Skip to main content

Abstract Expressionist Prints and Multiples

to
315
301
269
584
272
252
Overall Width
to
Overall Height
to
21,173
18,690
10,667
6,303
5,223
2,719
1,556
1,465
1,383
895
873
429
344
199
117
78
44
31
30
5
1,420
253
2
2
1
3
15
47
213
367
402
168
1,021
524
127
110
92
68
29
26
22
22
17
17
15
15
12
12
12
11
10
10
10
9
9
683
354
258
145
118
257
533
1,324
276
Style: Abstract Expressionist
A Paintings Retrospective: vintage LACMA Museum poster depicting her 1963 work
Located in New York, NY
Helen Frankenthaler (after) A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & Unnumbered) 37 × 25 inches Unframed This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA) Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

1990s Abstract Expressionist Prints and Multiples

Materials

Offset, Lithograph

Hand-painted Aluminium Limited Edition#3-Summer Night-British Awarded Artist
Located in London, GB
"Day For Night-Summer Night" captures a view from the east side of Shizico Yi's long garden, looking towards the west gate where the 130-year-old lime trees canopy frames her summer ...
Category

2010s Abstract Expressionist Prints and Multiples

Materials

Giclée, Archival Pigment, Digital Pigment

Composition (Belknap 354-380; Engberg/Banach 415-441), Three Poems
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist Prints and Multiples

Materials

Lithograph

Folsom Street Variation III (Primaries)
Located in New York, NY
Superb color work by American Abstract Expressionist master Richard Diebenkorn, from a limited edition of 60. Signed by Diebenkorn and numbered in pencil. Published by Crown Point ...
Category

Late 20th Century Abstract Expressionist Prints and Multiples

Materials

Aquatint

Untitled
Located in Wilton Manors, FL
Untitled, ca. 1960. Lithograph on paper, sheet measuring 18.5 x 26.5 inches Measuring 27 x 35 inches in original mid-century beveled oak frame. Signed and numbered in pencil by ...
Category

Mid-20th Century Abstract Expressionist Prints and Multiples

Materials

Lithograph

Oiseau Entre deux Astres
Located in New York, NY
A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...
Category

1960s Abstract Expressionist Prints and Multiples

Materials

Color, Etching, Aquatint

Joan Mitchell, Untitled, from The Poems, 1960
Located in Southampton, NY
This exquisite silkscreen by Joan Mitchell (1925–1992), titled Untitled, from the album The Poems, originates from the 1960 edition published and printed by Tiber Press, New York, un...
Category

1960s Abstract Expressionist Prints and Multiples

Materials

Screen

White Lotus Lithograph
Located in Soquel, CA
White Lotus Lithograph A limited edition lithograph by listed artist Hoi Lebadang, (Vietnamese/French, 1922 – 2015). This print displays an ethereal lotus flower to center, known to ...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Paper, Ink, Lithograph

Untitled
Located in Toronto, Ontario
Willem de Kooning (1904-1997) was one of the torchbearers of post-war American abstraction and one of the most important artists of the 20th century. With a career spanning nearly ...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Paper, Screen

The Darker Palette print, Hand signed twice and inscribed by Helen Frankenthaler
Located in New York, NY
Helen Frankenthaler (after) Frankenthaler: The Darker Palette (autographed and inscribed), 1998 Offset Lithograph print 42 × 35 in hand signed "Frankenthaler" lower left; inscribed a...
Category

1990s Abstract Expressionist Prints and Multiples

Materials

Offset, Lithograph

Complicite  1980 Signed Lithograph with Screen Printing
Located in Rochester Hills, MI
Guillaume Corneille Complicite 1980 Print, Signed Lithograph on wove paper 25½ x 19½ " inches Signed in pencil and dated Cat added  by artist As a co-founder of the famed experimen...
Category

1980s Abstract Expressionist Prints and Multiples

Materials

Lithograph, Screen

Spring Run XVI
Located in New York, NY
Vivid color monotype by American Abstract Expressionist artist Helen Frankenthaler, signed by the artist in pencil, lower right. Printed and published in collaboration with Tyler Graphics...
Category

Late 20th Century Abstract Expressionist Prints and Multiples

Materials

Monotype

Frankenthaler, Solar Imp 2001, Lincoln Center New York City Ballet
Located in Fairfield, CT
Artist: After Helen Frankenthaler (1928-2011) Title: Solar Imp (Lincoln Center Salute’s the New York City Ballet) Year: 2001 Medium: Silkscreen poster on extra thick Somerset paper E...
Category

Early 2000s Abstract Expressionist Prints and Multiples

Materials

Screen

Frank Stella Hand Signed 93/100 Whitney Museum Lithograph Abstract Expressionist
Located in New York, NY
Frank Stella Large Limited Edition Hand Signed Whitney Museum Print, 1985 Offset Lithograph Hand signed, dated and numbered 93 from the edition of 100, lower left front 75 7/10 × 52 ...
Category

1980s Abstract Expressionist Prints and Multiples

Materials

Lithograph, Offset

Free Space - Blue
Located in Toronto, Ontario
The essence of Lee Krasner's (1908-1984) biography is familiar to anyone who has studied women's role in 20th century art history: An accomplished artist whose own output gets eclips...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Screen

The Old in and Out, Abstract Screenprint by Ray Elman
Located in Long Island City, NY
In this abstract print by Ray Elman, the artist creates a series of wave-like forms over textual tide charts for an undisclosed area. The Old in and Out Ra...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Screen

Ad Reinhardt, Untitled, from Ten Works by Ten Painters, 1964
By Ad Reinhardt
Located in Southampton, NY
This exquisite silkscreen by Ad Reinhardt (1913–1967), titled Untitled, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum...
Category

1960s Abstract Expressionist Prints and Multiples

Materials

Screen

Untitled Abstract Expressionist lithograph, from Carnegie Museum (155 Lembark)
Located in New York, NY
Sam Francis Untitled (from Fresh Air School), 1972 Lithograph on wove paper, for the Carnegie Museum of Art 15 × 22 inches Limited Edition of 6,000 (unsigned edition; there is a sepa...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Lithograph

abstract composition
By Marie Raymond
Located in Belgrade, MT
This color lithograph is part of my private collection since the 1970's. Marie Raymond was a pioneer post WWII painter of her generation. She was a lyrical abstractionist of her time...
Category

Mid-20th Century Abstract Expressionist Prints and Multiples

Materials

Color, Lithograph

Lake house, 80х80cm, print on canvas.Edition of 20 pieces
Located in Yerevan, AM
Edition of 20 pieces
Category

2010s Abstract Expressionist Prints and Multiples

Materials

Canvas, Color

Nocturne V (Belknap 354-380; Engberg/Banach 415-441), Three Poems
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist Prints and Multiples

Materials

Lithograph

Pierre Soulages - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Pierre Soulages - Original Lithograph Published in the deluxe art review "XXe siècle" 1970 Unsigned as published Dimensions: 32 x 24 cm Pierre Soulages or the "painter of black" as ...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Lithograph

Lincoln Center Mostly Mozart, 25th Anniversary, Lithograph by Robert Motherwell
Located in Long Island City, NY
Artist: Robert Motherwell, American (1915 - 1991) Title: Lincoln Center Mostly Mozart, 25th Anniversary Year: 1991 Medium: Lithograph and Screenprint on ...
Category

1990s Abstract Expressionist Prints and Multiples

Materials

Lithograph, Screen

"Untitled" (one plate from "Maitres-Graveurs Contemporains" - Berggruen & Cie)
Located in Kansas City, MO
Joan Miró "Untitled" (one plate from "Maitres-Graveurs Contemporains" - Berggruen & Cie, 1970) Color lithograph Year: 1970 Size: 9.0 × 9.8 on 9.4 × 11.1 inches Catalogue raisonné: C...
Category

1980s Abstract Expressionist Prints and Multiples

Materials

Lithograph

Augusto Marin exhibition poster (Puerto Rican artist)
Located in Wilton Manors, FL
Beautiful exhibition poster by Puerto rican artist, Rafael Tufino (1922-2008). Augusto Marin, Exposicion de Pinturas, 1965. Screen print on paper, 20 x 3...
Category

Mid-20th Century Abstract Expressionist Prints and Multiples

Materials

Screen

Nocturne I (Belknap 354-380; Engberg/Banach 415-441), Three Poems
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist Prints and Multiples

Materials

Lithograph

Flashback VI, Flashback Series, John Chamberlain
Located in Fairfield, CT
Artist: John Chamberlain (1927-2011) Title: Flashback VI Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 151/175, plus proofs Size: 28 x 20 inches Inscription: Signed ...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Lithograph

UNTITLED (From the ARTSOUNDS Collection)
Located in New York, NY
BURTON VAN DEUSEN Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 signed and numbered in pencil by the artist...
Category

1980s Abstract Expressionist Prints and Multiples

Materials

Offset

Abstract Expressionist Lithograph for the Carnegie Museum of Art, Lt Ed. of 1000
Located in New York, NY
Joan Mitchell Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972 Lithograph on wove paper 15 × 22 inches Limited Edition of 1000 (unnumbered) Printer: Maeght...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Lithograph

'Feu sous L'eau' (Fire Under Water) —Mid-century Modernism, Atelier 17
Located in Myrtle Beach, SC
Stanley William Hayter, 'Feu sous L'eau (Fire Under Water)', color engraving, soft-ground etching and scorper with yellow silkscreen, 1955, edition 50 plus 10 artist proofs, Black & Moorhead 221. Signed, titled 'Fire Under Water', dated and annotated 'Essai' in pencil. Dedicated in the artist’s hand 'for Adja & Dove WH Bill 17–5–55' in the top margin. A superb, richly inked impression with fresh colors, on heavy, cream wove paper; wide margins (2 1/2 to 3 7/8 inches), in excellent condition. One of 10 artist’s proofs. Image size 10 3/16 x 7 inches; sheet size 18 1/8 x 12 1/4 inches. Matted to museum standards, unframed. ABOUT THIS WORK In 1950 Hayter returned to Paris and reopened Atelier 17. Works such as 'Fire Under Water' reveal newfound influences, such as that of the Ardèche area of southern France, where he acquired a house in 1951 and frequently visited. Hayter took great interest in the flowing Escoutay River, an experience that parallels the artist and co-director of Atelier 17 Krishna Reddy’s interest in depicting water. While some forms in this print evoke the natural world, the palette of contrasting tones of purple, yellow, black, and white reflects Hayter’s belief in using color intuitively to express emotions and evoke feelings. The sharp white relief lines from the paper and the textural effects realized through soft-ground etching operate in tandem with the sweeping curves and bold colors to give the composition a sense of vitality and dynamism. —edited from the Metropolitan Museum of Art Published by 'La Jeune Gravure Contemporaine', Paris. Impressions of this work are in the following collections: British Museum, Metropolitan Museum of Art, National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...
Category

1950s Abstract Expressionist Prints and Multiples

Materials

Engraving, Etching

Ring Taboo, Abstract Expressionist Screenprint by Dan Christensen
Located in Long Island City, NY
Dan Christensen, American (1942 - 2007) - Ring Taboo, Year: circa 1980, Medium: Screenprint, Signed and numbered in Pencil, Edition: 160, Size: 29.5 x 43 in. (74.93 x 109.22 cm)
Category

1980s Abstract Expressionist Prints and Multiples

Materials

Screen

Lake house, 80х80cm, print on canvas.Edition of 20 pieces
Located in Yerevan, AM
Edition of 20 pieces
Category

2010s Abstract Expressionist Prints and Multiples

Materials

Canvas, Color

Willem de Kooning, Untitled, from Poems, 1988
Located in Southampton, NY
This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...
Category

1980s Abstract Expressionist Prints and Multiples

Materials

Lithograph

Robert Motherwell, Untitled, from Ten Works by Ten Painters, 1964
Located in Southampton, NY
This exquisite silkscreen by Robert Motherwell (1915–1991), titled Untitled, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Ath...
Category

1960s Abstract Expressionist Prints and Multiples

Materials

Screen

Hands, Large Abstract Expressionist Etching by Louisa Chase
Located in Long Island City, NY
Louisa Chase, American (1951 - 2016) - Untitled - Hands (Primary), Year: 1990, Medium: Etching and Chine Colle, Signed and Numbered in Pencil, Edition: 30, Size: 35 x 48.5 in. (8...
Category

1990s Abstract Expressionist Prints and Multiples

Materials

Etching

Reflections of Lake Como
Located in Chesterfield, MI
Howard Behrens is Chicago born artist famous for his heavy palette style. This giclee of Lake Como is a signed limited edition, embellished and an artist print. It is numbered 22...
Category

Late 20th Century Abstract Expressionist Prints and Multiples

Materials

Giclée

Joan Mitchell, Untitled, from The Poems, 1960
Located in Southampton, NY
This exquisite silkscreen by Joan Mitchell (1925–1992), titled Untitled, from the album The Poems, originates from the 1960 edition published and printed by Tiber Press, New York, un...
Category

1960s Abstract Expressionist Prints and Multiples

Materials

Screen

Sans titre
Located in Barbizon, FR
Lithographie originale en 8 couleurs, édition en 99 exemplaires sur papier Arches, 26 épreuves sur papier Japon et 25 épreuves d'artistes. Epreuve signée et datée 98, numérotée 28/99...
Category

20th Century Abstract Expressionist Prints and Multiples

Materials

Lithograph

Meduse, Very scarce mid century modern abstract expressionist Signed/N Framed
Located in New York, NY
Stanley WIlliam (Bill) Hayter Meduse, 1958 High Viscosity Etching & Engraving Pencil signed, titled and numbered from the edition of 50 (10/50) on th...
Category

Mid-20th Century Abstract Expressionist Prints and Multiples

Materials

Mixed Media, Etching, Aquatint

Impressions of Women, Suite of 5 Lithographs by Doo Shik Lee
Located in Long Island City, NY
Artist: Doo Shik Lee, Korean (1947 - 2013) Title: Impressions of Women Year: 1993 Medium: Suite of Five Lithographs on Arches, Each signed and numbered in pencil Edition: 175 Size: ...
Category

1990s Abstract Expressionist Prints and Multiples

Materials

Lithograph

Sam Gilliam, Cuatro, Monoprint with collage acrylic stitching & embossing Signed
Located in New York, NY
Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...
Category

1990s Abstract Expressionist Prints and Multiples

Materials

Mixed Media, Acrylic, Monoprint, Screen

Sam Francis, Blue-Violet, Lithograph, Stanford University Museum, Signed, Framed
Located in New York, NY
Sam Francis Blue-Violet (Lembark, L, 32), exhibited at Stanford University Art Museum, 1963 Color lithograph on Rives BFK paper with deckled edges Lithograph in blue-violet on Rives ...
Category

1960s Abstract Expressionist Prints and Multiples

Materials

Lithograph

Blue Composition by Andre Lanskoy
Located in New York, NY
This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interactio...
Category

1960s Abstract Expressionist Prints and Multiples

Materials

Lithograph

Jasha Green, Abstract 9 Lithograph, circa 1976
Located in Long Island City, NY
This lithograph was created by American artist Jasha Green (1923-2006). Known for his abstract expressionist vision, some of his prints also show his appreciation for op art and surrealism...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Lithograph

Solar Imp
Located in New York, NY
Screenprint in colors on wove paper. Signed by the artist in pencil and also numbered 96/126 in pencil. Published by Lincoln Center List Poster and Print Program, New York. Second ...
Category

Early 2000s Abstract Expressionist Prints and Multiples

Materials

Screen, Color

Untitled, CR1095 (after painting Number 22, CR344), 1951, printed 1964
Located in Roma, IT
JACKSON POLLOCK (American, 1912-1956) Untitled, CR1095 (after painting Number 22, CR344), 1951, printed 1964 Screenprint, on Strathmore wove paper, numbered 49/50 in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left From the posthumous printing of 50 authorized by his widow, Lee Krasner, in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...
Category

1960s Abstract Expressionist Prints and Multiples

Materials

Screen

"Untitled Landscape" Orange, Green, Serigraph, Signed Lower Front
Located in Detroit, MI
SALE ONE WEEK ONLY “Untitled Landscape” is a serigraph in various shades of green and orange. Although it has an Art Nouveau feel to it, it can be described as Lyrical Abstraction. ...
Category

Mid-20th Century Abstract Expressionist Prints and Multiples

Materials

Paper, Screen

Untitled Abstract Picture (Limited edition authorized promotional reproduction)
Located in New York, NY
Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper - Artist Authorized reproduction Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...
Category

Early 2000s Abstract Expressionist Prints and Multiples

Materials

Lithograph, Offset

Summer Joy, Abstract Expressionist Color Aquatint by Mark Tobey
Located in Long Island City, NY
Mark Tobey, American (1890 - 1976) - Summer Joy, Year: 1971, Medium: Color Aquatint, signed, numbered and dated in pencil, Edition: 10/96, Image Size: 10.75 x 8.75 inches, Frame Si...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Aquatint

Intimate Lighting, Pastel Abstract Screenprint by Robert Natkin
Located in Long Island City, NY
Artist: Robert Natkin, American (1930 - 2010) Title: Intimate Lighting II Year: 1972 Medium: Screenprint on Cream Arches Paper, signed, dated and numbered in pencil Edition: 36/150 S...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Screen

Rammellzee Annina Nosei Gallery 1983 (Rammellzee Gothic Futurism announcement)
Located in NEW YORK, NY
Rammellzee Annina Nosei Gallery, New York, 1983 (Rammellzee Gothic Futurism, Rammellzee Ikonoklast Panzerism): RARE Rammellzee illustrated announcement card published by Annina Nosei...
Category

1980s Abstract Expressionist Prints and Multiples

Materials

Paper, Lithograph, Offset

Invisible Flying Object 1977 Signed Limited Edition Lithograph
Located in Rochester Hills, MI
Pierre Alechinsky Invisible Flying object - 1977 Print - Lithograph on Arches Archival Paper   25.75'' x 19.5'' Edition: Signed in pencil and marked 10/100 After completing his studies at the École Nationale des Arts Décoratifs in 1947, Pierre Alechinsky immediately became one of the founders and most active members of the CoBrA group . He began working with other members 'four-handed', especially with Appel and Dotremont, producing oil paintings filled with a multitude of small figures; his taste for ironical titles and curved lines was already becoming evident. After Cobra disbanded, Alechinsky moved to Paris where he studied printmaking and moved in Surrealist circles. His work contains residual figurative motifs, such as goblins, reptiles of every description, volcanoes, and rushing streams. The beasts and geographical elements arouse disquiet as well as smiles of complicity. The recipient of the Andrew Mellon...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Lithograph

Seascape, Abstract Expressionist Aquatint by Alison Hildreth
Located in Long Island City, NY
Alison Hildreth, American (1934 - ) - Seascape, Year: 1995, Medium: Aquatint, signed, dated and numbered in pencil, Edition: AP, Image Size: 14.5 x 21.5 inches, Size: 15.5 x 22 ...
Category

1990s Abstract Expressionist Prints and Multiples

Materials

Aquatint

Sam Francis, Karel Appel & Walasse Ting, lithographs, hand signed, 85/100 Framed
Located in New York, NY
From the rare, fully signed edition of One Cent Life - only 100 examples were hand signed by the artists. Exceptional provenance from Robert Indiana's estate. Sam Francis, Karel App...
Category

1960s Abstract Expressionist Prints and Multiples

Materials

Lithograph

Alan Shields, Alice in Grayland, Mixed media collage, abstract Signed Unique Var
Located in New York, NY
Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Mixed Media, Handmade Paper, Etching, Aquatint, Screen

Nothing to Do, Karel Appel
Located in Fairfield, CT
Artist: Karel Appel (1921-2006) Title: Nothing to Do Year: 1974 Medium: Silkscreen on Somerset paper Edition: H.C.;110, plus proofs Size: 27 x 39.25 inches Condition: Good Inscriptio...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Screen

Robert Natkin Abstract Lithograph Signed Numbered
Located in Detroit, MI
SALE ONE WEEK ONLY Soft pastel colors in floating smudges lay between and around lyrical abstract geometric and organic forms giving a diaphanous color and shape harmony to the work...
Category

1990s Abstract Expressionist Prints and Multiples

Materials

Lithograph

Hand-Painted Large Artist Proof-Summer Night-British Awarded Artist-One Off
Located in London, GB
This stunning Artist's Proof is an one-off, oil hand-painted, signed at front and on the back label too; each proof is 80% hand painted by Shizico Yi, because the nature of hand mixe...
Category

2010s Abstract Expressionist Prints and Multiples

Materials

Gesso, Archival Ink, Oil, Acrylic, Archival Paper, Giclée

Net, Abstract Expressionist Etching and Aquatint by Mary Anne Watson
Located in Long Island City, NY
Mary Anne Watson, American - Net, Year: 1967, Medium: Etching and Aquatint, signed, titled, numbered and dated, Edition: 3/25, Image Size: 12 x 12 inches, Size: 18.5 x 18 in. (46.9...
Category

1960s Abstract Expressionist Prints and Multiples

Materials

Etching, Aquatint

Willem de Kooning rare 1970s Abstract Expressionist print Signed/N small edition
Located in New York, NY
Willem de Kooning Annual Spring Invitational Art Exhibition (limited edition, hand signed & numbered by Willem de Kooning), 1979 Offset lithograph (hand signed and numbered) Sign...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Lithograph, Offset

Abstract Expressionist prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Abstract Expressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Robert Motherwell, Sam Francis, Joan Miró, and Helen Frankenthaler. Frequently made by artists working with Lithograph, and Screen Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Abstract Expressionist prints and multiples, so small editions measuring 0.02 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $96,000, while the average work sells for $1,337.

Still Thinking About These?

All Recently Viewed