Abstract Expressionist Prints and Multiples

This hand crafted Giclee print on canvas, Theatre, by Boris Chetkov, provides the opportunity to own and enjoy a Chetkov masterpiece at a very affordable...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...

Pierre Alechinsky Ca Serpente (185, Rivière), 1963 Etching on wove paper Editions HC-3 of 10 Pencil signed, dated and annotated III/X HC Frame included (vintage) Ca Serpente has exc...

Artist: Willem De Kooning (Dutch-American, 1904-1997) Title: "Beach Scene" *Signed by De Kooning in pencil lower right Year: 1971 Medium: Original Lithogr...

An original lithograph on Mohawk Superfine Smooth paper by American artist Joan Mitchell (1925-1992) titled "Meditations in an Emergency", 1967. The complete Mitchell folio with accompanying poetry. Issued unsigned. Limited edition: 1,723/2,500, (numbered on colophon page). Comes from "In Memory of My Feelings: A Selection of Poems" by Frank O'Hara, an unbound book with approx. 46 original lithographs. Printed by Crafton Graphic Company, Inc. and published by The Museum of Modern Art both in New York, NY. Collaboration: Edward Katz (printing). Last photo of complete book is for reference/provenance; it is not included. Sheet size: 12" x 9". In excellent condition. Rare. This image Mitchell contributed to "In Memory of My Feelings: A Selection of Poems" by Frank O'Hara, edited by Bill Berkson, for the Museum of Modern Art. The project was published in 1967 in memory of Frank O'Hara, poet and associate curator at the museum, who died in a tragic accident in 1966. Bill Berkson (with the assistance of Kenneth Koch and John Ashbery) selected the poems and (with advice from Robert Motherwell) asked the following artists to contribute: Nell Blaine, Norman Bluhm, Joe Branaird, John Buton, Giorgio Cavallon, Allan D'Arcangelo, Elaine de Kooning, Willem de Kooning, Niki de Saint-Phalle, Helen Frankenthaler, Jane Freilicher, Michael Goldberg, Philip Guston, Grace Hartigan, Al Held, Jasper Johns, Matsumi Kanemitsu, Alex Katz, Lee Krasner, Alfred Leslie, Roy Lichtenstein, Marisol, Joan Mitchell, Robert Motherwell, Reuben Nakian, Barnett Newman, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, and Jane Wilson...

An original lithograph, exhibition poster on heavy cream Strathmore paper by American artist Robert Motherwell (1915-1992) titled "Greenwich Arts Council", 1976. Limited edition: 700...

Joan Mitchell Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972 Lithograph on wove paper 15 × 22 inches Limited Edition of 1000 (unnumbered) Printer: Maeght, Paris Unframed In 1972, the Carnegie Museum of Art in Pittsburgh, Pennsylvania exhibited paintings of Sam Francis, Joan Mitchell and Walasse Ting together. This Joan Mitchell print...

**FINAL MONTH OF THE ANNUAL 90 DAYS SALE FOR INVENTORY RENEWAL** **PRICED EXTRA LOW TO BE SOLD BY MARCH 31ST ONLY - TAKE ADVANTAGE OF IT** "America" is a unique eagle design by Maur...

In excellent condition from an edition of 50, this piece is beautifully framed in museum-quality materials. Al Held is best remembered for his large-scale paintings of bright, hard-e...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982: Rare Basquiat announcement card published by Annina Nosei Gallery to advertise the release of ‘Basquiat Anatomy’ (a suite ...

"Untitled" lithograph from Frakenthaler's What Red Lines Can Do Series. Signed and dated, with the numbers 55/9/75 on the lower front right. Color screen print on white arches handmade cold press paper. Helen Frankenthaler was born on December 12, 1928 in New York City, the daughter of a New York Supreme Court judge and a family of Jewish immigrants from Germany who emphasized culture and intellectual pursuits and continue to be active to this day such as through nephew, the artist and photographer Clifford...

Jasper Johns Vintage Poster (Hand Signed and Inscribed), 1971 Limited edition vintage poster. Hand signed, uniquely inscribed and dated 1977 in ink by Jasper Johns on the front. Fram...

JAMES ROSENQUIST Miles from America Screenprint in colors with pochoir on Arches paper, 1975 Signed and numbered and titled in pencil along lower edge Edition number AP 1/25 (asi...

Robert Natkin Intimate Lighting (Blue), 1974 Color lithograph on beige art paper (a unique proof, signed and inscribed to Natkin's printer) Hand signed and i...

Untitled XXVI Piero Dorazio, Italian (1927–2005) Date: 1970 Screenprint, signed and numbered in pencil Edition of 37/80 Size: 28.5 x 38.5 in. (72.39 x 97.79 cm) Printer: Erker Presse...

Robert Natkin Intimate Lighting, 1974 Silkscreen on Arches paper 27 × 38 inches Pencil signed, dated and numbered from the edition of 150 on the front Published by Chromacomp, Inc. ...

"Motherwell was the unofficial spokesman of the New York School, writing and editing a journal, and lecturing on behalf of the movement, his fellow artists, and the merits of abstrac...

ROBERT MOTHERWELL (1915-1991) A leading exponent of American abstract expressionism, Robert Motherwell has served as a vital spokesman for the avant-garde of the mid-twentieth centur...

The artwork images you see above - Title: "Pro-1945". It is a giclee limited edition print from one of my original digital drawings, printed on 300gms Hot Press Watercolor Paper with...

HELEN FRANKENTHALER (1928-2011) Considered one of the most widely known female artist in the world, Frankenthaler emerged in the 1950s under the influence of Jackson Pollock and Will...

1982-84 Hunter College, New York (M.F.A.) 1978-80 School of Visual Arts, New York 1973-77 Bezalel Academy of Art, Jerusalem (B.F.A.) American, born in Romania Lives and works in New York City Solo Exhibitions 2008 Michael Steinberg Fine Art, New York 2006 Galeria Joan Prats, Barcelona 2005 Karpio + Facchini Gallery, Miami Jacob Karpio Galeria, San Jose (Costa Rica) 2004 Michael Steinberg Fine Art, New York 2001 Marella Arte Contemporanea, Milan 2000 Von Lintel & Nusser, New York Galerie Von Lintel & Nusser, Munich 1998 Galerie Thomas von Lintel, Munich 1997 Galerie des Archives, Paris 1995 Galerie Samuel Lallouz, Montreal L.A. Louver, Los Angeles 1994 Marc Jancou Gallery, London Galerie des Archives, Paris 1993 Galerie Barbara Farber, Amsterdam Real Art Ways, Hartford (Connecticut) 1992 Tom Cugliani Gallery, New York Galerie Marc Jancou, Zurich Galerie des Archives, Paris 1989 Tom Cugliani Gallery, New York Galerie Barbara Farber, Amsterdam Studied at bezalel from 1973 to 1977. And it was a very fascinating time because it was a highly conceptually based school. Very much influenced by Joseph Beuys, and European Conceptualism, I didn’t really like the atmosphere there that much, because it was dominated by male painters like Jörg Immendorf, Marcus Lupertz, and a few others. then came to New York to study at SVA for two years. New York in 1978 was exciting. I was very lucky to be in a class that was full of very bubbly and very energetic artists like Keith Haring, Kenny Scharf, Tim Rollins, Moira Dryer, Frank Holliday, and Tom Cugliani (who later became one of my dealers).The eighties were dominated largely by Neo-Expressionist paintings. There were Germans, such as Baselitz, Kiefer, Richter, Penck, and the Italians, Clemente, Chia, Cucchi, Palladino as well as Schnabel, Fischl, Basquiat, Salle, and many others, but all of their paintings were figuratively based. But below the popular consent, there was a group of painters who were working more in the vein of what Stephen Westfall referred to as “Neo-Surrealism,” including George Condo, Jeffrey Wasserman, Kenneth Scharf, David Humphrey. However, I felt that Carroll Dunham and you were the only two painters who seemed to be less interested in the kind of narrative, lyrical, or let’s say, stationary composition. He belongs to the generation of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we’re looking back to the mid-eighties, we have to include New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a kind of condensation and compression, in relationship, lets say, to cartoon imagery. There are artists like Jeff Koons, or even Damien Hirst who took the Duchampian aspect and brought it into the continuity of his readymade. But for me, I see no difference between the crack in “Large Glass” and the drips in Jackson Pollock’s paintings. There was something that I felt in my own equation of the continuity between Paul Klee, Duchamp, Picabia, and, oddly enough, Clyfford Still. What essentially is important is how different artists carry on a dialogue among themselves so that they can all keep their work vital. Whether from the abstract paintings of Richmond Burton, Fabian Marcaccio extending the borders of his paintings on to the wall, or Cady Noland’s early scattered installation, my own pre-occupation with machinery, urban environment, and the Duchampian models has always materialized in relationship to other forms of art making. Selected Group Exhibitions: 2014 Drawing on Difference: An Ambition by Saul Ostrow and Lidija Slavkovic, Studio Vendome Gallery, New York. 2013 Drawing on Habit: An Ambition by Saul Ostrow and Lidija Slavkovic, South Carlton Beach and The Betsy-South Beach Exhibition Programs, Art Basel, Miami Beach. 2013 Imprinted Pictures: Lydia Dona...

Sam Francis was strongly influenced by the work of the 'American' abstract expressionists such as Mark Rothko, Arshile Gorky and Clyfford Still, although his production would later b...

A limited edition 2011 silkscreen print by Salvador Corratgé for the Juan March Foundation based on an artwork first created in 1968. 22 out of ed...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of abstract painters that radically defined Modern painting in Ameri...

Artist: Helen Frankenthaler (after), American (1928 - 2011) Title: Live from Lincoln Center, 20th Year (Eve) Year: 1995 Medium: Lithograph Poster, signed in the plate Size: 48 in. x ...

Villa Neuve is an original limited edition lithograph printed using hand lithography techniques on archival printmaking paper 100% acid free. Villa Neuve i...

Hand painted finishing with original paints on backgrounds and most highlight details of the painting. Limited Edition on canvas stretched over a wooden frame at the back. Hand pain...

CORITA KENT (Sister Mary Corita) 1918–1986 WORKING ON IT INCESSANTLY, ca. 1970 Color serigraph. Signed and numbered in ink 200/. In generally good condition. Image 22 3/8 x 11 1/2, sheet 23 x 12 1/4 inches. Provenance: Marjorie Kauffman Graphics on original period label. Sister Corita is highly important in the development of modern use of serigraphy with highly charged social and political content expressed in strong colors and dynamic composition. She often made biblical and well as literary references as a major part of the composition. She taught printmaking at Immaculate Heart...

Artist: Kazuo Shiraga Title: Passionate Winner Year: 1988 Medium: Silkscreen, signed and numbered in pencil Edition: 300 Image: 21.75 x 28.25 inches Paper Size: 27 x 35 inches

This work is from the edition of 3000 printed by Simca Print Artists, Inc., New York and published by Brooke Alexander Editions, New York as a catalog cover for Jasper Johns Screenprints. Cross...

With a title translating to "busyness", this dynamic lithograph by Jean Dubuffet features a largely naive and abstract composition. This signed and numbered print is peppered with st...

After a few years of paintings related with the Surrealism, first, and then with povera art, in the mid-1960s Tàpies' production approaches to reality and takes from it motifs that h...

"CC-3" Abstract Expressionist Monotype in Ink on Paper Bright and high-contract monotype by Frans Horbach (Dutch, b. 1947). Patches and swirls of bright pastel color are juxtaposed against two dark black patches. This piece is comprised of blue, pink, and green layers, overlapping in ways that great a glowing effect in some areas. Signed "F Horbach" with artist's chop in the lower right corner Titled "CC-3" in the lower left corner. Gallery tag on verso. Paper size: 41.25"H x 29.25"W Plate impression size: 25"H x 25"W Shipped rolled in a tube. Frans Horbach (Dutch, b. 1947) is an Amsterdam based artist who has exhibited in The Netherlands, France and the United States. He holds a Bachelor of Arts & Architecture degree from the University of California at Berkeley. Horbach’s father was a country physician who worked out of their family home, and his mother was a primary school teacher. After finishing secondary school, Horbach went to the port of Rotterdam and managed to get a job on a freighter bound for South America. He worked on different ships and visited places in Brazil, Argentine, Uruquay, as well as New York for the first time while working on the passenger liner 'Statendam'. Two years later Hornbach emigrated to America at 19 years old. He lived in Silicon Valley, south of San Francisco, working different odd jobs during the day and studying at night. Horbach traveled throughout Mexico and Peru, staying in Mexico to study art and cultural anthropology at the Universidad de las Americas. After returning to California, Horbach studied art and architecture at the University of California in Berkeley. He traveled to some of the Native American Indian reservations in the south-western states of America, including the Navajo, Hopi, Puebla and Zuni tribes in Arizona and New Mexico, continuing into Mexico, into the Sierra Madre mountains, the remote highlands of Nayarit, home of the Huichol Indians. After receiving graduating from Berkeley, he made a long journey to India, to the Himalayas, traveling overland through Turkey, Iran, Afganisthan, Pakistan and Nepal. These extensive travels have influenced Horbachs style, learning from experts, artisans, craftsmen, and citizens that he met along the way. He now lives and works in the Jordaan neighborhood in Amsterdam, and is married to Veronica Nahmias, a Romanian-born artist and children's book illustrator. Selected Exhibitions: Casa Luna Artspace,'Intersections', Amsterdam NL Kunst aan Zee,'Ruimte en Verbeelding', Muiderberg NL Nassau Ateliers,'Staatsgeheimen', Amsterdam NL Orange-Water-3,'Reflection of Origin' NIA, Athene, Greece Orange-Water Contemporary, 'Fatamorgana', Santorini Arts Factory, Santorini, Greece Casa Luna Artspace, 'Vision in Sight 5', Amsterdam NL Galerie Clement, Inside-Outside, Amsterdam NL Casa Luna Artspace, 'Vision in Sight 4', Amsterdam NL Galerie De Ploegh, 'Op Reis', Soest NL Galerie Clement, Ruimte & Verbeelding, Amsterdam NL Arti et Amicitiae, De Salon, Amsterdam NL De Kring, Contemplatie (en) Ruimte, Amsterdam NL Edifor galerie, Un géométrie d'espace, Paris, France Triade Foundation, Timisoara, Romania Art Museum Timisoara, Mnemosyning, Timisoara, Romania Edifor galerie, L'art d'être européen, Paris, France Arttra galerie, Amsterdam NL Arti et Amicitiae, De Salon, Amsterdam NL SBK Amsterdam KNSM, Van Beeld tot Beeld, Amsterdam NL Casa Luna Winterexpositie, Amsterdam NL SBK Amsterdam KNSM, Nader Bekeken, Amsterdam NL Casa Luna, Vision in Sight 3, Amsterdam NL Gutenberg Museum - Pavilion, Mainz, Germany Fetterly House for the Arts, Faultlines, Vallejo, California USA Singer Museum/Printshop, Grafiek Nu, Laren NL Casa Luna, Vision in Sight 2, Amsterdam NL Judith Litvich Fine Arts, San Francisco USA Casa Luna, Vision in Sight, Amsterdam NL Singer Museum/Printshop, Grafiek Nu, Laren NL Arti et Amicitiae, Copy Culture, Amsterdam NL Galerie Nanky de Vreeze, Ahrend-Meinema, Amsterdam NL Erickson & Elin Fine Art, San Francisco, USA Hewlett-Packard Kunstruimte, Amstelveen NL Smith Andersen Gallery, Palo Alto, California, USA Erickson & Elin Fine Art, San Francisco, USA Galerie Hof Renoir, Driest, Belgium Europe Art, Vondelkerk, Amsterdam NL Joy Tash Gallery, Scottsdale, Arizona, USA Galerie Binnenland, Amsterdam NL Galerie Biervliet, Amsterdam NL Galerie BMW Hochhause, Begegnung mit der Niederlanden, München, Germany Erickson & Elin Fine Art, San Francisco, USA Lyudmila Zhivkova Art Foundation, CODA: Contemporary Dutch prints...

Artist: Sergio Gonzales-Tornero (1927) Title: Wolf Year: Circa 1970 Medium: Offset Lithograph on Arches paper Size: 30 x 22 inches Condition: Excellent Inscription: Unsigned SERGIO ...

Artist: Jasper Johns (1930) Title: Cup 2 Picasso (Sparks 113; Field 168; ULAE 123) Year: 1973 Medium: Color lithograph on wove paper Edition: 1,500 Size: 14 x 10.5 inches Inscription: Signed & dated with the artist's plate-signed signature. Condition: Excellent Notes: This image, as well as a companion print Cups 4 Picasso, is based on Marcel Duchamp’s 1958 collage Self-Portrait in Profile. Printed by Bill Goldston and James V...

ArtWork is lambda c-printed on dibond. ; museum quality, ready to hang. Edition 8 plus 2 AP's. Artwork comes with an international certificate of authenticity, signed by the arti...

Artist: (after) Helen Frankenthaler (1928-2011) Title: "Rose Art Museum (Open Wall)" Year: 1981 Medium: Original Offset-Lithograph, Exhibition Poster on light wove paper Limited edit...

Signed and titled in pencil by the artist; Annotated: "E130 A/1" in pencil lower right Estate stamp verso Edition: 20 Provenance: Estate of the Artist (Foundation sta...

This is a more narrative piece, not to point to a certain theme or subject matter but to play with the element of detail and variation in an imaginary setting. I chose black and whit...

The paintings produced by Tàpies, later in the 1970s and in the 1980s, reveal his application of this aesthetic of meditative emptiness, for example in spray-painted canvases with li...

A fine colorful limited edition printer’s proof lithograph by well known American artist Alice Neel (1900-1984). Neel was born in Marion Square, Pennsylvania, studied at the Philadel...

After a few years of paintings related with the Surrealism, first, and then with povera art, in the mid-1960s Tàpies' production approaches to a gestual expresionism and the by a spe...

Museum Archival Limited Edition of 10 : Summer Night 2022 This painting is a very sizeable Limited Edition, which brings impact to your space with a touch of abstraction, Edition of 10 only. - Edition made on Pro-Fujifilm 250 gsm Museum Archival paper. - finishing with signature and numbered by Shizico Yi...

Adolph Gottlieb Flying Lines, 1967 color silkscreen Edition of 75 30 x 22 inches Gottlieb first began experimenting with printing when he refashioned a skirt pleating press into a ...

Squash is a 1991 serigraph printed by Donald Sultan from a larger series entitled, "Fruits and Flowers". Donald Sultan created the eight piece portfolio "Fruits and Flowers" between ...

Edition: 36/50

Robert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...

This artwork titled "Asbury Park II" 1992 is an original color lithograph on Wove paper by noted American abstract expressionist artist, Michael Rubin, bor...

Adolph GOTTLIEB Chrome Green, 1972 screenprint, AP aside from the edition of 150 35 x 28 in.

Adolph Gottlieb Rosy Mood, 1967 Color silkscreen, ed. of 75 25 x 19 inches

Lithograph in colors on paper. Hand signed and numbered in pencil. From the edition of 100. Artwork is in excellent condition. Certificate of Authenticity included. All reasonabl...

Jim Dine Robe in Furnace Original etching in colors on copperplate deluxe paper From the rare, limited edition impression 4 of 31 Hand signed by artist and numbered Image Size 27...

Caviar20 is pleased to be offering this exceptional example of Frank Stella's work, an important output from his crucial debut year as a printmaker. Working at Gemini G.E.L. (one o...

Yehoshua Kovarsky 1907-1967 Kovarsky was born in the city of Vilna, Lithuania to a traditional Jewish family. His father and uncle owned a concession for painting railroad stations...

Hand signed and numbered in pencil. Edition of CCC. Artwork is in excellent condition. Additional images are available upon request. Certificate of Authenticity is included. Pleas...

Beautiful abstract expressionist intaglio color engraving by French artist, Pierre Courtin (b.1921-2012). Reims, 1959. Plate measures 7.5 x 17.5 inches; 15.25 x 26.5 inches in original painted wood frame. Edition of 4. Labels en verso. Print is in excellent condition with no damage or restoration. The print has a deep relief and three-dimensional, sculptural quality. French printmaker and painter, Pierre Louis Maurice Courtin was born in Rebréchieu, Loiret, France on January 20, 1921. From 1939 to 1942, Courtin studied at the École des Beaux-Arts in Orléans with the French illustrator Louis-Joseph Soulas, and in 1941 he exhibited at the Salon de l’Imagerie, Musée Galleria in Orléans. In 1942 Courtin entered the École des Beaux-Arts in Paris and the following year the École des Arts Décoratifs, where he remained for only two weeks. He then studied at the Académie Julian and in the studio of André Lhote and attended the Académie Ranson in 1944. Courtin had his first exhibition of prints at the Galerie Guiot in Paris in 1944 and the following year exhibited with the group Jeune Gravure Contemporaine, of which he was a member from 1946 to 1956. In 1946 he exhibited in the Salon d’Automne and two years later his work was included for the first time in the Venice Biennale. In 1945 Courtin illustrated William Faulkner’s As I Lay Dying...

Sir Anish Mikhail Kapoor is a British-Indian sculptor specializing in installation and conceptual art, world-renowned and recognized. His large sculptu...

This is a unique form of monoprint formed by a non-traditional printing process. A large piece of linen was placed on the ground and then painted with warm rabbit skin glue as in the...