Skip to main content

Lou Barlow Art

to
2
Overall Width
to
Overall Height
to
2
2
2
1
1
1
1
1
1
1
1
2
2
8,230
2,807
1,651
1,318
2
Artist: Lou Barlow
On the Beach (Coney Island, New York) — 1930s Graphic Modernism, WPA
By Lou Barlow
Located in Myrtle Beach, SC
Lou Barlow (Louis Breslow), 'On the Beach' (Coney Island) wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. Stamped 'FEDERAL ART PROJECT NYC WPA' in the bottom left margin. A fine, richly-inked impression, with all the fine lines printing clearly, on cream wove paper, with full margins (1 1/2 to 3 inches), in excellent condition. Matted to museum standards, unframed. Scarce. Image size 11 x 8 1/8 inches; sheet size 16 x 11 3/8 inches. Created during the Great Depression for the Works Progress Administration (WPA), Federal Art Project, New York City. Impressions of this work are in the permanent collections of the Amon Carter Museum of Art, Illinois State Museum, and the New York Public Library. ABOUT THE IMAGE Due to Coney Island's proximity to Manhattan, Brooklyn, and other New York boroughs, it began attracting vacationers in the 1830s and 1840s. Most of the vacationers were wealthy and went by carriage roads and steamship services that reduced travel time from a formerly half-day journey to two hours. By the late 1870s, the development of Coney Island's amusement park attractions and hotels drew people from all social classes. When the Brooklyn Rapid Transit Company electrified the steam railroads and connected Brooklyn to Manhattan via the Brooklyn Bridge at the beginning of the 20th century, Coney Island turned rapidly from a resort to an accessible location for day-trippers seeking to escape the summer heat in New York City's tenements. In 1915, the Sea Beach Line was upgraded to a subway line, and the opening of the Stillwell Avenue station in 1919 ushered in Coney Island's busiest era. On the peak summer days, over a million people would travel to Coney Island. In 1937, New York City purchased a 400-foot-wide strip of land along the shoreline to allow the boardwalk to be moved 300 feet inland. At this point, Coney Island was so crowded on summer weekends that parks commissioner Robert Moses...
Category

1930s American Modern Lou Barlow Art

Materials

Woodcut

'Tenant Farmers' — Depression Era, WPA
By Lou Barlow
Located in Myrtle Beach, SC
Lou Barlow (Louis Breslow), 'Tenant Farmers', color wood engraving, 1936, edition 25. Signed, titled, and numbered '15/25' in pencil. A superb, richly-inked impression, with fresh c...
Category

1930s American Modern Lou Barlow Art

Materials

Woodcut

Related Items
Peace
By Anton Refregier
Located in Fairlawn, OH
Peace Woodcut printed in orange red ink on japanese paper Signed and titled in pencil lower right (see photo) Titled lower left (see photo) Created along with an illustrated book pro...
Category

1950s American Modern Lou Barlow Art

Materials

Woodcut

Stevan Dohanos, Backyard
By Stevan Dohanos
Located in New York, NY
Stevan Dohanos was an accomplished draftsman who work was widely known through the Saturday Evening Post. This print 'Backyard,' however, leaves aside the illustrative magazine work ...
Category

1930s American Modern Lou Barlow Art

Materials

Woodcut

Walter DuBois Richards, The Lobster Float
By Walter DuBois Richards
Located in New York, NY
Ohio-born Walter DuBois Richards (1907-2006) was educated at the Cleveland School of Art. He re-located to New York around 1933 where he had a successful career as a commercial artis...
Category

1930s American Modern Lou Barlow Art

Materials

Woodcut

3 Turns - Surfing Art - Figurative Print - Woodcut Print By Marc Zimmerman
By Marc Zimmerman
Located in Carmel, CA
Three surfers carving up the Hawaiian waves, having a blast in the tropical surf. 3 Turns - Surfing Art - Figurative Print - Woodcut Print By Marc Zimmerman Limited Edition 01/05 ...
Category

2010s American Modern Lou Barlow Art

Materials

Woodcut

'Jones Island' original woodcut engraving by Gerrit Sinclair
By Gerrit Sinclair
Located in Milwaukee, WI
The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 13.43 x 12.43 inches, frame Signed "GS" in the print block,upper left Entitled "Jones Island" lower left (covered by matting) Inscribed "Wood Engraving" lower center (covered by matting) Artist name "Gerrit V. Sinclair" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors. Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...
Category

1930s American Modern Lou Barlow Art

Materials

Woodcut, Engraving

THE RUG WEAVER
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971) THE RUG WEAVER, 1910 (Chamberlain 26) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
Category

1910s American Modern Lou Barlow Art

Materials

Woodcut

THE RUG WEAVER
THE RUG WEAVER
$2,250
H 9 in W 13.125 in
Sidney Chafetz, The Stroller (Wallace Stevens)
Located in New York, NY
Sidney Chafetz was known for his clever compositions and his many portraits, all made in the most 'difficult to control' medium of woodcut.. This charmi...
Category

1970s American Modern Lou Barlow Art

Materials

Woodcut

Modern American Industrial Landscape
Located in Buffalo, NY
An original woodblock print dated 1965, titled "Our Town" but signed illegibly.
Category

1960s American Modern Lou Barlow Art

Materials

Paper, Woodcut

Oscar Weissbuch, Westchester Hills (NY), New Deal, WPA-era wood engraving
Located in New York, NY
New York City native Oscar Weissbuch (1904-1948), attended the Yale University School of Fine Arts and the Art Students League, NY. He participated in the NYC-WPA printmaking project...
Category

1930s American Modern Lou Barlow Art

Materials

Woodcut

'The Rabbit' original woodcut engraving by Clarice George Logan
By Clarice George Logan
Located in Milwaukee, WI
In 'The Rabbit,' Wisconsin artist Clarice George Logan presents the viewer with a multi-figural scene: under a wood-frame structure, four children crouch on the ground, gathered around a young woman who presents a rabbit. Under normal circumstances, such an image of children with a bunny would recall childhood storybooks. In this case, however, the image is more ambiguous and suggests the unfortunate economic circumstances many children suffered during the interwar years. Nonetheless, the group could also be interpreted as a nativity play, with the rabbit taking the place of the Christ child, shining light on the children like in a painting by the Italian Renaissance artist Correggio. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints - one for each week of the year. Clarice George Logan was born in Mayville, New York in 1909 but moved to Wisconsin in 1921. She attended the Milwaukee State Teachers College from 1927 to 1931 where she studied with Robert von...
Category

1930s American Modern Lou Barlow Art

Materials

Engraving, Woodcut

Werner Drewes, Winter, 1933, modernist woodcut
By Werner Drewes
Located in New York, NY
A modernist fantasy winter scene created by Werner Drewes, this print brings key aspects of the period together. His cubist-inspired woodcut technique is utilized here to bring the s...
Category

1930s American Modern Lou Barlow Art

Materials

Woodcut

Amos
By Leonard Baskin
Located in San Francisco, CA
This artwork titled "Amos" 1960 is an original woodcut on paper by noted American artist Leonard Baskin, 1922-2000. It is hand signed, titled and numbered 35/50in pencil by the artis...
Category

Mid-20th Century American Modern Lou Barlow Art

Materials

Woodcut

Amos
Amos
$950
H 23 in W 27 in D 0.75 in

Lou Barlow art for sale on 1stDibs.

Find a wide variety of authentic Lou Barlow art available for sale on 1stDibs. You can also browse by medium to find art by Lou Barlow in woodcut print and more. Much of the original work by this artist or collective was created during the 1930s and is mostly associated with the modern style. Not every interior allows for large Lou Barlow art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Charles Turzak, Emil Ganso, and Jacques La Grange. Lou Barlow art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,700 and tops out at $1,700, while the average work can sell for $1,700.

Recently Viewed

View All