Etching Figurative Prints

Pablo Picasso Madeleine, 1905 (Sheet 2 of the episode "Les Saltimbanques") Etching on copper in black on cream wove paper 4 3/4 x 3 1/4 inches Sheet size is 8 x 6 3/4 inches From th...

A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...

Etching on handmade cream laid paper with a deckle edge, and an elaborate and large watermark of a crowned figure with a harp, and letters A S, 11 3/4 x 8 inches (298 x 204 mm); shee...

Etching on paper. Hand Signed and numbered. Edition of 25, in roman numbers. Excellent condition.

Artist: Theo Tobiasse, French/Israeli (1927 - 2012) Title: J'ai retrouvé mon père sur les rives du Jourdain. Cat. Nahan Year: 1983 Medium: Aquatint Etching with Carborundum, signed i...

One of the founders of Impressionism and certainly one of its greatest masters, Pierre-Auguste Renoir (1841 - 1919) was not a prolific printmaker, but he explored several different m...

Pablo Picasso (1881 - 1973) Au Vieux Sculpteur au Travail I (Old Sculptor at Work I), c. 1933 Medium: Etching on Montval Laid Paper with Vollard Watermark Edition: Edition of 260 Artwork Size: 10.5 x 7.6 in Framed Size: 28.5 x 24.25 x 1.5 in This work is Framed Etching on Montval Paper, from the Vollard Suite, c. 1933 Image Size: 10.5 x 7.6 inches From the small margins edition at 260 proofs, unsigned Published by Vollard, Paris Printed by Lacourière, Paris Pablo Picasso’s Vollard Suite...

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

Artist Name: Barbara Kwasniewska Title: Belles de nuit - ladies of the Night Year: 1969 Medium Type: etching Size-Width Size-Height: 22.5'' x 30" inches Signed Edition Size: Signe...

Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...

Letter of the Alphabet A from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good conditions...

ARTIST: Salvador Dali TITLE: Hommage a Homere Helen of Troy MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Levine & Levine for Peterson Fine Art/Diversified Edi...

Salvador DALI (1904-1969) Casanova : Birdy on the Tongue, 1967 Original etching Printed signature in the plate On Rives vellum 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog...

Titled 'Polo' and signed 'Louis Claude' in pencil below the image. Printed in Paris for the Paris Etching Society, New York. 465mm by 595mm (pla...

The Strolling Muscians Etching, c. 1635 Unsigned (as issued) A posthumous impression in very good condition. From a very early Basan Recueil, printed on heavy laid paper withouot wa...

Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Bust of a Man Wearing a High Cap, The Artist's Father Year: 1630 Medium: Etching Paper: Verge paper Image (plate mark) size: ...

Pierre-Yves Tremois Thésis and Pelée Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in) Very goo...

Pierre-Yves Tremois A loving couple Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm ...

KATHE KOLLWITZ (1867-1945) HAMBURGER KNIEPPE, 1901) (K.58 IIIb) Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...

Alejandro Colunga is a renowned Mexican artist born in 1948 in Guadalajara, Jalisco. He is part of the Nueva Mexicanidad movement and is celebrated for his surrealist and fantastical...

MARC CHAGALL (1887 – 1985) MATERNITE, 1926. Motherhood I: Honte / Disgrace (Kornfeld 65, Cramer 5, Sorlier, p. 20-21 Etching, Frontispiece from Maternite Au Sans Pareil, Paris, 1926. Marcel Arland, illustrated by Marc Chagall with five original etchings this being one of the five. Image size: 5 5/8 x 4 1/8. 1130 unsigned impressions on various papers. The story begins with a young woman being shunned by the whole village because she had given birth to a child and left its dead body...

Artist: Salvador Dali Title: Tourbillon-spirale from rose Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Sheet Size: 14 7/8" x 14 7/8" Signature: Initialed (S.D.) ...

Miguel CONDE (1939-) The Balance of Pear Original etching Handsigned in pencil Numbered / 100 proofs Authenticated by the editor blind stamp On vellum 38 x 56 cm (c. 15 x 22 in) Ve...

Raymond PEYNET Astrology - Zodiac : Taurus, 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76x56 cm (c. 30 x 22 inches) This etching is authentified by the...

Edouard MANET The Absinthe Drinker, 1860 Original etching Printed signature in the plate On Japan paper 45 x 40 cm (c. 18 x 16 inch) REFERENCES : Catalog raisonnes Guerin n°9 and F...

Etching and drypoint on laid paper, 1651. New Hollstein's third, and final, state. Full sheet size 5.38 x6.5 inches. Frame size 14.25 x 16.75 inches. Catalogue raisonné references...

This artwork titled "The Windmill" 1641 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Signatu...

Agustin Bejarano (Cuba, 1964) 'Tejedoras de mano II', 2003 engraving on paper Guarro Biblos 250g. 30.6 x 23.3 in. (77.5 x 59 cm.) Edition of 20 Unfram...

Screen Print on Magnani-Pescia paper 310 gr/m2, paper size 68cm x 48cm, work size 51cmx40 cm . Good condition, no defects. Gian Paolo Berto was born and raised in the limited but fe...

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

Aquatint, Etching on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagni...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...

Médecine Expérimentale (Experimental medicine), is an original etching, soft ground, on Japanese paper realized by Félicien Rops in 1854, signed in the ...

Artist: Salvador Dali Title: Paysage fossile imaginaire from moon Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Frame Size: 22" X 22" Sheet Size: 14 7/8" x 14 7/8...

19 Septembre 1968 (Peintre et modèle qui se cache le visage) is an artwork realized by Pablo Picasso in 1968. Black and white etching. Hand signed and numbered on the lower margin....

Shadow is an original etching artwork on paper realized in 1940 by Pierre Guastalla (1891-1968). Hand-signed lower right in pencil. Numbered lower left, from an edition of 6 prints....

Pierre-Yves Tremois Couple embraced Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in) Very good...

This artwork titled "Nino Con Pajaros" Variant, 1976, is a color etching on Guarro paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 40/75 in black crayon by the artist. Published by Ediciones Poligrafa, Barcelona, Spain. The artwork (sheet) size is 29.5 x 22 inches, framed size is 41.25 x 33.75 inches. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #199 page 169. Custom framed in a wooden black frame, with light beige fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics...

This artwork titled "Seven Deadly Sins, Thou Shalt Not" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 124/150 in pen...

L’Etreinte is an artwork realized by Pablo Picasso in 1963. Etching and Aquatint on BFK Rives-Velin paper. Hand Signed lower right. Numbered on the lower margin. Edition of 14/50....

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Still life with eleven objetcs in a sphere (Original Italian title: Natura morta in un tondo) is an etching realized by Giorgio Morandi (1890-1964) in 1942. Hand numbered Edition 5...

This whimsical and surreal etching by Mexican artist Maximino Javier, dated 1984, embodies his unique visual language that blends fantasy, folklore, and satire. Executed with intrica...

A Picture of Ourselves, from The Blue Guitar Etching with Aquatint in colours on Inversk mould made paper with full margins Signed in pencil and annotated BAT ("Bon a Tirer") on the ...

Pedro Friedeberg signed lithograph featuring a fantastical architectural scene inspired by “Struwwelpeter.” includes whimsical figures, optical art elements, and surreal details. fra...

Engraved by Baron Dominique Vivant Denon. Etching on a large sheet of light cream wove paper, 3 1/2 x 2 3/8 inches (90 x 60 mm); sheet 15 1/4 x 11 3/4 (387 x 299 mm), full margins. I...

Original etching and drypoint on wove paper. This is the third version and the second edition printed in 1921 of Le Chapeau Epingle. Condition is very good...

This artwork titled "Arch of Titus" created 1923 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist's estat...

Etching and aquatint realized by Henry Alken in 1846. Plate from "The Analysis of the Hunting Field". Very good condition. Henry Alken (1765-1851) was en english painter and engrav...

This artwork "l'Entree du Port, Netherland" c. 1930 is an original color aquatint on wove paper by French/Armenian artist Heran Chaban, 1887-1939. It is h...

The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...

Artist: Hans Figura (Austrian, 1898-1978) Title: Les Quais with Notre Dame de Paris Year: Circa 1950 Medium: Color etching with aquatint on silk Edition: Unknown Plate mark ...

A well-inked impression of Ruisdael's finest Haarlem-period etching. Amsterdam: Franz van Wyngaerde, 1649. Etching on buff cream laid paper, 5 1/8 x 6 inches (130 x 153 mm), the ful...

Homage to Michelangelo is an original artwork realized in 1975 by Jorge Castillo. Black and white etching. Hand signed on the lower right margin. Numbered on the lower right left....

The Piazza della Rotonda, with the Pantheon and Obelisk. Etching on fine watermarked paper. Signed on plate on lower-left margin "Piranesi del. Sc." and with the address of Bouchard...

Charles Donker Behind the Frog 20 x 38,5 (Framed included in price, 42 x 59 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and...

This exquisite etching by Marc Chagall (1887–1985), titled La table chargee de victuailles (The Table Laden with Food), originates from the celebrated folio Nicolas Gogol, Les Ames m...

Etching, excellent proof of II state on IV, before the retouching of the ground and the vault on the right, margin line. Ref. Bartsch, Hollstein 94; Hind 301; New Hollstein 312; Sto...

The Street is a print realized by Maxime Juan in the early 20th century. Signed on the plate Etching on paper Good condition with slight foxing.

Ex Libris  -  Giorgio Balbi - Better to Have Love is an Artwork realized by Alberto Helios Gagliardo in Mid 20th Century. Etching. Good conditions.