Bride Prints and Multiples

Pablo PICASSO Carmen, Woman in Profile, 1949 Original aquatint engraving (Atelier Lacourière, Paris) Unsigned Dated in the plate On Arches vellum 49 x 35 cm (c. 19.2 x 13.7 in) REF...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Moore, Henry, et al. Henry Moore...

The Death of the Virgin is an etching by Rembrandt executed in 1639. Signed and dated in the plate. The state of preservation is good. Foxings and browning of the paper due to the ...

Lithograph on vélin paper. Paper Size: 12.75 x 9.428 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chagal...

Lithograph on vélin paper. Paper Size: 12.75 x 9.428 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chagal...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Lithogr...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and F...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, Sur Quatre Murs, N° 36-3...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Banksy, Ukraine Framed First Day Stamp "FCK PTN (ПТН ПНХ!), 2023 (Framed) Framed postcard and stamp with 1st day cancellation 24 x 23 cm (9.44 x 9.05 in) Edition of 1000 In Februar...

Beautiful proof of I state on III before the white space under the sword is covered. Without Margins. Very good condition. Ref. Bartsch 92; Biörklund 40-B; Hollstein (White and Bo...

Alphonse Mucha Seasons: Autumn, 1903 Original lithograph Printed signature in the plate Printed on paper 71 x 31 cm (c. 27.9 x 12.2 inches) On paper linen on canvas, 75 x 35.5 cm (c...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Marc Chagall (1887-1985) - They were in Forty Pairs, Thus Numbering Fourscore.., from Four Tales from the Arabian Nights Lithograph from 1948. Inscribed Pl. 2 and numbered 26/90. ...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 7 3/4 x 5 7/8 inch...

Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 10.24 x 7.48 inches Inscription: Signed in th...

Vintage offset print realized after a watercolor by Giorgio de Chirico in 1962. From the rare portfolio "Greek Mythology" realized for IRI and printed by Stab Salomone. Excellent c...

After Pablo Picasso (Spanish, 1881-1973) La Grande Maternité 1963 pencil signed and annotated 'E.A.' (aside from the edition of 200), with margins Editions Combat de la Paix, Paris P...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.89 x 11.85 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

A group of 14 Blackfeet Indians prints created by the artist Winold Reiss. The Great Northern Railway printed and released these prints in c. 1940. This is for the entire group...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 x 3 3/4 inches (130 x 97 mm)...

Ian Hugo, 'Encircled', engraving, 1946, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack EDIT...

The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the...

In 1982, the Musée d'Art Moderne in Céret, France, hosted the exhibition "Picasso et la Tauromachie" (Picasso and Bullfighting), celebrating Pablo Picasso's profound connection to bu...

Paper Size: 19 x 27 inches ( 48.26 x 68.58 cm ) Image Size: 19 x 27 inches ( 48.26 x 68.58 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Ai Weiwei, Guardian, 2024 2 colour silkscreen with a metallic glitter base layer, printed on 410gsm Somerset Tub Sized Radiant White paper 60 x 60 cm (23.5 23.5 in) Edition of 16...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...

In "Le Saint Tropez," Buffet captures the lively and colorful atmosphere of this iconic French Riviera town. This piece, like many of his works, is unframed and in near-mint conditi...

Etching on cream laid paper laid down to a wove paper support, 4 x 2 5/8 inches (101 x 67 mm) (sheet). In good condition with scattered light areas of discoloration. Printed early 19...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...

GARDEN ROMANCE by the artist James Denmark is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) printed on archival Somerset paper using traditional hand lithography techniques. GARDEN ROMANCE is one of Denmark's expressive, colorful collage compositions of everyday African American life - a lovely flower garden scene featuring a romantic black couple, the woman seated amid the blossoming plants wearing a green and yellow paisley print dress and head wrap; her standing male companion with flower in hand, dressed in blue denim jeans, and pastel color patchwork print shirt. Vivid coloration, watercolor patterns, and collage effect textures captivate the eye with visual variety in a striking palette of blues, greens, white, red, orange, magenta, touches of yellow, lavender and dark black - a fine example of the intricacies of hand lithography! Print size - 32 x 21.25 in., archival framing, double mat, excellent condition, pencil signed and numbered - Certificate of Authenticity provided 1 / 15 H.C. by James Denmark, publisher's chop embossed lower left corner Edition size - 250, plus proofs Year published - 1996 Printer - JK Fine Art Editions Co. NJ Publisher - Mojo Portfolio...

Artist: MARC CHAGALL Title: Moses & the Burning Bush (FROM STORY OF THE EXODUS) Medium: Lithograph on arches paper Image Size: 18.50x13.50 inches paper size: 20 x 15 inches Released:...

Paper Size: 39 x 24 inches ( 99.06 x 60.96 cm ) Image Size: 23 x 22 inches ( 58.42 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Artist: MARC CHAGALL Title: BAZALEEL AND HIS TWO GOLDEN CHERUBINS (FROM STORY OF THE EXODUS) Medium: LITHOGRAPH Image Size: 18.50x13.50 inches paper size: 20 x 15 inches Released: 19...

Original Santa Fe The Chief Way vintage railroad travel poster. Archival linen backed in very fine condition, ready to frame. Most of the Santa Fe Railway posters feature American Indians, but this poster features the big boss, The Chief! The poster has about a 1" white border around the entire image, the linen backing is not counted in the poster's measurement. Several of the trains were named "Chief" which includes the San Francisco Chief, Texan Chief, Kansas City Chief...

Pablo Picasso (1881-1973) - La Comédie Humaine Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and s...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Marc Chagall (After) and Charles Sorlier (his collaborator and printer) Carmen, Metropolitan Opera, New York City, 1966 Color Lithograph on Arches watermarked Paper with deckled edg...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Screenprint in colours on wove paper Edition of 500 Signed and numbered on the front Mint. Sold with Pest Control COA 65.5 x 85.5 x 3.3 cm (25.8 x 33.7  x 1.3 in) Frame is in excellent condition. Float-mounted, framed in black frame using 99% UV protected glass The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase Our mission is to connect art collectors to opportunity. Whether it be figurative, abstract or landscape, we specialise in helping you find the best prints and multiples...

Tempête à Nice is a photolithograph realized in 1993 after Henri Matisse. Signed on the plate On Milano handmade paper. Very good conditions.

7 colour silkscreen on bespoke 410gsm Somerset Tub Sized Radiant White Rough Textured M-R 100% cotton paper. Edition of 1163 Hand-signed and numbered by the artist and comes with pub...

This beautiful suite consists of "Anthony & Cleopatra", "The Garden of Eden", "Lancelot & Guinevere", Portfolio features three lithographs in colors. Each lithograph editioned and si...

Etching with extensive hand coloring in watercolor on white wove paper, 13 3/4 x 10 3/4 inches (347 x 271 mm); sheet 24 x 17 inches (608 x 430 mm), full margins. In good condition wi...

ARTIST: Salvador Dali TITLE: Alice in Wonderland MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Transworld Art EDITION NUMBER: A IX/XL PAPER: Japon Paper MEASUREMENTS: 29.75"...

Leonard Baskin, 'Iris ( 5 )', etching, 1988, artist proof before the edition of 10, outside the book edition. Signed and annotated 'proof' in pencil. A fine impression, with expertly...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

Juan Sebastian Barbera (Mexico, 1964) 'Transicion sepia (b/n)', 2004 engraving on paper Guarro Super Alpha 250g. 19.7 x 27.6 in. (50 x 70 cm.) Edition o...

Hand signed, hand embellished mixed media silkscreen. Unique AP edition of 12 "If you ever leave me, I'm coming with you" is a playful, humorous yet paradoxical expression of deep ...

BACKYARD by the artist James Denmark is an original hand drawn, limited edition lithograph printed on archival Somerset paper, 100% acid free using traditional hand lithography techniques. BACKYARD is one of Denmark's colorful collage compositions of everyday African American life - a soulful Southern country folk scene featuring a standing woman wearing a red orange skirt, multicolored floral print top, and dark indigo print head wrap; her male companion dressed in blue denim jeans, dark indigo print shirt and denim hat sitting in the backyard as the patchwork quilts flutter on the clothesline. Vivid coloration and textures captivate the eye with variety - deep violet, reds, fiery orange, touches of yellow, dark black and shades of blue - a very strong impression and fine example of hand lithography! Print size - 38 x 23 inches, unframed, mint condition, pencil signed and numbered by James Denmark Edition size - 250, plus proofs Year published - 1996 Printer - J K Fine Art Editions Co., NJ Publisher - Mojo...

Mario Testino Private View Bi-Lingual (Chinese-English), hand signed and stamp numbered, 2012 Limited Collector's Edition Hardback Monograph with Lenticular Cover portrait of Lady Gaga. Enclosed in an Injection-Molded fitted Purple Acrylic Box (Purple). Hand Signed by Mario Testino and stamp numbered. Boldly signed by Testino on the title page and numbered 57 of a worldwide edition of 1500. 18 × 13 1/2 inches Held in Purple Acrylic Gift Box This gorgeous, oversized lavishly illustrated hardback monograph - hand signed by Mario Testino and numbered from the limited edition of 1500 - with a dynamic lenticular cover featuring an iconic portrait of Lady Gaga, housed in custom fitted multi-lingual injection-molded purple acrylic display case with English and Chinese lettering, makes the perfect gift for any global fashion photography lover! The text of this book is by Graydon Carter, Karl Lagerfeld, Jennifer Allen, and Patrick Kinmonth. This volume contains 300 pages with numerous color photographs - all in excellent condition. There is some minor scuffing/scratching on the lenticular cover and, on the title page with signature, there's a one inch ink mark that was either part of the printing process or done by the artist himself when he signed the book in his inimitable hand, but it's otherwise in very good condition. The interior pages are bright and crisp and the photographs are absolutely dazzling. This book is from the international collector's edition of 1500 that were hand signed by Testino. Comes in the original publisher's box. Measurements: Injection-Molded Plastic Box: 22 3/4 x 18 1/4 inches Book: 18 x 13 1/2 inches Publisher's Box: 23 x 19 inches The mere mention of Mario Testino’s name evokes a rush of adrenalin in anyone that cares, even a bit, about the worlds of fashion and celebrity. So omnipresent is he at major magazine shoots and A-list events—an insider if ever there was one—that he has become a celebrity himself. The launch of Testino’s latest book, to celebrate his inaugural exhibition in China, brings together an exciting selection of his best studio work with glamorous examples of his candid shots. A beaming Gwyneth Paltrow clutching her freshly-won Oscar, a fur-cloaked Jennifer Lopez atop a commode, and the unforgettable portraits of royalty...

Etching and drypoint realized by Salvador Dalì to illustrate Pierre Ronsard's "Les Amours de Cassandre". Published by Argillet, Paris, in 1968. Edition of 299 pieces. One of 165 sp...

MARC CHAGALL THE CIRCUS: ONE PLATE 1967 Original lithograph in colors, hand signed by Chagall in pencil Numbered 6/24 from the rare edition of 24 numbered impressions Reference: Mou...

Artist: Picasso, Pablo Title: Francoise (B. 401, M. 45) Date: 1946 Medium: Lithograph printed in black ink on wove paper bearing the Arches script watermark. Unframed Dimensions:...

Madame Helleu Looking at Watteau drawings at the Louvre. (En regardant les Watteau de Louvre). c. 1895. Drypoint printed in 2 colors - black and sepia. 11 3/4 x 15 7/8. Goncourt 3, d...

Standing Female Nude Drypoint, c. 1910 Unsigned Estate authentication on verso (see photo) Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo) Probably depicts the artist's wife, the artist's favorite model Extremely rare original drypoint by Frieseke Printed with selective inking to highlight the figure Condition: excellent Image/Plate size: 10 x 6 5/8 inches Frame size: 19 1/4 x 15 3/4 inches Provenance: Estate of the Artist By descent to his daughter Frances Hirschl & Adler Gallery, Stock No. APG 1106.3D-B (see photo) Biography Frederick Carl Frieseke was born on April 7, 1874, in Owosso, Michigan. After studying for a short while at the Art Institute of Chicago and the Art Students League in New York, Frieseke left for France in 1898, and almost all of his career was spent as an expatriate, with ties to the United States maintained through his New York dealer, William MacBeth, and by occasional visits to America. Following the pattern of innumerable young Americans, he enrolled at the Academie Julian where he studied with Benjamin Constant (1845-1902) and Jean-Paul Laurens (1838-1921). He appears to have had at least brief contact with and to have been influenced by James McNeill Whistler, who had recently opened his Academie Carmen in Paris. By 1900 Frieseke was spending summers in the town of Giverny, made famous by the residence of Monet and subsequently by other artists, among them many Americans. In 1906, the year after his marriage to Sarah O'Bryan, he leased a house once occupied by the American Impressionist Theodore Robinson. Although the property was adjacent to Monet's, Frieseke had only limited contact with the French master. Instead he apparently found Pierre Auguste Renoir the most influential of all the Impressionists. Frieseke's Giverny house and garden, as settings for a series of female models, provided nearly all of his subject matter for the next thirty years, although in 1930 he made a series of watercolors of Florida scenes remembered from his childhood and painted some Swiss landscapes. After World War I, the artist and his family settled in Normandy. Frieseke's career falls roughly into three stages. In the first, figures most clearly show his academic training and draughtsmanship. Gradually these evolve into the most common images of the next decade, comprised of loosely-applied blotches of bright color. The vast majority of these show their subjects in the garden, standing among the flowers, taking tea, or just basking in the sun. Others include models in colorful, light-filled interiors. In Frieseke's latest paintings, the figures very often appear indoors, their forms are given greater solidity, and the brushwork is less broken. At the height of his career, in the 1910s and early 1920s, Frieseke was perhaps the most popular of all living American artists. He received numerous awards and medals and saw his work purchased by private collectors and major museums. Decades after the initial introduction of Impressionism by Monet and his contemporaries, Frieseke assumed this style for his work, choosing to ignore the newer artistic movements of the early twentieth century. Nevertheless, his paintings were acclaimed in both the United States and in Europe. In 1904 he won a silver medal at the St. Louis Universal Exposition and a gold medal at Munich. He was elected a member of the Société National des Beaux Arts in 1908 and the National Academy of Design in 1912. Seventeen of his canvases were featured at the Venice Biennale in 1909 and he won the Grand Prize at the Panama-Pacific International Exposition in 1915. He was commissioned to execute several murals, including one for the New York store of John Wanamaker, one of his most loyal patrons. He died on August 28, 1939, at his home in Normandy, in the town of Le Mesnil sur Blangy. In the decades following his death, however, after artistic tastes had changed considerably, his work was nearly forgotten until it received renewed attention as interest in American Impressionism grew in the 1960s Courtesy National Gallery of Art, Washington Etchings by Frederick Carl Frieseke include The Balcony and Standing Female Nude. Frieseke was an American Impressionist painter who was popular in the 1910s and 1920s. Etchings by Frederick Carl Frieseke: The Balcony: An etching by Frieseke from 1904 Standing Female Nude Other paintings by Frederick Carl Frieseke: The Garden Parasol...