Drypoint Figurative Prints
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Medium: Drypoint
A Scafati - Original Etching and Drypoint by Lèon Gaucherel - 1876
Located in Roma, IT
À Scafati is an original artwork realized by Léon Gaucherel in 1876. Original drypoint and etching on paper.
Passepartout included (cm 46 x 32).
Tit...
Category
1870s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Olliver St. John Gogarty
Located in Storrs, CT
Oliver St. John Gogarty. 1935. Etching. Fletcher 78. 6 7/8 x 5 1/2 (sheet 11 1/4 x 8 3/8). Edition 100. 75 intended for the Cuala Press, Dublin. A rich impression, printed on cream-...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
I feel like an African Prince, limited edition print, bison print
Located in Deddington, GB
Kate Boxer
I feel like an African Prince (orange and ochre bison)
Limited Edition Drypoint Print
Edition of 30
Size: H 109cm x W 78cm x D 0.5cm
Sold Unframed
Free Shipping
Please not...
Category
21st Century and Contemporary Contemporary Drypoint Figurative Prints
Materials
Paper, Drypoint
Surrealist Salvador Dali Large Pochoir Etching Drypoint Lithograph Chariot Rider
Located in Surfside, FL
Salvador Dalí (1904-1989) – Spanish painter, graphic artist and sculptor.
Drypoint with etching and pochoir on Japon paper
"Elijah and the Chariot," 1975, (Horse and rider)
from the...
Category
1970s Surrealist Drypoint Figurative Prints
Materials
Drypoint, Etching, Lithograph
Bucking Bronco, horse art, limited edition print, humorous art
Located in Deddington, GB
Bucking Bronco by Kate Boxer [2020]
limited_edition
Drypoint on paper
Edition number 30
Image size: H:50 cm x W:55 cm
Complete Size of Unframed Work: H:74 cm x W:78 cm x D:0.1cm
Sold...
Category
21st Century and Contemporary Contemporary Drypoint Figurative Prints
Materials
Paper, Drypoint
The Great Jewish Bride
Located in Chicago, IL
Rembrandt Harmensz. van Rijn, is one of the most important artists in European history and more specifically of Holland’s “Golden Age.. He gained an international reputation for his ...
Category
1630s Old Masters Drypoint Figurative Prints
Materials
Drypoint, Etching
Auction
Located in New York, NY
Bernard Kretzschmar (1889-1972), Auction, etching, drypoint, and burnished aquatint, 1921, signed and dated (’20) in pencil lower right [also initialed in the plate lower left] Refe...
Category
1920s Expressionist Drypoint Figurative Prints
Materials
Drypoint, Etching, Aquatint
Donkey, animal print, gold print, limited edition drypoint etching
Located in Deddington, GB
'Donkey' by Kate Boxer [2021]
limited_edition
Drypoint print on paper
Edition number 30
Image size: H:54.5 cm x W:49 cm
Complete Size of Unframed Work: H:76 cm x W:68.5 cm x D:0.1cm
...
Category
21st Century and Contemporary Contemporary Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
Ponte dei Baratteri, Venice
Located in Middletown, NY
Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...
Category
Early 20th Century French School Drypoint Figurative Prints
Materials
Handmade Paper, Drypoint, Etching
Gannet
Located in Deddington, GB
Gannet by Kate Boxer [2022]
limited_edition
Drypoint on Paper
Edition number of 30
Image size: H:124 cm x W:71 cm
Complete Size of Unframed Work: H:134 cm x W:78 cm x D:0.5cm
So...
Category
21st Century and Contemporary Contemporary Drypoint Figurative Prints
Materials
Paper, Drypoint
You Are So Serious, humorous art, limited edition art, animal art
Located in Deddington, GB
'You Are So Serious' by Kate Boxer [2021]
limited_edition
Drypoint print
Edition number 30
Image size: H:58.4 cm x W:57.1 cm
Complete Size of Unframed Work: H:58.4 cm x W:57.1 cm x D:0.1cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look.
'You Are So Serious' is a hand-coloured limited edition drypoint etching on chîne collée paper by Kate Boxer. You are so Serious shows Napoleon Bonaparte riding his horse into battle. The vibrant colours that wind their way around the black and white figure...
Category
2010s Contemporary Drypoint Figurative Prints
Materials
Paper, Drypoint
Le démon Ailé - Drypoint Salvador Dalí - 1969
Located in Roma, IT
Le Démon Ailé is an artwork realized in 1969.
Drypoint, with plate 31.5x23.5 cm
Signed and numbered 24/75 lower in pencil.
From the suite of the book "La Vénus aux Fourrures".
B...
Category
1960s Surrealist Drypoint Figurative Prints
Materials
Drypoint
Cobea (Pisum Sensuale)
Located in Long Island City, NY
This surreal botanical print by Salvador Dali is from a suite of 10 engravings called "Flora Dalinae". Growing from a vine are leaves shaped like lips an...
Category
1960s Surrealist Drypoint Figurative Prints
Materials
Drypoint, Etching
Une Escale au Brasil (A Stopover in Brazil)
Located in New York, NY
Charles Dufresne (1876-1938), Une Escale au Brasil (A Stopover in Brazil), etching and drypoint, c. 1920, signed in pencil lower right margin and inscribed “epreuve de artist” lower ...
Category
1920s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Saratoga Pig, limited edition print, animal art, humour art, affordable art
Located in Deddington, GB
'Saratoga Pig' is a limited edition drypoint etching with carborundum by Kate Boxer. Saratoga Pig is monochrome artwork is brightened up the playful pink text characteristic of Kate'...
Category
21st Century and Contemporary Contemporary Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
Poseidon
Located in Long Island City, NY
Poseidon is one of 16 works in a suite by the artist called "The Mythology". The suite included works depicting other Greek/Roman gods such as Hypnos, Jupiter, and Athena, as well as...
Category
1960s Surrealist Drypoint Figurative Prints
Materials
Drypoint, Etching
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 1...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 16, ...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Paper, Etching, Drypoint
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 1...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
Faces - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Faces is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower right part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 1...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Etching, Paper, Drypoint
Figures - Drypoint by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Figures is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower right part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June ...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
Figures - Drypoint by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Mid-20th Century.
Hand-signed in the lower right part.
Numbered. Edition 1/12.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
Figures - Drypoint by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Figures is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower right part.
Numbered. Edition,3/40.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
Winter Tracery (Milford Connecticut)
Located in San Francisco, CA
This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition.
About the artist:
Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL.
Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...
Category
Mid-20th Century American Realist Drypoint Figurative Prints
Materials
Drypoint, Etching
'New York' — 1930s American Scene Etching
Located in Myrtle Beach, SC
Chester Leich, 'New York,' drypoint, c. 1935, edition 100. Signed, titled, and numbered '20/100' in pencil. A fine, richly-inked impression, on cream wove paper, with full margins, in excellent condition. Image size 4 7/8 x 3 1/2 inches; sheet size 6 3/8 x 5 inches. Matted to museum standards, unframed.
ABOUT THIS WORK
Leich's evocative drypoint depicts the New York City skyline from the busy East River, with the landmark Chrysler Building rising prominently above the passing ships' billowing exhaust clouds. The Chrysler Building, an iconic Art Deco skyscraper on the East Side of Manhattan was the world's tallest building for 11 months after its completion in 1930; it remains the tallest brick building in the world with a steel framework.
ABOUT THE ARTIST
Painter and etcher Chester Leich (1899-1978) was born in Evansville, Indiana. He spent much of his youth in Europe, studying drawing, painting, and printmaking in Germany, Italy, and Switzerland. Upon his return to the U. S., Leich established a studio in Evansville, then in New York, and later in Leonia, New Jersey, where he settled. With the outbreak of World War II, he volunteered as a cartographer for the U. S. Coast and Geodetic Survey in Washington, D. C. where he worked until 1956.
Leich traveled extensively throughout the United States and Europe. His graphic work, consisting mainly of etchings and drypoints, was exhibited at The Society of Washington Printmakers, the Metropolitan Museum, and internationally in Paris, London, Stockholm, and Tokyo. Leich also conducted classes in both painting and printmaking techniques. He was a member of the Society of American Etchers, Chicago Society of Etchers, Philadelphia Society of Etchers, Indiana Society of Print Makers, and the American Artists Professional League.
Leich’s etchings are held in the permanent collections of the Art Institute of Chicago, Connecticut Historical Society Museum and Library, Georgetown University (Special Collections Library), National Collection of Fine Arts...
Category
1930s American Modern Drypoint Figurative Prints
Materials
Drypoint
Jonas and the Whale - Drypoint - 1975
Located in Roma, IT
Jonas and the whale is an artwork realized in 1975.
Drypoint with pochoir on Arches paper, from the Series "Our Historical Heritage".
Signed and numbered. Edition SA 51/300.
Image 56x40cm - Sheet 66x50.5cm.
Ref Michler/Löpsinger 759; Field 75-4 D. Prov. Private Collection France.
Very Good condition.
Salvador Dalí was an icon of Surrealism, the 20th-century avant-garde movement that sought to release unconscious creative potential through art that featured dreamlike imagery. Dalí's fantastical prints, paintings, sculptures, films, and writing helped cement
the movement's identity. Working off psychoanalytic ideas, Dalí rendered fantastical creatures and landscapes that could unsettle and awe. His 1931 canvas The Persistence of Memory...
Category
1970s Surrealist Drypoint Figurative Prints
Materials
Drypoint
Innamorati
By Emilio Greco
Located in Ljubljana, SI
Innamorati (eng. Lovers). Original drypoint, 1982. Edition of 90 signed and numbered impressions on Arches paper.
Emilio Greco is one of the greatest sculptors, engraver and medalist of modern time. He is best known for his monumental bronze sculptures of the human figure. The sculptures and figures in graphics, primarily female nudes and portraits, tended to be refined, with elongated forms in the Italian...
Category
1980s Academic Drypoint Figurative Prints
Materials
Drypoint
Unfinished Painting (Gaeta) - Contemporary, 21st Century, Dry-print, Edition
By Cy Twombly
Located in Zug, CH
Cy Twombly, Unfinished Painting (Gaeta)
C-Print
Edition of 50, plus 10 AP
29.7 x 20.5 cm (11.7 x 8.2 in)
Signed and numbered, accompanied by Certi...
Category
Early 2000s Photorealist Drypoint Figurative Prints
Materials
Color, Drypoint
Kenny!, animal art, affordable art, cowboy art, horses art
Located in Deddington, GB
Kenny! is a limited edition drypoint etching on chîne collée paper by Kate Boxer. Kenny! depicts three cowboys speeding off. The vibrant pastel background, that Kate Boxer has chosen, gives the work a soft feel which contrasts the rush that highway men...
Category
21st Century and Contemporary Contemporary Drypoint Figurative Prints
Materials
Paper, Drypoint
Salvador Dalí ( 1904 – 1989 ) – Le Roi Marc– hand-signed drypoint etching -1970
Located in Varese, VA
drypoint etching on Lana paper, Edited in 1970
limited edition, numbered in lower left corner 81/125
signed in pencil by artist in lower right corner
paper size: 45 x 33,5 cm
framed size: 72 x 58 cm
Die stamp...
Category
1970s Surrealist Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
Keresan Dancers
By Gene Kloss
Located in Fairlawn, OH
Keresan Dancers
Etching & drypoint, 1962
Signed lower right (see photo)
Inscribed lower left: "Artist's Proof Keresan Dancers"
Depicts Keresan speaking peoples at Sam Felipe Pue...
Category
1960s American Realist Drypoint Figurative Prints
Materials
Drypoint
PHOEBE PASSES MY GATE
Located in Portland, ME
Hutty, Alfred. PHOEBE PASSES MY GATE.
Drypoint, c. 1931. Edition size c.75.
8 1/8 x 7 1/4 inches (plate), 10 1/4 x 8 3/4 inches (sheet).
Printed on laid paper. In excellent condit...
Category
1930s American Realist Drypoint Figurative Prints
Materials
Drypoint
The Passing Freight, Danbury
By Martin Lewis
Located in Storrs, CT
.The Passing Freight, Danbury. 1934. Drypoint and sand ground. McCarron 108. 8 7/8 x 14 7/8 (sheet 12 1/7 x 17 5/8). Edition 46 (including 6 trial proofs). A rich, tonal impression p...
Category
1930s American Modern Drypoint Figurative Prints
Materials
Drypoint
La Toilette
Located in Llanbrynmair, GB
’La Toilette (The Bath)’
By Pierre Bonnard
Medium - Dry point etching
Edition - Unknown
Signed - In plate
Size - 200mm x 256mm
Date - 1927
Condition - Excellent. 10 out of 10....
Category
Early 20th Century Art Deco Drypoint Figurative Prints
Materials
Drypoint, Etching
Rotherhithe (Wapping) - Drypoint Etching
Located in Soquel, CA
Etching from James A. M. Whistler's Thames Set ("A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects") originally published in 1871. Masterfully executed and highly detailed etching of two workers at a shipyard in Rotherhithe.
Signed and dated in plate ("Whistler 1860")
Paper size: 14.82"H x 11.19"W (37.6cm x 28.4cm)
Plate size: 10.63"H x 7.69"W (27cm x 19.6cm)
Presented in a new white mat with new backing.
Title
Rotherhithe (aka: Wapping)
Artist
James Abbott McNeill Whistler 1834 - 1903
Year
1860
Technique
etching and drypoint
Image Size
6 7/8 x 11 7/8" platemark
Signature
plate signed "Whistler" lower left image
Edition Size
118 known impressions (Glasgow)
Annotations
dated "1860" in lower left
Reference
G70; Kennedy 66; M. 66; T.41; W.60
Paper
antique-white laid, with KF watermark in center
State
vi/vi
Publisher
Published in the "Thames Set" in 1871 by Keppel (Published in this state in the 'Thames Set'. Diagonal drypoint lines augment the shading across the chest and pipe of the man on the left.)
Born in Lowell, Massachusetts, James Whistler became one of the most influential late 19th-century American painters and etchers, although he lived primarily in England. He worked in a wide variety of styles that included Impressionism, Symbolism, and Art Nouveau. He was especially influential in the Tonalist movement and was a catalyst for those who wanted to break away from prescribed academic methods, credited with being the first American modernist to influence European art.
He also created 179 lithographs, having received a commission in 1879, and from that time, he worked in graphics, pastel, and watercolor, and favorite subjects were subtly delineated cityscapes or ships at docks.
He was raised both in New England and in Russia where his father, an engineer, was commissioned by the Czar to build the Moscow-St. Petersburg railroad. In 1847, Whistler went to London for his sister's wedding to Seymour Haden, a key figure in 19th century etching, and association with this man stimulated Whistler's interest in that medium.
After the father's death in 1849, the family returned to the United States, and he entered the Military Academy at West Point where he did illustrations for student publications and also worked as surveyor and cartographer in U.S. Coastal and Geodetic Surveys.
In 1855, determined to have a fine art career, he sailed for Europe and never returned to the United States. He studied in Paris with Charles Gleyre and became a part of avant-garde circles that included Henri Fantin-Latour, Alphonse Legros, Edouard Manet, Gustave Courbet, and Edgar Degas. In 1859, he settled in England but stayed in close touch with his Parisian friends.
His style was independent of realism and of those such as John Ruskin who thought art...
Category
Late 19th Century Impressionist Drypoint Figurative Prints
Materials
Ink, Laid Paper, Drypoint
You are so Serious, Figurative Art, Napoleon Art, Contemporary Historical Art
Located in Deddington, GB
You are so serious is a hand coloured limited edition drypoint etching on chîne collée paper by Kate Boxer. You are so Serious shows Napoleon Bonaparte riding his horse into battle. The vibrant colours that wind their way around the black and white figure...
Category
2010s Contemporary Drypoint Figurative Prints
Materials
Paper, Drypoint
Self Portrait - Drypoint after Giuseppe Viviani - 1983
Located in Roma, IT
Self Portrait is a drypoint realized after Giuseppe Viviani in 1983.
Hand signed and numbered. 1983 edition of 100 prints.
Signed by the Artist widow "Eralda Benso Viviani".
Refe...
Category
1980s Modern Drypoint Figurative Prints
Materials
Drypoint
The Alchemist (L''Alchimiste) - Etching and Aquatint - 1975
Located in Roma, IT
The Salvador Dali L''Alchimiste etching and aquatint with drypoint, according to Michler-Lopsinger, was published under two contracts; one in 1973 and one in 1975. The edition in 197...
Category
1970s Surrealist Drypoint Figurative Prints
Materials
Drypoint, Etching, Aquatint
Berthe Morisot Etching entitled Jeune fille au repos
Located in San Antonio, TX
Attributed to Berthe Morisot, Jeune fille au repose. Antique drypoint, c. 1889, As published in Duret, Manet and the French Impressionists (London, 1910). A very good early impressio...
Category
19th Century Impressionist Drypoint Figurative Prints
Materials
Drypoint, Etching
Chris Ofili, Untitled - 2000, Signed Aquatint and Drypoint Etching, British Art
By Chris Ofili
Located in Hamburg, DE
Chris Ofili (British, b. 1968)
Untitled, 2000
Medium: Etching, aquatint and drypoint printed in red, on Hahnemühle wove paper
Dimensions: 25.7 × 20.8 cm (10 1/10 × 8 1/5 in)
Edition ...
Category
21st Century and Contemporary Contemporary Drypoint Figurative Prints
Materials
Drypoint, Etching, Aquatint
"Bessie Smith" - Musician's Portrait Etching on Paper (A/P)
Located in Soquel, CA
"Bessie Smith" - Musician's Portrait Etching on Paper (A/P)
Clean and modern drypoint etching of a jazz singer Bessie Smith by Maria Bennett (American, 20th Century). The singer is ...
Category
1970s Modern Drypoint Figurative Prints
Materials
Paper, Ink, Drypoint
Becquet
Located in Storrs, CT
J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. 10 1/8 x 7 1/2 (sheet 12 3/4 x 9 1/2). Series: "Sixteen Etchings or Scenes on the Thames and Other Subjects" (Thames Set), plat...
Category
Mid-19th Century American Impressionist Drypoint Figurative Prints
Materials
Drypoint, Etching
Three Steeplechasers - Drypoint Etching on Paper
Located in Soquel, CA
Three Steeplechasers - Drypoint Etching on Paper
Graceful etching of three horse riders by Paul Desmond Brown (American, 1893-1958). Three jockeys on horses are jumping over a hurdl...
Category
1930s Romantic Drypoint Figurative Prints
Materials
Paper, Ink, Drypoint
Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Dans la Poudrière - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Dans la Poudrière - from "Le Croquis du Front Italien" is an Etching and Drypoint realized by the Italian Artist Anselmo Bucci, in 1917.
Hand signed on the right margin . Edition n. 68/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions.
Good conditions, except for a light yellowing of the paper.
Anselmo Bucci (1887-1955) was an Italian painter and printmaker.
He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category
1910s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Sleep - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Sleep - from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917 s.
Hand signed on the right margin . Edition n. 14/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions.
Good conditions, except for a light yellowing of the paper.
Anselmo Bucci (1887-1955) was an Italian painter and printmaker.
He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category
1910s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Untitled: Head of A Woman 2
Located in New York, NY
George Zachary Constant (American/Greek 1892-1978), "Untitled: Head Of A Woman No. 2", Portrait/ Figurative Etching and Drypoint signed on Paper, 12.50 x 8.75 (15.25 x 11.50 Framed),...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Le Rêve - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Le Rêve-from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917.
Hand signed on the right margin . Edition n. 18/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions.
Good conditions, except for a light yellowing of the paper and some foxing.
Anselmo Bucci (1887-1955) was an Italian painter and printmaker.
He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category
1910s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Manfredi - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Manfredi - from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917.
Hand signed on the right margin . Edition n. 37/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions.
Good conditions, except for a light yellowing of the paper.
Anselmo Bucci (1887-1955) was an Italian painter and printmaker.
He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category
1910s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
On Christmas Day
By Gene Kloss
Located in Fairlawn, OH
On Christmas Day
Drypoint and aquatint, 1979
Signed lower right: Gene Kloss (see photo)
Inscribed lower left:
"Artist's Proof", and titled "On Christmas Day"
An "artist's proof" imp...
Category
1970s American Modern Drypoint Figurative Prints
Materials
Drypoint
The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Fifth Avenue Bridge
By Martin Lewis
Located in Oakland, CA
McCarron 72. Drypoint on tan wove paper with wide margins. Edition of 108 including one trial proof. Signed and inscribed “imp” in pencil.
Category
20th Century American Modern Drypoint Figurative Prints
Materials
Drypoint
Day's End
By Martin Lewis
Located in Oakland, CA
McCarron 120 iii/iii. Drypoint on wove paper, watermarked WHATMAN 1937 and ENGLAND. Edition of 34 plus 8 trial proofs, according to McCarron. Rare. Signed in pencil and inscribed “For Patricia and Martin D~ Printed especially for them by ‘le ancien’, December 1947” (Martin D and Patricia are Martin Lewis’ son and daughter-in-law. The artist, the elder of the two Martins, refers to himself as Le Ancien.).
The print was awarded an honorable mention by the Philadelphia Print...
Category
20th Century American Modern Drypoint Figurative Prints
Materials
Drypoint
Le Marché aux Puces
Located in Middletown, NY
Published in Paris by Chalcographie Louvre around 1910. Drypoint etching on buff wove paper, 7 x 11 inches (175 x 278 mm) full margins. With the "Musée Louvre Chalcographie" blind st...
Category
Early 20th Century French School Drypoint Figurative Prints
Materials
Handmade Paper, Drypoint, Etching
Cinq Heures Rue de La Paix
Located in Saint Augustine, FL
Artist: Malo-Renault (French, 1870-1938)
Title: "Cinq Heures Rue de La Paix"
*Signed by Malo-Renault in pencil lower left. It is also monogram signed and dated in the plate (printed ...
Category
1910s Post-Impressionist Drypoint Figurative Prints
Materials
Drypoint, Etching, Aquatint
LE PETIT ENTERREMENT (The Small Funeral)
Located in Portland, ME
Buhot, Felix. LE PETIT ENTERREMENT (The Small Funeral). B/G 154. Second state of two. Etching, roulette, aquatint and drypoint printed in blue on tan wove paper, 1880. 3 3/8 x 4 1/2 inches; 86 x 115 mm., (sheet 8 3/8 x 10 3/8 inches; 215 x 264 mm.). Signed with the red owl...
Category
1880s Drypoint Figurative Prints
Materials
Drypoint, Etching
Derricks at Night
By Martin Lewis
Located in Oakland, CA
McCarron 62 i/ii. Drypoint on wove paper, full margins with FJ Heard & Co watermark. Edition of 104, including 3 trial proofs. Signed and inscribed “imp” in pencil.
Derricks at Nigh...
Category
20th Century American Modern Drypoint Figurative Prints
Materials
Drypoint
'Fantasia Americana - 1880' — Mid-Century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Archivally matted to museum standards, unframed.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Drypoint Figurative Prints
Materials
Drypoint, Etching
Drypoint figurative prints for sale on 1stDibs.
Find a wide variety of authentic Drypoint figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Anselmo Bucci, André Derain, Edmund Blampied, and Pablo Picasso. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint figurative prints, so small editions measuring 0.03999999910593033 inches across are also available Prices for figurative prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $5 and tops out at $2,500,000, while the average work can sell for $529.