Katsushika Hokusai Art

Fritz Eichenberg, 'The Wolf and the Little Kids' from the suite 'Fables with a Twist', wood engraving, 1975-76, artist's proof apart from the edition of c. 50. Signed, titled, and annotated 'Artist’s Proof' in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (7/8 to 1 1/2 inches), in excellent condition. Complete with vellum folder with descriptive text in red and black linotype. Printed by master printer Harold McGrath at The Gehenna Press, Northampton, MA. Image size 13 15/16 x 12 1/8 inches (354 x 308 mm); sheet size 16 1/2 x 14 inches (419 x 356 mm). Archivally sleeved, unmatted. Collection: Harvard Museums. ABOUT THE ARTIST Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting. In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists. In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday. Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...

Three surfers carving up the Hawaiian waves, having a blast in the tropical surf. 3 Turns - Surfing Art - Figurative Print - Woodcut Print By Marc Zimmerman ...

Julius J. Lankes, 'Cottage in Winter', woodcut, 1919. Signed, dated, and numbered '15' in pencil. Initialed and dated in the block, lower right. A fine, richly-inked impression, on off-white, wove Japan paper, the full sheet with margins (1 1/4 to 2 inches) in excellent condition. Printed by the artist. Scarce. Matted to museum standards, unframed. Image size 7 7/8 x 7 1/4 inches (200 x 184 mm); sheet size 11 x 9 7/8 inches (279 x 251 mm). Collection: Burchfield Penney Art Center. ABOUT THE ARTIST “I honor him for his realism. The man has feeling. He has that odd quality, so infinitely valuable, the feeling for things, for the reflected life in things.” —Sherwood Anderson, American novelist. Julius John (J.J.) Lankes (1884-1960) was a highly-regarded American illustrator, graphic artist, author, lecturer, costume & scenery designer, and college professor. He is known primarily for his woodcut prints and his artistic collaboration with the poet Robert Frost, a friendship that spanned over forty years. Lankes was born in Buffalo, NY, to parents of German heritage and graduated from the Buffalo Commercial and Electro-Mechanical Institute in 1902. From 1908-1910 he studied at the Art Students League in Buffalo, NY, and from 1912-13 he studied at the School of the Museum of Fine Arts, Boston, under Philip Leslie Hale and William McGregor Paxton. He also studied with artists Ernest Fosbery and Mary B.W. Coxe. Lankes made his first woodcut in 1917 and, over the course of his career, produced over 1,300 woodcuts. Lankes produced woodcuts to illustrate Robert Frost's poems as well as other notable authors and poets, including Ellen Glasgow’s ‘Barren Ground’ (1925), Roark Bradford’s ‘John Henry’ (1931), Sherwood Anderson’s ‘Perhaps Women’ (1931), Pulitzer Prize-winning poet Robert Peter Tristram Coffin’s ‘Elegy Written in a Country Churchyard’ (1940), Beatrix Potter’s ‘Wag-By-Wall’ (1944) and August William Derleth’s ‘Country Poems’ (1956). He collaborated with his friend Charles Ephraim Burchfield to produce eleven woodcut designs based on Burchfield’s drawings. Lankes also published his own woodcuts, and how-to manuals, and authored articles in numerous magazines and publications. In 1930, Lankes and his Hilton Village neighbor Eager Wood of the Virginia Press collaborated on Virginia Woodcuts, a limited edition volume of 25 prints that featured and supported the preservation of the historic lands of Tidewater, Virginia. Lankes wrote and illustrated A Woodcut Manual, published by Henry Holt in 1932, the first definitive book on the woodcut printmaking medium in America. In 1933, Lankes was persuaded by Frost to accept a position as visiting Professor at Wells College in Aurora, New York. He taught at Wells for seven years. During the World War II years, he joined the National Advisory Committee for Aeronautics, as head of technical illustration at Langley Memorial Aeronautical Laboratory, Langley, VA. Lankes’ art association memberships included the Society of American Graphic Artists, the American Artists Professional League, the Prairie Print Makers...

Edo Meisho woodblock print of a famous Japanese coastal dock. This woodblock is most likely apart of the series "One Hundred Famous Views of Edo." The woodblock print is printed on r...

"Suwa Kintai Bridge at Iwakuni", a beautiful mid-century Japanese woodblock print by master modern printmaker Tomikichiro Tokuriki (Japanese, 1902-2000), c.1960s. This iconic bridge of five arches is depicted in the traditional clean and minimalist style, with tiny figures silhouetted under a full moon. From the series "Hanga Nihon Hakkei" (The Eight Views of Japan). Signed with the artist's chop lower right. Signed with chop of publisher, Uchida Bijutsu Shoten, lower right margin. "Suwa Kintai Bridge at Iwakuni / Hiroshima" noted on verso. Displayed in a new grey mat with acid free foam core backing. Unframed. Paper size: 11.25"H x 16"W. Tokuriki was born in Kyoto, where he has always worked. The last of a long line of traditional-style painters, he turned early to woodblock prints and became a leader of the Kyoto 'Sosaku Hanga'. He graduated from the Kyoto City School of Fine Arts and Crafts and then from the Kyoto City Specialist School of Painting in 1924. In 1928 he studied 'Nihonga' painting under Tsuchida Bakusen (1887-1936) and Yamamoto Shunkyo...

"Plovers at Tamagawa" from "Six Jewel Rivers" - Woodblock Print on Paper This print, sometimes titled "Chidori No Tamagawa" "Plovers at Tamagawa", is from the series Mu Tamagawa ("Six Views of Tama River", also known as "Six Jewel Rivers" or "Six Crystal Rivers") by Kubo Shunman...

Woodblock on colored paper by Margo Hoff (1910-2008) titled 'Observers' of a black and red abstract scene with seventeen figures whose arms are in various positions, looking out at t...

Matsuno Sofu (1899-1963), 'Hagoromo - Noh', woodblock print, 1937. Signed 'Sofu' with the artist's seal, lower right. A fine impression, with fresh colors, on heavy, cream, Japan pa...

Stevan Dohanos was an accomplished draftsman who work was widely known through the Saturday Evening Post. This print 'Backyard,' however, leaves aside the illustrative magazine work ...

KIYOSHI SAITO (Japanese 1907 - 1997) KYOTO (B) 1966 Color woodcut, signed, titled, dated and no. 5/100 in pencil. Edition 100. Image 14 3/4 x 20 5/8 inches. Full margins with deckle...

Karl Michel, 'Dr. Walter Vogel - Exlibris der Exlibrissammlung' (Bookplate of the Exlibris Collection), woodcut, 1924. Signed in the block, lower right. Signed, dated, and numbered '...

Three women in the Saruwaka-machi District with a view of Kinryûzan Temple seen from the famous landmark Matsuchiyama. The woodblock print is from the series "Famous Places in Edo". ...