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Style: Abstract Expressionist
Abstract Expressionist Lithograph for the Carnegie Museum of Art, Lt Ed. of 1000
Located in New York, NY
Joan Mitchell Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972 Lithograph on wove paper 15 × 22 inches Limited Edition of 1000 (unnumbered) Printer: Maeght...
Category

1970s Abstract Expressionist More Prints

Materials

Lithograph

Elegy, September 11, 2001, screenprint, signed/N, Framed abstract expressionist
Located in New York, NY
Jules Olitski Elegy, September 11, 2001, 2002 Silkscreen on wove paper Edition 103/108 Signed, titled and numbered in graphite pencil 103/108 on the front Framed Jules Olitski is hon...
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1980s Abstract Expressionist More Prints

Materials

Screen

Adolph Gottlieb, rare exhibition print for Guild Hall in Easthampton, NY, Framed
Located in New York, NY
Adolph Gottlieb Guild Hall is for Everyone, 1970 Rare Abstract Expressionist Offset Lithograph poster Vintage metal Frame included Rare vintage, limited edition, offset lithograph ...
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1970s Abstract Expressionist More Prints

Materials

Lithograph, Offset

Cleve Gray Abstract Expressionist color band - rare silkscreen signed & numbered
Located in New York, NY
Cleve Gray Untitled, 1970 Silkscreen Boldly signed and numbered 32/100 in graphite pencil by Cleve Gray on the front 30 × 22 1/2 inches Signed and numbered 32/100 by artist on the fr...
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1970s Abstract Expressionist More Prints

Materials

Screen

The Darker Palette print, Hand signed twice and inscribed by Helen Frankenthaler
Located in New York, NY
Helen Frankenthaler (after) Frankenthaler: The Darker Palette (autographed and inscribed), 1998 Offset Lithograph print 42 × 35 in hand signed "Frankenthaler" lower left; inscribed a...
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1990s Abstract Expressionist More Prints

Materials

Offset, Lithograph

Original California Wine Country vintage wine and travel poster
Located in Spokane, WA
Original California Wine Country vintage poster by Earl Thollander. Archival linen backed in very fine condition, ready to frame. Earl Thollander was an American artist, illustr...
Category

1970s Abstract Expressionist More Prints

Materials

Offset

Warriors
Located in New York, NY
A very good impression of this color engraving, soft-ground etching and scorper on Johannot paper. Artist's proof, aside from the edition of 200. Signed, dated and titled in pencil, ...
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1950s Abstract Expressionist More Prints

Materials

Color, Engraving, Etching

A Paintings Retrospective: vintage LACMA Museum poster depicting her 1963 work
Located in New York, NY
Helen Frankenthaler (after) A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & Unnumbered) 37 × 25 inches Unframed This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA) Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
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1990s Abstract Expressionist More Prints

Materials

Offset, Lithograph

Beacon
Located in New York, NY
A very good impression of this color lithograph on Arches. Signed, dated and numbered 14/100 in pencil by Gottlieb. Published by Marlborough Graphics, Inc., New York. Catalogue refe...
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1960s Abstract Expressionist More Prints

Materials

Color, Lithograph

Pierre Soulages - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Pierre Soulages - Original Lithograph Published in the deluxe art review "XXe siècle" 1970 Unsigned as published Dimensions: 32 x 24 cm Pierre Soulages or the "painter of black" as ...
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1970s Abstract Expressionist More Prints

Materials

Lithograph

Group of 4 lithographs
Located in New York, NY
Group contains "Untitled #2," "Untitled #4", "Untitled #5" and "Untitled #6." Each printed on Hahnemühle German etching paper. One initialed, dated and numbered 37/42 in pencil and t...
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1990s Abstract Expressionist More Prints

Materials

Lithograph

Black Sun
Located in New York, NY
A very good impression of this color lithograph with Chine applique. One of ten Roman numeral artist's proofs, aside from the edition of 50. Signed and numbered IX/X in pencil by Mot...
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1980s Abstract Expressionist More Prints

Materials

Color, Lithograph

Untitled (Two Figures)
Located in New York, NY
A very good impression of this scarce offset lithograph on cream wove paper. Artist's proof, aside from the edition of 100. Signed in ink, lower right, and inscribed "A/P" in pencil,...
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1970s Abstract Expressionist More Prints

Materials

Lithograph, Offset

Spring Run XVI
Located in New York, NY
Vivid color monotype by American Abstract Expressionist artist Helen Frankenthaler, signed by the artist in pencil, lower right. Printed and published in collaboration with Tyler Graphics...
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Late 20th Century Abstract Expressionist More Prints

Materials

Monotype

Original 24 Hours du Le Mans vintage auto racing poster 1978
Located in Spokane, WA
Original vintage poster: 24 Heures du Mans; 10-11 Juni 1978; Automobile Club De L'Ouest. Artist: Lardrot. Linen backed French vintage automotive racing poster. Event: 24 Heu...
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1970s Abstract Expressionist More Prints

Materials

Offset

5745, for the Jewish Museum original signed/n abstract expressionist screenprint
Located in New York, NY
Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 30 1/4 × 40 1/2 inches Unframed Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves. Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs. Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas. Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall. By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production. Nancy Graves’ pioneering art...
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1980s Abstract Expressionist More Prints

Materials

Graphite, Screen

Sonata
Located in New York, NY
A very good, richly-inked impression of this color screenprint on Japon nacré. The deluxe, Roman numeral edition of 60 on Japon nacré, aside from the regular edition of 100. Signed a...
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1970s Abstract Expressionist More Prints

Materials

Color, Screen

Lt Ed. Lithograph from the Deluxe (Hand Signed) 1984 Olympic Committee portfolio
Located in New York, NY
Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...
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1980s Abstract Expressionist More Prints

Materials

Pencil, Lithograph, Offset

Jean Miotte - Abstract Composition - Original Aquatint Engraving
Located in Collonge Bellerive, Geneve, CH
Jean Miotte - Rare Original Aquatint Engraving Title: Abstract Composition Dimensions: 76 x 56 cm Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War...
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1970s Abstract Expressionist More Prints

Materials

Aquatint

Poems by Frank O'Hara
Located in New York, NY
Impressive portfolio with 17 lithographs on Japanese Kitakata appliqué with de Kooning's authorized facsimile signature and numbered "23" in pencil on the justification page. Publish...
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1980s Abstract Expressionist More Prints

Materials

Lithograph

Plaza Real
Located in New York, NY
A very good impression of this color soft-ground etching, etching and aquatint on White Rives BFK paper. Signed, dated and numbered 55/60 in pencil, lower margin. Printed and publish...
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1980s Abstract Expressionist More Prints

Materials

Color, Etching, Aquatint

Mediterranean Light
Located in London, GB
Lithograph on white Tyler Graphics Ltd. (TGL) handmade paper 32 1/2 x 76 in. (82.6 x 193 cm) Edition of 40
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1990s Abstract Expressionist More Prints

Materials

Color, Lithograph

Sam Francis, Abstract Expressionist lithograph, signed/N from Wolf Kahn Estate
Located in New York, NY
SAM FRANCIS Affiche Moderna Museet Stockholm (Catalogue Raisonne Lembark-16, p.66), 1960 Color lithograph on Rives BFK Paper with deckled edges Pencil signed lower right of center; n...
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1960s Abstract Expressionist More Prints

Materials

Lithograph

Original "La Marseillaise" vintage cruise ship poster. Mediterranean God
Located in Spokane, WA
Origiinal French poster: La Marseillaise (English) Messangeries Maritimes. Serves the Mediterranean original vintage European travel poster....
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1950s Abstract Expressionist More Prints

Materials

Lithograph

Oiseau Entre deux Astres
Located in New York, NY
A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...
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1960s Abstract Expressionist More Prints

Materials

Color, Etching, Aquatint

Game of Chance
Located in London, GB
88.3 x 69.9 cms (34.7 x 27.51 ins) Edition of 100
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1980s Abstract Expressionist More Prints

Materials

Mixed Media, Color, Aquatint, Lithograph

The Preacher
Located in New York, NY
A very good impression of this scarce lithograph on Arches buff paper. Signed, dated and numbered 17/60 in pencil by de Kooning. Printed by Hollander's Workshop, Inc., New York. Co-p...
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1970s Abstract Expressionist More Prints

Materials

Lithograph

Deadpan Pink - Monoprint EV on Paper
Located in Soquel, CA
Deadpan Pink - Monoprint EV on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C). Heavily textured in hues...
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1990s Abstract Expressionist More Prints

Materials

Paper, Monotype

Valentine
Located in New York, NY
Lithograph on Suzuki paper. Signed, dated and numbered 38/47 in pencil by de Kooning. Printed by Hollanders Workshop, New York. Published by Knoedler, New York.
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1970s Abstract Expressionist More Prints

Materials

Lithograph

Untitled III
Located in Kansas City, MO
Stephan Küthe Untitled III Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 15 Size: 13.0 × 19.5 on 18.3 × 23.8 inches ...
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2010s Abstract Expressionist More Prints

Materials

Giclée

Original Les Artistes Decorateurs et le Tourisme French vintage poster
Located in Spokane, WA
Original vintage poster “Les artistes décorateurs et le tourisme” at the Grand Palais in Paris. Artist: Jean Colin Full lithograph printed in 1953 by Mourlot, Paris. No paper...
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1950s Abstract Expressionist More Prints

Materials

Lithograph

Spanish Post Modern Abstract Aquatint Color Etching Antoni Tapies
Located in Surfside, FL
Antoni Tapies (Spanish, 1923-2012) Color Etching, aquatint and polychrome carborundum print Estisores-2, c. 1979 Hand signed and numbered 31/75 in pencil in the lower margin, publi...
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1970s Abstract Expressionist More Prints

Materials

Etching, Aquatint

The Basque Suite #6
Located in New York, NY
A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 96/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlborou...
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1970s Abstract Expressionist More Prints

Materials

Color, Screen

Delos
Located in New York, NY
A very good impression of this color lithograph on TGL handmade paper. Initialed and numbered 6/40 in pencil. Printed and published by Tyler Graphics, Ltd., Mount Kisco, with the bli...
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1990s Abstract Expressionist More Prints

Materials

Handmade Paper, Color, Lithograph

Untitled (SF-297)
Located in New York, NY
A very good impression of this color lithograph on Rives. Signed and numbered 4/50 in pencil by Francis. Printed and published by The Litho Shop, Inc., Santa Monica, with the blind s...
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1980s Abstract Expressionist More Prints

Materials

Color, Lithograph

Atelier Mourlot Bank Street by Joan Miro - colorful abstract original lithograph
Located in New York, NY
This colorful abstract original lithograph was printed in 1967 at the Atelier Mourlot in NYC. When The Mourlot Studio decided to open a branch in New York City, after a successful ex...
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1960s Abstract Expressionist More Prints

Materials

Lithograph

Signs
Located in New York, NY
A very good impression of this scarce color screenprint on white wove paper. Signed, dated and numbered 44/75 in pencil. Published by Marlborough Graphics, Inc., New York.
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1960s Abstract Expressionist More Prints

Materials

Color, Screen

Study, after An Election by William Hogarth
Located in New York, NY
A very good impression of this color lithograph on light gray Rives BFK. It is signed, dated and numbered 119/120 in pencil by Brown. Printed and published by Gemini, G.E.L., Los Ang...
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Early 2000s Abstract Expressionist More Prints

Materials

Color, Lithograph

Oracle: Study for Clairvoyant
Located in New York, NY
Seymour Lipton Oracle: Study for Clairvoyant, 1969 Lithograph on wove paper 24 1/2 × 18 inches Pencil signed "Lipton" lower right recto Pencil numbered 44/100, lower left recto pencil titled and dated, verso Unframed Uncommon mid century modern pencil signed and numbered lithograph by renowned abstract expressionist sculptor Seymour Lipton. "Study for Clairvoyant", also known as "Oracle", is a study for a famous monumental modernist masterpiece by Lipton. Other editions of this lithograph are in major collections such as that of the Brooklyn Museum. Rarely to market. Provenance: Swann Galleries
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1960s Abstract Expressionist More Prints

Materials

Lithograph

Chrome Green
Located in New York, NY
A very good impression of this color screenprint on Arches. Signed, dated and numbered 125/150 in pencil by Gottlieb. Printed by Kelpra Studio, London, with the ink stamp verso. Publ...
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1970s Abstract Expressionist More Prints

Materials

Color, Screen

Untitled (Litho #7)
Located in New York, NY
A very good impression of this scarce and early lithograph on Arches. Edition of 50. Printed at Hollander's Workshop, Inc., New York, with the blind stamp lower right. Provenance: ...
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1960s Abstract Expressionist More Prints

Materials

Lithograph

Untitled
Located in New York, NY
A very good impression of this scarce color lithograph on Rives BFK. Signed and numbered 13/50 in pencil by Francis. Published by Editions Daniel Papierski, Paris. From "Papierski Po...
Category

1990s Abstract Expressionist More Prints

Materials

Color, Lithograph

Flurry
Located in New York, NY
A very good impression of this color screenprint on white wove paper. Signed, dated and numbered 74/75 in pencil by Gottlieb. Published by Marlborough Graphics, Inc., New York.
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1960s Abstract Expressionist More Prints

Materials

Color, Screen

Mod Abstract Expressionist Modernist Lithograph Edward Avedisian Color Field Art
Located in Surfside, FL
Edward Avedisian (1936-2007) Green Gold, 1969 Lithograph in color on Arches wove paper. Hand signed, dated and numbered in pencil. Edition 100 Dimensions: 22.25 inches X 30.25 inch...
Category

1960s Abstract Expressionist More Prints

Materials

Lithograph

Untitled
Located in Barcelona, BARCELONA
The painting is being offered with a work and authenticity certificate
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1990s Abstract Expressionist More Prints

Materials

Lithograph

Summer Sign
Located in London, GB
Carborundum on Whatman paper Edition of 38 84.1 x 78.7 cms (33 1/8 x 31 ins)
Category

1990s Abstract Expressionist More Prints

Materials

Color

Emil Schumacher Limited Edition Serigraph Terraraph Print Abstract Art Informel
Located in Surfside, FL
Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...
Category

20th Century Abstract Expressionist More Prints

Materials

Screen

Jean Miotte - Abstract Composition - Original Signed Lithograph
Located in Collonge Bellerive, Geneve, CH
Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 98/150 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came ...
Category

1970s Abstract Expressionist More Prints

Materials

Aquatint

Dance III (Red)
Located in New York, NY
A very good impression of this color aquatint on J. B. Green paper. Signed and numbered 5/50 in pencil by Motherwell. Printed by Catherine Mousley in the artist's studio, Greenwich, ...
Category

1970s Abstract Expressionist More Prints

Materials

Color, Aquatint

Untitled (Infinity Field--Lefkada Series)
Located in New York, NY
A very good impression of this color screenprint on white wove paper. Artist's proof, aside from the edition of 75. Signed and inscribed "A.P." in pencil by Stamos. Printed by Kelpra...
Category

1970s Abstract Expressionist More Prints

Materials

Color, Screen

Emil Schumacher Limited Edition Serigraph Terraraph Print Abstract Art Informel
Located in Surfside, FL
Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...
Category

20th Century Abstract Expressionist More Prints

Materials

Screen

Emil Schumacher Limited Edition Serigraph Terraraph Print Abstract Art Informel
Located in Surfside, FL
Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...
Category

20th Century Abstract Expressionist More Prints

Materials

Screen

Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...
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1990s Abstract Expressionist More Prints

Materials

Etching, Aquatint

John Link (American, b.1942) "Untitled" Limited Edition Lithograph c.1973
By John Link
Located in San Francisco, CA
John Link (American, b.1942) "Untitled" Limited Edition Lithograph c.1973 Rare mid 20th century lithograph by noted American artist John Link. The lithograph shows an area of illegible text surrounded by a block of black dots. Art dimensions 16" x 20". The hand made paper measures 24" x 32". Pencil signed and numbered by the artist. Number 32 out of 60. Very good condition. Comes unframed. John Link studied at the University of Oklahoma. Exhibitions include: Joslyn Biennale; Oklahoma Art...
Category

Mid-20th Century Abstract Expressionist More Prints

Materials

Lithograph

Untitled (Infinity Field—Lefkada Series)
Located in New York, NY
A very good impression of this color screenprint on white wove paper. Artist's proof, aside from the edition of 75. Signed and inscribed "color trial proof." Printed by Kelpra Studio...
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1970s Abstract Expressionist More Prints

Materials

Color, Screen

Emil Schumacher Limited Edition Serigraph Terraraph Print Abstract Art Informel
Located in Surfside, FL
Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...
Category

20th Century Abstract Expressionist More Prints

Materials

Screen

Seeing Voice Welsh Heart
Located in New York, NY
A very good impression of this color lithograph on Rives BFK. Signed and numbered 30/40 in pencil. Printed by Mourlot, Paris. Published by Galerie Karl Flinker, Paris. From the same-...
Category

1960s Abstract Expressionist More Prints

Materials

Color, Lithograph

Henri Michaux - Beach - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Henri Michaux - Beach - Original Lithograph 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued
Category

1950s Abstract Expressionist More Prints

Materials

Lithograph

Primal Sign VI (Moss)
Located in New York, NY
A very good impression of this color aquatint and lift-ground etching on Arches cover paper. Initialed and numbered 3/32 in pencil by Motherwell. Printed by Catherine Mosley at the a...
Category

1980s Abstract Expressionist More Prints

Materials

Color, Etching, Aquatint

Concord
Located in New York, NY
A very good impression of this color screenprint on white wove paper. Signed, dated and numbered 83/200 in pencil. Printed by Styria Studio, Inc., New York, with the blind stamp lowe...
Category

1970s Abstract Expressionist More Prints

Materials

Color, Screen

Abstract Expressionist more prints for sale on 1stDibs.

Find a wide variety of authentic Abstract Expressionist more prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add more prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, pink, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Robert Motherwell, Sam Francis, André Lanskoy, and Mauro Oliveira. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Abstract Expressionist more prints, so small editions measuring 6 inches across are also available. Prices for more prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $167 and tops out at $90,000, while the average work sells for $2,041.

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