Items Similar to The Hunchbacked Fiddler (3rd State)
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Adriaen van OstadeThe Hunchbacked Fiddler (3rd State)1654
1654
About the Item
The Hunchbacked Fiddler (3rd State), 1654
Etching
266 x 113 mm.; 6 1/2 x 4 7/16 inches
Watermark:
Fleur-de-lys in a Crowned Shield
References:
Godefroy 44 III/VI
Hollstein 44 III/VI
Pelletier, Adrian van Ostade, Georgia Museum of Art, 1994: no. 107
Notes:
A fine, silvery impression of the exceedingly rare 3rd state. With the smallest details clearly printed. In the following 4th state, there is a series of oblique lines going from the hat of the peasant on the right, through the ladder.
Pelletier (p. 219) notes that:
Although the negative themes of this sheet are hardly discernible to modern sensibilities, it is likely that Ostade’s contemporaries would have viewed it with quite different eyes. The bad reputation of traveling musicians was widespread during the seventeenth century, and they were frequently classed as little more than beggars, or worse. This aspect, when joined to the fact that Ostade depicted his fiddler as a hunchbacked dwarf is intensified by the widespread belief that physical deformity was either a cause or a result of evil. Indeed, the first Dutch translation of Cesare Ripa’s famous Italian handbook, Iconologia, published in 1644, used deformity as one of the attributes of depravity. The presence of a child with a hoop, also found in Ostade’s The Quacksalver of 1648, B. 43, may also comment negatively on the scene. For example, Jacob Cats used a child with a hoop to stand for a person whose life follows a path leading nowhere. Obviously, in seventeenth-century terms, it was an appropriate symbol for a deformed, wandering musician.
- Creator:Adriaen van Ostade (1610 - 1685, Dutch)
- Creation Year:1654
- Dimensions:Height: 6.5 in (16.51 cm)Width: 4.44 in (11.28 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU36532707141
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1955
1stDibs seller since 2016
12 sales on 1stDibs
Typical response time: 15 hours
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Chicago, IL
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Bellos Consejos (Wonderful Advice)By Francisco GoyaLocated in Chicago, ILAn impression from the 1st edition published in 1799, the only edition published during Goya's lifetime. References: Los Caprichos Plate 15; Delteil 52; Harris 50 III.1 Prado ...Category
18th Century and Earlier Old Masters Figurative Prints
MaterialsEtching, Aquatint
- Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state)By Giovanni Benedetto CastiglioneLocated in Chicago, ILBearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state), 1645-50 Etching on laid paper 152 x 184 mm.; 6 x 7 1/4 inches References: Bellini 45 Bartsch 52 Note...Category
17th Century Old Masters Figurative Prints
MaterialsLaid Paper, Etching
- The SingersBy Adriaen van OstadeLocated in Chicago, ILThe Singers (4th State), 1667 Etching printed with tone 240 x 190 mm.; 9 1/2 x 7 1/2 inches Provenance: W. Benoni White (Lugt 2592) Karl Herweg (not in Lugt) References: Godefroy 19 IV/VII Hollstein 19 IV/VII Pelletier, Georgia Museum of Art, 1994: nos. 46 and 47 Notes: A very fine impression of the rare 4th state (of seven) of this major Van Ostade. Godefroy illustrates differences between this 4th state and the following 5th state. In the latter state, there are several “escaped lines”, going obliquely from left to right, directly above the central post. These lines are not visible in the 4th state. Ostade was one of the most important of the printmakers within the Rembrandt circle. His prints, avoiding religious subjects, depicted beggars, peasants and artisans. Combining great artistic sensitivity with thorough mastery of the medium of etching, Ostade etchings present a unique artistic panorama of life in seventeenth-century Holland. Pelletier (S. William Pelletier, Adrian Van Ostade...Category
17th Century Old Masters Figurative Prints
MaterialsEtching
- The Large Village FairBy Cornelis DusartLocated in Chicago, ILThe Large Village Fair, 1685 Etching 268 x 377 mm.; 10 1/2 x 13 1/4 inches Watermark: Arms of Amsterdam Provenance: H. Freiherr von und zu Aufsess (Lugt 2749) M. Menge (Lugt 1893a). References: Hollstein 16 Notes: A fine, early impression (before spots on the sky) of one of Dusart’s most powerful and fanciful works. Concerning the provenances of this etching: Hans von und zu Aufsess (1801-1872) was a great book lover and also a major collector of Old Master prints. He was one of the founders, in 1852, of the Germanisches Museum in Nürnberg and was that museum’s director until 1862. Mas Menge (died in 1945) was a famous violinist and also a major collector of Old Master prints and drawings.Category
17th Century Old Masters Figurative Prints
MaterialsEtching
- Les Plaisirs du Bal [before 1st State] (The Pleasures of the Ball)By (After) Jean-Antoine WatteauLocated in Chicago, ILLes Plaisirs du Bal (before 1st State), 1730 The Pleasures of the Ball Pure etching only by Gérard Jean-Baptiste Scotin II (born Paris 1698) 495 x 640 mm.; 19 3/8 x 25 1/8 inches ...Category
18th Century Old Masters Figurative Prints
MaterialsEtching
- Venus and the Rose (2nd State)By Giorgio Mantovano GhisiLocated in Chicago, ILEngraving after Luca PenniCategory
16th Century Old Masters Prints and Multiples
MaterialsEngraving
You May Also Like
- One Can't Tell Why - Proof from the Disasters of WarBy Francisco GoyaLocated in New York, NYFrancisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...Category
1810s Old Masters Figurative Prints
MaterialsDrypoint, Etching, Aquatint
- Genesis 1 - Old Testament Story - Etching by Giovanni Lanfranco - 1607Located in Roma, ITGenesis 1 -Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout ...Category
Early 1600s Old Masters Figurative Prints
MaterialsEtching
- Ancient Roman Fresco Herculaneum - Etching by Carlo Oratij - 18th CenturyLocated in Roma, ITAncient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Oratij in the 18th Century. Signed on the plate. Good conditions. The e...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Antiquities of Herculaneum Exposed- Original Etching - 18th CenturyLocated in Roma, ITAntiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. Good condition...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Ancient Roman Relief - Original Etching - 18th CenturyLocated in Roma, ITAncient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous Artista in the 18th century. ...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Ancient Roman Fresco - Original Etching - 18th CenturyLocated in Roma, ITAncient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous in the 18th Century. Signed ...Category
18th Century Old Masters Figurative Prints
MaterialsEtching