Drypoint Figurative Prints
to
66
239
44
19
1
1
Overall Width
to
Overall Height
to
314
85
51
30
18
7
6
6
5
1
1
1
31
18
14
12
8
14
299
1
1
24
33
28
8
55
10
15
2
193
110
1
239
211
114
86
77
61
45
37
23
13
12
11
8
8
8
7
7
7
6
6
1,294
7,426
4,361
1,851
1,150
19
111
150
150
Style: Modern
Medium: Drypoint
The Cat - Etching and Drypoint by Giselle Halff- 1950s
Located in Roma, IT
The Cat is an Original etching and drypoint print on paper realized by an Anonymous artist in 1950 ca.
Good conditions with some foxing.
Category
1950s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Three Figures - Original Etching and Drypoint by Pierre Girieud - 1920
Located in Roma, IT
Three Figures is an Original Etching and Drypoint realized by Pierre Girieud (1876-1940).
Foxing and stains on top center.
Includes a white cardboard passpartout (69x49 cm).
Hand signed on the lower right corner.
Pierre Girieud was a French painter (Marseille 1875 - Nogent-sur-Marne 1948). Follower of P. Gauguin, friend of Cézanne and Van Gogh, he painted still lifes, landscapes of Provence, naked, in a massive, archaic style, with influences of Italian Renaissance painting.
Category
1920s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Model - Etching by G. De Nittis - 1870s
Located in Roma, IT
Charming original drypoint on ivorycoloured plate realized by Giuseppe De Nittis between 1870 and 1880. Signed on plate lower left margin, not numbered and in perfect conditions. Inc...
Category
1870s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Chicago Skyline
Located in Middletown, NY
A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes.
Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Handmade Paper, Etching, Drypoint
The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
L'atelier de Cannes
Located in OPOLE, PL
Lithograph in seventeen colors, on Arches paper.
Year: 1958
Paper: Arches wove
Signature & Inscription: Plate signed and dated in red at top center: “pour Gilberte et Serge, Picasso,...
Category
20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Street in Marblehead, Massachussets
Located in Middletown, NY
Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...
Category
1930s American Modern Drypoint Figurative Prints
Materials
Archival Paper, Drypoint, Etching
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Archival Paper, Drypoint, Etching
The Enchanted Doorway; Venezia
Located in Middletown, NY
Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Handmade Paper, Etching, Drypoint
The Gargoyle and His Quarry
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category
1920s American Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Cherry Street
Located in Middletown, NY
A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions.
New York: 1904.
Drypoint with aquatint on watermarked, cr...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Handmade Paper, Drypoint, Etching
Tugs on the Hudson
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Handmade Paper, Drypoint, Etching
Old Brownstones -- New York
Located in Storrs, CT
Old Brownstones-- New York. c. 1985. Etching and drypoint. 8 7/ 8 x 12 1/3 (sheet 16 5/8 x 16 1/4). Fourth state. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted. Provenance: the artist's estate. Signed, titled, and annotated 'Fourth state -- wheel changed to left' and 'Steves' in pencil. A dramatic view of a Manhattan neighborhood.
Painter and printmaker Lawrence Nelson Wilbur...
Category
20th Century American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Stoops in Snow
By Martin Lewis
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...
Category
1930s American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
The Cabin - Original Drypoint by Sir Francis Saymour-Haden - 1877
Located in Roma, IT
The Cabin is an original Modern artwork realized by Sir Francis Saymour-Haden (16 September 1818 – 1 June 1910) in 1877.
Beautiful Proof on vélin fort, with stamp "Lugt 1048”. Full ...
Category
1870s Modern Drypoint Figurative Prints
Materials
Drypoint
View of Rome - Etching and Drypoint by C.A. Petrucci - 1964
Located in Roma, IT
View of Rome is an original Etching and Drypoint realized by Carlo Alberto Petrucci in 1964.
Good condition included a white cardboard passpartout (37x52 cm).
Hand signed by the artist with pencil.
Carlo Alberto Petrucci (4 August 1881 - 11 February 1963) was an Italian engraver, painter and museologist. The son of Luigi, owner of an antique library, and Beatrice del Nero of an old Roman family, after graduating from the Leonardo da Vinci Institute he worked as an accountant. Between 1902 and 1903 he attended the evening classes of the nude school at the International Artistic Association and there he met Umberto Prencipe and Antonio Mancini...
Category
1960s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
City of Future - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
City of Future is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century.
In very good conditions.
The artwork created through deft strokes in perfect composition, resembling the Russian constructivism...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Steps to the Grand Canal, St. Mark's in the distance, Venice.
Located in Middletown, NY
A lovely view of Venice from the water.
Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Laid Paper, Drypoint, Etching
Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Ruff's Farm
Located in Middletown, NY
A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era.
c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Handmade Paper, Laid Paper, Drypoint, Etching
Samuel Chamberlain, The Public Gaol, Williamsburg (Virginia)
Located in New York, NY
Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...
Category
1930s American Modern Drypoint Figurative Prints
Materials
Drypoint
Under the Bridge
Located in Storrs, CT
Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame.
Painter and printmaker Lawrence Nelson Wilbur...
Category
20th Century American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
"The Caissons Go Rolling Along".
By Kerr Eby
Located in Storrs, CT
"The Caissons Go Rolling Along". 1929. Etching and sandpaper ground. Giardina 145. 17 3/8 x 9 1/2 (sheet 18 3/4 x 11 1/2). Edition 90. Slight mat line, otherwise find condition. A ri...
Category
1920s American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
San Marco [Venice].
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching, Aquatint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category
1930s American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Irving Guyer, Christmas Trees on Second Street (NYC)
By Irving Guyer
Located in New York, NY
Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...
Category
1930s American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
The Acropolis, Athens
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...
Category
1920s Modern Drypoint Figurative Prints
Materials
Handmade Paper, Drypoint, Etching
Dancers - Original Etching and Drypoint by Robert Naly - Mid 20th Century
By Robert Naly
Located in Roma, IT
Dancers is an Original Etching and Drypoint realized by Robert Naly (1900-1984)
Good condition on a yellowed paper.
Edition of 3/25.
Hand-signed and numbered on the lower margin.
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
French Village - Original Etching and Drypoint by Eugène Corneau - 1930s
Located in Roma, IT
French Village is an original artwork realized by Eugène Corneau between the end of the 1920s and the beginning of the 1930s.
The monogram of the artist is present on the lower left...
Category
1930s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
From Rues et Visages de Paris - 1920s - Drypoint/Etching - Modern
By Chas Laborde
Located in Roma, IT
Illustrated Plate, from Rues et Visages de Paris is a hand-colored etching and drypoint by Chas Laborde. This original print is hand-colored with tempera and watercolor.
In excellent...
Category
1920s Modern Drypoint Figurative Prints
Materials
Tempera, Watercolor, Drypoint, Etching
The Race - Original Etching by Robert Naly - Mid 20th Century
By Robert Naly
Located in Roma, IT
The Race is an Original Etching and Drypoint realized by Robert Naly (1900-1984).
Good condition on a yellowed paper .
Hand-signed by the artist on the lower right corner.
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Wheelbarrow Race
Located in Storrs, CT
1925-26. Drypoint. Appleby 114. 8 9/16 x 12 (sheet 12 x 17). Edition 100, #10. An excellent impression with burr, printed with plate tone on the full sheet of 'VGI' laid paper with ...
Category
1920s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Handmade Paper, Drypoint, Etching
Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Handmade Paper, Drypoint, Etching
Portrait of James McBey.
Located in Storrs, CT
James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...
Category
1930s American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Sexual Encounter - Original Etching ad Drypoint by A. Doré - Late 1900
Located in Roma, IT
Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...
Category
Late 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Spring Song /// Antique Female Artist Children Child Etching British Art
By Eileen Soper
Located in Saint Augustine, FL
Artist: Eileen Alice Soper (English, 1905-1990)
Title: "Spring Song"
*Signed by Soper in pencil lower right
Year: 1924
Medium: Original Etching on cream laid paper
Limited edition: 178
Printer: Likely printed by Eva Soper, London, UK
Publisher: H C Dickens, London, UK
Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 83, page 119, 141, 157
Sheet size: 8.13" x 10.13"
Image size: 6.63" x 9.63"
Condition: Paper trimmed in the margins. A few faint areas of discoloration. It is otherwise a strong impression in very good condition
Notes:
Provenance: private collection - Boulder, CO.
Biography:
Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...
Category
1920s Modern Drypoint Figurative Prints
Materials
Laid Paper, Drypoint, Etching, Intaglio
Salvador Dali, signed and numbered drypoint etching 'The oak and the reed', 1974
Located in Petworth, West Sussex
Salvador Dali (Spanish, 1904 – 1989)
The oak and the reed
Drypoint etching with hand coloured pochoir, on Richard de Bas Auvergne, 1974
From the suite Le Bestiaire de la Fontaine pri...
Category
20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Bibi Valentin
Located in Storrs, CT
Bibi Valentin. 1859. Etching and drypoint. Kennedy catalog 50 state ii; Glasgow catalog 34 state ii. 6 x 8 7/8 (sheet 8 11/16 x 10 11/16). Glasgow records 44 known impressions. A rich impression with burr, printed on watermarked laid paper with full margins. Signed and dated in the plate. Housed in a 20 x 16-inch archival mat
A young girl, sits facing the viewer, leaning on her left elbow, legs extended to left. She wears a high-necked smock and buttoned boots...
Category
19th Century American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
14th Street Oriental
Located in Middletown, NY
New York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...
Category
Mid-20th Century American Modern Drypoint Figurative Prints
Materials
Drypoint, Aquatint
Vin Rouge (Red Wine)
Located in Storrs, CT
1932. Drypoint. Appleby 167. 9 1/4 x 11 5/8 (sheet 11 3/8 x 17 15/16). Edition 100 #48. Mat line, well outside the image; otherwise excellent condition. A rich impression with drypo...
Category
1930s Modern Drypoint Figurative Prints
Materials
Drypoint
'Cargo Carriers' — New York Harbor
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Cargo Carriers', etching and drypoint, c. 1932, edition 10, Kennedy 44. Signed in pencil. A superb, atmospheric impression with rich burr and selectively wiped overall plate tone, in dark brown ink, on Arches cream laid paper; wide margins (2 to 2 3/4 inches), in very good condition. Printed by the artist. Original Kennedy Galleries mat and label. Scarce.
"On my trips up and down N.Y. harbor on the Weehawken Ferry, the late evening sun playing on the side of the big liners has always intrigued me... The liner shown I believe to be the Vaterland of the North German Lloyd...
Category
1930s American Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Rainy Night in Rome.
Located in Storrs, CT
Rainy NIght in Rome.. 1913. Drypoint. Dodgson 299.x. 12 x 9 (sheet 16 x 11 1/4). Edition 125 in 10 states. A rich impression with burr and tonal wiping. Pr...
Category
1910s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Fifth Avenue Bridge.
By Martin Lewis
Located in Storrs, CT
Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
Category
1920s American Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
My Daughter
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 3/4 x 12 3/4 inches (250 x 322 mm), full margins. Signed in pencil, lower right margin. Some general age tone, and minor mat tone around the pe...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
The Cabin - Drypoint by Francis Saymour-Haden - 1877
Located in Roma, IT
The Cabin is an original Modern artwork realized by Sir Francis Saymour-Haden (16 September 1818 – 1 June 1910) in 1877.
Beautiful Proof on vélin fort, with stamp "Lugt 1048”. Full ...
Category
1870s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Dans la Poudrière - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Dans la Poudrière - from "Le Croquis du Front Italien" is an Etching and Drypoint realized by the Italian Artist Anselmo Bucci, in 1917.
Hand signed on the right margin . Edition n. 68/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions.
Good conditions, except for a light yellowing of the paper.
Anselmo Bucci (1887-1955) was an Italian painter and printmaker.
He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category
1910s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
City of future - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
City of future is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century.
In good conditions.
The artwork created through d...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
The Butterfly.
Located in Storrs, CT
Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Palazzo dell'Angelo
Located in Middletown, NY
Palazzo dell'Angelo
1931
Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif.
Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116.
[Fletcher 233]
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design.
In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436.
Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category
1930s American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
20th century drypoint etching figurative animal print horses sketch signed
Located in Milwaukee, WI
"Combat Equestre" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (24/100) in the lower left. This piece depicts mu...
Category
1970s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
The Gothic Spirit
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category
1920s American Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
A Fierce Bull
By James McBey
Located in Storrs, CT
A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...
Category
1910s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
James McBey
Located in Storrs, CT
Fletcher 6 state .ix. 10 1/2 x 7 1/2 (sheet 14 7/8 x 11 3/8). Edition 111. A rich impression printed on cream wove paper with full margins. Excellent condition. Illustrated: Fine ...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
France at her Furnaces
By James McBey
Located in Storrs, CT
1917. Etching. Hardie 175. 8 x 15 (sheet 10 1/8 x 16 15/16). Edition 76. Slight mat line; otherwise excellent condition. A rich impression printed on antique laid paper with full m...
Category
1910s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
The Matador.
By James McBey
Located in Storrs, CT
The Matador. 1911. Drypoint. Hardie 109. 6 7/8 x 10 7/8 (sheet 7 7/8 x 12). Edition 15. A few scattered foxing marks and slight mat line; otherwise fine o...
Category
1910s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
The Picador Incites the Bull.
By James McBey
Located in Storrs, CT
The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the i...
Category
1910s Modern Drypoint Figurative Prints
Materials
Drypoint
Portrait of Adolph Menzel - Etching by Giovanni Boldini - 1897
Located in Roma, IT
Portrait of Adolph Menzel is a magnificent drypoint realized by Giovanni Boldini in 1897.
Reference:
Buzzoni / M. Toffanello, Museo Giovanni Boldini, G...
Category
1890s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Man Unveiling a Woman, 1931 (Vollard Suite, B.138)
Located in Greenwich, CT
"Man Unveiling a Woman" is a drypoint from Picasso's Vollard Suite, image size 14.5 x 11.5 inches, signed 'Picasso' lower right and framed in a Spanish-style, closed-corner, black an...
Category
20th Century Modern Drypoint Figurative Prints
Materials
Paper, Drypoint
Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching, Aquatint
Bernard Sanders, Young Girl (With Arms Crossed), about 1930
Located in New York, NY
Young Girl by Bernard Sanders (1906-1967) is a classic example of his masterful portraiture.
This is a drypoint. It is signed in pencil, titled in the lower left margin, and initial...
Category
1930s American Modern Drypoint Figurative Prints
Materials
Drypoint
Night Time, Dieppe.
Located in Storrs, CT
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
Category
1920s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 16, ...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Paper, Etching, Drypoint
Gleizes, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Drypoint Figurative Prints
Materials
Drypoint
Chez Madame Dupont
Located in Storrs, CT
Chez Madame Dupont. 1931-32. Drypoint. Appleby 158. 8 3/16 x 11 3/4 ( 11 1/8 x 18 1/3). Edition 100, #75. A fine impression on pale cream-colored laid paper, printed on the full shee...
Category
1930s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Seducting Couple - Original etching - 1951
By André Derain
Located in Paris, IDF
Andre DERAIN
Seducting Couple
Original drypoint etching
Stamp signature of the artist
On vellum 45 x 34 cm (c. 18 x 14 in)
Excellent condition
Category
1950s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Le peintre au cirque
Located in Wien, 9
- Plate 55 from the Suite 156
- with stamp signature
- dated in the plate 2.3.70
- edition 26/50
- cat. raisonné Bloch 1910
Category
1970s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Soup
Located in Storrs, CT
Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil.
Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour.
In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography.
In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories.
In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé.
During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful.
In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category
1920s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Drypoint figurative prints for sale on 1stDibs.
Find a wide variety of authentic Drypoint figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Anselmo Bucci, André Derain, Salvador Dalí, and Edmund Blampied. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint figurative prints, so small editions measuring 0.04 inches across are also available