Elżbieta Bocianowska Art

Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Recently framed in a traditional gold and black moulding with 100% cotton rag matting Framed size: 18.63" x 16.38" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...

This is a truly stunning work by contemporary great, Glenn Brown. This work is an Artist Proof, one of only 12 created. The frame is handmade by famous London framers, Darbyshire. I...

Diane Keaton & Woody Allen "Annie Hall" Movie Oscar Academy Award Caricature Al Hirschfeld (1903-2003) Diane Keaton and Woody Allen in "Annie Hall" Plate Size: 13 x 9 3/4 Paper Size...

Jorge Castillo - MARIENZA EN DOMINGO Date of creation: 1972 Medium: Etching on paper Edition: 150 + H.C. Size: 56 x 70 cm Condition: In perfect conditions and never framed Observatio...

George & Ira Gershwin Songwriters Tony Emmy Oscar Grammy Awards Broadway Musical Al Hirschfeld (1903-2003) George & Ira Gershwin Lithograph on heavy paper, 1981 Sheet: 15-1/4 h x 2...

2021 Unique etching with hand-coloring on wove paper Plate size: 17.5 x 47.9 cm Sheet size: 29.8 x 56.8 cm Artist Proof of 4 Signed, dated and numbered in pencil by Adnan Published b...

Romantic black and white etching of a pair of ballet dancers performing on stage by artist Ernst Oppler (1867-1929), circa 1920. Signed lower right, numbered 88 of 100 lower left. ...

Bernadette Peters Signed "Annie Get Your Gun" Tony Award Broadway Musical Al Hirschfeld (1999) Annie Get Your Gun Lithograph on heavy paper Sight: 21 1/2 x 16 inches Numbered V/L [?...

This piece entitled "La Vide Sigue," which translate to "Life Goes On" depicts the silhouette of a child running and rolling a hoop while one rabbit run away and another watches. The...

Original engraving #3 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...

Original engraving #7 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 ...

Original engraving #4 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...