Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Pat Steir
Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist

1997

About the Item

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dripped, splashed and poured “Waterfall” paintings, which she started in the 1980s, and for her later site-specific wall drawings. Steir has had retrospectives and exhibitions all over the world, including the Tate Gallery in London, and shows at the Brooklyn Museum and the New Museum of Contemporary Art that traveled throughout Europe. She has won numerous awards for her work, and is thoroughly represented in major museum collections in the United States and abroad, including the Metropolitan Museum of Art and the Museum of Modern Art in New York City and the Tate Gallery. She is a founding board member of Printed Matter bookshop in New York City, and of the landmark feminist journal, Heresies, first published in 1977. Steir has also taught art at Parsons School of Design, Princeton University and Hunter College. She has lived and worked primarily in New York City as an adult. As of September, 2016, Steir is represented by Lévy Gorvy in New York and London. Steir was born Iris Patricia Sukoneck in 1940 in Newark, New Jersey. She attended the Pratt Institute in New York (1956–1958), where she was influenced by her teachers Richard Lindner and Philip Guston, and Boston University College of Fine Arts (1958–1960). Steir returned to Pratt and earned a BFA degree in 1962. In 1962, the year she graduated from art school, Steir was included in a group show at the High Museum of Art in Atlanta, Georgia. In 1964, her work was in a show called “Drawings” at the Museum of Modern Art in New York. Her first one-person exhibition was at the Terry Dintenfass Gallery, New York, in 1964. During that time, she worked in New York as an illustrator and a book designer (1962–1966). Between 1966–1969, Steir was an art director at Harper & Row publishing company, New York. Around 1970 she became friends with Sol LeWitt, Lawrence Weiner, and other conceptual artists, and she made the first of many trips to New Mexico to visit Agnes Martin. Wind and Water, color soap ground aquatint with soap ground aquatint reversal, spit bite aquatint and drypoint, 1996. Steir's first museum exhibition, in 1973 at the Corcoran Gallery of Art, Washington, D.C., marks the beginning of a career dense with painting exhibitions. She has also made installation work (shown at Documenta IX, Kassel, Germany, in 1992) and is an important printmaker. Crown Point Press began publishing her prints in 1977 and in 1983 the Spencer Museum of Art, University of Kansas, gave her a print and drawing exhibition. A print retrospective at the Cabinet des Estampes in Geneva traveled to the Tate Gallery in London, England. Steir has had one-person painting exhibitions at the Brooklyn Museum in 1984 and the New Museum of Contemporary Art in New York in 1987, both of which traveled to other museums, many in Europe. In the late 1980s, Steir became influenced by the artists John Cage and Agnes Martin and began producing dripped, splashed and poured works, embracing the element of chance. The artist relates this work to the 8th and 9th century Chinese Yipin "ink-splashing" painters, having studied ink splash in the harmony of nature and humanity, inspired by Tibetan philosophy. Wind and Water is an example of this phase of her work. In 1989–92 Steir began limiting her colors to monochrome. In 1995, the monograph Pat Steir was published by the American art critic Thomas McEvilley, chronicling the artist's' life work up to that point. In November 1999, Steir was the subject of an Art In America cover feature, "Watercourse Way," by critic G. Roger Denson, who wrote that Steir's lyrical waterfall paintings attest to her long-standing interest in Asian art and thought, particularly the ancient Chinese philosophy of Daoism, with Steir's literal and figurative motif embodying the flow of water (or in her case, paint) down a surface. Awards Steir has received many public honors for her work. She was the recipient of Individual Artist (1973) and Art in Public Institutions (1976) grants from the National Endowment for the Arts, and was awarded a Guggenheim Fellowship for Fine Arts in 1982. Both of her alma maters have recognized her: Pratt, with an Honorary Doctorate of Fine Art (1991) and a 2008 Alumni Achievement Award for “outstanding graduates who have distinguished themselves in their fields," and Boston University, with a Distinguished Alumni Award (2001). In 2016, Steir was elected a member of the American Academy of Arts and Letters. In 1972, Judy Chicago was invited by Miriam Schapiro to join forces in organizing the Feminist Art Program at the California Institute of the Arts. Art critics Lucy Lippard and Grace Glueck, along with artists Miriam Schapiro, Ellen Lanyon, and others, established East-West Bag, creating a network of women artists across the country. The Mary H. Dana Women Artists Series was initiated at the Mabel Smith Douglass Library at Rutgers University, giving much needed visibility early in their careers to many women artists, among them Joan Snyder, Pat Steir, Howardena Pindell, Joyce Kozloff, and Nancy Spero. Exhibitions In a career spanning over fifty years, Steir has exhibited at a large number of galleries and institutions, throughout the U.S. and internationally. Selected galleries where she has had solo exhibitions include: Terry Dintenfass Gallery, Max Protetch Gallery, Crown Point Press, M. Knoedler & Co., Victoria Miro Gallery, Robert Miller Gallery, Cheim & Read, Locks Gallery, and Lévy Gorvy. Selected museums and institutions that have held retrospectives and exhibitions of her work include: Ball State University, Corcoran Gallery of Art (1973); Spencer Museum of Art, Contemporary Arts Museum, Houston (1983); Brooklyn Museum (1984); Cincinnati Art Museum, Philadelphia College of Art (1985); Museum of Fine Arts Bern, The New Museum of Contemporary Art, The Baltimore Museum of Art (1987); and Musée d'art contemporain de Lyon (1990). Collections Steir’s work is included in major public collections around the world, including: Metropolitan Museum of Art (New York City); Museum of Modern Art, Whitney Museum of American Art, Solomon R. Guggenheim Museum (New York City), National Gallery of Art (Washington, D. C.), Tate Gallery (London), Honolulu Museum of Art, Walker Art Center, San Francisco Museum of Modern Art, and Contemporary Museum, Honolulu.
  • Creator:
    Pat Steir (1938, American)
  • Creation Year:
    1997
  • Dimensions:
    Height: 22.25 in (56.52 cm)Width: 15.5 in (39.37 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    the colored image impression is 9.75 X 9.75 inches.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38213691682

More From This Seller

View All
Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
By Pat Steir
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...
Category

1990s Abstract Expressionist Abstract Prints

Materials

Etching, Aquatint

Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
By Pat Steir
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...
Category

1990s Abstract Expressionist Abstract Prints

Materials

Etching, Aquatint

Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
By Pat Steir
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...
Category

1990s Abstract Expressionist Abstract Prints

Materials

Etching, Aquatint

Comet, Outer Space Dark Series Aquatint Etching Color Abstract Expressionist
By Pat Steir
Located in Surfside, FL
Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...
Category

1990s Abstract Expressionist Abstract Prints

Materials

Etching, Aquatint

Antoni Tapies Post Modern Abstract Expressionist Aquatint
By Antoni Tàpies
Located in Surfside, FL
Size includes frame. There is a plate impression at the image that leads me to believe this is an aquatint. Antoni Tàpies i Puig, 1st Marquis of Tàpies (Catalan: 13 December 1923 – ...
Category

20th Century Abstract Expressionist Abstract Prints

Materials

Etching, Aquatint

Spanish Post Modern Abstract Aquatint Color Etching Antoni Tapies
By Antoni Tàpies
Located in Surfside, FL
Antoni Tapies (Spanish, 1923-2012) Color Etching, aquatint and polychrome carborundum print Estisores-2, c. 1979 Hand signed and numbered 31/75 in pencil in the lower margin, publi...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Etching, Aquatint

You May Also Like

Put out All Flags
By Robert Motherwell
Located in New York, NY
A superb impression of this color aquatint and lift-ground etching on German Etching paper. Signed and numbered 22/50 in pencil by Motherwell. Printed by Catherine Mosley in the arti...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Color, Etching, Aquatint

Oiseau Entre deux Astres
By Joan Miró
Located in New York, NY
A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Color, Etching, Aquatint

Dance III (Red)
By Robert Motherwell
Located in New York, NY
A very good impression of this color aquatint on J. B. Green paper. Signed and numbered 5/50 in pencil by Motherwell. Printed by Catherine Mousley in the artist's studio, Greenwich, ...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Color, Aquatint

Primal Sign VI (Moss)
By Robert Motherwell
Located in New York, NY
A very good impression of this color aquatint and lift-ground etching on Arches cover paper. Initialed and numbered 3/32 in pencil by Motherwell. Printed by Catherine Mosley at the a...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Color, Etching, Aquatint

Untitled
By Cleve Gray
Located in New York, NY
A very good impression of this large, scarce print, color aquatint on white wove Fabriano paper. Artist's proof, aside from the edition of 35. Signed and inscribed "artist's proof" ...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Color, Aquatint

Red Sea I
By Robert Motherwell
Located in New York, NY
A very good impression of this color aquatint and lift-ground etching and aquatint on Arches Cover paper. Signed and numbered 15/100 by Motherwell. There are 20 artist proofs, number...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Aquatint, Etching

Recently Viewed

View All