Etching Figurative Prints

A wonderful, rare image by a pivotal 19th century Printmaker whose work serves as a bridge between social realism and the exuberant, often gritty glamour of Parisian cabaret culture....

Salvador DALI (1904–1989) The Blue Horsemen Original print (etching) Signed on the plate On Japanese paper, 28 x 38 cm (11 x 14.9 in) REFERENCES: - Field Catalogue Raisonné #73-1 J...

Lithograph on cream wove paper with a large, modern geometric watermark, 10 x 9 5/8 inches (255 x 245 mm), the full sheet. Signed, dated and numbered 4/25 in pencil in the lower right.

Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...

Portrait de la Comtesse d’Haussonville Etching and Aquatint. Image Dim: cm 18x25; Sheet Dim: cm 44x29; Passepartout Dim: cm 49x34 Signed on plate “ Ingres pinxit, E.Friant sculpit”...

WE WILL SHIP THIS ARTWORK WORK TO YOU WITH A COURTESY PEDRO FRIEDEBERG STYLE BLACK AND GOLD STRIPED FRAME . . . . Pedro Friedeberg is an Italian-born Mexican artist and designer kn...

Edgar Degas Mary Cassatt at the Louvre Original etching, softground, aquatint and drypoint Probably an impression from the cancelled plate edited by Ambroise Vollard c. 1880 Unsign...

Francois BOUCHER Peaceful Maternity : the Sleeping Baby Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Artist: Theo Tobiasse, French/Israeli (1927 - 2012) Title: J'ai retrouvé mon père sur les rives du Jourdain. Cat. Nahan Year: 1983 Medium: Aquatint Etching with Carborundum, signed i...

Etching on paper realized by Paulette Humbert in the mid-20th Century. Hand signed and numbered in pencil. One of 10 Artist's Proofs. Very good condition.

Etching on paper. Hand Signed and numbered. Edition of 25, in roman numbers. Excellent condition.

Raymond PEYNET Astrology - Zodiac : Taurus, 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76x56 cm (c. 30 x 22 inches) This etching is authentified by the...

Original etching and drypoint on wove paper. This is the third version and the second edition printed in 1921 of Le Chapeau Epingle. Condition is very good...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

Titled 'Polo' and signed 'Louis Claude' in pencil below the image. Printed in Paris for the Paris Etching Society, New York. 465mm by 595mm (pla...

Pablo Picasso Madeleine, 1905 (Sheet 2 of the episode "Les Saltimbanques") Etching on copper in black on cream wove paper 4 3/4 x 3 1/4 inches Sheet size is 8 x 6 3/4 inches From th...

Mary Cassatt (1844-1926) Maternal Love Engraving after a pastel Signed in the plate On vellum, 50 x 38 cm (c. 20 x 15 in) INFORMATION: Copperplate engraving published by the Galer...

About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...

KATHE KOLLWITZ (1867-1945) HAMBURGER KNIEPPE, 1901) (K.58 IIIb) Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...

The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...

Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Bust of a Man Wearing a High Cap, The Artist's Father Year: 1630 Medium: Etching Paper: Verge paper Image (plate mark) size: ...

Etching hand colored. Hand signed and numbered. Edition of 100. Excellent condition.

This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it. The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints. Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...

This artwork titled "Seven Deadly Sins, Thou Shalt Not" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 124/150 in pen...

Pierre-Yves Tremois Thésis and Pelée Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in) Very goo...

MARC CHAGALL (1887 – 1985) MATERNITE, 1926. Motherhood I: Honte / Disgrace (Kornfeld 65, Cramer 5, Sorlier, p. 20-21 Etching, Frontispiece from Maternite Au Sans Pareil, Paris, 1926. Marcel Arland, illustrated by Marc Chagall with five original etchings this being one of the five. Image size: 5 5/8 x 4 1/8. 1130 unsigned impressions on various papers. The story begins with a young woman being shunned by the whole village because she had given birth to a child and left its dead body...

PIERRE-AUGUSTE RENOR (1841 - 1919) SUR LA PLAGE, a BERNEVAL (D.: S. 5) Drypoint on laid paper. The plate was created in c. 1892. Plate 5 3/8 x 3 3/4". Sheet 11 1/4 x 10 1/8". This...

Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...

Etching and aquatint realized by Henry Alken in 1822. Table from "The Sporting Repository", first edition. Very good condition. Henry Alken (1765-1851) was en english painter and e...

Artist: Salvador Dali Title: Tourbillon-spirale from rose Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Sheet Size: 14 7/8" x 14 7/8" Signature: Initialed (S.D.) ...

ARTIST: Salvador Dali TITLE: Christ MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 62/125 MEASUREMENTS: 25.5" x 19.75" YEAR: 1964 FRAMED: No CONDITION: Excellent RE...

Mezzotint engraving realizd by  William Greatbach after the celebrated painting by John Martin. A dramatic nineteenth-century mezzotint depicting the biblical scene of Belshazzar’s ...

Etching hand colored realized by Vincenzo Maugeri. Hand signed in pencil. Excellet condition.

Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25, Duffy 165. Signed, dated, and annotated 'imp' in pencil. A superb, richly-inked, atmosp...

Paris: Cadart, 1873. Etching with engraving on white wove paper, 9 1/4 x 12 1/2 inches (235 x 318 mm); sheet 10 3/4 x 14 3/4 inches (274 x 375 mm), full margins. In very good condi...

Edouard MANET The Absinthe Drinker, 1860 Original etching Printed signature in the plate On Japan paper 45 x 40 cm (c. 18 x 16 inch) REFERENCES : Catalog raisonnes Guerin n°9 and F...

Etching with engraving on cream laid paper with a large unidentified alphabetic watermark, 6 1/2 x 9 7/8 inches (165 x 251 mm), the full sheet. In good condition with handling wear a...

L'Académie de Paris (The Academy in Paris). Etching on Arches wove paper (watermark), 1971. Signed and numbered 184/250 A. Plate 42.5 cm x 59.5 cm. Sheet approx. 56.5 cm x 75.5 c...

La Tresse (Anais) Etching with stipple, October 1926 Signed in pencil lower right (see photo) Signed and dated in reverrse in the plate lower left Edition: 111, published by Conaghi,...

Framed 18.5 x 20.5 in Etching on Ingres D'arches off-white laid paper, signed and dated Third and final state Posthumous Impression, 1998

Etching and aquatint realized by Henry Alken in 1846. Plate from "The Analysis of the Hunting Field". Very good condition. Henry Alken (1765-1851) was en english painter and engrav...

Alejandro Colunga is a renowned Mexican artist born in 1948 in Guadalajara, Jalisco. He is part of the Nueva Mexicanidad movement and is celebrated for his surrealist and fantastical...

Paris: A. Salmon, 1883. Etching with engraving on white laid paper, 6 1/8 x 9 3/4 inches (156 x 247 mm); sheet 9 1/4 x 12 1/2 inches (235 x 318 mm), full margins. In very good condi...

Edition 37 of 50 prints, numbered and hand signed. Image dimensions: 43x58 cm. Wonderful proof on vélin in full margins, numbered lower left and signed lower right in pencil. Realize...

Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...

Gondoliers in Venice is an original etching realized by Gianpaolo Berto in 1974. Limited edition of 40 specimens numbered and signed (12/40). Good condition with a white cardboard ...

View of the Capitoline Hill is an original etching realized by the italian artist Giovanni Battista Piranesi in 1775. Very precious and rare lifetime impression. Roman edition. II ...

Agustin Bejarano (Cuba, 1964) 'Tejedoras de mano II', 2003 engraving on paper Guarro Biblos 250g. 30.6 x 23.3 in. (77.5 x 59 cm.) Edition of 20 Unfram...

19 Septembre 1968 (Peintre et modèle qui se cache le visage) is an artwork realized by Pablo Picasso in 1968. Black and white etching. Hand signed and numbered on the lower margin....

Still life with eleven objetcs in a sphere (Original Italian title: Natura morta in un tondo) is an etching realized by Giorgio Morandi (1890-1964) in 1942. Hand numbered Edition 5...

Ex Libris  -  Giorgio Balbi - Better to Have Love is an Artwork realized by Alberto Helios Gagliardo in Mid 20th Century. Etching. Good conditions.

Artist: Salvador Dali Title: Espace paysage from cobea Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Frame Size: 22" x 22" Sheet Size: 14 7/8" x 14 7/8" Signature...

Artist: Salvador Dali Title: Paysage avec figures-soleil from sun Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Sheet Size: 14 7/8" x 14 7/8" Signature: Initialed...

KATHE KOLLWITZ (German 1867 -1945) BERATUNG, 1895 (1945) (Klipstein vii/vii) Etching and aquatint, 1895 (Later Imp), Image 11 ½” x 7", sheet 19 x 13 ¾”. Unsigned, with the von de B...

Artist: Salvador Dali Title: Don Juan: Le Banquet Medium: Hand-colored drypoint etching on Japon paper Date: 1970 Edition: LXXXIV/C Frame Size: 30 1/4" x 24 1/2" Sheet Size: 25 3/4" ...

Miguel CONDE (1939-) The Balance of Pear Original etching Handsigned in pencil Numbered / 100 proofs Authenticated by the editor blind stamp On vellum 38 x 56 cm (c. 15 x 22 in) Ve...

Screen Print on Magnani-Pescia paper 310 gr/m2, paper size 68cm x 48cm, work size 51cmx40 cm . Good condition, no defects. Gian Paolo Berto was born and raised in the limited but fe...

Woody Gruber (1946-2022) Listening to Bessie, 1975. Etching on paper, plate measures 7 inches h. x 7.75 w. Overall framed measurement in 14 x 15 inches. Numbered, titled, signed ...

Etching on Ingres D'arches off-white laid paper, with burin, signed Tenth and final state Posthumous Impression, 1998 14.25 x 10 in (36.2 x 25.4 cm) Framed 25.13 x 32 in The Raising...