the old polemic of classicism and romanticism, people rail against intellectualized and scholastic order, accuse my art of being insincere, and wilfully academic—in a word, of being neoclassical. ... since my art is born, so to speak, from within, and never has its source in changing "impressions", it is quite natural that ... static forms, and not the fluid images of passion, should be reflected in my works". Briefly arrested in 1923 for his involvement with an anti-Fascist group, Casorati subsequently avoided antagonizing the regime. Beginning in 1923, he opened his studio to the young art students of Turin, and to emerging Italian artists such as Quinto Martini and painters of the Gruppo dei Sei (Group of Six). In 1925, one of his students was Daphne Mabel Maugham, later his wife. One of his later students was the Italian painter Enrico Accatino...

Henri Bellery-Desfontaines Mysterious Love, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithogr...

This exquisite lithograph by Marc Chagall (1887–1985), titled Job en priere (Job in Prayer), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This deeply spiritual composition portrays the biblical figure of Job in an act of humble prayer and endurance amidst suffering. Chagall captures the essence of faith and perseverance through lyrical lines and a luminous atmosphere, transforming human despair into a vision of redemption and divine grace. The figure of Job, rendered with quiet dignity, embodies Chagall’s enduring fascination with the resilience of the human spirit in dialogue with the divine. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Job en priere (Job in Prayer), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Job...

This original lithograph in colours is hand signed in pencil by the artist ‘Marc Chagall’ at the lower right margin. It is also numbered 5 from the edition of 75, at the lower left ...

Lucian Freud Portrait Head 2001 Etching on Somerset Textured White paper 28 1/2 x 22 1/2 inches; 72 x 57 cm Edition of 46 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...

Derain, Andre (French, 1880-1954). VISAGE DE FEMME APPUYE SUR SA MAIN (FACE OF A WOMAN LEANING ON HER HAND). Adhemar 71, BN-IFF 17. Lithograph, 1927. One of 25 copies numbered in Rom...

Title page numbered: 263/450

Original poster: Save Freedom of Worship (S) Artist: Normal Rockwell. Archival linen backed. Original fold marks touched up at the time of b...

Original artist proof engraving, aquatint, intaglio on archival paper by the Russian/American artist, Nahum Tschacbasov. Signed in pencil lower right and dated 1947. Condition: good...

"Olivia 1" by Alex Katz (2025) is a striking multicolored screen print on Museum quality fine art paper, signed and numbered in a limited edition of 50, showcasing Katz's iconic styl...

Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower part. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, ...

Original “Switzerland” vintage travel poster. Archival linen backed in excellent condition, Grade A, ready to frame. The images shown...

Silkscreen on vélin papier Ingres de chez Arjomari-Prioux paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Nous croyons en l'...

Screen print on Beckett High white paper. From the Mao Portfolio. Hand signed by Andy Warhol and stamp numbered with the Andy Warhol Copyright and Styria Studio ink stamp on the rev...

MARC CHAGALL 1887 - 1985 "Le joueur de flûte" 1958 Colour lithograph 25.5x44 cm, illustration; 38.3x57.3 cm, sheet size Signed lower right by the artist in ink "Marc Chagall" and dedicated "Pour Ursula et Gerd Hatje / "merci" / Marc Chagall / 1958". Inscribed lower left by the artist "Epreuve d'artiste". This is an artist’s proof, aside from the edition of 90. Catalogue Raisonné : Mourlot 197 Gerd Hatje (14 April 1915 – 24 July 2007) was a German publisher. The publishing house that he founded in 1945, named the Humanitas Verlag, renamed in 1947 as Verlag Gerd Hatje, is internationally known for contemporary art, photography and architecture. It merged in to Hatje Cantz in 1999. In the 1950s and 1960s, Hatje changed the focus to art, photography, and architecture.[1] He had contact with and was a friend of contemporary artists such as Hans Arp, Willi Baumeister, Joseph Beuys, Max Bill, Georges Braque, Marcel Breuer, Marc Chagall, Christo, Le Corbusier, Max Ernst, Alberto Giacometti, Walter Gropius, Joan Miró, Pablo Picasso, Ludwig Mies van der Rohe, and James Stirling...

Yoshitomo Nara Dead Of Night Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Roy Lichtenstein Two Paintings: Dagwood, 1984 is a vivid, colorful piece that demonstrates the clever work of Lichtenstein’s varied oeuvre. The work is c...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.25 x 8.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the...

The Wrath of Elihu. 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid'. 1823-25. Engraving. .Binyon catalog 117 state ii, Bindman catalog 632. Image 7 7/8 x 5 15/16; plate 8 ...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Hollywood Stars 20th Century Litho - K. Hepburn, J. Wayne, S. Davis. J. Garland Al Hirschfeld (1903-2003) "Hollywood" Hand-signed Limited Edition Etching, 79/175 Plate Size: 18 3/4...

Tu que no puedes from "Los Caprichos" is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799. The work is an etching and aquat...

'Jeune Femme des Iles Sandwich dansant' (Young woman of the Sandwich Islands dancing) Shows a tattooed and bare-breasted young woman, seated on the ground among her skirts. Her cur...

Tracy Sabin, American - Grey Cat, Year: circa 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Image Size: 20 x 33.5 inches, Size: 26 in. x 40 in. (66.04 c...

"Night's Rest" from the series "The Times of the Day" Original lithograph Signed "Mucha" and dated "99" for 1899, at the lower part of the plate. There is no hand-written signature ...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Parallèlement, Illustré de lithographies originales ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 106 (Plate 106), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates fro...