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Eugène DelacroixTigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)circa 1830
circa 1830
$600
£449.88
€521.57
CA$837.33
A$935.22
CHF 485.97
MX$11,389.13
NOK 6,172.91
SEK 5,816.66
DKK 3,891.52
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About the Item
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of the fine lines printing clearly. Plate is inky and well-wiped. Scattered light surface soiling, age tone, and mat tone. Several scattered spots of foxing, all outside of image area. Issued 1908, as the frontispiece in Le Peintre-Graveur Illustre (third volume: Ingres and Delacriox). Sixth state (of 6).
[Delteil 12].
- Creator:Eugène Delacroix (1798-1863, French)
- Creation Year:circa 1830
- Dimensions:Height: 3.75 in (9.53 cm)Width: 5.875 in (14.93 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:Seller: BH1301stDibs: LU1979210364322
Eugène Delacroix
Ferdinand Victor Eugène Delacroix (French: 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in often violent action. However, Delacroix was given to neither sentimentality nor bombast, and his Romanticism was that of an individualist. In the words of Baudelaire, "Delacroix was passionately in love with passion, but coldly determined to express passion as clearly as possible."Together with Ingres, Delacroix is considered one of the last old Masters of painting and is one of the few who was ever photographed. As a painter and muralist, Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. A fine lithographer, Delacroix illustrated various works of William Shakespeare, the Scottish author Walter Scott, and the German author Johann Wolfgang von Goethe.
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[Delteil 61.1]
______
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