William Lionel Wyllie, R.A., R.I., R.E. Art

Serene countryside morning with wildflowers, rustic fence & soft, misty light by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 22 x 18 inches Frame measures 28...

Artist: Salvador Dali Title: The corridor of Katmandu Portfolio: The Hippies Medium: Etching on Arches wove paper Date: 1969 Edition: Unnumbered proof Frame Size: 34 1/4" x 27 1/2" S...

Woman in the Woods walking through trees towards Cottage in English Countryside, by 20th Century British Artist, David Mead (1906-1986) Art measures 24 x 20 inches Frame measures 30 x 25 inches Oil on Board, Presented in the original ornate frame David Mead was born in London in 1906. A self-taught painter, he started painting landscapes at the age of 9, greatly influenced by F W Hayes...

Moonlit tonal seascape with sailboat, calm waters, and sepia elegance - Vintage Oil by British Artist, David James. Dramatic skies and beautiful reflections are a feature of this lan...

Harvest Time in a farm on East Coast of England by 20th Century British Artist Art measures 8.75 x 6.25 inches Frame measures 11.5 x 9 inches Don Micklethwaite is a British Post...

Splendid Landscape of the Scottish Highlands Loch in summer by Francis E Jamieson, also known as W. Richards, was an English painter who, after a holiday to the Highlands of Scotland, became obsessed with painting highland landscapes and became one of the most prolific artists of his time. Image, 20.5"H x 30.38"W Frame, 26.5"H x 36.5"W x 3"Deep (please note for shipping quote purposes we marked it as 1" deep in the details section) The paintings of FE Jamieson were so fashionable he was contracted to paint exclusively for various furniture stores painting scenes on furniture. Jamieson is believed to have painted under eleven different artist names so he could sell more of his paintings undetected by his employers. These aliases include J McGregor, Graham Williams, Henry Stewart, HB Davis and W Richards. There are other pseudonyms that include Aubrey Ramus...

This fine early 19th-century watercolour by British artist Amos Green (1735-1807) depicts an asperous gorge near Ingleton in Yorkshire. On either side of a shallow river, trees clin...

A serene countryside scene with soft colors, lush greenery, and calming depth by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 9 x 5.5 inches Frame measures 13....

Vintage River Landscape Oil in English Countryside - 20th Century British Art Art measures 11 x 7.5 inches Frame measures 13 x 10 inches Don Micklethwaite is a British Postwar & ...

John Bentham Dinsdale depicted historical warships, including The Centaur, famously associated with Admiral Samuel Hood. HMS Centaur was a prominent British warship, a 74-gun third-r...

A quiet country lane in England with Foxgloves in the Hedgerow by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 20 x 16 inches Frame measures 25 x 21 inches Vi...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...