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Drypoint Figurative Prints

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Medium: Drypoint
Model
Located in Roma, IT
Charming original drypoint on ivory coloured plate realized by Giuseppe De Nittis between 1870 and 1880. Signed on plate lower left margin, not numbered and in perfect conditions. In...
Category

1870s Modern Drypoint Figurative Prints

Materials

Drypoint

The Workshop (Stirling)
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category

Early 20th Century Modern Drypoint Figurative Prints

Materials

Etching, Drypoint

'Little Girl' — American Modernism
Located in Myrtle Beach, SC
Milton Avery, 'Little Girl', drypoint, 1936, edition 60, Lunn 11. Signed, dated, and numbered '22/60' in pencil. A superb impression, in warm black ink with delicate overall plate tone, on off-white wove paper, with wide margins (2 5/8 to 4 1/8 inches); hinge stains on the top sheet edge, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 8 3/4 x 4 3/4 inches (222 x 121 mm); sheet size 14 7/8 x 13 1/8 inches (378 x 333 mm). Collections: Cantor Arts Center, National Gallery of Art. ABOUT THE ARTIST "I never have any rules to follow; I follow myself." "I paint not by sight but by faith. Faith gives you sight." —Milton Avery 'His is the poetry of sheer loveliness.' —Mark Rothko in his 1965 eulogy to Avery. Milton Avery (1885-1965) is recognized as one of America's foremost modernist artists, renowned for his uniquely expressive style, evocative use of color, and captivating compositions. Growing up in a working-class family in Altmar, New York, Avery's early life was marked by the struggles and realities of rural New York. Despite lacking formal artistic training, he displayed an innate talent for drawing from an early age. In 1905, his family relocated to Hartford, Connecticut, where he worked various odd jobs while developing his artistic skills through self-study and experimentation. In 1915, he enrolled at the Connecticut League of Art Students, where he received formal instruction and began to refine his distinctive style. In 1918, Avery transferred to the School of the Art Society of Hartford and worked in the evenings so that he could paint during the day. He became a member of the Connecticut Academy of Fine Arts in 1924. That summer in Gloucester, Massachusetts, he met the artist Sally Michael...
Category

1930s American Modern Drypoint Figurative Prints

Materials

Drypoint

My Daughter
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 3/4 x 12 3/4 inches (250 x 322 mm), full margins. Signed in pencil, lower right margin. Some general age tone, and minor mat tone around the pe...
Category

Early 20th Century Modern Drypoint Figurative Prints

Materials

Drypoint, Etching

Ludgate Hill
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Drypoint Figurative Prints

Materials

Drypoint, Etching, Aquatint

Hillside Town
Located in Middletown, NY
Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...
Category

Early 20th Century English School Drypoint Figurative Prints

Materials

Laid Paper, Etching, Drypoint

Forellenweiher - Etching and Drypoint by Franz Von Stuck - 1890s
Located in Roma, IT
Forellenweiher is a wonderful black and white etching and drypoint on wide rod cream paper realized by Franz von Stuck in 1890-1891. Hand signed in gr...
Category

1890s Symbolist Drypoint Figurative Prints

Materials

Paper, Drypoint, Etching

The Dance of Death. 1914-1918
Located in Storrs, CT
The Dance of Death. 1914-1918. 1921. Portfolio of 7 etchings with drypoint. Sheet: 18 1/2 x 15 1/2. Edition 100. Title page annotated in ink by the arti...
Category

1910s Modern Drypoint Figurative Prints

Materials

Drypoint

Le Singe - Etching by Pablo Picasso - 1940s
Located in Roma, IT
Etching, aquatint and drypoint. Not Signed and not Numbered as issued. Edition of 226 pieces. Belongs to the Suite "Histoire Naturelle de Buffon" (plate p. 86). Printed by Lacourièr...
Category

1940s Cubist Drypoint Figurative Prints

Materials

Paper, Etching, Drypoint, Aquatint

La diligence de Beaucaire
Located in Middletown, NY
Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 110]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...
Category

1880s French School Drypoint Figurative Prints

Materials

Laid Paper, Drypoint, Etching, Aquatint

Warrington Colescott, Your Day in Court mixed media graphic signed Artists Proof
Located in New York, NY
Warrington Colescott Your Day in Court, from the portfolio Wisconsin Graphics, 1971 Drypoint, etching, aquatint, woodcut, & soft-ground etching, w roulette, vibrograver, letterpress ...
Category

1970s Modern Drypoint Figurative Prints

Materials

Drypoint, Etching, Aquatint, Woodcut

Mein Weg mit dem Weib #13 - Original Etching by W.R. Rehn
Located in Roma, IT
Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...
Category

1910s Symbolist Drypoint Figurative Prints

Materials

Drypoint, Aquatint

Charing Cross - The Statue of Charles I.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Drypoint Figurative Prints

Materials

Drypoint, Etching, Aquatint

Bernard Sanders, (Lovers)
Located in New York, NY
Clearly Sanders (1906-1967) was a master at these minimalist figurative prints. It's all about atmosphere and tension. Perhaps reflecting the print here, (Lovers), he, in fact, w...
Category

Early 20th Century American Modern Drypoint Figurative Prints

Materials

Drypoint, Etching

Les Vieux (The Elders)
Located in Middletown, NY
A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Fourth state (of 5). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 113]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...
Category

1880s French School Drypoint Figurative Prints

Materials

Etching, Drypoint, Aquatint

Cat with Red Claws and a Bird
Located in New York, NY
Once a peer of David Hockney and Peter Blake during school, Colin Self is an important contemporary British printmaker whose innovative etching techniques and novel use of found mate...
Category

Early 2000s Drypoint Figurative Prints

Materials

Drypoint

The Berry Pickers
Located in Middletown, NY
Drypoint etching on cream laid paper with an oak leaf watermark, c 1935. 7 1/4 x 9 3/4 inches (183 x 241 mm), full margins. Signed, titled and inscribed in pencil, lower margin. A b...
Category

Mid-20th Century American Modern Drypoint Figurative Prints

Materials

Drypoint, Laid Paper, Etching

Matinée Avenue de Clichy
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 1/2 x 10 3/4 inches (240 x 271 mm) full margins. Signed in the image, lower left. With the "Musée Louvre Chalcographie" blind stamp in the lowe...
Category

Early 20th Century French School Drypoint Figurative Prints

Materials

Handmade Paper, Drypoint, Etching

Shepherd - Etching by A. Suares - 1926
Located in Roma, IT
Shepherd is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.
Category

1920s Symbolist Drypoint Figurative Prints

Materials

Drypoint, Etching

Allé sous bois - Original Etching and Drypoint on Paper - 1980s
Located in Roma, IT
Image dimensions: 17 x 23 cm. Allé sous bois is an original artwork realized by Paulette Humbert during the 1980s. hand-signed on the lower right by Paulette Humbert. Artist's pro...
Category

1980s Contemporary Drypoint Figurative Prints

Materials

Drypoint, Etching

'Cargo Carriers' — New York Harbor
Located in Myrtle Beach, SC
Otto Kuhler, 'Cargo Carriers', etching and drypoint, c. 1932, edition 10, Kennedy 44. Signed in pencil. A superb, atmospheric impression with rich burr and selectively wiped overall plate tone, in dark brown ink, on Arches cream laid paper; wide margins (2 to 2 3/4 inches), in very good condition. Printed by the artist. Original Kennedy Galleries mat and label. Very scarce. "On my trips up and down N.Y. harbor on the Weehawken Ferry, the late evening sun playing on the side of the big liners has always intrigued me... The liner shown I believe to be the Vaterland of the North German Lloyd...
Category

1930s American Modern Drypoint Figurative Prints

Materials

Etching, Drypoint

Irving Guyer, Christmas Trees on Second Street (NYC)
Located in New York, NY
Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...
Category

1930s American Modern Drypoint Figurative Prints

Materials

Drypoint, Etching

The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Category

Late 19th Century English School Drypoint Figurative Prints

Materials

Drypoint, Handmade Paper, Etching

Night Time, Dieppe.
Located in Storrs, CT
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
Category

1920s Modern Drypoint Figurative Prints

Materials

Drypoint, Etching

Olliver St. John Gogarty
Located in Storrs, CT
Oliver St. John Gogarty. 1935. Etching. Fletcher 78. 6 7/8 x 5 1/2 (sheet 11 1/4 x 8 3/8). Edition 100. 75 intended for the Cuala Press, Dublin. A rich impression, printed on cream-wove paper. Signed in pencil. The etching was done as a commission for Cuala Press, Dublin, as a frontispiece for Gogarty's book, Elbow Room Before publication, the project was changed and the print was never used.

Oliver Joseph St. John Gogarty (17 August 1878 – 22 September 1957) was an Irish poet...

Category

Mid-20th Century Modern Drypoint Figurative Prints

Materials

Drypoint, Etching

Bernard Sanders, (Mesopotamian Figure)
Located in New York, NY
Clearly Sanders was looking at ancient Mesopotamian figures. Even the elaborate feathered wings can be found there -- made about 5000 years ago! There's an initial 'S' in the plate...
Category

Early 20th Century American Modern Drypoint Figurative Prints

Materials

Etching, Drypoint

Wheelbarrow Race
Located in Storrs, CT
1925-26. Drypoint. Appleby 114. 8 9/16 x 12 (sheet 12 x 17). Edition 100, #10. An excellent impression with burr, printed with plate tone on the full sheet of 'VGI' laid paper with ...
Category

1920s Modern Drypoint Figurative Prints

Materials

Drypoint, Etching

Evening, Port of Genoa
Located in Storrs, CT
Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...
Category

1910s Modern Drypoint Figurative Prints

Materials

Drypoint

Vieille Masken, La Servante Anversoise
Located in Middletown, NY
Etching with engraving and drypoint printed in brownish black ink on cream laid paper with a partial heraldic A and fleur-de-lis watermark, 5 5/8 x 4 1/4 inches ( 341 x 107 mm), full...
Category

Late 19th Century French School Drypoint Figurative Prints

Materials

Laid Paper, Engraving, Drypoint, Etching

Standing Swimmer - Drypoint 1910
Located in Paris, IDF
Pierre Auguste RENOIR Standing swimmer Drypoint 2010 On vergé ivoire paper Size 33 x 25 cm Very good condition REFERENCE : Catalog raisonné Stella 23
Category

1910s Drypoint Figurative Prints

Materials

Drypoint

Picabia, Composition, Du cubisme (after)
Located in Southampton, NY
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category

1940s Modern Drypoint Figurative Prints

Materials

Drypoint

Palazzo dell'Angelo
Located in Middletown, NY
Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category

1930s American Modern Drypoint Figurative Prints

Materials

Etching, Drypoint

Woman - Etching and Drypoint Japan paper by Ilse Voigt - 1950s
Located in Roma, IT
Woman is an original artwork realized by Ilse Voigt in the first years of the 1950s. Etching and drypoint on Japan paper. Good conditions except for some small spots on the upper margin. This artwork is a precious drypoint on elegant Japan paper; it represents a female stilized figure with a long...
Category

1950s Modern Drypoint Figurative Prints

Materials

Drypoint, Etching

On the Roof - Etching by Auguste Lepère - Late 19th Century
Located in Roma, IT
On the Roof is an Etching and drypoint realized by Auguste Lepère in the late 19th Century. Good condition.
Category

Late 19th Century Modern Drypoint Figurative Prints

Materials

Etching, Drypoint

Dans les Cendres (In the embers)
Located in Storrs, CT
Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...
Category

Late 19th Century Impressionist Drypoint Figurative Prints

Materials

Drypoint, Etching

Bernard Sanders, (Nude Woman with Orb)
Located in New York, NY
Sander's figures are captivating. Here a women stands facing right, just touching, and holding still, a globe shape, on a flat surface. It was difficult getting the color to show p...
Category

Early 20th Century American Modern Drypoint Figurative Prints

Materials

Drypoint, Etching

Capturas
Located in New Orleans, LA
4 individual drypoint engravings sold as a grouping that forms the whole. There are only 5 sets. This is #2 of 5. Paper size is 30 x 32 cm. Paper is Grabado, Punta seca. Graduat...
Category

21st Century and Contemporary Modern Drypoint Figurative Prints

Materials

Engraving, Drypoint

La Marchande des Quatres-Saisons
Located in Middletown, NY
Etching with drypoint on cream wove paper, 11 3/4 x 13 3/4 inches (297 x 347 mm), full margins. Signed in pencil and numbered 32/40, lower margin. Minor mat tone and several small lo...
Category

Early 20th Century Post-Impressionist Drypoint Figurative Prints

Materials

Handmade Paper, Rag Paper, Drypoint, Etching

New Rochelle - Before the Wind
Located in Myrtle Beach, SC
'New Rochelle - Before the Wind', drypoint, 1931, edition 30 (only a few impressions printed), Rose l.163. Signed, dated '1932' and numbered '1 – XXX' in ...
Category

1930s Modern Drypoint Figurative Prints

Materials

Drypoint

Man Unveiling a Woman, 1931 (Vollard Suite, B.138)
Located in Greenwich, CT
"Man Unveiling a Woman" is a drypoint from Picasso's Vollard Suite, image size 14.5 x 11.5 inches, signed 'Picasso' lower right and framed in a Spanish-style, closed-corner, black an...
Category

20th Century Modern Drypoint Figurative Prints

Materials

Paper, Drypoint

Portrait of Whistler with the Monacle.
Located in Storrs, CT
Portrait of Whistler with the Monacle. 1897. Drypoint. 13 3/4 x 10 1/4 (sheet 16 3/4 x 11 5/8). A carefully wiped impression with plate tone, from the cancelled plate (there were onl...
Category

19th Century Impressionist Drypoint Figurative Prints

Materials

Drypoint

Kvinnehode (Schiefler 259; Woll 288), Edvard Munch
Located in Southampton, NY
Drypoint on gewöhnlichem aber holzfreiem vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the album, Verzeichnis Des graphischen Werks Edvard Munchs Bis 1...
Category

Early 1900s Expressionist Drypoint Figurative Prints

Materials

Drypoint

'Varietesoubrette, Schwalbennest' also Dancer — 1920s German Expressionism
Located in Myrtle Beach, SC
Martel Schwichtenberg (1896-1945), 'Varietésoubrette, Schwalbennest (Variety Soubrette, Swallow’s Nest), drypoint, 1922. Signed in pencil. A fine, richly-inked impression; the full sheet of cream wove paper, with wide margins (3 3/4 to 5 1/4 inches), in excellent condition. Image size 7 3/16 x 4 5/16 inches; sheet size 16 3/8 x 12 1/8 inches. Archivally matted to museum standards, unframed. Published in Die Schaffenden...
Category

1920s Bauhaus Drypoint Figurative Prints

Materials

Drypoint

The Smithy
Located in Middletown, NY
A warm composition, in theme and tone; the creaky timber interior of a 19th century Scottish blacksmith's shop. Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x ...
Category

Late 20th Century Modern Drypoint Figurative Prints

Materials

Laid Paper, Drypoint, Etching

Frontispiece
Located in Milwaukee, WI
No. 189. Prestel. Ed. Ralf Michler and Lutz W. Lopsinger. Catalog Raisonne of Dali's Etchings and Mixed-Media Prints, 1924 - 1980. From the Secret Poems by Apollinaire Series (Poemes...
Category

Late 20th Century Drypoint Figurative Prints

Materials

Drypoint, Etching

Spleen - Original Etching by Anselmo Bucci - 1917
Located in Roma, IT
Image dimensions: 9 x 21 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Anse...
Category

1910s Futurist Drypoint Figurative Prints

Materials

Drypoint, Etching

Militant - Etching by Anselmo Bucci - 1917
Located in Roma, IT
"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 61/100 of prints on the lower left. On the lower left corner...
Category

1910s Modern Drypoint Figurative Prints

Materials

Etching, Drypoint

A Rose - Original Drypoint - 1920s
Located in Roma, IT
A Rose is an original modern artwork realized in the 1920s ca by an Italian engraving master. Original drypoint on paper. Hand-signed by the artist on the lower right corner in penc...
Category

1920s Modern Drypoint Figurative Prints

Materials

Paper, Drypoint

Studio Interior No. 1 — 1930s Masterwork
Located in Myrtle Beach, SC
Armin Landeck, 'Studio Interior No. 1', 1935, drypoint, edition 100, Kraeft 56. Signed in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream laid pap...
Category

1930s American Realist Drypoint Figurative Prints

Materials

Drypoint

Zebulun - Etching and Drypoint 1973
Located in Roma, IT
Etching, drypoint and pochoir on Arches paper. Edition of 75/195. Hand signed and numbered. Dimensions of frame: 76 x 61 cm. Ref. Michler/Löpsinger 623 Prov. Private Collection,...
Category

1970s Surrealist Drypoint Figurative Prints

Materials

Etching, Drypoint

Model - Etching by G. De Nittis - 1870s
Located in Roma, IT
Charming original drypoint on ivorycoloured plate realized by Giuseppe De Nittis between 1870 and 1880. Signed on plate lower left margin, not numbered and in perfect conditions. Inc...
Category

1870s Modern Drypoint Figurative Prints

Materials

Drypoint, Etching

The Matador.
Located in Storrs, CT
The Matador. 1911. Drypoint. Hardie 109. 6 7/8 x 10 7/8 (sheet 7 7/8 x 12). Edition 15. A few scattered foxing marks and slight mat line; otherwise fine o...
Category

1910s Modern Drypoint Figurative Prints

Materials

Drypoint, Etching

The Matador.
The Matador.
$1,200 Sale Price
27% Off
The Butterfly.
Located in Storrs, CT
Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...
Category

Early 20th Century Modern Drypoint Figurative Prints

Materials

Drypoint, Etching

Femmes Poules (Hen Woman) - Etching - 1960s
Located in Roma, IT
Femmes Poules (Hen Woman) is an artwork realized in 1968/69, from the Series "Faust" (La Nuit de Walpurgis). Etching, Drypoint, Watercolor and Roulette on Japon Paper. Hand signed ...
Category

1960s Surrealist Drypoint Figurative Prints

Materials

Etching, Paper, Watercolor, Drypoint

Spring Night Greenwich Village
Located in New York, NY
Spring Night, Greenwich Village--1930, Drypoint and Sand Ground.McCarron 85, only state. Edition 92. Signed in pencil. Signed in the plate, lower rig...
Category

1930s Drypoint Figurative Prints

Materials

Drypoint

Windy Night, Stockholm.
Located in Storrs, CT
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category

1930s Modern Drypoint Figurative Prints

Materials

Drypoint, Etching

Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper
Located in Soquel, CA
Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper Minimalist landscape with two figures walking along the shore by Doris Ann Warner (American, 1925-201...
Category

1980s Minimalist Drypoint Figurative Prints

Materials

Paper, Ink, Drypoint

The Doorway.
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category

Early 20th Century Modern Drypoint Figurative Prints

Materials

Drypoint, Etching

Metzinger, Femme à sa Toilette (Metzinger, AM-18-013), Du cubisme (after)
Located in Southampton, NY
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category

1940s Modern Drypoint Figurative Prints

Materials

Drypoint

Margot La Critique - Etching, Aquatint and Drypoint by F. Braquemond - 1854
Located in Roma, IT
Margot la critique is an originaletching on Chine collé, realized by Frenc artist Félix Henri Bracquemond published in L’Artiste in 1854. In good conditions. This Etching is Re...
Category

1850s Modern Drypoint Figurative Prints

Materials

Drypoint, Etching, Aquatint

Drypoint figurative prints for sale on 1stDibs.

Find a wide variety of authentic Drypoint figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Anselmo Bucci, André Derain, Salvador Dalí, and Edmund Blampied. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint figurative prints, so small editions measuring 0.04 inches across are also available

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