Jean Sariano Art
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Artist: Jean Sariano
Who Caire, Intaglio Etching by Jean Sariano
By Jean Sariano
Located in Long Island City, NY
Who Caire
Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching, signed and numbered in pencil
Edition of 300
Size: 16 x 29 in. (40.64 x 73.66 cm)
Category
1970s Jean Sariano Art
Materials
Intaglio, Etching
The Chase Manhattan Band, Aquatint Etching by Jean Sariano
By Jean Sariano
Located in Long Island City, NY
The Chase Manhattan Band
Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching and Aquatint, signed and numbered in pencil
Edition of 300
Size: ...
Category
1970s Jean Sariano Art
Materials
Etching, Aquatint, Intaglio
Working Proof
By Jean Sariano
Located in Long Island City, NY
Artist: Jean Sariano
Title: Working Proof
Year: 1979
Medium: Intaglio Etching with Aquatint, signed and numbered in pencil
Edition: 300
Paper Size: 25 x...
Category
1970s Pop Art Jean Sariano Art
Materials
Etching
Keys Largo, Aquatint Etching by Jean Sariano
By Jean Sariano
Located in Long Island City, NY
Keys Largo
Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching and Aquatint, signed and numbered in pencil
Edition of 300
Size: 24 in. x 21 in. (60.96 cm x 53.34 cm)
Category
1970s Jean Sariano Art
Materials
Etching, Aquatint, Intaglio
Eye Witness Mews, Pop Art Intaglio Etching by Jean Sariano
By Jean Sariano
Located in Long Island City, NY
Eyes Witness Mews
Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching with Aquatint, signed and numbered in pencil
Edition of 300
Size: 23 x 27 in. (58.42 x 68.58 cm)
Category
1970s Pop Art Jean Sariano Art
Materials
Intaglio, Aquatint
Crazy Eight (Tennis), Pop Art Intaglio Etching
By Jean Sariano
Located in Long Island City, NY
Crazy Eight
Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching with Aquatint, signed and numbered in pencil
Edition of 300
Size: 31 x 20.5 in. (78.74 x 52.07 cm)
Category
1970s Pop Art Jean Sariano Art
Materials
Intaglio, Aquatint
Thanksgiving, Pop Art Intaglio Etching by Jean Sariano
By Jean Sariano
Located in Long Island City, NY
"Thanks, Going" by Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching with Aquatint, signed and numbered in pencil
Edition of 300
Size: 21.5 in. x 27 in. (54.61 cm x ...
Category
1970s Pop Art Jean Sariano Art
Materials
Intaglio, Aquatint
McGraw Editions Poster-Embossed. Published by Bruce McGraw Graphics, NYC 1981
By Jean Sariano
Located in Clinton Township, MI
JEAN SARIANO (Algerian-American, b.1943). McGraw Editions Poster-Embossed. Published by Bruce McGraw Graphics, NYC 1981. Measures 25 x 28 inches Unframed. Good Condition.
Category
1980s Jean Sariano Art
Materials
Lithograph
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Located in Saint Augustine, FL
Artist: Mark Catesby (English, 1638-1749)
Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62)
Portfolio: Natural History of Carolina, Florida & the Bahama Islands
*Monogram signed by Catesby in the plate (printed signature) lower right
Year: 1771-1810 (third edition)
Medium: Original Hand-Colored Etching on cream J. Ruse handmade paper
Limited edition: Unknown
Printer: Unknown
Publisher: Benjamin White, London, UK
Framing: Not framed, but recently matted in 100% cotton linen fabric matting with acid-free foam board backing
Matted size: 18.88" x 22.38"
Sheet size: 13.75" x 21.13"
Platemark size: 10.25" x 13.75"
Condition: UV staining to sheet and mat stain in margins. Some soft handling creases. In otherwise good condition
Very rare
Notes:
Provenance: private collection - Miami, FL. Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchings. "J. Ruse 1800" watermark lower right.
Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals.
Skunks are North and South American mammals in the family Mephitidae. While related to polecats and other members of the weasel family, skunks have as their closest Old World relatives the stink badgers. The animals are known for their ability to spray a liquid with a strong, unpleasant scent.
Biography:
Mark Catesby (24 March 1683 – 23 December 1749) was an English naturalist. Between 1729 and 1747 Catesby published his Natural History of Carolina, Florida and the Bahama Islands, the first published account of the flora and fauna of North America. It included 220 plates of birds, reptiles, amphibians, fish, insects, mammals and plants. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Little is known of Catesby's early life. He was born in eastern England in 1683. Although Catesby does not appear to have attended university or studied for the Bar, he was sufficiently educated to write clear English and Latin. His interest in and knowledge of plants may have derived from his uncle, who maintained a botanical garden. Catesby also appears to have benefited from an acquaintance with John Ray, a leading English naturalist of the 17th century and the co-author of an early classic study of birds...
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Greenshank (View of St. Augustine & Spanish Fort East Florida) /// Bird Audubon
By John James Audubon
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Artist: John James Audubon (American, 1785-1851)
Title: "Greenshank (View of St. Augustine & Spanish Fort East Florida)" (Plate CCLXIX - 269; part No. 54)
Portfolio: The Birds of America, Havell Edition
Year: 1835
Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper
Limited edition: approx. 180
Printer: Robert Havell Jr., London, England
Publisher: John James Audubon, London, England
Framing: Recently framed in an ornate black and gold moulding with fabric rag matting and gold filet
Framed size: 26.25" x 31.75"
Sheet size: 21.75" x 27.25"
Platemark size: 15" x 20.63"
Image size: 12" x 18"
Condition: The sheet is laid down to board. Light toning and discoloration to sheet. The occasional pinhole or faint surface abrasion. In otherwise good condition with good colors
Rare
Notes:
Provenance: private collection - Denver, CO. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". The would be "J. Whatman 1835" watermark is likely missing due to its trimming.
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Large Donald Saff Surrealist Pop Art Aquatint Etching Leopard Cheetah Big Cats
By Donald Saff
Located in Surfside, FL
Artist: Donald Saff
Title: Leopard or Cheetah, big cats in interior
Year: 1980
Medium: Etching with Aquatint, Hand signed and numbered in pencil
Edition: 150
30 in. x 22.5 in. (76.2 cm x 55.88 cm)
Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, specializing in the fields of contemporary art in addition to American and English horology. Saff was born in Brooklyn, New York.
Donald Saff began his undergraduate degree at Queens College, City University of New York, in 1955, initially envisioning a career as an electrical engineer. However, the following year Saff changed his major to art and learned printmaking, to graduate with a B.A. in 1959 and a M.A. in art history from Columbia University in 1960. In the years following, Saff was awarded a M.F.A. from Pratt Institute in 1962 and an Ed.D. in studio art and art history from Columbia University in 1964. In his early career, Saff studied with Robert Goldwater, Robert Branner, Louis Hechenbleikner, and Meyer Schapiro.
Saff is primarily known for his work and collaboration with the leading artists of the late-twentieth century, including Robert Rauschenberg, Jim Dine, Roy Lichtenstein, James Rosenquist, Nancy Graves, Philip Pearlstein, and James Turrell. Saff's prolific career is the subject of Marilyn S. Kushner's book, Donald Saff: Art in Collaboration (2010). Saff began his teaching career at Queens College as a lecturer in Art History, Design, and Drawing, from 1961 to 1964. In 1965, Saff was appointed as an associate professor in the visual arts department of the University of South Florida in Tampa, Florida, and became professor and chairman of the visual arts department two years later. In 1971, Saff became the founding dean of the College of Fine Arts at U.S.F., and was awarded the rank of distinguished professor at the university in 1982. Saff was later named dean emeritus by USF in 1989, and distinguished professor emeritus in 1996. In 1999, Saff was awarded the honorary degree of Doctor of Fine Arts at U.S.F. He was appointed the Director of Capital Projects of the Solomon R. Guggenheim Foundation, New York, in 2001, followed by the appointment of Senior Curator of Prints and Drawings in 2002.
In 1968, Saff founded Graphicstudio at U.S.F. through funding by a seed grant from the Florida Arts Council and community supporters; the following year, Philip Pearlstein was the first artist invited to Graphicstudio to collaborate with Saff and his team. Saff became Founding Dean of the College of Fine Arts at U.S.F. in 1971. Under Saff's directorship, Graphicstudio collaborated with artists such as James Rosenquist, Robert Rauschenberg, Richard Anuszkiewicz, Shusaku Arakawa, Jim Dine, Lee Friedlander, Nancy Graves, Ed Ruscha, and Roy Lichtenstein. The collection of Graphicstudio is archived in the National Gallery of Art in Washington, D.C.
Graphicstudio was founded by Dr. Donald Saff as part of the renaissance in American printmaking in the 1960s, in the company of studios such as ULAE, Tamarind, and Gemini GEL. This renaissance brought artists involved in the Pop art movement, such as Robert Rauschenberg, James Rosenquist, and Jim Dine, together with a growing number of trained printmakers from around the world. After Saff retired from U.S.F., he continued to collaborate with these artists, as well as James Turrell, at Saff Tech Arts in Oxford, Maryland, which was established in 1991.
While Saff and Rauschenberg were traveling in China, Rauschenberg conceived of the Rauschenberg Overseas Culture Interchange (ROCI) in 1982, which began in 1984 with Saff as the artistic director. Saff travelled to over twenty countries and met with poets and writers in order to decide which were the most appropriate venues for the show and prepare for Rauschenberg's visit and exhibition.
In recent years, Saff has continued to lecture and write on art and the history and mechanics of nineteenth-century clocks; in particular, the work of Charles Fasoldt, in addition to the development of time distribution from the Harvard College Observatory, and the horological innovations of Richard F. Bond. He has lectured on Fasoldt for the Antiquarian Horological Association in Cincinnati, OH (2001), the National Association of Watch and Clock Collectors in Pittsburgh, PA, and Anheim, CA (2003), and at the 26th Annual Ward Francillon Time Symposium in Houston, TX (2004), among other venues. Saff continues to work with the Royal Observatory in Greenwich, collaborating with Jonathan Betts and Rory McEvoy, on the trials of Burgess Clock B. (See "Honors.")
Exhibitions
Saff's individual work spans across his career of collaborative art. As early as 1965, Saff produced Duino Elegies, a print suite that was published and exhibited by Martin Gordon Gallery in New York and at the Galleria Academia in Rome; it was acquired by the Library of Congress, the Brooklyn Museum, and Lessing Rosenwald. Saff also collaborated with printers Galli and Arduini in Urbino to create print suites Breezes (1969), exhibited and published by the Martin Gordon Gallery. Additionally, Saff collaborated with Galli on print suites Paradise Lost (1970) and Numbers (1972), the former printed in Tampa, FL, and exhibited at the Martin Gordon Gallery, the University of South Florida Gallery, the Toronto Art Gallery, and the Loch Haven Art Center, FL. Numbers was exhibited at Multiples Gallery, New York. In 1979, Saff produced print suite Fables that was published and exhibited by the Getler/Pall Gallery in New York, followed by the print suite Constellations (1980), which was also exhibited at the Tom Lutrell Gallery in San Francisco. In 1981, Saff had solo exhibitions of his artwork in the Galleria d'Arte Moderna in Udine, Italy, Youngstown State University, OH, the Leo Castelli Gallery, NY, and in "Recent Acquisitions" at The Museum of Modern Art, NY. Additionally, Saff had solo exhibitions at Dyansen Gallery, NY (1982), at I. Feldman Gallery, Sarasota (1983), and at Edison Community College, FL (1988). In 1989, the retrospective Donald Saff: Mixed Metaphors, 1956–1989 was held at the Tampa Museum of Art and traveled to the Virginia Beach Center for the Arts, followed by his solo exhibition Winged Metaphors: Sculpture and Prints by Donald Saff at the Barbara Gillman Gallery in Miami later that year. In 1997, Brenau University Galleries exhibits Poetics: The Work of Donald Saff in Gainesville, GA. The same year, the Tampa Museum of Art exhibited Donald Saff/Robert Rauschenberg: In Collaboration. Finally, the Academy Art Museum in Easton, MD, exhibited Donald Saff: Gravity and Constellations; Selected Works in 2006.
Honors
Saff was awarded a Teaching Fellowship at Queens College (1960), a Yaddo Fellowship, Saratoga Springs, NY (1963), and Fulbright Fellowship (1964) to Italy where he studied at Istituto Statale di Belle Arti. While in Urbino, Saff met lifelong friend and colleague Deli Sacilotto, with whom he would co-author Printmaking: History and Process (1978) and Screenprinting: History and Process (1979). He received the Governor's Award for the Arts from the State of Florida in 1973, and was awarded the Florida Endowment for the Arts Individual Artist Grant in 1980. In 1997, Saff was awarded the title "Printmaker Emeritus" by the 25th Southern Graphics Council Conference in Tampa, F.L. In 2002, he was appointed as Visiting Distinguished Professor of Rhode Island School of Design.
In April 2015, Saff was awarded a certificate from the Guinness World Records for his work on completing the world's most accurate pendulum clock, "Clock B", which was started by Martin Burgess in 1975. The official title awarded by Guinness World Records, as "the most accurate mechanical clock with a pendulum...
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Dance at Gopsmor /// Impressionist Swedish Anders Zorn Etching Party Antique
By Anders Zorn
Located in Saint Augustine, FL
Artist: Anders Zorn (Swedish, 1860-1920)
Title: "Dance at Gopsmor"
*Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower left
Year: 1906 (second state of two)
Medium: Original Etching on cream Van Gelder Zonen laid paper
Limited edition: approx. 50 impressions
Printer: the artist Zorn himself, Mora, Sweden
Publisher: the artist Zorn himself, Mora, Sweden
Reference: Asplund No. 197; Hjert & Hjert No. 205; Loys Delteil No. 192
Framing: Recently framed in a gold ornate moulding and fabric matting from Holland. All archival
Framed size: 22.75" x 18.25"
Sheet size (irregular margins): 16.5" x 11"
Image size: 11.88" x 7.75"
Condition: A strong impression in very good condition
Very rare
Notes:
Provenance: private collection - Chicago, IL; acquired from Rothschild & Company, Chicago, IL in the early 1900's. Fleur-de-lis shield with text underneath (Van Gelder Zonen) watermark in center of sheet.
"Towards the end of the nineteenth century and at the beginning of the twentieth century, Anders Zorn became increasingly interested in the history and ancient traditions of his native town Mora and its wider cultural territories which at the time, as a result of industrialisation and urbanisation, were begining to disappear. In 1904, Anders Zorn purchased an ancient farmhouse which he moved to the parish of Gopsmor, situated by the river Dal, North-West of Mora. The simple ritualistic lifestyle of its people, with whom he felt affinity, and Gopsmor's geographical isolation, became for Zorn, a place of refuge for the cosmopolitan artist". - Christie's, London, UK
Biography:
Anders Leonard Zorn...
Category
Early 1900s Impressionist Jean Sariano Art
Materials
Laid Paper, Etching, Intaglio
Le Bouquet de Violettes (The Bouquet of Violets) /// Figurative Impressionist
By Manuel Robbe
Located in Saint Augustine, FL
Artist: Manuel Robbe (French, 1872-1936)
Title: "Le Bouquet de Violettes (The Bouquet of Violets)"
*Signed by Robbe in pencil lower right
Year: 1903
Medium: Original Hand-Colored Etc...
Category
Early 1900s Impressionist Jean Sariano Art
Materials
Etching, Aquatint, Watercolor, Laid Paper, Intaglio
La Douleur d'Orphée (The Pain of Orpheus) /// French Landscape Deer Woman Lady
By Cornelius Ary Renan
Located in Saint Augustine, FL
Artist: Cornelius Ary Renan (French, 1857-1900)
Title: "La Douleur d'Orphée (The Pain of Orpheus)"
Portfolio: Gazette des Beaux-Arts
*Issued unsigned
Year: 1903
Medium: Original Etc...
Category
19th Century Impressionist Jean Sariano Art
Materials
Intaglio, Laid Paper, Etching
American Dream (EAT / DIE / HUG / ERR) (Sheehan 136) UNIQUE Proof Love Food Life
By Robert Indiana
Located in New York, NY
Robert Indiana
American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986
Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper
37 inches × 21 inches
...
Category
1980s Pop Art Jean Sariano Art
Materials
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Bulls Fighting /// Antique Victorian Animal Landscape Etching Landscape Horse
By James Ward
Located in Saint Augustine, FL
Artist: (after) James Ward (English, 1769-1859)
Title: "Bulls Fighting"
Portfolio: The Portfolio
*Signed by Wise in pencil lower right. It is also signed in the plate (printed signature) lower right
Year: 1874
Medium: Original Etching on laid paper
Limited edition: Unknown
Printer: Unknown, London, UK
Publisher: Seeley, Jackson, and Halliday, London, UK
Sheet size: 9.75" x 13.75"
Image size: 5" x 8"
Condition: In excellent condition
Very rare
Notes:
Engraved by English artist William Wise...
Category
1850s Victorian Jean Sariano Art
Materials
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Jean Sariano art for sale on 1stDibs.
Find a wide variety of authentic Jean Sariano art available for sale on 1stDibs. You can also browse by medium to find art by Jean Sariano in etching, intaglio, aquatint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Pop Art style. Not every interior allows for large Jean Sariano art, so small editions measuring 21 inches across are available. Customers who are interested in this artist might also find the work of Claudio Cintoli, Bob Pardo, and Joan Melnick. Jean Sariano art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $175 and tops out at $520, while the average work can sell for $350.