Etching Figurative Prints

September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...

Ninetta is an artwork realized by Arthur Greuell (1891-1966) in 1950. Etching on paper. Hand-signed on the lower right margin. Limited edition n. 25/65 ex. Good condition on a yell...

Paris: J & A Lamercier, 1885. Etching with aquaint on Arches laid paper with a partial watermark, 7 x 4 5/8 inches (176 x 118 mm), full margins. Seventh state (of 7), after the remo...

Spanish artist Salvador Dali is considered to be the father of Surrealism, renowned for his technical skill and unique style. This etching features a city landscape with fountains, c...

Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower part. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, ...

HAROLD L. DOOLITTLE (1883 – 1974) CALIFORNIA VISTA, 1923 Aquatint signed and titled in pencil. 8 7/8 x 6 7/8 inches. Sheet 11 x 14 inches. Good condi...

Edouard Goerg, 'Le Paradis Terrestre' (Paradise on Earth), etching, 1931, edition 40. Signed, titled, and numbered '3/40' in pencil. A fine richly-inked impression, on heavy, cream w...

Medium: original etching. This classic Villon etching was published in Paris in 1955 by Manuel Bruker in an edition of 200. Plate size 11 x 8 1/2 inches (275 x 218 mm). A nice impres...

Artist: Pablo Picasso Title: Sculpteur et Modele debout Year: 1933 Medium: Original etching Edition: hand signed in pencil from an edition of 250 on small margins Size: Frame: 27 x 2...

Noémie (Marguérite). 1926. Etching. Fletcher catalog 57 state vi 7 1/8 x 4 3/16 (sheet 10 15/16 x 8 7/16). Edition 111 in this state (total 132 impressions). A fine impression print...

José Hernández Muñoz (Spain, 1944) 'Bestiario I', 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet size: 14.96 x 11.22 in. (38 x 28.5 cm.) series number: 5/25 ID: HER1076-057 Hand-signed in pencil, COA (Certificate of Authenticity) issued by gallery. Pristine condition, unframed. Artist biography The painter JOSÉ HERNÁNDEZ was born in Tangiers in January 1944. He alternates his studies between the Spanish Institute and the French School in Tangiers. He becomes interested in mathematics and competitive sport. He enjoys long distance running and draws relentlessly. After a fruitful period in which he draws and paints from life, he becomes interested in experimenting with different painting materials, which leads him to a wider knowledge of a number of different oil and watercolour techniques. He exhibits his first works at the Librairie des Colonnes in Tangiers in 1962, and receives support from friends, artists and writers who encourage him to explore new fields in the arts. In 1964 he settles in Madrid, where he currently works and resides. It is in Madrid that he presents his first solo exhibition in 1966 at Galería Edurne. Since then numerous exhibitions both within and outside of Spain have taken place. In 1967 he publishes his first etchings and lithographs. His work as an engraver, which complements his painting and leads him to produce many bibliophilic books in collaboration with writers and poets, contemporaries and classics. Since 1971 he has also completed a considerable number of projects as an illustrator of widely distributed books. Since 1974 he has collaborated in a number of theatrical projects as a stage and costume designer for both classic and contemporary plays. At present, he is a voted-in member of the Real Academia de Bellas Artes de San Fernando in Madrid, he has been awarded the Honorary Medal of the Real Academia de Bellas Artes de Santa Isabel de Hungría in Seville, and is a member of the European Academy of Sciences, Fine Arts and Literature in Paris. Individual shows 1962 Tánger, Marruecos. Librairie des Colonnes. 1966 Madrid. Galería Edurne. 1967 Madrid. Galería Seiquer. 1969 Madrid. Galería Iolas-Velasco. 1970 Chicago, Illinois, USA. Deson-Zaks Gallery. 1971 Madrid. Galería Iolas-Velasco. 1973 Palma de Mallorca. Sala Pelaires. La Laguna, Tenerife. Sala Conca. Madrid. Galería Iolas-Velasco. 1974 Pamplona. Caja de Ahorros de Navarra. 1975 Barcelona. Galería Ciento. Valencia. Galería Val i 3O. Alicante. Galería Italia. Madrid. Grupo Quince. Castellón. Galería Canem. 1976 Valladolid. Galería Carmen Durango. 1977 París, Francia. Galerie Octave Negru. Burgos. Galería Mainel. 1978 Madrid. Galería Biosca. 1979 Córdoba. Galería Juan de Mena. Málaga. Colectivo PALMO. París, Francia. Galerie Negru, FIAC. 1980 Bruselas, Bélgica. Galerie Isy Brachot. Madrid. Galería Tórculo. 1981 La Laguna, Tenerife. Sala Conca. París, Francia. Galerie Octave Negru. Munich, Alemania. Galerie Godula Buchholz. Granada, Galería Laguada. 1982 Madrid. Museo Español de Arte Contemporáneo. 1983 Lódz, Polonia. Biuro Wystaw Artystycznych, Galeria Balucka. Leganés, Madrid. Sala Municipal de Exposiciones. Alicante. Galería Italia. Cali, Colombia. Museo de Arte Moderno La Tertulia. 1984 Madrid. Galería Biosca, ARCO. Madrid. Galería Biosca. New Haven, Conn. USA. Yale University. Tokio, Japón. Art Front Gallery. Fredrikstad, Noruega. Galleri Gamlebyen. 1985 Bilbao. Museo de Bellas Artes. La Laguna, Tenerife. Sala Conca. Varna, Bulgaria. Museo de la Historia y de las Artes. Playa del Inglés, Gran Canaria. Galería Radach Novaro. 1986 Alcalá de Henares, Madrid. Capilla del Oidor. Oviedo. Museo de Bellas Artes de Asturias. Vitoria. Museo de Bellas Artes de Alava. Zaragoza. Palacio de la Lonja. Talence, Francia. Château Margaut. Las Palmas de Gran Canaria. Salas Vegueta y Balos. Albacete. Museo de Albacete. Madrid. Palacio de Velázquez de El Retiro. 1987 Granada. Hospital Real. Leganés, Madrid. Sala Municipal de Exposiciones. 1988 Bremen, Alemania. Werkstatt El Patio Galerie. 1989 París, Francia. Galería Tórculo, SAGA. Madrid. Galería Biosca. Madrid. Galería Tórculo. 1990 Madrid. Galería Tórculo, ARCO. Sabiñánigo, Huesca. Museo del Dibujo Castillo de Larrés. 1991 Hamburgo, Alemania. Galerie Levy. Burgos. Casa del Cordón. 1992 Vitoria. Sala San Prudencio. Alcoy, Alicante. Centre Cultural D'Alcoi. Murcia. Centro de Arte Palacio Almudí. Basilea, Suiza. Galería Levy, ART BASEL 92. Madrid. Colegio Oficial de Médicos. 1993 Barbizon, Francia. Galerie Triade. 1994 París, Francia. Galerie Michèle Broutta. La Coruña. Fundación Caixa Galicia. Santiago de Compostela, La Coruña. Fundación Caixa Galicia. Nueva York, USA. The Godwin-Ternbach Museum. Córdoba. Galería de Arte La Caja. 1995 Madrid. Galería Levy. Granada. Palacio de la Madraza. Alicante. Galería Italia. Hamburgo, Alemania. Galerie Levy. Madrid. Instituto de Cultura de México. 1996 París, Francia. Galerie Michèle Broutta. Marsella, Francia. Galerie L'Echoppe. Badajoz. Galería Ceberino Franco. Toledo. Galería Tolmo. 1997 Madrid. Centro Cultural del Conde Duque, Sala de Bóvedas. Marbella, Málaga. Museo del Grabado Español Contemporáneo. Tánger, Marruecos. Instituto Cervantes. Navacerrada, Madrid. Galería Nolde. Rabat, Marruecos. Instituto Cervantes. Casablanca, Marruecos. Instituto Cervantes. Zaragoza. Sala Luzán CAI. Tetuán, Marruecos. Instituto Cervantes. 1998 Lisboa, Portugal. Instituto Cervantes. Munich, Alemania. Instituto Cervantes. Santiago de Compostela, La Coruña. Fundación Eugenio Granell. Varsovia, Polonia. Instituto Cervantes. Nagoya, Japón. Artgraph Gallery. Tokio, Japón. Han Garo Gallery. Bilbao. Galería Juan Manuel Lumbreras. Cádiz. Galería Benot. 1999 Santa Cruz de Tenerife. Centro de Arte La Recova. Barcelona. Galería 3 Punts. Bad Frankenhausen, Alemania. Panorama Museum. La Coruña. Museo Unión Fenosa. Cuenca. Galería La Escalera. León. Sala de exposiciones Junta de Castilla y León. 2000 Dublín, Irlanda. Graphic Studio Gallery. Madrid, Galería Leandro Navarro. Amman, Jordania. Instituto Cervantes. 2001 Santa Cruz de Tenerife, Galería Mácula. Madrid, Galería Estiarte. Alicante, Galería Italia. 2002 Logroño, Galería Pedro Torres. Akita, Japón. Gallery Mini-Exhibition. Rincón de la Victoria, Málaga. Casa Fuerte Bezmiliana. Londres, Gran Bretaña. Instituto Cervantes. 2003 Manchester, Gran Bretaña. Instituto Cervantes. Barcelona, Galería 3 Punts. Málaga, Salas de Exposiciones del Palacio Episcopal. Issoudin, Francia. Musée de L’Hospice Saint Roch. Venecia, Italia. Galleria Del Leone. Valdepeñas, Museo Gregorio Prieto. Paris, Francia. Galerie Michèle Broutta Lyon, Francia. Instituto Cervantes. 2004 Almansa, Albacete, Alzira, Ibi, Villena, Requena, Exposición Itinerante Girarte. Betanzos, A Coruña. Centro Internacional de Estampa Contemporánea. 2006 Málaga, Sala de Exposiciones Edificio Rectorado. Universidad de Málaga. Madrid, Galería Leandro Navarro. 2007 Pinto, Madrid. Centro Infanta Cristina. Madrid, Galería Tibeca. Zaragoza, Museo Provincial Fuendetodos, Zaragoza. Sala Ignacio Zuloaga. Pamplona, Galería Fermín Echauri. 2008 Galería Michele Broutta, París. Galería 3punts, Barcelona. Francia, Bienal Cercle St. Leonard de Noblat. Madrid, Real Casa de la Moneda. 2009 Espacio Nolde, Navacerrada, Madrid. Group shows 1962 Tánger, Marruecos. Casino. 1965 Madrid. Galería Edurne, "Dibujantes Españoles siglos XVIII, XIX y XX". Fuenterrabía, Guipúzcua. Castillo de Carlos V, "Arte Actual". 1967 Barcelona. "I Bienal Internacional de Pintura". 1968 Barcelona. "MAN-68". 1970 La Habana, Cuba. Galería La Habana, "Dibujantes Europeos". Madrid. Galería Seiquer. 1971 Panamá, Panamá. La Paz, Bolivia. Santiago de Chile, Chile. Buenos Aires, Argentina. "Arte de España sobre papel". Sevilla. Museo de Arte Contemporáneo, "Gráfica Española Actual". Baracaldo, Vizcaya. "I Muestra de Artes Plásticas". Pamplona. "Muestra de Arte Contemporáneo". Palma de Mallorca. Sala Pelaires, "Picasso-90". Madrid. Galería Vandrés, "Eros en el Arte Español Contemporáneo". 1972 Santa Cruz de Tenerife. Colegio Oficial de Arquitectos,"Homenaje a J.L. Sert". Santillana del Mar, Cantabria.Torre del Merino. París, Francia. Palais Galliéra, "Biennale de l'Estampe". Ibiza. Museo de Arte Contemporáneo, "Ibizagrafic". Santiago de Chile, Chile. Museo de Arte Contemporáneo Quinta Normal. Madrid. Galería Sen. Exposición homenaje a Manuel Repila 1973 Elche, Alicante. Museo de Elche. "Encuentros". Ljubljana, Yugoslavia. "X Bienal Internacional de Grabado". Tokio, Japón. Museo de Arte Contemporáneo, "Grabado Español Contemporáneo". Madrid. Instituto Alemán, "Grabado Español Contemporáneo". La Laguna, Tenerife. Sala Conca. Palma de Mallorca. Colegio Oficial de Arquitectos,"Miró-80". Baracaldo, Vizcaya. "II Muestra de Artes Plásticas". Madrid. Galería Iolas-Velasco, "Homenaje a Miró". Copenhague, Dinamarca. Kunstforeningen, "Nutidig Spansk Kunst". Madrid. Galería Juana Mordó, "Homenaje a Manolo Millares". Madrid. Galería Internacional. 1974 Cracovia, Polonia. "V Bienal Internacional de Grabado". Barcelona. Colegio Oficial de Aparejadores, "Mostra d'Art Realitat". Rijeka, Yugoslavia. Museo de Arte Moderno, "IV Exposición de Dibujo Original". Segovia. "I Bienal Internacional del Grabado y Arte Seriado". París, Francia. Salon International d'Art Contemporain. Frechen, Alemania. Kunstverein, "III Exposición Internacional de Grabado". 1975 Jyväskylä, Finlandia. "Graphica Creativa". Palma de Mallorca. Sala Pelaires. 1976 Nuremberg, Alemania. "Grafische Minaturen des 20". Tokio, Kyoto, Japón. Museo Nacional de Arte Moderno, "X Bienal Internacional de Grabado". Biella, Italia. "Premio Internazionale per l'incisione". Cracovia, Polonia. "VI Bienal Internacional de Grabado". Venecia, Italia. Bienal Internacional de Arte Contemporáneo "España: Vanguardia Artística y Realidad Social 1936-1976". Frechen, Alemania. "IV Exposición Internacional de Grabado". París, Francia. Galerie Octave Negru. 1977 Leipzig, Alemania. Ausstellung Internationale Buchkunst. Barcelona. Fundación Joan Miró, "España: Vanguardia Artística y Realidad Social 1936-1976". Nueva York, USA. Bronx Museum of Arts. "I New York Drawing Biennial". Barcelona. Fundación Joan Miró, Exposición Museo Internacional Salvador Allende. Madrid. Galería Juana Mordó, "EMISA". 1978 Leverkusen, Alemania. “Volkshochschule, Grafik aus Lädern des Mittelmeeraumes". Sevilla. Escuela Superior de Bellas Artes, "I Exposición de Pintores Andaluces Contemporáneos". Madrid. Galería Ponce, "Gráfica Fantástica". Christchurch, Nueva Zelanda. "Christchurch Festival International of Drawings". 1979 Madrid. Congreso de Andalucía. Nuremberg, Alemania. Kunsthalle, "14 Europäische Künstler zum Thema Menschenbild". Heidelberg, Alemania. "I Biennale der Europäische Künstler Grafik Heidelberg". Lódz, Polonia. "Biennale Malych Formy Grafiki". Bradford, Inglaterra. "British International Print Biennial". Nuremberg, Alemania. Kunsthalle, "I Trienal Internacional de Jóvenes Dibujantes ". Gainesville, Florida, USA University of Florida, "Contemporary Spanish Prints". 1980 Madrid. Galería Biosca, "Pequeño Formato". Madrid. Galería Juana Mordó, "Miscelánea". Columbus, Georgia, USA. Museum of Arts and Sciences,"Contemporary Spanish Prints". Austin, Texas, USA. University of Texas, "Contemporary Spanish Prints". Chattanooga y Knoxville, Tennessee, U.S.A. University of Tennessee, "Contemporary Spanish Prints". Biella, Italia. "Premio Internazionale per l'incisione". Cleveland, Ohio, USA. Institute of Art, " Contemporary Spanish Prints". Minneapolis, Minnesota, USA. University of Minnesota,"Contemporary Spanish Prints". Madrid. Club de Amigos de la Unesco, "Andalucía hoy". Madrid, Librería Fuentetaja, "Técnica de estampación en hueco". Segovia, La Casa del Siglo XV, "Obra Gráfica". 1981 Lincoln, Nebraska, USA. University of Nebraska "Contemporary Spanish Prints". Iowa City, Iowa, USA. University of Iowa, "Contemporary Spanish Prints". Alburquerque, Nuevo Mexico, USA. University of New Mexico,"Contemporary Spanish Prints". Madrid. Galería Biosca. Madrid. Galería Tórculo, "Expo-síntesis". Fontainebleau, Francia. Musée d'Art Figuratif, "L'Art Fantastique Aujourd'hui". Palma de Mallorca. Sala Pelaires, "El Dibuix". Madrid. Escuela Superior de Bellas Artes, "El realismo en la pintura actual española". 1982 Sevilla. Museo de Arte Contemporaneo, "ANDANA 2". Madrid. Centro Cultural de la Villa, "ANDANA 3". Fredrikstad, Noruega. Bienal Internacional de Grabado. 1983 Lódz, Polonia."Biennale Malych Formy Grafiki". Bilbao. Museo de Arte Moderno, "Rompecabezas Andaluz". Madrid. Centro Cultural del Conde Duque, "Muestra Plástica de Artistas sobre la Violencia". Estocolmo, Suecia. Liljevalchs Konstall, "Spansk Egen-Art". Taipei, Taiwan. "Exposición Internacional de Grabado: 1983". 1984 Madrid, Casa de Velázquez. Alcorcón, Madrid. Sala Municipal. "I Muestra de Grabado". Fontainebleau, Francia. "Pensionnaires 1984 Casa de Velázquez" (Invitado de Honor). Oslo, Noruega. Kunstnernes Hus, "Spansk Egen-Art". Cracovia, Polonia. "X Bienal Internacional de Grabado". Berlín, Alemania RDA. "Intergrafik 84". Colmenar Viejo, Madrid. Sala de Arte Picasso, "José Hernández y Gérard Puvis". 1985 Madrid. Expometro, "Arte y Trabajo". Fontainebleau, Francia. Salle des Fêtes du Théatre, "Arlequin aujourd'hui". París, Francia. Galerie Île des Arts, "L'imaginaire". Varna, Bulgaria. "III Biennale de la Gravure". Lódz, Polonia. "Biennale Malych Formy Grafiki". 1986 Madrid. Museo Español de Arte Contemporáneo, "Obra Gráfica de los Premios Nacionales de Artes Plásticas 1980-1985". Cali, Colombia. Museo de Arte Moderno La Tertulia, "Premios Nacionales de España". Angers, Francia. "V Salon d'Automne". Fontainebleau, Francia. Salle des Fêtes du Théatre, "Les Vanités du XVII siècle à nos jours". Sevilla. Museo de Arte Contemporáneo, "I Bienal Iberoamericana de Arte Seriado". Alicante. Fundación Caja del Mediterráneo, "Poemas pintura". (Exposición Itinerante). 1987 Madrid. Palacio de Cristal del Retiro, "Artistas por la Paz". Madrid. Calcografía Nacional, "Diez pintores en Negro". Varna, Bulgaria. "IV Biennale de la Gravure". Lódz, Polonia. "Biennale Malych Formy Grafiki". Biella, Italia. "Premio Internazionale per l'incisione". La Laguna, Tenerife. Sala Conca. Valladolid. Palacio del Marqués de Villena, "Artistas por la Paz". Salamanca. Universidad de Salamanca, "Grabados". 1988 Malbork, Polonia. "XII Miedzynarodowe Biennale Ekslibrisu Wospótczesnego". París, Francia. École Nationale Superieure des Beaux-Arts, Galerie du Palais des Études, "La Gravure Contemporaine à la Chalcographie Nationale de Madrid". Valencia. Galería El Ensanche. Madrid. Instituto Francés, "Le radeau de l'esprit dit non aux fauxmonnayeurs de la mode artistique". 1989 Leipzig, Alemania. "Internationale Buchkunst-Ausstellung Leipzig 1989". Madrid. Galería Levy, "El Arte Surrealista?". Sevilla. Caja de Ahorros de San Fernando "Existencias: 14 Maestros del Realismo". Teruel. Museo Provincial, "En torno a Luis Buñuel /El Collage Surrealista en España". Madrid. Galería Sephira. Madrid. Galería Alfama, "Pintores y Escultores de la Real Academia de Bellas Artes de San Fernando". Talence, Francia. Centre Culturel Medocine, "Arte Español Contemporáneo". 1990 Las Palmas de Gran Canaria. Centro Atlántico de Arte Moderno, "Arte Internacional en las Colecciones Canarias". Madrid. Sala de Exposiciones de la Comunidad de Madrid, "Madrid, El Arte de los 60". Madrid. Galería Sephira, "Cinco Realidades". Madrid. Galería Levy. 1991 Madrid. Galería Levy. París, Francia. Musée Chantillon. Hamburgo, Alemania. Galerie Levy, "Le Chat dans la Peinture". Tokyo, Kyoto, Osaka, Yokohama, Japón. Museo Takashimaya, "Realismos: Arte Contemporáneo Español". Madrid. Galería Heller, "Realismo, Realistas, Realidades, en papel". Huesca. Diputación Provincial de Huesca, "Arte Contemporáneo en la Escuela". Alicante. Galería Italia, "Dibujos y pinturas sobre papel". 1992 Tokyo, Japón. Galería Heller. TOKYO ART EXPO. Sabiñánigo, Huesca. Museo del Dibujo Castillo de Larrés, "Anatomía y Dibujo". Madrid. Galería Levy. Sevilla. Convento de Santa Inés, "XLI Exposición de Otoño". 1993 Madrid. Galería Levy, ARCO. Argentina, Uruguay, Bolivia, Paraguay, Instituto de Cooperación Iberoamericana, "Territorios de Papel". Nueva York, U.S.A. Tamenaga Gallery, "Contemporary Spanish Realism". Madrid. Galería Ra del Rey. 1994 Madrid. Galería Levy, ARCO. Burgos. Casa del Cordón, "Colección Lorenzana". Dublin, Irlanda. Graphic Studio Dublin Gallery, "Contemporary Spanish Prints". Madrid. Galerie Michèle Broutta, ESTAMPA '94. Madrid. Centro Cultural del Conde Duque, "Realismos". Colera, Gerona. Galería d'Art Horizon "Exposició d'Exlibris d'Homenatge a Walter Benjamin". Venecia, Italia. Centro Culturale di Esposizione e Comunicazione,"Du Fantastique au Visionnaire". 1995 París, Francia. Galería Levy, FIAC. Valdepeñas, Ciudad Real. Museo Fundación Gregorio Prieto, "V Certamen Nacional de Dibujo". Marbella, Málaga. Museo del Grabado Español Contemporáneo, "II Premios Nacionales de Grabado 1994". Nueva York, USA. Galería Heller, INTERNATIONAL ART FAIR. Madrid. Galería Levy, ARCO. Madrid. Galerie Michèle Broutta, ESTAMPA '95. La Coruña. "IV Mostra Unión Fenosa". 1996 Madrid. Fundación Cultural Mapfre Vida, "Postrimerías". Marbella, Málaga. Museo del Grabado Español Contemporáneo, "Colección Pangea/95". Madrid. Galerie Michèle Broutta, ESTAMPA '96 . Zaragoza. Palacio de la Lonja y Caja de Ahorros de la Inmaculada,"Después de Goya, una mirada subjetiva". Coulommiers, Francia. Chapelle des Capucins. "Ex-votos". Madrid. Galería Leandro Navarro, "25 Años". 1997 Barcelona. Galería Maragall, "Homenaje a Goya". Madrid. Real Academia de Bellas Artes de San Fernando, "Arte Vivo/Los Pintores de la Academia". Le Bouscat, Francia. Ermitage Compostelle, "L'imaginaire Contemporain". Bilbao. Galería A'G."Realismos". Andorra. Sala de Exposiciones Govern d'Andorra, "Cent Ex-Libris en Homenatge a Walter Benjamin" Barcelona. Palau del Mar, Museo de Historia de Cataluña, "Solidaritat i Art: Milà 1972-Barcelona 1997". Becerril de la Sierra, Madrid. Galerie. "Festival de Grabado Alberto Durero". París, Viaduc des Arts, "Les états de la gravure". Santiago de Compostela, La Coruña. Auditorio de Galicia, "Realidade, Realismos". Ljubljana, Slovenia, "22 international biennial of graphic art". 1998 Kanagawa, Japón, “International Print Triennial ‘98”. Madrid, Museo Postal y Telegráfico, “Ciento y... postalicas a Federico García Lorca (1898-1998)”. Nemours, Francia, “Les Girouettes”. París, Francia, Galerie Alain Daune. “Les peintres du fantastique”. Madrid, M.E.A.C., “Homenaje a Aurelio Biosca”. Oviedo, Galería Dasto. “Libros de Artista”. Madrid, Galería Rayuela. 1999 Biella, Italia, “Premio Internazionale Biella per l’Incisione XIV edizione 1999.” Granada, Hospital Real, “Ciento y... postalicas a Federico García Lorca (1898-1998)”. Huesca, Sala de Exposiciones de la Diputación de Huesca. “Luis Buñuel, el ojo de la libertad.” Madrid, Galerie Michèle Broutta, ESTAMPA '99 . Málaga, Sociedad Económica, “Ciento y... postalicas a Federico García Lorca (1898-1998)” Rincón de la Victoria, Málaga. Casa Fuerte Bezmiliana, “De Picasso a nuestros días”. 2000 Maracaibo, Venezuela. Centro de Arte Lía Bermúdez...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

The internal organs is an ancient original etching Table no. 36 of the popular "De Humani Corporis Fabrica" by Andrea Vesalio, in the 1642 edition by Nicolaus Fontanus (Fontayn), Am...

Paul RENOUARD Dancing Class - "Classe du Premier Quadrille", 1893 Original etching Signed in pencil On Japan paper 32 x 48 cm (c. 12.5 x 19 inch) INFORMA...

Salvador Dali (Spanish, 1904 – 1989) The oak and the reed Drypoint etching with hand coloured pochoir, on Richard de Bas Auvergne, 1974 From the suite Le Bestiaire de la Fontaine pri...

The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs. These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition. The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco. The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe. A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene. The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate. Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...

This surreal botanical print by Salvador Dali is from a suite of 10 engravings called "Flora Dalinae". Growing from a vine are leaves shaped like lips an...

This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...

REYNOLD WEIDENAAR (1915 - 1985) THE BURRO STATION, 1946, Etching and drypoint on paper, Signed and titled in pencil from an edition of unknown size. Plate: 17" x 13": Sheet: 20.75" x 15.75". One of a pair of large format Mexican etchings...

Rainy NIght in Rome.. 1913. Drypoint. Dodgson 299.x. 12 x 9 (sheet 16 x 11 1/4). Edition 125 in 10 states. A rich impression with burr and tonal wiping. Pr...

Qui ne se grime pas? (Who does not wear a mask?) Aquatint, roulette, drypoint, acid bite, and scorper, 1923 Signed in the plate loweer left (see photo) Dated in pencil Series: Miser...

Une Femme Assise by Lucien Pissarro (1863-1944) Etching 23 x 13 cm (9 x 5 ¹/₈ inches) Stamped lower right, L.P. and numbered lower left, 10/20 Provenance: John Bensusan Butt Private...

Artist: Sylvia Roth Title: The Emperor Year: circa 1980 Medium: Etching with Aquatint, signed in pencil Edition: AP Image Size: 23.5 x 22 inches Size: 34 x 28.5 inches

Modern abstract earth toned figurative etching by Mexican artist Rufino Tamayo. The work features a simplified portrait of a figure centered in a window set against a grey toned back...

Kamal Mitra - Untitled - 28 x 22 inches (unframed size) & 19.5 x 13 inches (Palette Size) Etching on paper. Inclusive of shipment in ready to hang condition. About Kamal Mitra’s Wo...

Etching realized by Castiglione (Il Grechetto) in 1640 ca. From the Series Small Studies of Heads Good condition. Ref. Bartsch 46.43

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

Ancient Roman Fresco / Naval Battle from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th Century. Signed on the plat...

Rashid Johnson (American, b. 1977) Untitled Anxious Print, 2023 Medium: Etching on wove paper (in original portfolio case, accompanied by hardcover book) Sheet dimensions: 22.8 x 20....

Jules Pascin (French, 1885-1930) "Two Women Reclining" Original Etching C.1920 Plate dimensions 9" wide x 12" high Frame dimensions 19.5" wide x 26.5" high Plate signed The etchi...

Ernst Fuchs (1930-2015) – Signed Hand-Colored Etching A rare and highly collectible etching by Ernst Fuchs (1930-2015), a leading figure of the Vienna School of Fantastic Realism. Th...

ETERNAL CITY JERUSALEM is a unique, rare Trial Proof from a limited edition etching by the Israeli artist Moshe Castel (1909-1991), hand printed using traditional intaglio printmaking techniques on archival Arches paper 100% acid free. ETERNAL CITY JERUSALEM presents a deep red and orange brown ochre colored stone tablet...

From Historia de Don Quixote de la Mancha. Hand signed and numbered by the artist. Sheet size: 29.92 x 22.44 inches. Image size: 15.75 x 17.5 inches. From the edition of 300 on Arch...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Belongs to the series "The Bible". Edition of 275+30 out of commerce copies. N...

Etching realized by Chagall in 1929, and printed by Tériade in 1952. It belongs to the Series "Les Fables de La Fontaine". Edition of 200. Hand signed and numbered in pencil. Pri...

Hand signed and dated. With an handwritten dedication of the artist. Etching and Aquatint . Bloch n. 1385. This beautiful etching is dedicated to Michel Lessens, the talented assist...

Edgar DEGAS (after) Whorehouse Scene : A Shy Client Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (the great art se...

Yoshitomo Nara Flashlight Girl (2002-2004), Edition 13/36. Photogravure and aquatint, on wove paper. Image: 48 x 38 cm. Sheet: 48 x 38 cm. Published by KIDO Press, Inc., Tokyo (with...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer and...

"La Femme et la Folie Dominent le Monde II" - 1886 Print on Paper ("The Woman and the Madness Overlooking The World II") 1886 French illustration from Felicien Rops (Belgian, 1833-...

A boy kneels on a grass slope, trying to tempt an unseen animal. Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid ...

Frank Weston Benson (American, 1862-1951) Untitled, 20th Century Etching Sight: 10 1/3 x 12 1/8 in. Framed: 16 3/4 x 19 x 1/2 in. Signed lower left Numb...

Etching hand colored by Chas Laborde, realized to illustrate "Les Chansons Erotiqies" by Pierre-Jean Beranger. Realized in the early 20th Century. Very good condition.

King, Daniel (with Wenceslaus Hollar) Ordinis Benedictini monialis; Saint Thecla of Kitzengen c 1650. Etching with engraving on cream laid paper with an indiscernible watermark wit...

S.Juan de Puerto Rico is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volum...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer and...

Etching with extensive hand coloring in watercolor on cream wove paper laid down to archival cardstock, 9 1/4 x 13 1/2 inches ( 235 x 342 mm), margins trimmed inside the platemark. C...

Alice In Wonderland:White Rabbit is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmaking paper, 100% acid free. Erotic fantastical interpretation of “Alice’s Adventures in Wonderland”, when Alice grows and gets stuck in the Rabbit's house. Print size- 18" x 15", Image size - 8.25" x 6.75" Edition size - 50 About the artist- Knox Martin (1923-2022) was an esteemed New York School painter. Knox Martin was born in 1923 in Barranquilla, Colombia. He was the son of the aviator, painter, and poet William Knox Martin, the first man to fly over the Andes mountains. After serving in World War II, Knox Martin attended the Art Students League of New York on the G.I. Bill from 1946-1950, where he studied with Harry Sternberg, Vaclav Vytlacil, Will Barnet, and Morris Kantor. In 1954, Knox Martin's friend Franz Kline placed a painting of his in the Stable Gallery Annual. Charles Egan of the renowned Charles Egan Gallery saw Knox Martin's painting at the Stable Gallery and asked Martin to show his work in a one-man show for the tenth anniversary of the Egan Gallery. Since then, Knox Martin was a celebrated painter, sculptor and muralist. Knox Martin had an extensive exhibition record and his work is in museum, corporate and private collections worldwide. His two best-known murals in NYC are Venus and Woman with Bicycle...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...