William Walcot, R.E., Hon.R.I.B.A. Art
British, 1874-1943
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole in 1898.
In 1907, Walcot settled in London where he was employed as a draughtsman by the South-African-born architect, Eustace Frere. In 1933, Walcot designed one London building, 61 St. James Street, but his main architectural activity was that of a freelance draughtsman. He produced drawings and etchings for architects to show their clients and to exhibit at the Royal Academy summer exhibitions.
Throughout the 1920s and 1930s, Walcot was the most celebrated architectural draughtsman in England, enhancing the scale and drama of the buildings he depicted with his mastery of techniques including watercolor and gouache.(Biography provided by Allinson Gallery, Inc.)
to
4
7
4
4
9
3
8
3
1
Overall Height
to
Overall Width
to
7
1
7
6
6
2
2
1
1
1
1
1
1
1
1
1
1
12
1
12
7,733
4,783
2,505
1,273
9
6
6
6
4
Artist: William Walcot, R.E., Hon.R.I.B.A.
San Marco [Venice].
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Etching, Aquatint, Drypoint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
Ludgate Hill
By William Walcot R. E. Hon. R. I. B. A.
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Drypoint, Etching, Aquatint
The Pool of London - 20th Century British marine watercolour by William Walcot
By William Walcot R. E. Hon. R. I. B. A.
Located in London, GB
WILLIAM WALCOT
(1874-1943)
The Pool of London
Signed and dated l.r.: W Walcot 1924
Watercolour and bodycolour over traces of pencil
Framed
40.5 by 71.5 cm., 16 by 28 ¼ in.
(frame...
Category
Early 20th Century Realist William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Watercolor
Charing Cross - The Statue of Charles I.
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Etching, Drypoint, Aquatint
The Thames from Waterloo.
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
The Thames from Waterloo Bridge. 1913. Etching. Dickins 12. 3 3/4 x 7 1/16 (sheet 7 x 10 15/16). Edition 100. A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford and Rome.
The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing.
Opened in 1890, the Forth Bridge...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Etching
Chelsea Old Church, London
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Etching, Aquatint, Drypoint
Ludgate Hill
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil.
Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Etching, Drypoint, Aquatint
Brooklyn Bridge, New York, signed etching by William Walcot, c1925
By William Walcot R. E. Hon. R. I. B. A.
Located in Melbourne, Victoria
Signed in pencil by the artist lower right. William Walcot was born in Russia and moved to London in 1907. He trained and practiced as an architect before devoting himself to archite...
Category
1920s Art Deco William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Etching, Drypoint
William Walcot - 20th Century British watercolour of top of Spanish Steps, Rome
By William Walcot R. E. Hon. R. I. B. A.
Located in London, GB
WILLIAM WALCOT
(1874-1943)
Piazza Trinita die Monti, the Spanish Steps, Rome
Signed and dated l.r.: W Walcot 1922
Watercolour and bodycolour over traces of pencil
Framed
54 by 84...
Category
Early 20th Century Realist William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Watercolor
William Walcot - The Temple, 20th Century oil on paper over an etched base
By William Walcot R. E. Hon. R. I. B. A.
Located in London, GB
WILLIAM WALCOT
(1874-1943)
The Temple
Signed and dated l.r.: W Walcot 1919
Oil on paper over an etched base
Framed
45 by 57 cm., 17 ¾ by 22 ½ in.
(frame size 62 by 74 cm., 24 ½ b...
Category
Early 20th Century Realist William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Oil, Etching
Forum of Minerva, Assisi, Italy
By William Walcot R. E. Hon. R. I. B. A.
Located in Middletown, NY
Etching with aquatint on watermarked F J Head & Co. cream laid paper, 9 3/4 x 11 1/2 inches (245 x 290 mm), full margins. Signed in pencil, lower margin. Scattered age tone and mat t...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Etching, Laid Paper, Aquatint
The Supreme Court, London, Early 20th Century Graphite
By William Walcot R. E. Hon. R. I. B. A.
Located in London, GB
William Walcot R. E. Hon. R. I. B. A.
1874 - 1943
The Supreme Court, Parliament Square
Graphite, watercolour and gouache
Image size: 29 x 20 inches (74 x...
Category
Early 20th Century William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Watercolor
Related Items
Birds. 2020. Watercolor, paper, 66 x 96 cm
By Zigmunds Snore
Located in Riga, LV
Birds. 2020. Watercolor, paper, 66 x 96 cm
Seagulls over the sea
Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 an...
Category
2010s Realist William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Paper, Watercolor
Chicago Skyline
By Paul Schumann
Located in Middletown, NY
A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes.
Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...
Category
Early 20th Century American Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Handmade Paper, Etching, Drypoint
Landscape. Paper, watercolor, 42x30 cm
Located in Riga, LV
Landscape. Paper, watercolor, 42x30 cm
Dzidra Ezergaile (1926-2013)
Born in Riga. School years alternate with summer work in the countryside. In 1947...
Category
1970s Realist William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Paper, Watercolor
Old Brownstones -- New York
By Lawrence Wilbur
Located in Storrs, CT
Old Brownstones-- New York. c. 1985. Etching and drypoint. 8 7/ 8 x 12 1/3 (sheet 16 5/8 x 16 1/4). Fourth state. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted. Provenance: the artist's estate. Signed, titled, and annotated 'Fourth state -- wheel changed to left' and 'Steves' in pencil. A dramatic view of a Manhattan neighborhood.
Painter and printmaker Lawrence Nelson Wilbur...
Category
20th Century American Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Drypoint, Etching
Steps to the Grand Canal, St. Mark's in the distance, Venice.
By Donald Shaw MacLaughlan
Located in Middletown, NY
A lovely view of Venice from the water.
Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category
Early 20th Century American Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Laid Paper, Drypoint, Etching
Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
Early 20th Century American Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Archival Paper, Drypoint, Etching
The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Etching, Drypoint
MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU?
By Georges Rouault
Located in Santa Monica, CA
GEORGES ROUAULT (1871-1958)
MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU? 1927
( Chapon/Rouault 97; Wofsy 151) Miserere XLIV Aquatint, 1927, on laid Arches. watermark...
Category
1920s Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Aquatint
H 16.375 in W 23,625 in
Tugs on the Hudson
By Charles Frederick William Mielatz
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...
Category
Early 20th Century American Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Handmade Paper, Drypoint, Etching
Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category
1930s American Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Etching, Drypoint
"The Long Walk Home". Orientalist Gouache and Watercolor on Paper.
Located in Cotignac, FR
Early 20th century orientalist watercolour on paper by Aiveill, signed bottom right.
In art history, Orientalism is the imitation or depiction ...
Category
Early 20th Century Realist William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Paper, Watercolor, Gouache
H 11.23 in W 14.38 in D 0.91 in
Venice from the Sea
By Joseph Pennell
Located in Middletown, NY
A serene landscape of the Venetian skyline at twilight.
Etching on watermarked W King cream wove paper, 3 7/8x 8 7/8 inches (97 x 212 mm), full margins. An excellent and well inked ...
Category
Late 19th Century American Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Etching, Handmade Paper
Previously Available Items
The First Wooden Temple of Jupiter; An Etruscan Temple – Jupiter Capitolinus
By William Walcot R. E. Hon. R. I. B. A.
Located in Middletown, NY
A highly imaginative image of the splendors of Ancient Rome.
Etching, drypoint and aquatint on cream laid F J Head & Co. paper, with a partial watermark, 5 x 7 inches (125 x 175 mm)...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Drypoint, Laid Paper, Etching, Aquatint
The Library of St. Mark's, Venice
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
The Library of St. Mark's, Venice. 1920. Etching with drypoint and aquatint. Dickins 67 Harvey-Lee 92. 4 3/8 x 6 3/4 (sheet 9 1/2 x 14 1/8). Venice set,#3. Edition 415. A rich impre...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Drypoint, Etching, Aquatint
H 4.38 in W 6.75 in D 0.5 in
Giudecca No. 2, Venice.
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Giudecca No. 2, Venice. 1913. Etching. Dickins 14. 4 3/16 x 7 9/16 (sheet 7 5/8 x 10 5/8). Editon 115. A fine impression with plate tone printed on white wove paper. Signed in pencil...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Drypoint, Etching, Aquatint
The Doge's Palace [Venice]/
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
The Doge's Palace. 1920. Dickins 90. Etching and drypoint. 3 1/2 x 5 (sheet 9 3/8 x 10 1/2). Venice Set, #1. Published by H C Dickins. A rich impression printed on cream wove paper. ...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Drypoint, Etching, Aquatint
![The Doge's Palace [Venice]/](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-the-doges-palace-venice-for-sale/a_3352/a_101508621652021742811/dogesimagedibs_master.jpg?width=240 "hon palace")
The Font, Canterbury Cathedral, 20th Century British Watercolour by W Walcot
By William Walcot R. E. Hon. R. I. B. A.
Located in London, GB
WILLIAM WALCOT
(1874-1943)
The Font, Canterbury Cathedral
Watercolour heightened with gum arabic over pencil
Framed
38 by 28.5 cm., 15 by 11 ¼...
Category
Early 20th Century Realist William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Watercolor
Segovia Bridge, Madrid.
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Segovia Bridge, Madrid. 1924. Etching. Harvey-Lee 128. 5 3/4 x 13 11/16 (sheet 10 3/4 x 17 3/4). Edition 74. Printed on 'J Whatman' cream wove paper. Signed in pencil Housed in a 16...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Drypoint, Etching
The Forth Bridge
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
The Forth Bridge 1922. Etching and drypoint. Dickins 74. 4 x 10 3/4 (sheet 9 1/8 x 15 3/8). Series: The Arteries of Great Britain. Edition 425. A fine pro...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Drypoint, Etching, Aquatint
Glasgow -- on the Clyde
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Glasgow -- on the Clyde. 1922. Etching with drypoint and aquatint. Dickins 75. 3 7/8 x 10 1/2 (sheet 5 5/8 x 11 7/8). Series: The Arteries of Great Britain. Edition 425. A fine proof...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Drypoint, Etching, Aquatint
Lower Manhattan (The Woolworth Building, New York)
By William Walcot R. E. Hon. R. I. B. A.
Located in Myrtle Beach, SC
William Walcot, 'Lower Manhattan (The Woolworth Building, New York)', etching and drypoint, edition not stated, c. 1923. Signed in pencil. A fine im...
Category
1920s Post-Impressionist William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Drypoint, Etching
Brooklyn Bridge, New York
By William Walcot R. E. Hon. R. I. B. A.
Located in Myrtle Beach, SC
William Walcott, 'Brooklyn Bridge, New York', etching and drypoint, edition not stated, c. 1923. Signed in pencil. A fine impression, in dark brown ink, with expertly controlled plate tone; the full sheet with margins (1 3/4 to 2 5/8 inches), on cream wove paper, in excellent condition.
William Walcot was born at Lustdorf, near Odessa in a mixed Scottish-Russian family...
Category
1920s Post-Impressionist William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Drypoint, Etching
Arc San Carlo, Naples.
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Dickins 70. 6 3/4 x 6 5/8 (sheet 14 1/8 x 10). Edition 400. A fine impression with plate tone printed in black/brown ink on white wove paper. Blindstamp: the Rose collection. Signed...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Drypoint, Etching
Café de la Paix, place de l'Opéra, Paris.
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Dickins 24. 2 13/16 x 4 (sheet 10 x 8 7/8). Edition 72. A fine impression with plate tone printed in black-brown ink on off-white wove paper. Signed in pencil. Housed in a 20 x 16--inch archival mat.
The Café de la Paix...
Category
Early 20th Century Modern William Walcot, R.E., Hon.R.I.B.A. Art
Materials
Drypoint, Etching
H 10 in W 16 in D 0.6 in
William Walcot, R.e., Hon.r.i.b.a. art for sale on 1stDibs.
Find a wide variety of authentic William Walcot, R.E., Hon.R.I.B.A. art available for sale on 1stDibs. You can also browse by medium to find art by William Walcot, R.E., Hon.R.I.B.A. in etching, aquatint, drypoint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large William Walcot, R.E., Hon.R.I.B.A. art, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of Walter Hoyle, Sir Frank Short, William Lionel Wyllie, R.A., R.I., and R.E.. William Walcot, R.E., Hon.R.I.B.A. art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $400 and tops out at $7,110, while the average work can sell for $620.