Giovanni Fattori Art

Jeanne Marguerite Frey-Surbek (Swiss, * 23.2.1886 Delémont, † 17.5.1981 Bern) Country Road near Gabés, Tunesia, North Africa • Etching • Platte, ca. 7 x 11 cm • Sheet, ca. 33 x 25.5 cm • Monogrammed lower right • Edition noted lower left 74/100 • Printed title lower right Looking through my stock, buyers will notice my liking of female artistes working in Switzerland and here I introduce you to another important heroine of Swiss artistes and present a sweet little Swiss School orientalist pre-war etching...

Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...

Engraved by Claudine Bouzonnet-Stella (French, 1636-1697) After Jacques Stella (French 1596-1657) The Wedding Procession - Le Cortege nuptial • Copper engraving on laid paper • Sh...

"Cinderella" framed antique 1927 etching of Cinderella and her dog by artist Louis Icart. Signed Louis Icart on lower right. Inscribed "Edité par les Artistes Modernes, 5 rue Scribe ...

This framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757. This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...

ZDZISŁAW WIATR (born 1960) He graduated from the Academy of Fine Arts in Cracow, at the Faculty of Graphic Arts in Katowice, where in 1986 he received a diploma with the honourable m...

After William Hogarth (British, 1697–1764) Royal Sports PIT TICKET • Engraving by William Dent (British), active from 1783 to 1793 • Inscribed bottom right: Dent sculp • Plate ca. 7.6 x 9.1cm • Image ca. 6.3 x 7.9 cm • Sheet ca. 23.5 x 15 cm Fantastic imagery full of detail and symbolism – For example discover the cast shadow of the dept collector with his truncheon, looming over the winner, whose fast gained riches are being stolen by a thief as we watch. This well know subject was originally created by the famous British artist William Hogarth and then reproduced over time by many contemporary artists as prints of various formats and as paintings. Here we have a rendition engraved by William Dent, who was active from 1783 to 1793 and signed his work in the plate bottom right. I think this impression would date to the late 18th or then to the very early 19th Century. I was told, that these small prints, served as entry tickets to cock fights in Georgian England...

The etching (Sheep under a Tree) is signed in pencil and annotated (in lower margin) '3rd State, 4 proofs, JN imp.' in pencil. It's in an usually spare drawing style but one that Na...

This is an artist proof (one of a kind) aquatint of a parrot made up of fingers, and beautiful insects cascading to her right. She has a human ear on one side. The images is 6 x 6 ...

The etching (Road to Calvary) is signed in pencil. It's in an usually spare drawing style but one that Nagler did use occasionally. Here it emphasizes the meagerness of the scene. T...

Mariana Magdaleno (Mexico, 1982) 'Baila conmigo', 2018 silkscreen on paper Feltmark 300 g 29.4 x 21.3 in. (74.5 x 54 cm.) Edition of 50 ID: MAM-101 Unframed

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....