Figurative Prints

Etching and drypoint on heavy cream laid paper, 3 3/4 x 3 1/4 inches (96 x 83 mm), narrow margins. In very good condition with some minor surface soiling. [Björklund's second state ...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

Artist: Keith Haring Title: Plate 5 from Story of Red and Blue (L. pp. 128-133) Medium: Screen print in colors on wove paper Sheet Size: 22 x 16.5 inches Frame Size: approx 28.5 x 22...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. VIII, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sket...

Lithograph on vélin d'Arches paper. Paper Size: 10 x 7.5 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Prints from the Mourlot Press, exh...

This exquisite lithograph by Marc Chagall (1887–1985), titled Place de la Concorde (Place de la Concorde), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

Marc Chagall, After, Russian (1887 - 1985) - The Songs of Songs, Year: 1975, Medium: Lithograph Poster, signed in color pencil lower right, Edition: 8500, Size: 30 x 20.25 in. (7...

Color lithograph after the 1935 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Mag...

Etching, burnished aquatint, drypoint, and engraving. Image dimension: 245 x 352 mm. Sheet dimension 330 x 475 mm. Numbered "19" at top right. Nineteenth plate from the Tauromach...

Salvador DALI Flordali : Surreal Tree (Fingers and Lips), 1969 Original Lithograph and Etching Handsigned in pencil Numbered 142/175 On Japan paper 77 x 57 cm (c. 31 x 22.4 inch) ...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. X, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchb...

"The Best Version Of Yourself" by Jisbar/ Jean-Baptiste Launay is a pop-art, street style UV print on cardboard Dibond (0.3 cm) created in 2023. The artwork is hand signed, dated, a...

David Hockney The Rake's Progress Silk Pocket Scarf, ca. 2020 100% silk scarf made in Italy and printed in the UK, held in the original presentation box 16 1/10 × 16 1/10 inches Bear...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame M.P. (Mrs. M.P.), originates from the 1954 album Portraits par Henri Matisse (Portraits by Henri Matisse), pu...

In "Emerald Woman" by Chinese artist Jiang Tie-Feng, a sensuous, jade-green female figure is depicted astride a vividly rendered horse, fusing human form with the spiritual energy of...

Ian Hugo, 'Together', from the portfolio 'Ten Engravings'. engraving, 1946, edition 50. Signed, dated, titled, and numbered '22/50' in pencil. A fine impression, with delicate overall plate tone, on cream wove paper, the full sheet with wide margins (2 7/8 to 5 1/2 inches), in excellent condition. With the blind stamp 'madeleine-claude jobrack EDITIONS', in the bottom right margin. Matted to museum standards, unframed. Image size 5 7/8 x 4 7/8 inches (149 x 124 mm); sheet size 15 x 11 1/8 inches (381 x 283 mm). Collection: Indianapolis Museum of Art. Ian Hugo originally created "Ten Engravings" in 1945 and the portfolio included a foreword by his partner and collaborator, Anais Nin. In 1978, Hugo republished the portfolio with Madeleine-Claude Jobrack, an American master printmaker who studied under Stanley William Hayter at Atelier 17, Paris, and with Johnny Friedlaender. When Jobrack returned to the States she managed the Robert Blackburn Printmaking Studio in New York before opening her own printing studio, Madeleine-Claude Jobrak Editions. “The sign of the true artist is one who creates a complete universe, invents new plants, new animals, new figures to transfer to us a new vision of the universe in which dream and reality fuse. Ian Hugo's plants have eyes, the birds have the delicacy of dragonflies, their feathers have the shape of fans. Humor is apparent in every gesture. He uses a fine spider web to give a feeling of flight, speed, lightness. The body of a woman reveals the structure of a leaf, a plant. Wings are moving in a world unified by mythological themes. This is an animated world, humorous and levitating, elusive and decorative, which by its unique forms and shapes gives us the sensation of a rebirth, a liberation from the usual, the familiar, a visit to a new planet.” —Anais Nin, from the forward to the portfolio ‘Ten Engravings’ ABOUT THE ARTIST Ian Hugo was born Hugh Parker Guiler in Boston, Massachusetts, on February 15, 1898. His childhood was spent in Puerto Rico—a "tropical paradise," the memory of which stayed with him and surfaced in both his engravings and his films. He attended school in Scotland and graduated from Columbia University where he studied economics and literature. Hugo was working with the National City Bank when he met and married author Anais Nin in 1923. The couple moved to Paris the following year, where Nin's diary and Guiler's artistic aspirations flowered. Guiler feared his business associates would not understand his interests in art and music, let alone those of his wife, so he began a second, creative life as Ian Hugo. Ian and Anais moved to New York in 1939. The following year he took up engraving and etching, working at Stanley William Hayter’s experimental printmaking workshop Atelier 17, established at the New School for Social Research. Hugo began producing surreal images often used to illustrate Nin's books. For Nin, his unwavering love and financial support were indispensable—Hugo was the "fixed center, core... my home, my refuge" (Sept. 16, 1937, Nearer the Moon, The Unexpurgated Diary of Anais Nin, 1937-!939). Fictionalized portraits of Higo and Nin appear in Philip Kaufman's 1990 film drama of a literary love triangle, Henry & June. Inspired by comments that viewers saw motion in his engravings, Hugo took up filmmaking. He asked the avant-garde filmmaker Sasha Hammid for instruction but was told, "Use the camera yourself, make your own mistakes, make your own style." Hugo embarked on an exploration of the film medium as a vehicle to delve into his dreams, his unconscious, and his memories. Without a specific plan, He would collect resonant images, then reorder or superimpose them, seeking a sense of self-connection through the poetic juxtapositions he created. These intuitive explorations resembled the mystical evocations of his engravings, which he described in 1946 as "hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages." In the underwater world of his film ‘Bells of Atlantis,’ the light originates from the world above the surface; it is otherworldly, out of place, yet essential. In ‘Jazz of Lights,’ the street lights of Times Square become in Nin's words, "an ephemeral flow of sensations." This flow that she also calls "phantasmagorical" had a crucial impact on Stan Brakhage, who said that without Jazz of Lights (1954), "there would have been no Anticipation of the Night" his autobiographical film which ushered in a new era of experimental modernist filmmaking. Hugo lived the last two decades of his life in a New York apartment high above street level. In the evenings, surrounded by an electrically illuminated man...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 20.5.64. VIII, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sket...

Dos Villancicos Sor Juana Inés de la Cruz (text) Artemio Rodríguez (linocut) Printed at Taller Martín Pescador, Mexico Published by El Tercer Milenio / Artes de México Signed and nu...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame Matisse (Mrs. Matisse), originates from the 1954 album Portraits par Henri Matisse (Portraits by Henri Matiss...

An exquisitely printed image created by Richard Bosman in 1996, the artist’s iconic Brooklyn Bridge is a woodcut on Japan paper. Measuring 18 x 24 1/2 in. (45.7 x 62.2 cm), unframed,...

Original vintage travel advertising poster for the FRENCH RIVIERA FRENCH NATIONAL RAILROADS SNCF (French National Railways) - the French Riviera. (Cote D'Azur, known as the French Riviera) The image features people looking out towards a marina full of sailing boats. Colorful artwork by the French painter Jules Cavailles (1901-1977). Printed by Perceval, Paris in 1953. Mid-Century Modern. Grade A- This is the English version of the poster compared to the design created for Cote d'Azur. The English version is much rarer (both are rare today). The poster gives the impression of a naive painting at this Mediterranean beach and seaport. Step into a world of timeless elegance and sunlit dreams with this exquisite French Riviera Vintage...

Henri Matisse (1869-1954) (after) Icarus Screen print Not signed On heavy paper 99 x 70 cm (c. 40 x 28 in) Excellent condition

Tracey Emin I Can Still Love, 2012 Home made Inkjet Print 11 7/10 × 16 1/2 inches Limited Edition Rare Edition of approx. 150 (unnumbered) Hand signed and dated 2012 with the red Em...

CROMA-KOONS HUNTER (2019) by Canned 6-Color Screen Print 24 x 30 cm Edition of 25 Signed and Numbered by the Artist (4/25) "CANNED" is an art collective formed by two French artists...

ARTIST: Salvador Dali TITLE: Renaissance MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 196/250 MEASUREMENTS: 21.5" x 29.5" YEAR: 1978 FRAMED: No CO...

Boris Lovet-Lorski, Untitled (Profile of an African Woman), lithograph, edition 250, 1929. Signed and numbered 15 in pencil. Number 15 of Volume 2, a series of 10 lithographs publish...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/...

This exquisite lithograph by Alexander Calder (1898–1976), titled Mama Citron, originates from the historic 1975 folio Derriere le Miroir, No. 212. Published by Maeght Editeur, Paris...

Completed in 1973, this lithograph by Modern master Marc Chagall was printed by Mourlot in Paris for the publication "XXe Siecle". This publication came from San Lazzaro and was a se...

Tracey Emin My Heart is With You Always, framed with hand signed and inscribed tag, 2015 Embroidered Linen Handkerchief, Hand Signed, dated and Inscribed in Ink on attached tag Signe...

David Hockney David Hockney - 60 Years of Work - Tate Britain original poster, 2017 Offset lithograph and digital print 24 × 16 1/2 inches Unframed, unsigned and unnumbered Provenanc...

Mary Cassatt (1844-1926) Maternal Love Engraving after a pastel Signed in the plate On vellum, 50 x 38 cm (c. 20 x 15 in) INFORMATION: Copperplate engraving published by the Galer...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 29.9.64. IV, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketch...

Morris Blackburn, 'Avalon South', wood engraving, 1951, edition 30. Signed, titled, and numbered '12/30' in pencil. A fine black impression on cream wove Japan paper, with wide margins (1 3/8 to 2 1/4 inches), in excellent condition. Archivally sleeved, unmatted. Image size 5 x 7 inches (127 x 178 mm); sheet size 8 5/8 x 10 7/8 inches (219 x 276 mm). ABOUT THE ARTIST Morris Blackburn was a prominent painter, printmaker, and graphic artist, as well as a respected teacher at the Philadelphia Museum School of Industrial Art and the Pennsylvania Academy of Fine Arts. Born in Philadelphia, where he spent most of his career, Blackburn was a descendant of the notable colonial portrait artist Joseph J. Blackburn (c. 1700–1780). He developed an interest in art early on and studied architectural drawing at the Philadelphia Trade School. In 1922, he took classes at the Graphic Sketch Club and later attended the School of Industrial Art. While working for the well-known Philadelphia furniture designer Oscar Mertz, he studied at the Pennsylvania Academy of the Fine Arts from 1925 to 1929. During his studies, he learned painting from Henry Bainbridge McCarter...

Hand signed and numbered. Edition of 150 prints. Excellent condition.

Original World Cup USA ’94, Coca Cola sponsored vintage poster. Archival linen backed in A- condition, ready to frame. This World Cup ’94 poster is very rarely seen or available....

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le Clown, le Cheval et l’Ecuyere (The Clown, the Horse and the Equestrienne), from Verve, Revue Artistique et Litter...

Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Matted to museum standards, unframed. Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm). Created for the California Works Progress Administration, Federal Art Project (WPA). Scarce. Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and Weisman Art Museum (University of Minnesota). ABOUT THE ARTIST Born in Massachusetts, Nicholas Panesis (1913-1967) studied art at Syracuse University, NY, and went on to teach ceramics at Alfred University, NY. Panesis moved to San Francisco in the early 1930s shortly before settling in Los Angeles, where he worked for different animation studios...

Vintage offset print realized after a watercolor by Giorgio de Chirico in 1962. From the rare portfolio "Greek Mythology" realized for IRI and printed by Stab Salomone. Excellent c...

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Coc...

This rare and collectible poster by David Hockney was part of a series of three billboards commissioned by the Metropolitan Opera in New York City in 1981. Designed specifically for ...

Tracey Emin Every Bodies Been There (signed twice), 1998 Lithograph on paper Underneath that existing plate signature, Tracey Emin has, exceptionally hand signed and dated the work f...

THE FAMILY is an original hand drawn, limited edition lithograph by the African American artist James Denmark, printed using hand lithography on Arches paper 100% acid free. Rich, vi...

Etching, excellent proof of II state on IV, before the retouching of the ground and the vault on the right, margin line. Ref. Bartsch, Hollstein 94; Hind 301; New Hollstein 312; Sto...

Limited-edition poster published by the Israel Museum, Jerusalem, after Chagall’s beloved composition celebrating love and dreamlike flight over his native Vitebsk. Produced by the m...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

Josh Agle (born August 31, 1962) is an American artist, better known by the nickname Shag. Agle's nickname is derived from the last two letters of his first name, and the first two ...

Henri BOUTET (1851 - 1919) Ballerina in the Stairs, 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION:...

Francisco Castro Leñero (Mexico, 1954) "Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004 Engraving, aquatint on paper...

Color lithograph after the 1954 oil on canvas by René Magritte, plate-signed by Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Magritte...

Tempête à Nice is a photolithograph realized in 1993 after Henri Matisse. Signed on the plate On Milano handmade paper. Very good conditions.

-Pedro Friedeberg signed print featuring a collection of various dogs. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and gold ...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7...

Libra, by Deming King Harriman; collage, print, figurative, gold, tarot, horoscope, metallic gold edge, on glossy heavy card stock with pink design on reverse.

Hajime Namiki, 'Weeping Cherry 16 A', color woodblock print, 2012, edition 200. Signed in pencil with the artist’s red seal. Titled, dated, and numbered ...

signed and numbered lower right edition of 60 Catalogue raisonné 00717 Published by Simmelink Sukimoto Editions Internationally recognized painter and printmaker Alex Katz was born...

This artwork titled " Paris, Place Du Tertre" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered 183/2...

Yoshitomo Nara In the Milky Lake Thinking One, 2018 Print on paper 20 3/10 × 14 2/5 in 51.5 × 36.5 cm

Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...