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Pat Steir Art

American, b. 1938

Pat Steir is an American painter and printmaker. Her early work was loosely associated with Conceptual art and Minimalism; however, she is best known for her abstract dripped, splashed and poured “Waterfall” paintings, which she started in the 1980s, and for her later site-specific wall drawings.

Steir has had retrospectives and exhibitions all over the world, including the Tate Gallery in London, and shows at the Brooklyn Museum and the New Museum of Contemporary Art that traveled throughout Europe. She has won numerous awards for her work, and is thoroughly represented in major museum collections in the United States and abroad, including the Metropolitan Museum of Art and the Museum of Modern Art in New York City and the Tate Gallery. Steir is a founding board member of Printed Matter bookshop in New York City, and of the landmark feminist journal, Heresies, first published in 1977. She has also taught art at Parsons School of Design, Princeton University and Hunter College. She has lived and worked primarily in New York City as an adult. As of September, 2016, Steir is represented by Lévy Gorvy in New York and London.

Steir was born Iris Patricia Sukoneck in 1940 in Newark, New Jersey. She attended the Pratt Institute in New York (1956–1958), where she was influenced by her teachers Richard Lindner and Philip Guston, and Boston University College of Fine Arts (1958–1960). Steir returned to Pratt and earned a BFA degree in 1962.

In 1962, the year she graduated from art school, Steir was included in a group show at the High Museum of Art in Atlanta, Georgia. In 1964, her work was in a show called “Drawings” at the Museum of Modern Art in New York. Her first one-person exhibition was at the Terry Dintenfass Gallery, New York, in 1964. During that time, she worked in New York as an illustrator and a book designer (1962–1966). Between 1966–1969, Steir was an art director at Harper & Row publishing company, New York. Around 1970 she became friends with Sol LeWitt, Lawrence Weiner and other Conceptual artists, and she made the first of many trips to New Mexico to visit Agnes Martin.

Steir's first museum exhibition, in 1973 at the Corcoran Gallery of Art, Washington, D.C., marked the beginning of a career dense with painting exhibitions. She has also made installation work (shown at Documenta IX, Kassel, Germany, in 1992) and is an important printmaker. Crown Point Press began publishing her prints in 1977 and in 1983 the Spencer Museum of Art, University of Kansas, gave her a print and drawing exhibition. A retrospective of Steir’s prints at the Cabinet des Estampes in Geneva traveled to the Tate Gallery in London, England.

In the late 1980s, Steir became influenced by the artists John Cage and Agnes Martin and began producing dripped, splashed and poured works, embracing the element of chance. The artist relates this work to the 8th and 9th century Chinese Yipin "ink-splashing" painters, having studied ink splash in the harmony of nature and humanity, inspired by Tibetan philosophy. Wind and Water is an example of this phase of her work.

In 1989–92 Steir began limiting her colors to monochrome. In 1995, the monograph Pat Steir was published by the American art critic Thomas McEvilley, chronicling the artist's life work up to that point. In November 1999, Steir was the subject of an Art In America cover feature, "Watercourse Way," by critic G. Roger Denson, who wrote that Steir's lyrical waterfall paintings attest to her long-standing interest in Asian art and thought, particularly the ancient Chinese philosophy of Daoism, with Steir's literal and figurative motif embodying the flow of water (or in her case, paint) down a surface.

Steir has received many public honors for her work. She was the recipient of Individual Artist (1973) and Art in Public Institutions (1976) grants from the National Endowment for the Arts, and was awarded a Guggenheim Fellowship for Fine Arts in 1982.

Find original Pat Steir paintings, prints and other art on 1stDibs.

(Biography provided by Lions Gallery)

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Artist: Pat Steir
Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
By Pat Steir
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...
Category

1990s Abstract Expressionist Pat Steir Art

Materials

Etching, Aquatint

Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
By Pat Steir
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...
Category

1990s Abstract Expressionist Pat Steir Art

Materials

Etching, Aquatint

Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
By Pat Steir
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...
Category

1990s Abstract Expressionist Pat Steir Art

Materials

Etching, Aquatint

Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
By Pat Steir
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...
Category

1990s Abstract Expressionist Pat Steir Art

Materials

Etching, Aquatint

Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
By Pat Steir
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...
Category

1990s Abstract Expressionist Pat Steir Art

Materials

Etching, Aquatint

Limited Edition Monograph: Pat Steir (Hand signed and inscribed by Pat Steir)
By Pat Steir
Located in New York, NY
Pat Steir (Hand signed and inscribed by Pat Steir), 2014 Limited Edition clothbound hardback monograph with no dust jacket as issued (hand signed and inscribed to Nadine) Hand signed...
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2010s Abstract Pat Steir Art

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BREADFRUIT, 1983, screenprint on paper (A pink flower from a breadfruit tree)
By Pat Steir
Located in New York, NY
Color screen print on paper by the renowned American painter and printmaker, Pat Steir. This impression is hand signed and numbered from the edition of 144 plus 18 signed, Artist pro...
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1980s Minimalist Pat Steir Art

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Untitled #31
By Pat Steir
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Created in 2011, this Monoprint with hand-coloring on silkscreen is hand-signed by Pat Steir (Newark, 1940 - ) in pencil in the lower right margin. This is a unique and original wor...
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Radish
By Pat Steir
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1993 Etching with aquatint in colors, on Somerset paper Sheet: 54 x 29 3/4 inches Edition of 25, AP Signed, dated and numbered in pencil
Category

1990s Abstract Pat Steir Art

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Etching, Aquatint

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Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dripped, splashed and poured “Waterfall” paintings, which she started in the 1980s, and for her later site-specific wall drawings. Steir has had retrospectives and exhibitions all over the world, including the Tate Gallery in London, and shows at the Brooklyn Museum and the New Museum of Contemporary Art that traveled throughout Europe. She has won numerous awards for her work, and is thoroughly represented in major museum collections in the United States and abroad, including the Metropolitan Museum of Art and the Museum of Modern Art in New York City and the Tate Gallery. She is a founding board member of Printed Matter bookshop in New York City, and of the landmark feminist journal, Heresies, first published in 1977. 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Between 1966–1969, Steir was an art director at Harper & Row publishing company, New York. Around 1970 she became friends with Sol LeWitt, Lawrence Weiner, and other conceptual artists, and she made the first of many trips to New Mexico to visit Agnes Martin. Wind and Water, color soap ground aquatint with soap ground aquatint reversal, spit bite aquatint and drypoint, 1996. Steir's first museum exhibition, in 1973 at the Corcoran Gallery of Art, Washington, D.C., marks the beginning of a career dense with painting exhibitions. She has also made installation work (shown at Documenta IX, Kassel, Germany, in 1992) and is an important printmaker. Crown Point Press began publishing her prints in 1977 and in 1983 the Spencer Museum of Art, University of Kansas, gave her a print and drawing exhibition. A print retrospective at the Cabinet des Estampes in Geneva traveled to the Tate Gallery in London, England. 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Roger Denson, who wrote that Steir's lyrical waterfall paintings attest to her long-standing interest in Asian art and thought, particularly the ancient Chinese philosophy of Daoism, with Steir's literal and figurative motif embodying the flow of water (or in her case, paint) down a surface. Awards Steir has received many public honors for her work. She was the recipient of Individual Artist (1973) and Art in Public Institutions (1976) grants from the National Endowment for the Arts, and was awarded a Guggenheim Fellowship for Fine Arts in 1982. Both of her alma maters have recognized her: Pratt, with an Honorary Doctorate of Fine Art (1991) and a 2008 Alumni Achievement Award for “outstanding graduates who have distinguished themselves in their fields," and Boston University, with a Distinguished Alumni Award (2001). In 2016, Steir was elected a member of the American Academy of Arts and Letters. In 1972, Judy Chicago was invited by Miriam Schapiro to join forces in organizing the Feminist Art Program at the California Institute of the Arts. Art critics Lucy Lippard and Grace Glueck, along with artists Miriam Schapiro, Ellen Lanyon, and others, established East-West Bag, creating a network of women artists across the country. The Mary H. Dana Women Artists Series was initiated at the Mabel Smith Douglass Library at Rutgers University, giving much needed visibility early in their careers to many women artists, among them Joan Snyder, Pat Steir, Howardena Pindell...
Category

1990s Abstract Expressionist Pat Steir Art

Materials

Etching, Aquatint

Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
By Pat Steir
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dripped, splashed and poured “Waterfall” paintings, which she started in the 1980s, and for her later site-specific wall drawings. Steir has had retrospectives and exhibitions all over the world, including the Tate Gallery in London, and shows at the Brooklyn Museum and the New Museum of Contemporary Art that traveled throughout Europe. She has won numerous awards for her work, and is thoroughly represented in major museum collections in the United States and abroad, including the Metropolitan Museum of Art and the Museum of Modern Art in New York City and the Tate Gallery. She is a founding board member of Printed Matter bookshop in New York City, and of the landmark feminist journal, Heresies, first published in 1977. Steir has also taught art at Parsons School of Design, Princeton University and Hunter College. She has lived and worked primarily in New York City as an adult. As of September, 2016, Steir is represented by Lévy Gorvy in New York and London. Steir was born Iris Patricia Sukoneck in 1940 in Newark, New Jersey. She attended the Pratt Institute in New York (1956–1958), where she was influenced by her teachers Richard Lindner and Philip Guston, and Boston University College of Fine Arts (1958–1960). Steir returned to Pratt and earned a BFA degree in 1962. In 1962, the year she graduated from art school, Steir was included in a group show at the High Museum of Art in Atlanta, Georgia. In 1964, her work was in a show called “Drawings” at the Museum of Modern Art in New York. Her first one-person exhibition was at the Terry Dintenfass Gallery, New York, in 1964. During that time, she worked in New York as an illustrator and a book designer (1962–1966). Between 1966–1969, Steir was an art director at Harper & Row publishing company, New York. Around 1970 she became friends with Sol LeWitt, Lawrence Weiner, and other conceptual artists, and she made the first of many trips to New Mexico to visit Agnes Martin. Wind and Water, color soap ground aquatint with soap ground aquatint reversal, spit bite aquatint and drypoint, 1996. Steir's first museum exhibition, in 1973 at the Corcoran Gallery of Art, Washington, D.C., marks the beginning of a career dense with painting exhibitions. She has also made installation work (shown at Documenta IX, Kassel, Germany, in 1992) and is an important printmaker. Crown Point Press began publishing her prints in 1977 and in 1983 the Spencer Museum of Art, University of Kansas, gave her a print and drawing exhibition. A print retrospective at the Cabinet des Estampes in Geneva traveled to the Tate Gallery in London, England. Steir has had one-person painting exhibitions at the Brooklyn Museum in 1984 and the New Museum of Contemporary Art in New York in 1987, both of which traveled to other museums, many in Europe. In the late 1980s, Steir became influenced by the artists John Cage and Agnes Martin and began producing dripped, splashed and poured works, embracing the element of chance. The artist relates this work to the 8th and 9th century Chinese Yipin "ink-splashing" painters, having studied ink splash in the harmony of nature and humanity, inspired by Tibetan philosophy. Wind and Water is an example of this phase of her work. In 1989–92 Steir began limiting her colors to monochrome. In 1995, the monograph Pat Steir was published by the American art critic Thomas McEvilley, chronicling the artist's' life work up to that point. In November 1999, Steir was the subject of an Art In America cover feature, "Watercourse Way," by critic G. Roger Denson, who wrote that Steir's lyrical waterfall paintings attest to her long-standing interest in Asian art and thought, particularly the ancient Chinese philosophy of Daoism, with Steir's literal and figurative motif embodying the flow of water (or in her case, paint) down a surface. Awards Steir has received many public honors for her work. She was the recipient of Individual Artist (1973) and Art in Public Institutions (1976) grants from the National Endowment for the Arts, and was awarded a Guggenheim Fellowship for Fine Arts in 1982. Both of her alma maters have recognized her: Pratt, with an Honorary Doctorate of Fine Art (1991) and a 2008 Alumni Achievement Award for “outstanding graduates who have distinguished themselves in their fields," and Boston University, with a Distinguished Alumni Award (2001). In 2016, Steir was elected a member of the American Academy of Arts and Letters. 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Category

1990s Abstract Expressionist Pat Steir Art

Materials

Etching, Aquatint

Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
By Pat Steir
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dripped, splashed and poured “Waterfall” paintings, which she started in the 1980s, and for her later site-specific wall drawings. Steir has had retrospectives and exhibitions all over the world, including the Tate Gallery in London, and shows at the Brooklyn Museum and the New Museum of Contemporary Art that traveled throughout Europe. She has won numerous awards for her work, and is thoroughly represented in major museum collections in the United States and abroad, including the Metropolitan Museum of Art and the Museum of Modern Art in New York City and the Tate Gallery. She is a founding board member of Printed Matter bookshop in New York City, and of the landmark feminist journal, Heresies, first published in 1977. Steir has also taught art at Parsons School of Design, Princeton University and Hunter College. She has lived and worked primarily in New York City as an adult. As of September, 2016, Steir is represented by Lévy Gorvy in New York and London. Steir was born Iris Patricia Sukoneck in 1940 in Newark, New Jersey. She attended the Pratt Institute in New York (1956–1958), where she was influenced by her teachers Richard Lindner and Philip Guston, and Boston University College of Fine Arts (1958–1960). Steir returned to Pratt and earned a BFA degree in 1962. In 1962, the year she graduated from art school, Steir was included in a group show at the High Museum of Art in Atlanta, Georgia. In 1964, her work was in a show called “Drawings” at the Museum of Modern Art in New York. Her first one-person exhibition was at the Terry Dintenfass Gallery, New York, in 1964. During that time, she worked in New York as an illustrator and a book designer (1962–1966). Between 1966–1969, Steir was an art director at Harper & Row publishing company, New York. Around 1970 she became friends with Sol LeWitt, Lawrence Weiner, and other conceptual artists, and she made the first of many trips to New Mexico to visit Agnes Martin. Wind and Water, color soap ground aquatint with soap ground aquatint reversal, spit bite aquatint and drypoint, 1996. Steir's first museum exhibition, in 1973 at the Corcoran Gallery of Art, Washington, D.C., marks the beginning of a career dense with painting exhibitions. She has also made installation work (shown at Documenta IX, Kassel, Germany, in 1992) and is an important printmaker. Crown Point Press began publishing her prints in 1977 and in 1983 the Spencer Museum of Art, University of Kansas, gave her a print and drawing exhibition. A print retrospective at the Cabinet des Estampes in Geneva traveled to the Tate Gallery in London, England. Steir has had one-person painting exhibitions at the Brooklyn Museum in 1984 and the New Museum of Contemporary Art in New York in 1987, both of which traveled to other museums, many in Europe. In the late 1980s, Steir became influenced by the artists John Cage and Agnes Martin and began producing dripped, splashed and poured works, embracing the element of chance. The artist relates this work to the 8th and 9th century Chinese Yipin "ink-splashing" painters, having studied ink splash in the harmony of nature and humanity, inspired by Tibetan philosophy. Wind and Water is an example of this phase of her work. In 1989–92 Steir began limiting her colors to monochrome. In 1995, the monograph Pat Steir was published by the American art critic Thomas McEvilley, chronicling the artist's' life work up to that point. In November 1999, Steir was the subject of an Art In America cover feature, "Watercourse Way," by critic G. Roger Denson, who wrote that Steir's lyrical waterfall paintings attest to her long-standing interest in Asian art and thought, particularly the ancient Chinese philosophy of Daoism, with Steir's literal and figurative motif embodying the flow of water (or in her case, paint) down a surface. Awards Steir has received many public honors for her work. She was the recipient of Individual Artist (1973) and Art in Public Institutions (1976) grants from the National Endowment for the Arts, and was awarded a Guggenheim Fellowship for Fine Arts in 1982. Both of her alma maters have recognized her: Pratt, with an Honorary Doctorate of Fine Art (1991) and a 2008 Alumni Achievement Award for “outstanding graduates who have distinguished themselves in their fields," and Boston University, with a Distinguished Alumni Award (2001). In 2016, Steir was elected a member of the American Academy of Arts and Letters. In 1972, Judy Chicago was invited by Miriam Schapiro to join forces in organizing the Feminist Art Program at the California Institute of the Arts. Art critics Lucy Lippard and Grace Glueck, along with artists Miriam Schapiro, Ellen Lanyon, and others, established East-West Bag, creating a network of women artists across the country. The Mary H. Dana Women Artists Series was initiated at the Mabel Smith Douglass Library at Rutgers University, giving much needed visibility early in their careers to many women artists, among them Joan Snyder, Pat Steir, Howardena Pindell...
Category

1990s Abstract Expressionist Pat Steir Art

Materials

Etching, Aquatint

Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
By Pat Steir
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dripped, splashed and poured “Waterfall” paintings, which she started in the 1980s, and for her later site-specific wall drawings. Steir has had retrospectives and exhibitions all over the world, including the Tate Gallery in London, and shows at the Brooklyn Museum and the New Museum of Contemporary Art that traveled throughout Europe. She has won numerous awards for her work, and is thoroughly represented in major museum collections in the United States and abroad, including the Metropolitan Museum of Art and the Museum of Modern Art in New York City and the Tate Gallery. She is a founding board member of Printed Matter bookshop in New York City, and of the landmark feminist journal, Heresies, first published in 1977. Steir has also taught art at Parsons School of Design, Princeton University and Hunter College. She has lived and worked primarily in New York City as an adult. As of September, 2016, Steir is represented by Lévy Gorvy in New York and London. Steir was born Iris Patricia Sukoneck in 1940 in Newark, New Jersey. She attended the Pratt Institute in New York (1956–1958), where she was influenced by her teachers Richard Lindner and Philip Guston, and Boston University College of Fine Arts (1958–1960). Steir returned to Pratt and earned a BFA degree in 1962. In 1962, the year she graduated from art school, Steir was included in a group show at the High Museum of Art in Atlanta, Georgia. In 1964, her work was in a show called “Drawings” at the Museum of Modern Art in New York. Her first one-person exhibition was at the Terry Dintenfass Gallery, New York, in 1964. During that time, she worked in New York as an illustrator and a book designer (1962–1966). Between 1966–1969, Steir was an art director at Harper & Row publishing company, New York. Around 1970 she became friends with Sol LeWitt, Lawrence Weiner, and other conceptual artists, and she made the first of many trips to New Mexico to visit Agnes Martin. Wind and Water, color soap ground aquatint with soap ground aquatint reversal, spit bite aquatint and drypoint, 1996. Steir's first museum exhibition, in 1973 at the Corcoran Gallery of Art, Washington, D.C., marks the beginning of a career dense with painting exhibitions. She has also made installation work (shown at Documenta IX, Kassel, Germany, in 1992) and is an important printmaker. Crown Point Press began publishing her prints in 1977 and in 1983 the Spencer Museum of Art, University of Kansas, gave her a print and drawing exhibition. A print retrospective at the Cabinet des Estampes in Geneva traveled to the Tate Gallery in London, England. Steir has had one-person painting exhibitions at the Brooklyn Museum in 1984 and the New Museum of Contemporary Art in New York in 1987, both of which traveled to other museums, many in Europe. In the late 1980s, Steir became influenced by the artists John Cage and Agnes Martin and began producing dripped, splashed and poured works, embracing the element of chance. The artist relates this work to the 8th and 9th century Chinese Yipin "ink-splashing" painters, having studied ink splash in the harmony of nature and humanity, inspired by Tibetan philosophy. Wind and Water is an example of this phase of her work. In 1989–92 Steir began limiting her colors to monochrome. In 1995, the monograph Pat Steir was published by the American art critic Thomas McEvilley, chronicling the artist's' life work up to that point. In November 1999, Steir was the subject of an Art In America cover feature, "Watercourse Way," by critic G. Roger Denson, who wrote that Steir's lyrical waterfall paintings attest to her long-standing interest in Asian art and thought, particularly the ancient Chinese philosophy of Daoism, with Steir's literal and figurative motif embodying the flow of water (or in her case, paint) down a surface. Awards Steir has received many public honors for her work. She was the recipient of Individual Artist (1973) and Art in Public Institutions (1976) grants from the National Endowment for the Arts, and was awarded a Guggenheim Fellowship for Fine Arts in 1982. Both of her alma maters have recognized her: Pratt, with an Honorary Doctorate of Fine Art (1991) and a 2008 Alumni Achievement Award for “outstanding graduates who have distinguished themselves in their fields," and Boston University, with a Distinguished Alumni Award (2001). In 2016, Steir was elected a member of the American Academy of Arts and Letters. In 1972, Judy Chicago was invited by Miriam Schapiro to join forces in organizing the Feminist Art Program at the California Institute of the Arts. Art critics Lucy Lippard and Grace Glueck, along with artists Miriam Schapiro, Ellen Lanyon, and others, established East-West Bag, creating a network of women artists across the country. The Mary H. Dana Women Artists Series was initiated at the Mabel Smith Douglass Library at Rutgers University, giving much needed visibility early in their careers to many women artists, among them Joan Snyder, Pat Steir, Howardena Pindell...
Category

1990s Abstract Expressionist Pat Steir Art

Materials

Etching, Aquatint

Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
By Pat Steir
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dripped, splashed and poured “Waterfall” paintings, which she started in the 1980s, and for her later site-specific wall drawings. Steir has had retrospectives and exhibitions all over the world, including the Tate Gallery in London, and shows at the Brooklyn Museum and the New Museum of Contemporary Art that traveled throughout Europe. She has won numerous awards for her work, and is thoroughly represented in major museum collections in the United States and abroad, including the Metropolitan Museum of Art and the Museum of Modern Art in New York City and the Tate Gallery. She is a founding board member of Printed Matter bookshop in New York City, and of the landmark feminist journal, Heresies, first published in 1977. Steir has also taught art at Parsons School of Design, Princeton University and Hunter College. She has lived and worked primarily in New York City as an adult. As of September, 2016, Steir is represented by Lévy Gorvy in New York and London. Steir was born Iris Patricia Sukoneck in 1940 in Newark, New Jersey. She attended the Pratt Institute in New York (1956–1958), where she was influenced by her teachers Richard Lindner and Philip Guston, and Boston University College of Fine Arts (1958–1960). Steir returned to Pratt and earned a BFA degree in 1962. In 1962, the year she graduated from art school, Steir was included in a group show at the High Museum of Art in Atlanta, Georgia. In 1964, her work was in a show called “Drawings” at the Museum of Modern Art in New York. Her first one-person exhibition was at the Terry Dintenfass Gallery, New York, in 1964. During that time, she worked in New York as an illustrator and a book designer (1962–1966). Between 1966–1969, Steir was an art director at Harper & Row publishing company, New York. Around 1970 she became friends with Sol LeWitt, Lawrence Weiner, and other conceptual artists, and she made the first of many trips to New Mexico to visit Agnes Martin. Wind and Water, color soap ground aquatint with soap ground aquatint reversal, spit bite aquatint and drypoint, 1996. Steir's first museum exhibition, in 1973 at the Corcoran Gallery of Art, Washington, D.C., marks the beginning of a career dense with painting exhibitions. She has also made installation work (shown at Documenta IX, Kassel, Germany, in 1992) and is an important printmaker. Crown Point Press began publishing her prints in 1977 and in 1983 the Spencer Museum of Art, University of Kansas, gave her a print and drawing exhibition. A print retrospective at the Cabinet des Estampes in Geneva traveled to the Tate Gallery in London, England. Steir has had one-person painting exhibitions at the Brooklyn Museum in 1984 and the New Museum of Contemporary Art in New York in 1987, both of which traveled to other museums, many in Europe. In the late 1980s, Steir became influenced by the artists John Cage and Agnes Martin and began producing dripped, splashed and poured works, embracing the element of chance. The artist relates this work to the 8th and 9th century Chinese Yipin "ink-splashing" painters, having studied ink splash in the harmony of nature and humanity, inspired by Tibetan philosophy. Wind and Water is an example of this phase of her work. In 1989–92 Steir began limiting her colors to monochrome. In 1995, the monograph Pat Steir was published by the American art critic Thomas McEvilley, chronicling the artist's' life work up to that point. In November 1999, Steir was the subject of an Art In America cover feature, "Watercourse Way," by critic G. Roger Denson, who wrote that Steir's lyrical waterfall paintings attest to her long-standing interest in Asian art and thought, particularly the ancient Chinese philosophy of Daoism, with Steir's literal and figurative motif embodying the flow of water (or in her case, paint) down a surface. Awards Steir has received many public honors for her work. She was the recipient of Individual Artist (1973) and Art in Public Institutions (1976) grants from the National Endowment for the Arts, and was awarded a Guggenheim Fellowship for Fine Arts in 1982. Both of her alma maters have recognized her: Pratt, with an Honorary Doctorate of Fine Art (1991) and a 2008 Alumni Achievement Award for “outstanding graduates who have distinguished themselves in their fields," and Boston University, with a Distinguished Alumni Award (2001). In 2016, Steir was elected a member of the American Academy of Arts and Letters. In 1972, Judy Chicago was invited by Miriam Schapiro to join forces in organizing the Feminist Art Program at the California Institute of the Arts. Art critics Lucy Lippard and Grace Glueck, along with artists Miriam Schapiro, Ellen Lanyon, and others, established East-West Bag, creating a network of women artists across the country. The Mary H. Dana Women Artists Series was initiated at the Mabel Smith Douglass Library at Rutgers University, giving much needed visibility early in their careers to many women artists, among them Joan Snyder, Pat Steir, Howardena Pindell...
Category

1990s Abstract Expressionist Pat Steir Art

Materials

Etching, Aquatint

"Beautiful, " white ground aquatint and drypoint by Pat Steir
By Pat Steir
Located in Milwaukee, WI
"Beautiful" is a white-ground aquatint and drypoint by Pat Steir. It is from an edition of 120 and the artist signed and dated the piece lower right. It was published by "The Madison...
Category

Early 2000s Abstract Pat Steir Art

Materials

Drypoint, Aquatint

BREADFRUIT, 1983, screenprint on paper (A pink flower from a breadfruit tree)
By Pat Steir
Located in New York, NY
One color screen print on paper by the renowned American painter and printmaker, Pat Steir. This impression is hand signed and numbered from the edition of 144. There are also 18 sig...
Category

1980s Minimalist Pat Steir Art

Materials

Screen

Breadfruit (Lincoln Center Print)
By Pat Steir
Located in Palm Desert, CA
An abstract lithograph print by Post War artist Pat Steir. Signed lower right, "Pat Steir '83". Edition lower left, "85/144 Breadfruit".
Category

1980s Post-War Pat Steir Art

Materials

Lithograph

Pat Steir art for sale on 1stDibs.

Find a wide variety of authentic Pat Steir art available for sale on 1stDibs. You can also browse by medium to find art by Pat Steir in etching, aquatint, screen print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Pat Steir art, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Carmen Cicero, Gabor F. Peterdi, and jean-Michel Atlan. Pat Steir art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $750 and tops out at $7,500, while the average work can sell for $1,250.

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