Bride Prints and Multiples

Standing Female Nude Drypoint, c. 1910 Unsigned Estate authentication on verso (see photo) Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo) Probably depicts the artist's wife, the artist's favorite model Extremely rare original drypoint by Frieseke Printed with selective inking to highlight the figure Condition: excellent Image/Plate size: 10 x 6 5/8 inches Frame size: 19 1/4 x 15 3/4 inches Provenance: Estate of the Artist By descent to his daughter Frances Hirschl & Adler Gallery, Stock No. APG 1106.3D-B (see photo) Biography Frederick Carl Frieseke was born on April 7, 1874, in Owosso, Michigan. After studying for a short while at the Art Institute of Chicago and the Art Students League in New York, Frieseke left for France in 1898, and almost all of his career was spent as an expatriate, with ties to the United States maintained through his New York dealer, William MacBeth, and by occasional visits to America. Following the pattern of innumerable young Americans, he enrolled at the Academie Julian where he studied with Benjamin Constant (1845-1902) and Jean-Paul Laurens (1838-1921). He appears to have had at least brief contact with and to have been influenced by James McNeill Whistler, who had recently opened his Academie Carmen in Paris. By 1900 Frieseke was spending summers in the town of Giverny, made famous by the residence of Monet and subsequently by other artists, among them many Americans. In 1906, the year after his marriage to Sarah O'Bryan, he leased a house once occupied by the American Impressionist Theodore Robinson. Although the property was adjacent to Monet's, Frieseke had only limited contact with the French master. Instead he apparently found Pierre Auguste Renoir the most influential of all the Impressionists. Frieseke's Giverny house and garden, as settings for a series of female models, provided nearly all of his subject matter for the next thirty years, although in 1930 he made a series of watercolors of Florida scenes remembered from his childhood and painted some Swiss landscapes. After World War I, the artist and his family settled in Normandy. Frieseke's career falls roughly into three stages. In the first, figures most clearly show his academic training and draughtsmanship. Gradually these evolve into the most common images of the next decade, comprised of loosely-applied blotches of bright color. The vast majority of these show their subjects in the garden, standing among the flowers, taking tea, or just basking in the sun. Others include models in colorful, light-filled interiors. In Frieseke's latest paintings, the figures very often appear indoors, their forms are given greater solidity, and the brushwork is less broken. At the height of his career, in the 1910s and early 1920s, Frieseke was perhaps the most popular of all living American artists. He received numerous awards and medals and saw his work purchased by private collectors and major museums. Decades after the initial introduction of Impressionism by Monet and his contemporaries, Frieseke assumed this style for his work, choosing to ignore the newer artistic movements of the early twentieth century. Nevertheless, his paintings were acclaimed in both the United States and in Europe. In 1904 he won a silver medal at the St. Louis Universal Exposition and a gold medal at Munich. He was elected a member of the Société National des Beaux Arts in 1908 and the National Academy of Design in 1912. Seventeen of his canvases were featured at the Venice Biennale in 1909 and he won the Grand Prize at the Panama-Pacific International Exposition in 1915. He was commissioned to execute several murals, including one for the New York store of John Wanamaker, one of his most loyal patrons. He died on August 28, 1939, at his home in Normandy, in the town of Le Mesnil sur Blangy. In the decades following his death, however, after artistic tastes had changed considerably, his work was nearly forgotten until it received renewed attention as interest in American Impressionism grew in the 1960s Courtesy National Gallery of Art, Washington Etchings by Frederick Carl Frieseke include The Balcony and Standing Female Nude. Frieseke was an American Impressionist painter who was popular in the 1910s and 1920s. Etchings by Frederick Carl Frieseke: The Balcony: An etching by Frieseke from 1904 Standing Female Nude Other paintings by Frederick Carl Frieseke: The Garden Parasol...

Medium: Lithograph on vélin papier Vergé fin blanc des papeteries de Bellerive paper Year: 1970 Paper Size: 11.024 x 8.66 inches Inscription: Inscription: Unsigned and unnumbered, as...

Banksy, Morons (White) (Unsigned), 2007 Screenprint on paper 56 x 76 cm (22 x 29 9/10 in) Edition 324 of 500 Accompanied with Pest Control Certificate Published by Picture on Walls

CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...

A pair of French classical romantic prints original created in the 18th century by Jacques-Firmin Beauvarlet (1731-1797) after paintings by Francois Boucher (1703-1770), utilizing ...

Lithograph on vélin paper. Paper Size: 13 x 9.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chagall Lit...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Original poster: Save Freedom of Worship (S) Artist: Normal Rockwell. Archival linen backed. Original fold marks touched up at the time of b...

Henri MARTIN Divine Comedy : Dante and Beatrice, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Li...

Paper Size: 25 x 31.5 inches ( 63.5 x 80.01 cm ) Image Size: 20.5 x 29 inches ( 52.07 x 73.66 cm ) Framed: No Condition: A: Mint Additional Details: Limited edition print publi...

Nabuchodonosor Rex Babulonis ("Nebucchadenezzar King Of Babylon") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between...

Etching and aquatint on paper realized by Chia in 1981. Hand signed and dated in pencil lower right. Artist proof dedicate by the Artist "to Svetlana with love" (a Svetlana con aff...

Rare exhibition poster from the series Collection of European Masters, published for the Kunstsammlung Nordrhein-Westfalen by Achenbach Editions. Quote from 1981 explores themes of c...

Appearance is a black and white etching on cream-colored paper, realized by Charles-Nicolas Cochin the Elder (1688-1754) in 1750s. Good condition.

An impression from the 1st edition published in 1799, the only edition published during Goya's lifetime. References: Los Caprichos Plate 15; Delteil 52; Harris 50 III.1 Prado ...

This refined lithograph by Georges de Feure was created in 1896 for the 5th exhibition of the Salon des Cent at 31 Rue Bonaparte in Paris, published as Plate 10 in the prestigious Le...

Louis Icart, After, French (1888 - 1950) - Lillies, Year: 2000, Medium: Giclee on paper, numbered in pencil verso with printers stamp, Edition: 8/375, Size: 45 x 31 in. (114.3 x ...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

A lithographic reproduction of Henri de Toulouse-Lautrec's "Moulin Rouge Bal La Goulue", created for Les Maîtres de l'Affiche as plate number 122, is an outstanding example of the po...

This is a second state impression from three states.

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Homage to Durer is a contemporary artwork realized by Salvador Dalì in the 1980s. Colored lithograph of BFK Rives Paper. Hand signed and numbered on the lower margin. Edition of 1...

Louis Icart, French (1888 - 1950) - La Dame aux Camélias, Year: 1927, Medium: Aquatint Etching, signed in pencil lower right, Image Size: 16.5 x 20.5 inches, Frame Size: 25.5 x 2...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 12 x 16 inches ( 30.48 x 40.64 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Pablo Picasso Le Repos du Sculpteur II, from La Suite Vollard Hand signed by Picasso in pencil in the lower right, Watermark "Vollard" Reference: Bloch 172; Baer 325 Original etching...

Portrait of a Harlequin is a striking aquatint poster created for Galerie Félix Vercel in 1972. This poster is part of a series of aquatints presented by the gallery, showcasing Pica...

Billy Childish Light through Trees , 2022 Archival print on heavy matt stock 39 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artis...

'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14/40' on the bottom sheet edge, in pencil. Signed in the plate, lower left. A superb, ...

Christo and Jeanne-Claude Pont Neuf, 2020 Lithograph, Edition of 450 Signed and numbered in pencil to margin Published to coincide with the artist's exhibition at the Centre Pompido...

This lithograph is part of my private collection. It is original and pencil signed an numbered by the artist. It is one of a kind in black and white.

A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, female figure, greek urns, and an...

Leonor Fini, Argentine/French (1918 - 1996) - Figure in Doorway, Medium: Etching, signed and numbered in pencil, Edition: 207/220, Image Size: 7.5 x 5.25 inches, Size: 12.5 x 10 in. ...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Abimelech  is an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 unsigned lithographs. Prin...

Charles Bragg, American (1931 - 2017) - In the Beginning There Were Mistakes, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 7...

Paper Size: 25.25 x 15 inches ( 64.135 x 38.1 cm ) Image Size: 19.5 x 15.5 inches ( 49.53 x 39.37 cm ) Framed: No Condition: D: Heavy signs of wear, Torn, Damaged. SOLD AS IS. Pri...

Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, et al. The Lithographs of...

Heracles in Combat With Centaur from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen after Camillus Paderni in the 18th C...

Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...

Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...

AUTUMN OF THE ROOSTER is an original hand drawn, limited edition lithograph by the American master artist and collagist Romare Bearden printed usi...

Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Degas, Ten Balle...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Violets is a modern artwork realzied by Luigi Bartolini in 1936 Black and white etching. Hand signed, titled and numbered on the lower margin. Includes frame Edition of 13/50 Go...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Lithograph and stencil on papier vélin des Manufactures d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Les Biches, 1924. Published by Édi...

Original Colour lithograph on wove paper hand-signed and numbered by the artist edition 950 of 1000 49 x 48 cm contained in the portfolio 'Del Calendario 5 artistes Catalans' catal...

Frederic MENGUY Woman with fruits, 1972 Original lithograph, (Mourlot workshop) Handsigned in pencil Numbered /120 copies On Arches vellum 76 x 54 cm (c. 29,9 x 21,2 inch) Excellen...

Original linen-backed Lisieux travel poster, printed by the French State Railways. Centre Mondial de Pèlerinage. Archival linen-backed and in very fine condition, ready for framing. Artist: Fred...

Paper Size: 20.5 x 27.75 inches ( 52.07 x 70.485 cm ) Image Size: 20.5 x 27.75 inches ( 52.07 x 70.485 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Offset lithograph poster created by Cecily Brown...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Original 1942 CASABLANCA vintage movie poster. Archival linen backed in very good condition, ready to frame. The original production fold marks have been touched up and restored. This is an authentic vintage 1942 issue of Casablanca for sale. "Casablanca" is widely regarded as one of the greatest films in cinema history. It received critical acclaim upon its release and won three Academy Awards, including Best Picture, Best Director for Michael Curtiz, and Best Adapted Screenplay. The cast's performances, memorable dialogue, and timeless romance have contributed to the film's enduring popularity. "Casablanca" remains a cultural touchstone and is often referenced in popular media. • Rick Blaine (Humphrey Bogart): The owner of Rick's Café Américain, an establishment known for its lively atmosphere. Rick is initially portrayed as detached and cynical, but his past is revealed as the story progresses. • Ilsa Lund (Ingrid Bergman): A Norwegian woman with a complicated history with Rick. She is caught in a love triangle between Rick and her husband, Victor Laszlo. • Captain Louis Renault (Claude Rains): The corrupt and witty French police captain in Casablanca. He adds a layer of humor to the film and undergoes a moral transformation as the story unfolds. Over the years, the Casablanca poster...

Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century. Oban yokoe. Erotic scene from the series "Koshuko zue juni ko" (Erotic pictures...

Original boxing print with the initials P.B. in the upper left corner. Printer Ed. Sagot Editeur, Paris. Professional acid-free archival linen backed and ready to frame. Excel...

Artist: Dali, Salvador Title: God, Time, Space, and the Pope Series: After 50 Years of Surrealism Date: 1974 Medium: drypoint engraving with hand coloring on Arches Unframed Dim...

Francois BOUCHER Allegory of Love : Woman surrounded by Angels and Doves Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 15.5 x 36 inches ( 39.37 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Lithograph on vélin d’Arches paper. Inscription: hand signed and numbered, 116/175, as issued. Good condition. Notes: From the Jazz Series, 1979. Published by London Arts Group, Detr...

Los Angeles-based artist, Laura Owens' horse prints often incorporate her characteristic style, which challenges traditional assumptions about figuration and abstraction . Her work f...

Artist: Jean Jansem (French/Armenian, 1920-2013) Title: Street Vendor with Little Girl Year: c. 1960 Medium: Color lithograph Edition: Numbered 144/200 in pencil Paper: Arches p...