Drypoint Figurative Prints
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Style: Modern
Medium: Drypoint
Untitled: Head of A Woman 2
Located in New York, NY
George Zachary Constant (American/Greek 1892-1978), "Untitled: Head Of A Woman No. 2", Portrait/ Figurative Etching and Drypoint signed on Paper, 12.50 x 8.75 (15.25 x 11.50 Framed),...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Laurencin, Tête de jeune fille (Marchesseau 250), Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Drypoint Figurative Prints
Materials
Drypoint
Metzinger, Femme à sa Toilette (Metzinger, AM-18-013), Du cubisme (after)
By Jean Metzinger
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Drypoint Figurative Prints
Materials
Drypoint
Duchamp, Le Cheval, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Etching, Engraving, Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published ...
Category
1940s Modern Drypoint Figurative Prints
Materials
Engraving, Etching, Drypoint
Gleizes, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Drypoint Figurative Prints
Materials
Drypoint
Picabia, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Drypoint Figurative Prints
Materials
Drypoint
Le peintre au cirque
Located in Wien, 9
- Plate 55 from the Suite 156
- with stamp signature
- dated in the plate 2.3.70
- edition 26/50
- cat. raisonné Bloch 1910
Category
1970s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Untitled, 1971
Located in Wien, 9
- Plate 118 from the Suite 156
- edition 48/50
- stamp signature
- dated in the plate 17.5.71
- cat. raisonné Bloch 1973; cat. raisonné Baer 1982
Category
1970s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Le Viol II
Located in Wien, 9
- handsigned on the lower right
- dated and unreadable inscripted in the plate
- from the Suite Vollard
- plate size: 19,5 x 27,6 cm; sheetsize: 34 x 44,5 cm
- edition of 250
- cat. ...
Category
1930s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching, Aquatint
Olliver St. John Gogarty
Located in Storrs, CT
Oliver St. John Gogarty. 1935. Etching. Fletcher 78. 6 7/8 x 5 1/2 (sheet 11 1/4 x 8 3/8). Edition 100. 75 intended for the Cuala Press, Dublin. A rich impression, printed on cream-...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
'Cargo Carriers' — 1930s New York Harbor
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Cargo Carriers', etching and drypoint, c. 1932, edition 10, Kennedy 44. Signed in pencil. A superb, atmospheric impression with rich burr and selectively wiped overall plate tone, in dark brown ink, on Arches cream laid paper; wide margins (2 to 2 3/4 inches), in very good condition. Printed by the artist. Original Kennedy Galleries mat and label. Scarce.
"On my trips up and down N.Y. harbor on the Weehawken Ferry, the late evening sun playing on the side of the big liners has always intrigued me... The liner shown I believe to be the Vaterland of the North German Lloyd...
Category
1930s American Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Archival Paper, Drypoint, Etching
Une Escale au Brasil (A Stopover in Brazil)
Located in New York, NY
Charles Dufresne (1876-1938), Une Escale au Brasil (A Stopover in Brazil), etching and drypoint, c. 1920, signed in pencil lower right margin and inscribed “epreuve de artist” lower ...
Category
1920s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
My Daughter
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 3/4 x 12 3/4 inches (250 x 322 mm), full margins. Signed in pencil, lower right margin. Some general age tone, and minor mat tone around the pe...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Landscape - Etching by J. F. Raffaelli - Late 19th Century
Located in Roma, IT
Etching and drypoint. Hand signed.
Very good condition.
Category
Late 19th Century Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
The Old Smyth Gate, Charleston, South Carolina
By Alfred Hutty
Located in Middletown, NY
A view of the gateway to Simmons-Edwards House (14 Legare Street), also known as the Pineapple Gate House.
Etching with drypoint on watermarked "Hand Made" laid paper, signed in pen...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Laid Paper, Drypoint, Etching, Handmade Paper
Bernard Sanders, (Mesopotamian Figure)
Located in New York, NY
Clearly Sanders was looking at ancient Mesopotamian figures. Even the elaborate feathered wings can be found there -- made about 5000 years ago!
There's an initial 'S' in the plate...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Bernard Sanders, (Lovers)
Located in New York, NY
Clearly Sanders (1906-1967) was a master at these minimalist figurative prints. It's all about atmosphere and tension.
Perhaps reflecting the print here, (Lovers), he, in fact, w...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Bernard Sanders, (Nude Woman with Orb)
Located in New York, NY
Sander's figures are captivating. Here a women stands facing right, just touching, and holding still, a globe shape, on a flat surface.
It was difficult getting the color to show p...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Painter and Model with Necklace (B.1389), 1966
Located in Greenwich, CT
"Painter and Model with Necklace" is an intaglio print on paper, comprised of etching, aquatint and drypoint technique. The image size is 11.5 x 14.75 inches and the framed size meas...
Category
20th Century Modern Drypoint Figurative Prints
Materials
Aquatint, Drypoint
Steps to the Grand Canal, St. Mark's in the distance, Venice.
Located in Middletown, NY
A lovely view of Venice from the water.
Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Laid Paper, Drypoint, Etching
Man Unveiling a Woman, 1931 (Vollard Suite, B.138)
Located in Greenwich, CT
"Man Unveiling a Woman" is a drypoint from Picasso's Vollard Suite, image size 14.5 x 11.5 inches, signed 'Picasso' lower right and framed in a Spanish-style, closed-corner, black an...
Category
20th Century Modern Drypoint Figurative Prints
Materials
Paper, Drypoint
Ludgate Hill
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching, Aquatint
City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Handmade Paper, Drypoint, Etching
Your Day in Court, from the portfolio Wisconsin Graphics
Located in New York, NY
Warrington Colescott
Your Day in Court, from the portfolio Wisconsin Graphics, 1971
Drypoint, etching, aquatint, woodcut, & soft-ground etching, w roulette, vibrograver, letterpress ...
Category
1970s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching, Aquatint, Woodcut
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Handmade Paper, Drypoint, Etching
The Berry Pickers
Located in Middletown, NY
Drypoint etching on cream laid paper with an oak leaf watermark, c 1935. 7 1/4 x 9 3/4 inches (183 x 241 mm), full margins. Signed, titled and inscribed in pencil, lower margin. A b...
Category
Mid-20th Century American Modern Drypoint Figurative Prints
Materials
Laid Paper, Drypoint, Etching
Tool Drypoint: Wrench by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Drypoint Figurative Prints
Materials
Drypoint
Ponte della Trinità, Florence
Located in Middletown, NY
Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Flo...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Laid Paper, Drypoint, Etching
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 1...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Paper, Etching
Figures - Drypoint by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Mid-20th Century.
Hand-signed in the lower right part.
Numbered. Edition 1/12.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 16, ...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Paper, Etching, Drypoint
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 1...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
Faces - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Faces is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower right part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 1...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Etching, Paper, Drypoint
Figures - Drypoint by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Figures is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower right part.
Numbered. Edition,3/40.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
Figures - Drypoint by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Figures is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower right part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June ...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
Drypoint Etching "Penguin Island" 1926
By Peggy Bacon
Located in Surfside, FL
Margaret Frances "Peggy" Bacon (May 2, 1895 – January 4, 1987) was an American printmaker, illustrator, painter and writer. Bacon was known for her humorous and ironic etchings and drawings, as well as for her satirical caricatures of prominent personalities in the late 1920s and 1930s. Bacon's parents were both artists and met while attending the Art Students League in New York. At the end of 1913, Bacon first studied art at the School of Applied Design for Women but disliked it calling it, "the prissiest, silliest place that ever was." She transferred after a few weeks to the School of Fine and Applied Arts on the West Wide where she took classes in illustration and life drawing. During the summer of 1914 Bacon attended Jonas Lie's landscape class in Port Jefferson, Long Island.
From 1915-1920 Bacon studied painting with Kenneth Hayes Miller, John Sloan, George Bellows and others at the Art Students League. While at the League, Bacon became friends with several other artists. Her circle of friends and acquaintances included Dorothea Schwarz (Greenbaum), Anne Rector (Duffy), Betty Burroughs (Woodhouse), Katherine Schmidt (Kuniyoshi Shubert), Yasuo Kuniyoshi, Molly Luce...
Category
1920s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
On Christmas Day
By Gene Kloss
Located in Fairlawn, OH
On Christmas Day
Drypoint and aquatint, 1979
Signed lower right: Gene Kloss (see photo)
Inscribed lower left:
"Artist's Proof", and titled "On Christmas Day"
An "artist's proof" imp...
Category
1970s American Modern Drypoint Figurative Prints
Materials
Drypoint
Tugs on the Hudson
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City rive...
Category
Early 20th Century American Modern Drypoint Figurative Prints
Materials
Handmade Paper, Drypoint, Etching
Self Portrait - Drypoint after Giuseppe Viviani - 1983
Located in Roma, IT
Self Portrait is a drypoint realized after Giuseppe Viviani in 1983.
Hand signed and numbered. 1983 edition of 100 prints.
Signed by the Artist widow "Eralda Benso Viviani".
Refe...
Category
1980s Modern Drypoint Figurative Prints
Materials
Drypoint
Dancers - Etching and Drypoint Japan paper by Ilse Voigt - 1950s
By Ilse Voigt
Located in Roma, IT
Dancers is an original artwork realized by Ilse Voigt in the first years of the 1950s.
Etching and drypoint on Japan paper.
Good conditions except for some wide stains on the corners.
Ilse Voigt (Chemnitz, 1905 – Magdeburg, 1990) was an artist, pastellist, illustrator, and drawer. She attended the Fine Arts Academy of Berlin where she took Emil Orlik's classes. From 1964, she participated in international collective exhibitions. At the Salon des Indépendants, she became one of the company members. She exhibited in many art galleries in Paris and Switzerland. She painted and illustrated flowers, portraits...
Category
1950s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Dans la Poudrière - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Dans la Poudrière - from "Le Croquis du Front Italien" is an Etching and Drypoint realized by the Italian Artist Anselmo Bucci, in 1917.
Hand signed on the right margin . Edition n. 68/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions.
Good conditions, except for a light yellowing of the paper.
Anselmo Bucci (1887-1955) was an Italian painter and printmaker.
He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category
1910s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Manfredi - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Manfredi - from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917.
Hand signed on the right margin . Edition n. 37/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions.
Good conditions, except for a light yellowing of the paper.
Anselmo Bucci (1887-1955) was an Italian painter and printmaker.
He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category
1910s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
"Bessie Smith" - Musician's Portrait Etching on Paper (A/P)
Located in Soquel, CA
"Bessie Smith" - Musician's Portrait Etching on Paper (A/P)
Clean and modern drypoint etching of a jazz singer Bessie Smith by Maria Bennett (American, 20th Century). The singer is ...
Category
1970s Modern Drypoint Figurative Prints
Materials
Paper, Ink, Drypoint
Construction d'un Temple en Ruine - Plate n. 5
By Paul Delvaux
Located in Roma, IT
Construction d’un temple – Plate n.5 is a b/w original etching and dypoint realized in 1972 (as reported on plate on the lower right margin) by Paul Delvaux.
From the collection “Construction d’un temple en ruine à la déesse Vanadé”, this original print came into being from the collaboration of four years among the French author and a member of the Nouveau-Roman group Alain Robbe-Grillet (1922-2008), and the Belgian artist Paul Delvaux (1897-1994). At first, Robbe-Grillet wrote a text, to which Delvaux then replied with a wonderful engraving, Robbe-Grillet then responded with a second text. This is how the building blocks of this beautiful book came together: it was constructed like a temple.
The book was printed in an edition of 187 copies, of which only 40 contain the illustrations by Paul Delvaux. Our copy is unnumbered and printed on “Arches” ivory colored paper with the Bateau Lavoir watermark (on the lower right corner), and “Richard Bas” watermark (on the lower left margin).
Image dimensions: 31.3 x 44.3 cm
This exceptional artwork, representing an interesting composition with a woman depicted like an ancient Greek marble statue...
Category
1970s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Le Rêve - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Le Rêve-from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917.
Hand signed on the right margin . Edition n. 18/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions.
Good conditions, except for a light yellowing of the paper and some foxing.
Anselmo Bucci (1887-1955) was an Italian painter and printmaker.
He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category
1910s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Sleep - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Sleep - from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917 s.
Hand signed on the right margin . Edition n. 14/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions.
Good conditions, except for a light yellowing of the paper.
Anselmo Bucci (1887-1955) was an Italian painter and printmaker.
He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category
1910s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Three Figures - Original Etching and Drypoint by Pierre Girieud - 1920
Located in Roma, IT
Three Figures is an Original Etching and Drypoint realized by Pierre Girieud (1876-1940).
Foxing and stains on top center.
Includes a white cardboard passpartout (69x49 cm).
Hand signed on the lower right corner.
Pierre Girieud was a French painter (Marseille 1875 - Nogent-sur-Marne 1948). Follower of P. Gauguin, friend of Cézanne and Van Gogh, he painted still lifes, landscapes of Provence, naked, in a massive, archaic style, with influences of Italian Renaissance painting.
Category
1920s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
The Cat - Etching and Drypoint by Giselle Halff- 1950s
Located in Roma, IT
The Cat is an Original etching and drypoint print on paper realized by an Anonymous artist in 1950 ca.
Good conditions with some foxing.
Category
1950s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Boat - Mezzotint Print by Robert Naly - Mid 20th Century
By Robert Naly
Located in Roma, IT
Boat is a Contemporary artwork realized in the half of the 20th Century by Robert Naly (1900 - 1983).
Mezzotint print.
Hand-signed.
Numbered, edition of 50 prints.
Good conditio...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Head of a Man
By Milton Avery
Located in New York, NY
A superb impression of this very scarce drypoint. Edition of 100. Signed in pencil by Avery. Printed by Atelier 17, New York. Published by Laurel Gallery, New York. From "Laurels Por...
Category
1930s Modern Drypoint Figurative Prints
Materials
Drypoint
Walking Shadow - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Walking Shadow is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century.
In very good conditions.
The artwork created thro...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Spring Song /// Antique Female Artist Children Child Etching British Art
By Eileen Soper
Located in Saint Augustine, FL
Artist: Eileen Alice Soper (English, 1905-1990)
Title: "Spring Song"
*Signed by Soper in pencil lower right
Year: 1924
Medium: Original Etching on cream laid paper
Limited edition: 178
Printer: Likely printed by Eva Soper, London, UK
Publisher: H C Dickens, London, UK
Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 83, page 119, 141, 157
Sheet size: 8.13" x 10.13"
Image size: 6.63" x 9.63"
Condition: Paper trimmed in the margins. A few faint areas of discoloration. It is otherwise a strong impression in very good condition
Notes:
Provenance: private collection - Boulder, CO.
Biography:
Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...
Category
1920s Modern Drypoint Figurative Prints
Materials
Intaglio, Drypoint, Laid Paper, Etching
Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Handmade Paper, Drypoint, Etching
Books - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Books is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century.
In very good conditions.
The artwork created through confi...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Charing Cross - The Statue of Charles I.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching, Aquatint
Drypoint figurative prints for sale on 1stDibs.
Find a wide variety of authentic Drypoint figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Anselmo Bucci, André Derain, Salvador Dalí, and Edmund Blampied. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint figurative prints, so small editions measuring 0.04 inches across are also available