Etching Figurative Prints

Louis Icart Dreaming Girl Original etching and stencil Printed signature in the plate On vellum 19 x 29 cm (c. 8 x 12 in) Excellent condition

Hedley Fitton (British, c. 1857-1929) John Knox's House, c. 1900 Etching 17 x 12 3/4 in. Framed: 25 x 20 1/2 in. Signed in the plate by Hedley Fitton Sig...

The Lake by David Hockney, 1969-70 Additional information: Medium: etching 35 x 20 cm 13 3/4 x 7 7/8 in David Hockney is an English painter, printmaker, photographer, designer and ...

Artist: Hans Figura (Austrian, 1898-1978) Title: Der Blumenmarkt (Flower Market, Amsterdam) Year: Circa 1950 Medium: Color etching with aquatint Edition: Unknown Paper: wo...

GEOGRAPHY, EAST Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of f...

Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...

Arabian Face is an authentic original colored etching artwork, realized by the Italian artist Giacomo Porzano (1925-2006). Hand-signed on the lower right in pencil and dated, number...

Adored by collectors and art lovers around the globe, Alex Katz is renowned for his elegant and distinctive version of figuration, with printmaking serving as an essential part of hi...

Hand signed and dated. With an handwritten dedication of the artist. Etching and Aquatint . Bloch n. 1385. This beautiful etching is dedicated to Michel Lessens, the talented assist...

Etching on cream laid paper, 6 1/8 x 4 3/4 inches (156 x 120 mm), full margins. In good condition with some minor, uniform age tone. Printed by George Bertauts, Paris. [Beraldi II.140.26] Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140. __________ Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...

Nightingale is a Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stut...

c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...

The British Evacuate Boston - 1932 Etching on Paper by Allen Lewis. From the portfolio "The Bicentennial Pageant of George Washington." In this piece George Washington is front and ...

Anton Schutz, 'Delaware Bridge' (Delaware, New Jersey), etching, c. 1927. Signed in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on BFK Rives, cream wove paper, the full sheet with margins (1 1/2 to 2 1/8 inches), in excellent condition. Archivally matted to museum standards, unframed. Image size 11 7/8 x 8 7/8 inches (302 x 225 mm); sheet size 15 7/8 x 12 1/4 inches (403 x 311 mm). ABOUT THIS IMAGE The Benjamin Franklin Bridge, originally named the Delaware River...

Etching and aquatint realized in 1909. Belongs to the series "Amor und Psyche. Opus V". Very good condition.

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

"Juggler on a Tightrope" Etching in Ink on Paper Playful etching of a performer by Dick Swift (American, 1918-2010). A juggler is show in a cubist style, w...

José Hernández Muñoz (Spain, 1944) 'Bestiario IV', 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet size: 14.96 x 11.22 in. (38 x 28.5 cm.) series number: 5/25 ID: HER1076-060 Hand-signed in pencil, COA (Certificate of Authenticity) issued by gallery. Pristine condition, unframed. Artist biography The painter JOSÉ HERNÁNDEZ was born in Tangiers in January 1944. He alternates his studies between the Spanish Institute and the French School in Tangiers. He becomes interested in mathematics and competitive sport. He enjoys long distance running and draws relentlessly. After a fruitful period in which he draws and paints from life, he becomes interested in experimenting with different painting materials, which leads him to a wider knowledge of a number of different oil and watercolour techniques. He exhibits his first works at the Librairie des Colonnes in Tangiers in 1962, and receives support from friends, artists and writers who encourage him to explore new fields in the arts. In 1964 he settles in Madrid, where he currently works and resides. It is in Madrid that he presents his first solo exhibition in 1966 at Galería Edurne. Since then numerous exhibitions both within and outside of Spain have taken place. In 1967 he publishes his first etchings and lithographs. His work as an engraver, which complements his painting and leads him to produce many bibliophilic books in collaboration with writers and poets, contemporaries and classics. Since 1971 he has also completed a considerable number of projects as an illustrator of widely distributed books. Since 1974 he has collaborated in a number of theatrical projects as a stage and costume designer for both classic and contemporary plays. At present, he is a voted-in member of the Real Academia de Bellas Artes de San Fernando in Madrid, he has been awarded the Honorary Medal of the Real Academia de Bellas Artes de Santa Isabel de Hungría in Seville, and is a member of the European Academy of Sciences, Fine Arts and Literature in Paris. Individual shows 1962 Tánger, Marruecos. Librairie des Colonnes. 1966 Madrid. Galería Edurne. 1967 Madrid. Galería Seiquer. 1969 Madrid. Galería Iolas-Velasco. 1970 Chicago, Illinois, USA. Deson-Zaks Gallery. 1971 Madrid. Galería Iolas-Velasco. 1973 Palma de Mallorca. Sala Pelaires. La Laguna, Tenerife. Sala Conca. Madrid. Galería Iolas-Velasco. 1974 Pamplona. Caja de Ahorros de Navarra. 1975 Barcelona. Galería Ciento. Valencia. Galería Val i 3O. Alicante. Galería Italia. Madrid. Grupo Quince. Castellón. Galería Canem. 1976 Valladolid. Galería Carmen Durango. 1977 París, Francia. Galerie Octave Negru. Burgos. Galería Mainel. 1978 Madrid. Galería Biosca. 1979 Córdoba. Galería Juan de Mena. Málaga. Colectivo PALMO. París, Francia. Galerie Negru, FIAC. 1980 Bruselas, Bélgica. Galerie Isy Brachot. Madrid. Galería Tórculo. 1981 La Laguna, Tenerife. Sala Conca. París, Francia. Galerie Octave Negru. Munich, Alemania. Galerie Godula Buchholz. Granada, Galería Laguada. 1982 Madrid. Museo Español de Arte Contemporáneo. 1983 Lódz, Polonia. Biuro Wystaw Artystycznych, Galeria Balucka. Leganés, Madrid. Sala Municipal de Exposiciones. Alicante. Galería Italia. Cali, Colombia. Museo de Arte Moderno La Tertulia. 1984 Madrid. Galería Biosca, ARCO. Madrid. Galería Biosca. New Haven, Conn. USA. Yale University. Tokio, Japón. Art Front Gallery. Fredrikstad, Noruega. Galleri Gamlebyen. 1985 Bilbao. Museo de Bellas Artes. La Laguna, Tenerife. Sala Conca. Varna, Bulgaria. Museo de la Historia y de las Artes. Playa del Inglés, Gran Canaria. Galería Radach Novaro. 1986 Alcalá de Henares, Madrid. Capilla del Oidor. Oviedo. Museo de Bellas Artes de Asturias. Vitoria. Museo de Bellas Artes de Alava. Zaragoza. Palacio de la Lonja. Talence, Francia. Château Margaut. Las Palmas de Gran Canaria. Salas Vegueta y Balos. Albacete. Museo de Albacete. Madrid. Palacio de Velázquez de El Retiro. 1987 Granada. Hospital Real. Leganés, Madrid. Sala Municipal de Exposiciones. 1988 Bremen, Alemania. Werkstatt El Patio Galerie. 1989 París, Francia. Galería Tórculo, SAGA. Madrid. Galería Biosca. Madrid. Galería Tórculo. 1990 Madrid. Galería Tórculo, ARCO. Sabiñánigo, Huesca. Museo del Dibujo Castillo de Larrés. 1991 Hamburgo, Alemania. Galerie Levy. Burgos. Casa del Cordón. 1992 Vitoria. Sala San Prudencio. Alcoy, Alicante. Centre Cultural D'Alcoi. Murcia. Centro de Arte Palacio Almudí. Basilea, Suiza. Galería Levy, ART BASEL 92. Madrid. Colegio Oficial de Médicos. 1993 Barbizon, Francia. Galerie Triade. 1994 París, Francia. Galerie Michèle Broutta. La Coruña. Fundación Caixa Galicia. Santiago de Compostela, La Coruña. Fundación Caixa Galicia. Nueva York, USA. The Godwin-Ternbach Museum. Córdoba. Galería de Arte La Caja. 1995 Madrid. Galería Levy. Granada. Palacio de la Madraza. Alicante. Galería Italia. Hamburgo, Alemania. Galerie Levy. Madrid. Instituto de Cultura de México. 1996 París, Francia. Galerie Michèle Broutta. Marsella, Francia. Galerie L'Echoppe. Badajoz. Galería Ceberino Franco. Toledo. Galería Tolmo. 1997 Madrid. Centro Cultural del Conde Duque, Sala de Bóvedas. Marbella, Málaga. Museo del Grabado Español Contemporáneo. Tánger, Marruecos. Instituto Cervantes. Navacerrada, Madrid. Galería Nolde. Rabat, Marruecos. Instituto Cervantes. Casablanca, Marruecos. Instituto Cervantes. Zaragoza. Sala Luzán CAI. Tetuán, Marruecos. Instituto Cervantes. 1998 Lisboa, Portugal. Instituto Cervantes. Munich, Alemania. Instituto Cervantes. Santiago de Compostela, La Coruña. Fundación Eugenio Granell. Varsovia, Polonia. Instituto Cervantes. Nagoya, Japón. Artgraph Gallery. Tokio, Japón. Han Garo Gallery. Bilbao. Galería Juan Manuel Lumbreras. Cádiz. Galería Benot. 1999 Santa Cruz de Tenerife. Centro de Arte La Recova. Barcelona. Galería 3 Punts. Bad Frankenhausen, Alemania. Panorama Museum. La Coruña. Museo Unión Fenosa. Cuenca. Galería La Escalera. León. Sala de exposiciones Junta de Castilla y León. 2000 Dublín, Irlanda. Graphic Studio Gallery. Madrid, Galería Leandro Navarro. Amman, Jordania. Instituto Cervantes. 2001 Santa Cruz de Tenerife, Galería Mácula. Madrid, Galería Estiarte. Alicante, Galería Italia. 2002 Logroño, Galería Pedro Torres. Akita, Japón. Gallery Mini-Exhibition. Rincón de la Victoria, Málaga. Casa Fuerte Bezmiliana. Londres, Gran Bretaña. Instituto Cervantes. 2003 Manchester, Gran Bretaña. Instituto Cervantes. Barcelona, Galería 3 Punts. Málaga, Salas de Exposiciones del Palacio Episcopal. Issoudin, Francia. Musée de L’Hospice Saint Roch. Venecia, Italia. Galleria Del Leone. Valdepeñas, Museo Gregorio Prieto. Paris, Francia. Galerie Michèle Broutta Lyon, Francia. Instituto Cervantes. 2004 Almansa, Albacete, Alzira, Ibi, Villena, Requena, Exposición Itinerante Girarte. Betanzos, A Coruña. Centro Internacional de Estampa Contemporánea. 2006 Málaga, Sala de Exposiciones Edificio Rectorado. Universidad de Málaga. Madrid, Galería Leandro Navarro. 2007 Pinto, Madrid. Centro Infanta Cristina. Madrid, Galería Tibeca. Zaragoza, Museo Provincial Fuendetodos, Zaragoza. Sala Ignacio Zuloaga. Pamplona, Galería Fermín Echauri. 2008 Galería Michele Broutta, París. Galería 3punts, Barcelona. Francia, Bienal Cercle St. Leonard de Noblat. Madrid, Real Casa de la Moneda. 2009 Espacio Nolde, Navacerrada, Madrid. Group shows 1962 Tánger, Marruecos. Casino. 1965 Madrid. Galería Edurne, "Dibujantes Españoles siglos XVIII, XIX y XX". Fuenterrabía, Guipúzcua. Castillo de Carlos V, "Arte Actual". 1967 Barcelona. "I Bienal Internacional de Pintura". 1968 Barcelona. "MAN-68". 1970 La Habana, Cuba. Galería La Habana, "Dibujantes Europeos". Madrid. Galería Seiquer. 1971 Panamá, Panamá. La Paz, Bolivia. Santiago de Chile, Chile. Buenos Aires, Argentina. "Arte de España sobre papel". Sevilla. Museo de Arte Contemporáneo, "Gráfica Española Actual". Baracaldo, Vizcaya. "I Muestra de Artes Plásticas". Pamplona. "Muestra de Arte Contemporáneo". Palma de Mallorca. Sala Pelaires, "Picasso-90". Madrid. Galería Vandrés, "Eros en el Arte Español Contemporáneo". 1972 Santa Cruz de Tenerife. Colegio Oficial de Arquitectos,"Homenaje a J.L. Sert". Santillana del Mar, Cantabria.Torre del Merino. París, Francia. Palais Galliéra, "Biennale de l'Estampe". Ibiza. Museo de Arte Contemporáneo, "Ibizagrafic". Santiago de Chile, Chile. Museo de Arte Contemporáneo Quinta Normal. Madrid. Galería Sen. Exposición homenaje a Manuel Repila 1973 Elche, Alicante. Museo de Elche. "Encuentros". Ljubljana, Yugoslavia. "X Bienal Internacional de Grabado". Tokio, Japón. Museo de Arte Contemporáneo, "Grabado Español Contemporáneo". Madrid. Instituto Alemán, "Grabado Español Contemporáneo". La Laguna, Tenerife. Sala Conca. Palma de Mallorca. Colegio Oficial de Arquitectos,"Miró-80". Baracaldo, Vizcaya. "II Muestra de Artes Plásticas". Madrid. Galería Iolas-Velasco, "Homenaje a Miró". Copenhague, Dinamarca. Kunstforeningen, "Nutidig Spansk Kunst". Madrid. Galería Juana Mordó, "Homenaje a Manolo Millares". Madrid. Galería Internacional. 1974 Cracovia, Polonia. "V Bienal Internacional de Grabado". Barcelona. Colegio Oficial de Aparejadores, "Mostra d'Art Realitat". Rijeka, Yugoslavia. Museo de Arte Moderno, "IV Exposición de Dibujo Original". Segovia. "I Bienal Internacional del Grabado y Arte Seriado". París, Francia. Salon International d'Art Contemporain. Frechen, Alemania. Kunstverein, "III Exposición Internacional de Grabado". 1975 Jyväskylä, Finlandia. "Graphica Creativa". Palma de Mallorca. Sala Pelaires. 1976 Nuremberg, Alemania. "Grafische Minaturen des 20". Tokio, Kyoto, Japón. Museo Nacional de Arte Moderno, "X Bienal Internacional de Grabado". Biella, Italia. "Premio Internazionale per l'incisione". Cracovia, Polonia. "VI Bienal Internacional de Grabado". Venecia, Italia. Bienal Internacional de Arte Contemporáneo "España: Vanguardia Artística y Realidad Social 1936-1976". Frechen, Alemania. "IV Exposición Internacional de Grabado". París, Francia. Galerie Octave Negru. 1977 Leipzig, Alemania. Ausstellung Internationale Buchkunst. Barcelona. Fundación Joan Miró, "España: Vanguardia Artística y Realidad Social 1936-1976". Nueva York, USA. Bronx Museum of Arts. "I New York Drawing Biennial". Barcelona. Fundación Joan Miró, Exposición Museo Internacional Salvador Allende. Madrid. Galería Juana Mordó, "EMISA". 1978 Leverkusen, Alemania. “Volkshochschule, Grafik aus Lädern des Mittelmeeraumes". Sevilla. Escuela Superior de Bellas Artes, "I Exposición de Pintores Andaluces Contemporáneos". Madrid. Galería Ponce, "Gráfica Fantástica". Christchurch, Nueva Zelanda. "Christchurch Festival International of Drawings". 1979 Madrid. Congreso de Andalucía. Nuremberg, Alemania. Kunsthalle, "14 Europäische Künstler zum Thema Menschenbild". Heidelberg, Alemania. "I Biennale der Europäische Künstler Grafik Heidelberg". Lódz, Polonia. "Biennale Malych Formy Grafiki". Bradford, Inglaterra. "British International Print Biennial". Nuremberg, Alemania. Kunsthalle, "I Trienal Internacional de Jóvenes Dibujantes ". Gainesville, Florida, USA University of Florida, "Contemporary Spanish Prints". 1980 Madrid. Galería Biosca, "Pequeño Formato". Madrid. Galería Juana Mordó, "Miscelánea". Columbus, Georgia, USA. Museum of Arts and Sciences,"Contemporary Spanish Prints". Austin, Texas, USA. University of Texas, "Contemporary Spanish Prints". Chattanooga y Knoxville, Tennessee, U.S.A. University of Tennessee, "Contemporary Spanish Prints". Biella, Italia. "Premio Internazionale per l'incisione". Cleveland, Ohio, USA. Institute of Art, " Contemporary Spanish Prints". Minneapolis, Minnesota, USA. University of Minnesota,"Contemporary Spanish Prints". Madrid. Club de Amigos de la Unesco, "Andalucía hoy". Madrid, Librería Fuentetaja, "Técnica de estampación en hueco". Segovia, La Casa del Siglo XV, "Obra Gráfica". 1981 Lincoln, Nebraska, USA. University of Nebraska "Contemporary Spanish Prints". Iowa City, Iowa, USA. University of Iowa, "Contemporary Spanish Prints". Alburquerque, Nuevo Mexico, USA. University of New Mexico,"Contemporary Spanish Prints". Madrid. Galería Biosca. Madrid. Galería Tórculo, "Expo-síntesis". Fontainebleau, Francia. Musée d'Art Figuratif, "L'Art Fantastique Aujourd'hui". Palma de Mallorca. Sala Pelaires, "El Dibuix". Madrid. Escuela Superior de Bellas Artes, "El realismo en la pintura actual española". 1982 Sevilla. Museo de Arte Contemporaneo, "ANDANA 2". Madrid. Centro Cultural de la Villa, "ANDANA 3". Fredrikstad, Noruega. Bienal Internacional de Grabado. 1983 Lódz, Polonia."Biennale Malych Formy Grafiki". Bilbao. Museo de Arte Moderno, "Rompecabezas Andaluz". Madrid. Centro Cultural del Conde Duque, "Muestra Plástica de Artistas sobre la Violencia". Estocolmo, Suecia. Liljevalchs Konstall, "Spansk Egen-Art". Taipei, Taiwan. "Exposición Internacional de Grabado: 1983". 1984 Madrid, Casa de Velázquez. Alcorcón, Madrid. Sala Municipal. "I Muestra de Grabado". Fontainebleau, Francia. "Pensionnaires 1984 Casa de Velázquez" (Invitado de Honor). Oslo, Noruega. Kunstnernes Hus, "Spansk Egen-Art". Cracovia, Polonia. "X Bienal Internacional de Grabado". Berlín, Alemania RDA. "Intergrafik 84". Colmenar Viejo, Madrid. Sala de Arte Picasso, "José Hernández y Gérard Puvis". 1985 Madrid. Expometro, "Arte y Trabajo". Fontainebleau, Francia. Salle des Fêtes du Théatre, "Arlequin aujourd'hui". París, Francia. Galerie Île des Arts, "L'imaginaire". Varna, Bulgaria. "III Biennale de la Gravure". Lódz, Polonia. "Biennale Malych Formy Grafiki". 1986 Madrid. Museo Español de Arte Contemporáneo, "Obra Gráfica de los Premios Nacionales de Artes Plásticas 1980-1985". Cali, Colombia. Museo de Arte Moderno La Tertulia, "Premios Nacionales de España". Angers, Francia. "V Salon d'Automne". Fontainebleau, Francia. Salle des Fêtes du Théatre, "Les Vanités du XVII siècle à nos jours". Sevilla. Museo de Arte Contemporáneo, "I Bienal Iberoamericana de Arte Seriado". Alicante. Fundación Caja del Mediterráneo, "Poemas pintura". (Exposición Itinerante). 1987 Madrid. Palacio de Cristal del Retiro, "Artistas por la Paz". Madrid. Calcografía Nacional, "Diez pintores en Negro". Varna, Bulgaria. "IV Biennale de la Gravure". Lódz, Polonia. "Biennale Malych Formy Grafiki". Biella, Italia. "Premio Internazionale per l'incisione". La Laguna, Tenerife. Sala Conca. Valladolid. Palacio del Marqués de Villena, "Artistas por la Paz". Salamanca. Universidad de Salamanca, "Grabados". 1988 Malbork, Polonia. "XII Miedzynarodowe Biennale Ekslibrisu Wospótczesnego". París, Francia. École Nationale Superieure des Beaux-Arts, Galerie du Palais des Études, "La Gravure Contemporaine à la Chalcographie Nationale de Madrid". Valencia. Galería El Ensanche. Madrid. Instituto Francés, "Le radeau de l'esprit dit non aux fauxmonnayeurs de la mode artistique". 1989 Leipzig, Alemania. "Internationale Buchkunst-Ausstellung Leipzig 1989". Madrid. Galería Levy, "El Arte Surrealista?". Sevilla. Caja de Ahorros de San Fernando "Existencias: 14 Maestros del Realismo". Teruel. Museo Provincial, "En torno a Luis Buñuel /El Collage Surrealista en España". Madrid. Galería Sephira. Madrid. Galería Alfama, "Pintores y Escultores de la Real Academia de Bellas Artes de San Fernando". Talence, Francia. Centre Culturel Medocine, "Arte Español Contemporáneo". 1990 Las Palmas de Gran Canaria. Centro Atlántico de Arte Moderno, "Arte Internacional en las Colecciones Canarias". Madrid. Sala de Exposiciones de la Comunidad de Madrid, "Madrid, El Arte de los 60". Madrid. Galería Sephira, "Cinco Realidades". Madrid. Galería Levy. 1991 Madrid. Galería Levy. París, Francia. Musée Chantillon. Hamburgo, Alemania. Galerie Levy, "Le Chat dans la Peinture". Tokyo, Kyoto, Osaka, Yokohama, Japón. Museo Takashimaya, "Realismos: Arte Contemporáneo Español". Madrid. Galería Heller, "Realismo, Realistas, Realidades, en papel". Huesca. Diputación Provincial de Huesca, "Arte Contemporáneo en la Escuela". Alicante. Galería Italia, "Dibujos y pinturas sobre papel". 1992 Tokyo, Japón. Galería Heller. TOKYO ART EXPO. Sabiñánigo, Huesca. Museo del Dibujo Castillo de Larrés, "Anatomía y Dibujo". Madrid. Galería Levy. Sevilla. Convento de Santa Inés, "XLI Exposición de Otoño". 1993 Madrid. Galería Levy, ARCO. Argentina, Uruguay, Bolivia, Paraguay, Instituto de Cooperación Iberoamericana, "Territorios de Papel". Nueva York, U.S.A. Tamenaga Gallery, "Contemporary Spanish Realism". Madrid. Galería Ra del Rey. 1994 Madrid. Galería Levy, ARCO. Burgos. Casa del Cordón, "Colección Lorenzana". Dublin, Irlanda. Graphic Studio Dublin Gallery, "Contemporary Spanish Prints". Madrid. Galerie Michèle Broutta, ESTAMPA '94. Madrid. Centro Cultural del Conde Duque, "Realismos". Colera, Gerona. Galería d'Art Horizon "Exposició d'Exlibris d'Homenatge a Walter Benjamin". Venecia, Italia. Centro Culturale di Esposizione e Comunicazione,"Du Fantastique au Visionnaire". 1995 París, Francia. Galería Levy, FIAC. Valdepeñas, Ciudad Real. Museo Fundación Gregorio Prieto, "V Certamen Nacional de Dibujo". Marbella, Málaga. Museo del Grabado Español Contemporáneo, "II Premios Nacionales de Grabado 1994". Nueva York, USA. Galería Heller, INTERNATIONAL ART FAIR. Madrid. Galería Levy, ARCO. Madrid. Galerie Michèle Broutta, ESTAMPA '95. La Coruña. "IV Mostra Unión Fenosa". 1996 Madrid. Fundación Cultural Mapfre Vida, "Postrimerías". Marbella, Málaga. Museo del Grabado Español Contemporáneo, "Colección Pangea/95". Madrid. Galerie Michèle Broutta, ESTAMPA '96 . Zaragoza. Palacio de la Lonja y Caja de Ahorros de la Inmaculada,"Después de Goya, una mirada subjetiva". Coulommiers, Francia. Chapelle des Capucins. "Ex-votos". Madrid. Galería Leandro Navarro, "25 Años". 1997 Barcelona. Galería Maragall, "Homenaje a Goya". Madrid. Real Academia de Bellas Artes de San Fernando, "Arte Vivo/Los Pintores de la Academia". Le Bouscat, Francia. Ermitage Compostelle, "L'imaginaire Contemporain". Bilbao. Galería A'G."Realismos". Andorra. Sala de Exposiciones Govern d'Andorra, "Cent Ex-Libris en Homenatge a Walter Benjamin" Barcelona. Palau del Mar, Museo de Historia de Cataluña, "Solidaritat i Art: Milà 1972-Barcelona 1997". Becerril de la Sierra, Madrid. Galerie. "Festival de Grabado Alberto Durero". París, Viaduc des Arts, "Les états de la gravure". Santiago de Compostela, La Coruña. Auditorio de Galicia, "Realidade, Realismos". Ljubljana, Slovenia, "22 international biennial of graphic art". 1998 Kanagawa, Japón, “International Print Triennial ‘98”. Madrid, Museo Postal y Telegráfico, “Ciento y... postalicas a Federico García Lorca (1898-1998)”. Nemours, Francia, “Les Girouettes”. París, Francia, Galerie Alain Daune. “Les peintres du fantastique”. Madrid, M.E.A.C., “Homenaje a Aurelio Biosca”. Oviedo, Galería Dasto. “Libros de Artista”. Madrid, Galería Rayuela. 1999 Biella, Italia, “Premio Internazionale Biella per l’Incisione XIV edizione 1999.” Granada, Hospital Real, “Ciento y... postalicas a Federico García Lorca (1898-1998)”. Huesca, Sala de Exposiciones de la Diputación de Huesca. “Luis Buñuel, el ojo de la libertad.” Madrid, Galerie Michèle Broutta, ESTAMPA '99 . Málaga, Sociedad Económica, “Ciento y... postalicas a Federico García Lorca (1898-1998)” Rincón de la Victoria, Málaga. Casa Fuerte Bezmiliana, “De Picasso a nuestros días”. 2000 Maracaibo, Venezuela. Centro de Arte Lía Bermúdez...

Rigoberto Mena (Cuba, 1961) 'El Jueves puede ser un gran día' (Thusday could be a great day), 2010 engraving, mixed media, chine colle on paper Guarro Super Alpha 250g. 15.8 x 15.8 i...

Drypoint and aquatint (brown ink) on cream paper. Signed in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. From the s...

The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...

Etching on zinc plate, realized in 1904 on japan paper. It is signed in plate in small letters at the bottom right. On the lower right margin, it is signed also in pencil. Not dated...

Phrosine and Mélidore Etching, 1879 Signed in the polate lower left of image This etching is after the Dantan painting, a copy after the Pierre-Paul Prud’hom painting Published by Vv...

Plate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...

Artist: Hans Figura Title: Ansicht Von Rothenburg Year: Circa 1930 Medium: Color etching on silk Paper: Wove Image size: 9.25 x 4.75 inches Framed size: 16.5 x 12.5 inches Signa...

By Wenceslaus Hollar, after Jan Van Bylert (Biler) Etching on cream laid paper, 3 7/16 x 2 3/4 inches (87 x 70 mm), thread margins. Lacking the inscription in the plate; "Felix Bil...

The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...

Salvador DALI The Cup Offered Original etching in colour Hand signed in pencil Justified EA (Éprouve d’artiste - artist proof) On Auvergne vellum 58 x 45,5 cm...

Soplones is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886 . 6th Edition.Very goo...

The Stag Reflected in the Water is an artwork realized in 1974. Etching and drypoint with stencil. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. It belongs to the...

This artwork titled "The Windmill" 1641 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Signatu...

Pyramus and Thisbe Etching, c.1906 Signed along bottom edge in pencil "Augustus E John" Edition: 25 Reference: Dodgson 91 ii/II Condition: Excellent Plate: 5 1/8 x 4" (13.02 x 10.16 ...

Paul RENOUARD Dancing Class - "Classe du Premier Quadrille", 1893 Original etching Signed in pencil On Japan paper 32 x 48 cm (c. 12.5 x 19 inch) INFORMA...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

A dynamic football image from the 1920s by a female artist known for her sports scenes. Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...

Etching and aquatint realized by Henry Alken in 1846. Plate from "The Analysis of the Hunting Field". Very good condition. Henry Alken (1765-1851) was en english painter and engrav...

Romantic black and white etching of a pair of ballet dancers performing on stage by artist Ernst Oppler (1867-1929), circa 1920. Signed lower right, numbered 88 of 100 lower left. ...

ARTIST: Salvador Dali TITLE: The Mythology Icarus MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Pierre Argillet, Paris MEASUREMENTS: 18" x 30" YEAR: 1963 FR...

- Plate 55 from the Suite 156 - with stamp signature - dated in the plate 2.3.70 - edition 26/50 - cat. raisonné Bloch 1910

Demetrios GALANIS Lovers in Bed Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed in Haasen workshop in 19...

Letter C is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

New York, circa 1940 Etching with aquatint in colors on cream laid paper with a partial watermark and a deckle edge, 11 3/4 x 8 1/4 inches (297 x 208 mm), full margins. Minor mat to...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

"Minotaure Endormi Contemplé Par Une Femme" (1933) is a striking and emotionally charged work by Pablo Picasso, capturing the artist’s complex engagement with mythology, surrealism, ...

Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer and...

"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns. The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...

Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...

Edouard MANET Child with a Tray (Pear and Bottle), 1861 Original etching Printed signature in the plate On Japan paper 36 x 24 cm (c. 12 x 10 inch) REFERENCES : Catalog raisonne Gu...

Celestial Music is an original black and white etching on cream-colored paper, realized by Charles-Nicolas Cochin the Elder (1688-1754), the well-known ...

Etching with drypoint and aquatint on laid Japon paper, 9 x 11 1/4 inches (228 x 280 mm); sheet 11 7/8 x 13 5/8 (302 x 346 mm), full margins. Signed, titled and inscribed "To my dear...

Salvador Dali - Nude with Snail - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

HIDDEN PEAR, color etching, signed in pencil, numbered 7/50, Jerusalem Print workshop blind stamp, image 7 ½ x 5 ½”, sheet 15 x 10 ¼”. Samuel Bak (born 12 August 1933) is a Polish- American painter and writer who survived the Holocaust and immigrated to Israel in 1948. Since 1993, he has lived in the United States. Samuel Bak was born in Wilno, Poland, Bak was recognized from an early age as having an artistic talent. He describes his family as secular, but proud of their Jewish identity. By 1939 when Bak was six years old, the war began and Wilno was transferred from Poland to Lithuania. When Wilno was occupied by the Germans on June 24, 1941, Bak and his family were forced to move into the ghetto. At the age of nine, he held his first exhibition inside the Ghetto. Bak and his mother sought refuge in a Benedictine convent where a Catholic nun named Maria Mikulska tried to help them. After returning to the ghetto, they were deported to a forced labour camp, but took shelter again in the convent where they remained in hiding until the end of the war. By the end of the war, Samuel and his mother were the only members of his extensive family to survive. His father, Jonas, was shot by the Germans in July 1944, only a few days before Samuel's own liberation. As Bak described the situation, "when in 1944 the Soviets liberated us, we were two among two hundred of Vilna's survivors--from a community that had counted 70 or 80 thousand." Bak and his mother as pre-war Polish citizens were allowed to leave Soviet-occupied Wilno and travel to central Poland, at first settling briefly in Lodz. They soon left Poland and traveled into the American occupied zone of Germany. From 1945 to 1948, he and his mother lived in Displaced Persons camps in Germany. He spent most of this period at the Landsberg am Lech DP camp in Germany. It was there he painted a self-portrait shortly before repudiating his Bar Mitzvah ceremony. Bak also studied painting in Munich during this period, and painted "A Mother and Son", 1947, which evokes some of his dark memories of the Holocaust and escape from Soviet-occupied Poland. In 1948, Bak and his mother immigrated to Israel. In 1952, he studied art at the Bezalel Academy of Arts and Design in Jerusalem. After serving in the Israel Defense Forces, he continued his studies in Paris (from 1956 at the École nationale supérieure des Beaux-Arts) and spent various periods of time in Rome, Paris, Switzerland and Israel before settling permanently in the United States. In 2001, Bak returned to Vilnius for the first time and has since visited his hometown several times. Samuel Bak is a conceptual artist with elements of post-modernism as he employs different styles and visual vernaculars, i.e. surrealism (Salvador Dali, Rene Magritte), analytical cubism (Picasso), pop art (Andy Warhol, Roy Lichtenstein) and quotations from the old masters. The artist never paints direct scenes of mass death. Instead, he employs allegory, metaphor and certain artistic devices such as substitution: toys instead of the murdered children who played with them, books, instead of the people who read them. Further devices are quotations of iconographical prototypes, i.e. Michelangelo's "Creation of Adam" on the Sistine Ceiling or Albrecht Dürer's famous engraving entitled "Melencholia" . In the late 1980s Bak opened up about his paintings, stating they convey “a sense of a world that was shattered.” He turns these prototypes into ironical statements. Irony in the art of Samuel Bak does not mean parody or derision, but rather disenchantment, and the attempt to achieve distance from pain. Recurring symbols are: the Warsaw Ghetto Child, Crematorium Chimneys or vast backgrounds of Renaissance landscape that symbolize the indifference of the outside world. These form a disturbing contrast with the broken and damaged images in the foreground. Samuel Bak's paintings cause discomfort, they are a warning against complacency, a bulwark against collective amnesia with reference to all acts of barbarism, worldwide and throughout the ages, through his personal experience of genocide. In Bak's piece entitled Trains Bak creates a vast grey landscape with large mounts creating the structure of a train. Massive taper candles burn in the distance further down the train tracks, surrounding an eruption. The smoke from the candles and volcano pour into a sky of dark ominous clouds that lurk over the landscape. Here Bak has created a whole new meaning for “trains.” Many of Bak’s pieces incorporate aspects of Jewish culture and the holocaust with a dark and creative twist, such as Shema Israel...

Salvador Dali - The Winged Demon - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12"....

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

Etching from the portfolio "Les Métamorphoses d'Ovide"publised by Skira in Lausanne, in 1930. On Arches paper. Printed by Louis Fort, Paris. Catalogue Bloch Vol. I n. 108. Edition of...

Limited edition, 8/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...

Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower part. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, ...

Disparate claro - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 15 fr...

Medium: original etching. This classic Villon etching was published in Paris in 1955 by Manuel Bruker in an edition of 200. Plate size 11 x 8 1/2 inches (275 x 218 mm). A nice impres...